The Excavation of a Jin Dynasty Tomb at Shangzhuang Village, Qinxian County, Shanxi Province

2017 ◽  
Vol 4 (001-004) ◽  
pp. 78-89
Keyword(s):  
2015 ◽  
Vol 8 (1) ◽  
pp. 38 ◽  
Author(s):  
Xican Li

<p class="1Body">To provide more updated and accurate information on Faxian, an eminent monk of ancient China’s Jin Dynasty (266–421 CE), the present study conducts a literature survey to analyze his native region. It is found that Faxian was actually born in modern Linfen City in Shanxi Province, not Xiangyuan County as previously described. In his childhood, he became a novice monk and was compassionate toward the poor. To search out and collect Buddhist scriptures, Faxian undertook a westward pilgrimage to India from 399 to 412 CE. During this hard and dangerous pilgrimage, Faxian burst into tears three times. Finally, he succeeded in bringing a trove of Buddhist scriptures back to China from India. For the rest of his life, along with Buddhabhadra, he was engaged in translating Buddhist scriptures into Chinese. These translated scriptures were highly beneficial for Chinese Buddhism, especially the precepts (sila-vinaya) and Mahāyāna works. Faxian himself is demonstrated to have been a Mahāyāna Buddhist follower. His pilgrimage experience was recorded in his work “Record of Buddhist Kingdoms”, which provides important information about ancient Asian kingdoms. Faxian’s story promoted Asian tourism relevant to Buddhist culture. As a pioneer in the 4<sup>th</sup> century, Faxian started a new era of westbound pilgrimage to ancient India, including the similar pilgrimages of Xuanzang and Yijing in the 7<sup>th</sup> century. Even today, Faxian continues to strengthen friendship among Asian countries.</p>


2012 ◽  
Vol 253-255 ◽  
pp. 67-70
Author(s):  
Lin Chai ◽  
Xiang Dong Zhu ◽  
Chong En Wang

Southeastern region of Shanxi Province exist the most architectures of Song and Jin Dynasty in Shanxi. As society and religions in Song Dynasty develop, the ancient architectures were paid more attention. The article takes Zhangzi Chongqing temple as an example to explore the characteristics of construction space form and artistic value through the analysis on the surrounding environment, group combination, plane layout and artistic value. This article provides strong evidence for the future researches on architecture style of Song Dynasty.


2020 ◽  
Vol 5 (3) ◽  
pp. 116-135
Author(s):  
Borbala Obrusanszky

Because of a fierce battle among crown princes of the Huns, the great Hunnic Empire was divided into two parts in 53 BC, when two brother, Huhanye [呼韓邪] and Zhizhi [郅支] fought for the throne of the Huns. The southern part led by Huhanye was submitted to the Han-dynasty. The northern part remained independent for a while, while the southern part, under the guidance of Huhanye Shanyu, concluded an agreement with the Han dynasty. The Huns received a wide ranging autonomy inside the Chinese Empire. A new situation emerged when the Han Empire weakened, from the second half of the 2nd century onward, and, instead of the elected emperors, eunuchs, and later on several warlords, who served the Han dynasty, acquired the main power, took control over certain territories of the former Han dynasty, and gradually created independent kingdoms. The Southern Huns were not able to achieve their independence from the Chinese Empire, because the great warlord Cao Cao [曹操] occupied a big part of the Empire, which contained the territory of the Huns. Right that period [3rd century CE], one significant portion of the Huns – the Beidi Huns – lived in the eastern part of Yellow River, today Shanxi province. The Jin shu chronicle [an official Chinese historical text covering the history of the Jin dynasty from 265 to 420] includes a summary account of their life and short history. I present some important details of that account. 


Author(s):  
Yawei Zhang ◽  
Guanhua Ren ◽  
Xiang Zhou ◽  
Lu Zhou ◽  
La Ta ◽  
...  

Abstract Terahertz (THz) technology is particularly suitable for non-destructive detection of porcelain sherd due to the unique properties of non-ionizing, high penetration, and broad-spectrum. In this paper, we investigated the reflection characteristics of the pigments and sediments for red and green porcelain sherd of Bayi kiln made in Shanxi province during the Jin Dynasty by terahertz time-domain spectroscopy (THz-TDS), obtaining the spectral responses of different components. Furthermore, Raman spectroscopy was used as a complementary technique to complete the qualitative analysis of the pigments and sediments. In addition, the reflective THz imaging was performed to visualize the pigments and sediments in different regions of the porcelain sherd, realizing the visual detection of the pattern on the surface of porcelain sherd. These results show that THz-TDS and THz-imaging can serve as effective tools for the detection and analysis of ancient Chinese porcelain.


2020 ◽  
Author(s):  
Xiaojian Bai ◽  
Chen Jia ◽  
Zhigen Chen ◽  
Huwei Cheng ◽  
Jiayue Wang

Abstract There are more painted clay sculptures in Shanxi Province than in any other province in China. These fine relics, dating from the Sui and Tang dynasties to the Ming and Qing dynasties, are important to the study of ancient sculpture in China. We investigated the Tutang Buddha (from the Jin dynasty) and two attendant bodhisattvas (from the Ming dynasty) in the Buddha Pavilion of the Jingyin Temple in Taiyuan. The Tutang Buddha was the first clay Buddha in Jinyang (now Taiyuan). According to the inscription, the Tutang Buddha was carved out of the hill. Our onsite investigation revealed that there were coarse and fine layers of clay mixed with wheat straw. It is clear that the construction of the Tutang Buddha is different with the traditional painted clay sculpture. The two attendant bodhisattvas are the traditional painted clay sculptures, which consist of a wood framework covered with layers of coarse clay, fine clay, white ash, paper and pigments. Damaged sections of the painted sculptures were visually examined, sampled and subsequently analysed. All three sculptures have been repainted at least twice. The material samples were analyzed using scanning electron microscopy, energy dispersive spectrometry, Raman spectroscopy, X-ray diffraction, biological microscopy, and particle size analysis. The analysis enabled us to infer the techniques used by the creators of the sculptures. This research provides a foundation for the conservation and future protection of these and similar sculptures.


2019 ◽  
Vol 1 (2) ◽  
pp. 37-41
Author(s):  
Su Kangjie ◽  
Yuan Ya

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