Coming Out Of Closet: A Rite Of Passage towards Emerging Queer Identity

2019 ◽  
Author(s):  
Dibyangana Biswas ◽  
Anindita Chaudhuri
2020 ◽  
Vol 1 (2) ◽  
pp. 122-136
Author(s):  
Dominic Pecoraro

Inspired by critical interpersonal communication scholarship and queer autoethnography, this piece depicts interpersonal interactions mute or challenge queer identity. I explore the nexus of interpersonal communication theory, identity work, and queer theory to contextualize coming out and coming into sexual minority status. This piece explores narratives in which the legitimacy of queerness is unaccepted, unassured, and undermined.


2020 ◽  
Author(s):  
Matthew Voigt ◽  
Daniel L. Reinholz

Research, programs, and policies to support queer students in secondary mathematics environments remain largely underdeveloped and undertheorized. Mathematics education research has attended more closely to how race and gender are linked with dominant discourses of participation and mathematical performance. In this synthesis, we conducted a broad search of literature, resulting in 81 articles, related to queer student experience in all STEM environments to highlight potential practices to support inclusive environments specifically in secondary mathematics. Drawing on a queer stem identity framework (Mattheis, Arellano, Yoder, 2019) we highlight the unique nature of queer identity (e.g., the potential for one’s queer identity to be invisible) that positions queerness as unseen and irrelevant to the pursuit of STEM. The perceived masculine and heteronormative nature of mathematics environment impacts queer students when defining their queer identity and coming out in the classroom, creating a cognitively stressful experience, and leading to less robust mathematical identity formation. In order to help promote queer students in navigating these settings we document how role models and curriculum allow for a reconstruction of the nature and mathematics by promoting a connected, inclusive, and social discipline. We conclude by highlighting the need for future studies and implications for practices in order to create environments that promote the development and visibility of queer mathematics students.


1970 ◽  
Vol 4 (1) ◽  
Author(s):  
Christine Barry

This reflexive paper presents the issues around my changing identity/identities during, and after, ethnographic fieldwork "at home" in South London, studying homeopathy and Tai Chi in the community. I will firstly explore this change of identity as a rite of passage using Wengle's notion of symbolic death of identity. This analysis, while useful, is limited in that it can be seen to over-essentialise the concept of identity. I will go on to show how my shifting identities in and after fieldwork were not solely the result of an individual psychological process but were constructed in contextual interaction with others as an embodied participant. It is my belief that ‘going native’ aided my understanding of the embodied experience of being part of alternative groups, but made coming out of the field a difficult time emotionally.


2020 ◽  
Vol 23 (4) ◽  
pp. 337-353
Author(s):  
Paris Cameron-Gardos

Abstract Bavo Defurne’s film Noordzee, Texas (2011) provides a unique cultural object with which to re-examine the discourses concerning queer representation in Flemish audio-visual media, the normative acceptance of the Flemish LGBTQ+ community, and the importance of coming out narratives. Vanlee (2019) and Vanlee, Dhaenens, and Van Bauwel (2020) argue that the banal representations of queer identity in Flemish television has privileged normative discourses about both sexuality and Flemish identity. In the film, coming out both takes place and never occurs. The deathbed scene presents coming out as a moment of disorientation from the normative. Sara Ahmed’s (2006) concept of disorientation is employed as a tool to help develop a pluralistic definition of coming out that takes into account the endless repetition and adaptability of the act in practice. The scene illuminates the vulnerability of conventionally saturated notions of coming out, being out, and gay identity. The film’s narrative, and its Flemish roots, serve as analytical tools to help better understand how coming out can be enacted in a manner that forces the audience to re-evaluate how identities are formed and adopted.


Crisis ◽  
2020 ◽  
pp. 1-8 ◽  
Author(s):  
Stefanie Kirchner ◽  
Benedikt Till ◽  
Martin Plöderl ◽  
Thomas Niederkrotenthaler

Abstract. Background: The It Gets Better project aims to help prevent suicide among lesbian, gay, bisexual, transgender, intersex, and queer (LGBTIQ+) adolescents. It features personal video narratives portraying how life gets better when struggling with adversities. Research on the contents of messages is scarce. Aims: We aimed to explore the content of videos in the Austrian It Gets Better project regarding the representation of various LGBTIQ+ groups and selected content characteristics. Method: A content analysis of all German-language videos was conducted ( N = 192). Messages related to coming out, stressors experienced, suicidal ideation/behavior, and on how things get better were coded. Results: Representation was strong for gay men ( n = 45; 41.7%). Coming out to others was mainly positively framed ( n = 31; 46.3%) and seen as a tool to make things better ( n = 27; 37.5%). Social support ( n = 42; 62.7%) and self-acceptance ( n = 37; 55.2%) were prevalent topics. Common stressors included a conservative setting ( n = 18, 26.9%), and fear of outing ( n = 17; 25.4%). Suicidality ( n = 9; 4.7%) and options to get professional help ( n = 7; 8.2%) were rarely addressed. Limitations: Only aspects explicitly brought up in the videos were codeable. Conclusion: Videos do not fully represent gender identities and sexual orientations. Messaging on suicidality and professional help require strengthening to tailor them better for suicide prevention.


2003 ◽  
Vol 48 (1) ◽  
pp. 76-79
Author(s):  
Bertram J. Cohler ◽  
Mathew R. Bahnson
Keyword(s):  

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