When the Museum Experience Becomes Immersive: The New Role of Mobile Augmented Reality (Mar)

2021 ◽  
Author(s):  
Bahri-Ammari Nedra ◽  
Khouloud Mouihbi ◽  
Daouda Coulibaly
Author(s):  
Patrick Pennefather ◽  
Claudia Krebs ◽  
Julie-Anne Saroyan

The research and development of an augmented reality (AR) application for Vancouver-based dance company Small Stage challenged a team of students at a graduate digital media program to understand how AR might reinvent the audience-dancer relationship. This chapter will chronicle the AR and choreographic development process that occurred simultaneously. Based on the documentation of that process, a number of insights emerged that dance creators and AR developers may find useful when developing an AR experience as counterpart to a live dance production. These include (1) understanding the role of technology to support or disrupt the traditional use of a proscenium-based stage, (2) describing how AR can be used to augment an audience's experience of dance, (3) integrating a motion capture pipeline to accelerate AR development to support the before and after experience of a public dance production.


2015 ◽  
Vol 18 ◽  
pp. 71-87 ◽  
Author(s):  
Panos Kourouthanassis ◽  
Costas Boletsis ◽  
Cleopatra Bardaki ◽  
Dimitra Chasanidou

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