Time to Leave Your Comfort Zone? Optimal Variation-Seeking Strategies for Social Media Influencers on Streaming Media Platforms

2020 ◽  
Author(s):  
Xingyu Chen ◽  
Ling Jiang ◽  
Sentao Miao ◽  
Cong Shi
2021 ◽  

In contemporary society, digital images have become increasingly mobile. They are networked, shared on social media, and circulated across small and portable screens. Accordingly, the discourses of spreadability and circulation have come to supersede the focus on production, indexicality, and manipulability, which had dominated early conceptions of digital photography and film. However, the mobility of images is neither technologically nor conceptually limited to the realm of the digital. The edited volume re-examines the historical, aesthetical, and theoretical relevance of image mobility. The contributors provide a materialist account of images on the move - ranging from wired photography to postcards to streaming media.


2020 ◽  
pp. 162-185
Author(s):  
Alan Kelly

In the modern scientific world, it is recognized that all researchers need to be able to explain their research to audiences other than those who are expert in the field, and that different skills and approaches are needed to be able to explain complex research to a range of audiences of different levels and backgrounds. In this chapter, key approaches to doing this successfully, whether in written or oral form, are explored, with examples to illustrate points. In addition, the place and use of alternative forms of communication of scientific information (e.g., social media) are discussed, as well as ideas such as competitions whereby students “dance their PhD” or present a “three-minute thesis,” and the writing of popular science articles and books. A final important part of this chapter concerns the relationships between scientists and the media, and the occasional conflicts between reporting of science through professional means and that in the media.


2021 ◽  
Vol 2 (2) ◽  
pp. 47-55
Author(s):  
Mitha Mayestika Kuen ◽  
Fyan Andinasari Kuen

Eksistensi diri merupakan suatu usaha manusia untuk mencari dan memahami arti kehidupan bagi dirinya yang diyakini sebagai sebuah bentuk dari nilai batiniah yang paling utama, dimana tidak ada satu orang atau individu pun atau sesuatu yang dapat memberi pengertian tentang arti dan maksud dari kehidupan seseorang tersebut, jadi setiap manusia harus menemukan cara sendiri untuk menghadapi kondisi dan lingkungan sekitar.Penelitian Ini bertujuan untuk mengetahui sejauh mana Eksistensi Braggadocian Behavior Pada aplikasi Media Sosial Tiktok  (studi Fenomenologi pada Remaja Di Kota Makassar). Metode yang digunakan pada penelitian ini yakni : metode penelitian fenomenologi dari Alferd Schutz, dengan pendekatan kualitatif dan tipe penelitian deskriptif. Peneliti menyimpulkan  kedalam tiga pembahasan yakni, pemahaman, tujuan dan manfaat yang didapat oleh remaja dalam menggunakan tiktok. Jika diuraikan  maka sebagai berikut: pemahaman: dengan menggunakan aplikasi Tik Tok remaja jadi memiliki pemahaman tentang aplikasi video pendek, aplikasi untuk mengasah kreativitas, dengan menggunakan aplikasi Tik Tok mereka meyakini bahwa bisa menunjukan ekspresi dirinya, aplikasi Tik Tok dapat dijadikan sarana hiburan, dan bisa digunakan untuk mengeluarkan skill (keahlian) yang dimiliki. Selain itu tujuannya, menunjukan bakat, eksistensi diri,. Untuk manfaatnya sendiri diperoleh hasil bahwa tingkat percaya diri meningkat, menghilangkan stres, kreativitas makin berkembang dan keluar dari zona nyaman. Mereka dapat merasakan perbedaan antara eksis di media sosial dengan eksis di kehidupan nyata. Namun tidak dapat dipungkiri juga kalau media sosial Tiktok memiliki peran dalam membantu mereka untuk mendapatkan ke eksistensian diri dalam lingkungan pertemanan. Tiktok menjadi ketergantungan hanya jika pengguna/remaja penggunanya mengejar pembayaran dari follower(pengikut) yang banyak menonton aktifitas mereka. Kata Kunci : Eksistensi, Braggadocian Behavior, Media sosial, Tiktok ABSTARCT Self-existence is a human effort to seek and understand the meaning of life for himself which is believed to be a form of the most important inner value, where no one person or individual or something can give an understanding of the meaning and purpose of one's life, so Every human being must find his own way to deal with the conditions and environment around him. This study aims to determine the extent of the existence of Braggadocian Behavior in the Tiktok Social Media application (Phenomenology study of Adolescents in Makassar City). The method used in this research is: phenomenological research method from Alferd Schutz, with a qualitative approach and descriptive type of research. The researcher concluded into three discussions, namely, understanding, goals and benefits obtained by adolescents in using tiktok. If described, it is as follows: understanding: by using the Tik Tok application teenagers have an understanding of short video applications, applications to hone creativity, by using the Tik Tok application they believe that they can show their self-expression, the Tik Tok application can be used as a means of entertainment, and can used to issue skills (expertise) that is owned. Besides that, the goal is to show talent, self-existence. For its own benefits, it is found that the level of self-confidence increases, relieves stress, creativity develops and gets out of the comfort zone. They can feel the difference between being on social media and being in real life. But it cannot be denied that Tiktok social media has a role in helping them to get into their existence in a friendship environment. Tiktok becomes addictive only if its users / teenagers are chasing payments from followers who watch a lot of their activity. Keywords: Existence, Braggadocian Behavior, Social Media, Tiktok


