scholarly journals Sweet Unbinding: Sugarcane Cultivation and the Demise of Foot-Binding

2021 ◽  
Author(s):  
Nora Cheng ◽  
Elliott Fan ◽  
Tsong-Min Wu
Keyword(s):  
2020 ◽  
Vol 3 (1) ◽  
pp. 50-59
Author(s):  
Xu Jianqin

This article analyses the evolution of the mother–daughter relationship in China, and describes the mothering characteristics of four generations of women, which in sequence includes “foot-binding mothers”, “mothers after liberation”, “mothers after reform and opening up”, and “mothers who were only daughters”. Referring to Klein’s ideas about the mother–child relationship, especially those in her paper “Some reflections on ‘The Oresteia’ ”, the author tries to understand mothers and their impact on their daughters in these various periods of Chinese history, so as to explore the mutual influence of the mother–daughter relationship in particular, and the Chinese cultural and developmental context in general.


2020 ◽  
Vol 16 (10) ◽  
pp. 53
Author(s):  
Xuefei Zhang ◽  
Xiaoming Yang

During the late Qing dynasty and the early Republic of China, women's clothing had a revolutionary change. Under the unprecedented social transformation in a millennium, Social Darwinism called for “mother of the citizens”, arousing public concern to release women's bodies. Anti-foot-binding movement awakened women's self-awareness and planted a hint of women's emancipation. While Feminism turned the value to the “parity of citizens,” women disguised their female character and dressed as men. Early Qipao was widespread during women’s liberation movement. The New Culture Movement facilitated ideology of Human Liberation. Women gradually possessed independence of personality and changed their corsets. They tended to confront and express body curves instead of cover and weakening.


1997 ◽  
Vol 87 (10) ◽  
pp. 1677-1679 ◽  
Author(s):  
S R Cummings ◽  
X Ling ◽  
K Stone

MANUSYA ◽  
2018 ◽  
Vol 21 (2) ◽  
pp. 72-91
Author(s):  
Pannawish Phasomsup

This research paper focuses on the study of Chinese women's social status and tactics for survival in a patriarchal society in Snow Flower and the Secret Fan written by Lisa See. The author reveals the agony of the foot-binding tradition Chinese women had to undergo in the feudal period. Lisa See also demonstrates how female characters survived such circumstances by means of learning Nü Shu, a woman's writing invented by women for women to express their grievances and inner feelings, and of creating an emotional companionship between women called 'Laotong', which is significant for survival under the male dominance.


1995 ◽  
Vol 14 (5) ◽  
pp. 66-69 ◽  
Author(s):  
Eugene E. Berg
Keyword(s):  

2019 ◽  
Vol 1 (1) ◽  
Author(s):  
Moh Gusnaldi Putra ◽  
M Manugeren

This study constitutes an Analysis of The Effect of Foot Binding Custom from Lisa See’s novel Snow Flower and The Secret Fan published in 2006. The Positive and Negative effects are the topics to discuss. This analysis uses the data  taken from the novel applying descriptive qualitative research. One of the significant theories of the custom used in this study is that a person who claims that the essence of a culture having a custom in it is not its artifacts, tools, or other tangible cultural elements but how the members of the group interpret, use, and perceive them. It is the values, symbols, interpretations, and perspectives that distinguish one from another in modernized societies; it is not material objects and other tangible aspects of human societies. People within a culture usually interpret the meaning of symbols, artifacts, and behaviors in the same or in similar ways. The findings show that Foot Binding Custom gives women positive effects such as high statue in the society, and symbol of beauty. Besides the positive effects, there are also negative effects such as infection, and even death. The conclusions of the study are Foot binding, as the time goes by, is not persevered anymore as it gives more negative effects than the positive ones. However, health is the most important part of human life. Health is the pivot upon which a man's whole personality and its well-being depend. An ailing and aching body saps the enthusiasm for pursuit. Unwholesome feelings and sensations retard the pace of functional activity, economic development and spiritual uplift.


2017 ◽  
Vol 1 (1) ◽  
pp. 223
Author(s):  
Lucia Indah Pramanti

Human perception about beauty always mirrors civilization, and is embodied in their built environment. In other words, what people sees as beautiful plays a crucial role towards how nature/landscape is developed. This paper intentions are to rethink on contemporary aesthetic value in landscape design, to evaluate current aesthetic paradigm, and to find landscape design strategies that can promote sustainable goals.  Using qualitative method, this paper first shows historical review on how landscape form through many centuries in both western and eastern civilization. Later, it examines on how contemporary landscapes are built. In the discussion, it is found that -using Chinese foot binding tradition as a metaphor– our contemporary landscape is designed to be unusable, unhealthy, unproductive ‘small feet’. Landscape is designed with beautification – merely for visual properties, not for human activity, destructing the natural properties of landscape, and too difficult to maintain. Human should be able to interact with the nature in landscape in order to create a behavioral changes towards the nature. As a conclusion, we need to shift our paradigm of beauty towards healthy ‘big foot’ aesthetic to be a direction on how to achieve the sustainable beauty. This ‘big foot’ aesthetic can be relevant not only in landscape design, but also in other fields related to the built environment. Keywords: landscape design, sustainability, green design, aesthetic value


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