Обложка журнала как мультимодальный текст (Magazine Cover as Multimodal Text)

2019 ◽  
Author(s):  
Olga Blinova
DeKaVe ◽  
2013 ◽  
Vol 1 (2) ◽  
Author(s):  
Prayanto WH

Magazine is one of the forms of mass media that has fungsikomunikasi to convey information to mass audiences. The cover is an important element because it is through cover / cover one can guess the contents of the magazine, as well as further interested to know further information contained therein. On a magazine cover consists of drawings and writings are arranged in such a way that looks interesting and has meaning Press publications, especially magazines, today's not enough just to rely on the quality of news or manuscript, although verbal aspect is very important. It must be recognized that the visual aspects (design) as the cover / envelope has crucial role to capture the prospective reader. For the cover of a magazine is a window that shows the content information, can be either a text or photographs, illustrations, and design elements. The function of a magazine cover is to attract, dazzle prospective readers, by way influence the thoughts flow in a short time. So it's no wonder much current the magazine publisher who made the cover of such a way as to attract the attention of prospective readers. Thus the task of designers to magazine cover to create designs that attract the attention of the reader becomes increasingly severe. This study tries to analyze a visual on the front cover Magazine Graphic Design 'Concept' birthday inaugural edition by using the Roland Barthes' semiotic approach. As Roland Barthes (1984), any simple "design work (magazine cover)" continue to play in management of the sign. So that will generate a message (image) specific. Design cover, usually contains the elements of the sign in the form of objects, context of the environment, people or other beings who provide meaning to objects, and text (of writing) that reinforce the meaning.Keyword: cover, magazine Concept, semiotics


2019 ◽  
Vol 3 (2) ◽  
pp. 27
Author(s):  
Siti Sarah Fitriani ◽  
Nira Erdiana ◽  
Iskandar Abdul Samad

Visualisation has been used for decades as a strategy to help readers construct meaning from reading passages. Teachers across the globe have introduced visualisation mostly to primary students with native language background. They used the strategy to understand their own language. Little is known how this strategy works for university students who learn foreign language. Visualisation can be done internally (by creating mental imagery) and externally (by drawing visual representation). The product of visualising texts by using both models can be further investigated to find out if the meaning represented is appropriate to the meaning written in the text. This study therefore aims at exploring meaning by analysing the visual representations drawn by 26 English Education Department students of Syiah Kuala University after they read a narrative text. The exploration was conducted by looking at the image-word relations in the drawings. To do so, we consulted Chan and Unsworth (2011), Chan (2010) and Unsworth and Chan (2009) on the image-language interaction in multimodal text. The results of the analysis have found that the equivalence, additive and interdependent relations are mostly involved in their visual representations; and these relations really help in representing meanings. Meanwhile, the other three relations which are word-specific, picture specific and parallel are rarely used by the students. In addition, most students created the representations in a form of a design which is relevant to represent a narrative text. Further discussion of the relation between image-word relations, types of design and students’ comprehension is also presented in this paper.


2010 ◽  
Vol 2 (2) ◽  
pp. 51-62
Author(s):  
Indiwan Seto Wahju Wibowo

Soeharto’s death becomes a major topic of Tempo Magazine ,issue No.50/XXXVI/04-10 February, 2008 specially in the magazine’s cover. And this cover is so controversial as describes Soeharto as Jesus at the last supper an iconic Christianity symbol. The last supper is the final meal that according to Christian belief, Jesus shared with his apostles in Jerusalem before his crucifixion. This research is about to describe what Tempo Magazine play their role as social control and it’s rivalitation towards Soeharto. The purpose of this Research is to find out the meaning behind the Tempo Magazine Cover as describes Soeharto – the former Indonesia President- as Jesus. Kata kunci : makna kematian Soeharto, Semiotika Charles Sander Peirce, Kualitatif


2012 ◽  
Vol 4 (1) ◽  
pp. 51-62
Author(s):  
Indiwan Seto Wahju Wibowo

Soeharto’s death become a major topic of Tempo Magazine, issued No.50/XXXVI/04-10 February, 2008 specially in the magazine’s cover. Nad this cover is so controversial as describes Soeharto as Jesus at the last super an iconic. Christianity symbol. The last super is the final meal that according to Christian belief, Jesus shared with his apostles in Jerusalem before his crucifixion. This research is about to describe what Tempo Magazine play their role as social control and it’s rivalitation toward Soeharto. The purpose of this research is to find out the meaning behind the Tempo Magazine Cover as describes Soeharto – the former Indonesia – as Jesus. Kata kunci : makna kematian Soeharto, Semiotika Charles Sander Pierce, Kualitatif


2021 ◽  
Vol 1842 (1) ◽  
pp. 012034
Author(s):  
Nur Amalia ◽  
Harun Joko Prayitno ◽  
Ratnasari Diah Utami ◽  
Dwi Yuniasih Saputri

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