2014 ◽  
Vol 12 (2) ◽  
pp. 197-208 ◽  
Author(s):  
Jose Van Dijck

Metadata and data have become a regular currency for citizens to pay for their communication services and security—a trade-off that has nestled into the comfort zone of most people. This article deconstructs the ideological grounds of datafication. Datafication is rooted in problematic ontological and epistemological claims. As part of a larger social media logic, it shows characteristics of a widespread secular belief. Dataism, as this conviction is called, is so successful because masses of people — naively or unwittingly — trust their personal information to corporate platforms. The notion of trust becomes more problematic because people’s faith is extended to other public institutions (e.g. academic research and law enforcement) that handle their (meta)data. The interlocking of government, business, and academia in the adaptation of this ideology makes us want to look more critically at the entire ecosystem of connective media.


Author(s):  
Cate Dowd

During the European asylum seeker crisis, circa 2015, asylum seekers used social media and smartphones for communication alongside journalists using disposable and short-form media, streaming media, and civilian drones for real-time stories that changed practices in journalism. Some journalists uploaded live video whilst others stitched together documentaries with short video clips. Google collaborated with the International Rescue Committee to develop an information site for essential services. A data visualisation developed by independent producers also showed the extent of the crisis. A former refugee, as well as media producers, used drones for aerial filming to help rescue people at sea, but as the crisis worsened, drones were used by authorities to stop people from crossing borders. The crisis also exposed journalists to trauma, even without working directly in conflict zones, revealed by the Dart Center for Journalism and Trauma, which plays an important role for the safety and protection of journalists.


2020 ◽  
Vol 33 (3) ◽  
pp. 187-199
Author(s):  
José Sixto-García ◽  
Ana Duarte-Melo

The Z are the first digital native people gaining access to university. It is a generation that registers high rates of social media consumption, but their digital competence is not as outstanding as one might expect due to the training’ deficiency they have acquired in previous educational levels caused, among other reasons, by the primary and secondary teachers’ low digital competence. The current research aims to identify the demand for using social networks and messaging apps 2.0 in university teaching. A quantitative methodology was employed in order to know the technological prospects of the university Z in the Euroregion Galicia-North of Portugal, in the context of an Erasmus mobility. The results confirm the necessity to continue using social media, but only those within the students’ technological comfort zone; thus, it is necessary to combine transmedia storytelling with the insertion of technological proposals in environments initially not conceived for learning. It is concluded that the Z are starting to claim the use of state-of-the-art resources such as self-destructive content, which requires an immediate improvement in the university educators’ digital competence by means of continuing training programmes, since only the pioneer educators with a C2 level can detect and pay attention to this type of demands.


Author(s):  
Anastasia Salter ◽  
Mel Stanfill

Chapter 6 interrogates Snyder’s aspirations to auteur status, arguing that they are in tension with his one-note style that always goes darker, grittier, and more violent, no matter what. Snyder’s self-aggrandizement and unwillingness to move beyond his comfort zone join his strong attachment to a toxic masculinity rooted in extreme violence and his routine misogyny to make him the archetypical toxic fanboy. Despite—or perhaps because of—these characteristics, Snyder has a powerfully invested following, which he engages and cultivates through social media, making him a highly polarizing figure who remains at the center of fannish discourse even years after leaving a franchise behind.


ASHA Leader ◽  
2015 ◽  
Vol 20 (7) ◽  
Author(s):  
Vicki Clarke
Keyword(s):  

ASHA Leader ◽  
2013 ◽  
Vol 18 (5) ◽  

As professionals who recognize and value the power and important of communications, audiologists and speech-language pathologists are perfectly positioned to leverage social media for public relations.


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