Growth, Transformation and Digital Capital: The Importance of Technological and Organizational Architecture

2021 ◽  
Author(s):  
Ruiqing Cao ◽  
Marco Iansiti
2021 ◽  
pp. 009539972110098
Author(s):  
Dalia Mukhtar-Landgren

Local actors are to an increasing extent engaging in national and European Union (EU)–based development and sustainability agendas. These ventures often materialize in the form of temporary organizations such as pilots and projects. This article contributes to debates on project-based, experimental and temporary organizations by unpacking the organizational architecture of pilots and analyzing how the democratic autonomy of local public actors is formed. Through the example of smart city pilots, the study shows how a range of intersecting relations and hierarchies enable and circumscribe public-sector autonomy—from local actors’ attempts to align pilots with political goals to the limitations of standardized and scalable knowledge and strict funding requirements.


1992 ◽  
Vol 89 (7) ◽  
pp. 3116-3119 ◽  
Author(s):  
B. Biesinger ◽  
I. Muller-Fleckenstein ◽  
B. Simmer ◽  
G. Lang ◽  
S. Wittmann ◽  
...  

2015 ◽  
Vol 62 (4) ◽  
pp. 1120-1131 ◽  
Author(s):  
Jinglei Lv ◽  
Xi Jiang ◽  
Xiang Li ◽  
Dajiang Zhu ◽  
Shu Zhang ◽  
...  

2020 ◽  
Author(s):  
Jose Mathews ◽  
Karma Yezer ◽  
K. M. Antony

2021 ◽  
Vol 7 (3) ◽  
pp. 399-421 ◽  
Author(s):  
Hillegonda C. Rietveld ◽  
Alexei Monroe

Gabber is a hardcore electronic dance music genre, typified by extreme speed and overdrive, which developed in the Netherlands, with Rotterdam as its epicentre, during the early 1990s, when house music-inspired dance events dominated. The use of distorted noise and references to popular body horror, such as Hellraiser, dominated its scene, and soon gabber was commented on as ‘the metal of house music’, a statement that this article aims to investigate. Applying a genealogical discographic approach, the research found that the electronic noise music aesthetic of industrial music was crucial for the formation of the sound of gabber. The hardcore electronic dance music that developed from this is at once ironically nihilistic, a contrary critique, and a populist safety valve. The digital machine noise of hardcore seems to offer an immersive means to process the experience of (emasculating) fluidity within post-human accelerated technoculture, itself propelled by rapid digital capital and information technologies.


Author(s):  
Elliott Kieff ◽  
Fred Wang ◽  
Mark Birkenbach ◽  
Jeffrey Cohen ◽  
Jeffrey Sample ◽  
...  

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