A Study of Playing Video Game on Computer with Keyboard Control

2018 ◽  
Author(s):  
Muhammad Suhaib
Keyword(s):  
Video Game ◽  
Playing Video Game

scholarly journals Mental Workload Assessment on Playing Video Game II

1996 ◽  
Vol 32 (Supplement) ◽  
pp. 166-167
Author(s):  
Satoshi Sasayama ◽  
Shinpei Yoshida ◽  
Yu Imachi ◽  
Masando Man-i ◽  
Toshirou Ono
Keyword(s):  
Video Game ◽  
Mental Workload ◽  
Playing Video Game

Is the News Cycle “Real”?

2020 ◽  
pp. 270-286
Author(s):  
Emory S. Daniel, Jr. ◽  
Gregory P. Perreault ◽  
Michael G Blight
Keyword(s):  
Video Game ◽  
Agenda Setting ◽  
Daily Life ◽  
Role Playing ◽  
Polling Systems ◽  
Setting Process ◽  
Role Playing Game ◽  
Playing Video Game

This chapter features a game from the Shin Megami Tensei series called Persona 5. This chapter examines how the case of role playing video game Persona 5 depicts agenda setting through the use of an in-game audience-oriented polling systems and comment system in order to understand to a greater degree the ways in which games contribute to our understanding of media processes and explores the idea of fandom as integral to the agenda setting process. The case chapter addressed in this manuscript represents a unique narrative featuring a daily life simulator, a turn-based Japanese role-playing game (JRPG), and complex in-game media vehicles to drive the story.

scholarly journals On Analysis of the Mental Workload Distribution on Playing Video Game. II.

1997 ◽  
Vol 33 (Supplement) ◽  
pp. 430-431
Author(s):  
Shinpei Yoshida ◽  
Satoshi Sasayama ◽  
Yu Imachi
Keyword(s):  
Video Game ◽  
Mental Workload ◽  
Workload Distribution ◽  
Playing Video Game

Harmonic Chains

2021 ◽  
Vol 2 (4) ◽  
pp. 1-12
Author(s):  
T. J. Laws-Nicola ◽  
Brent Ferguson
Keyword(s):  
Complex System ◽  
Labor Market ◽  
Video Game ◽  
Role Playing ◽  
Joint Attacks ◽  
Playing Video Game

Omega Quintet (Idea Factory International, 2014), a role-playing video game released for the Sony PlayStation 4, centers around the concept of weaponizing musical entities and apparatuses to combat threats in a dystopian universe. Omega Quintet weaponizes music literally, supernaturally, and economically, both inside and outside of the game narrative. In this article, we interpret these types of weaponization as an extended allegory for consumption. On one level, the surface narrative denotes sound as a murder tool, on another level the player enables violent consumption of these tools, and yet another level reveals the weaponization of agency within a gendered labor market. The story of Omega Quintet is set in a dystopian Japan overrun by monsters known as the BEEP. Protagonist Takt and his childhood friend, Otoha, join an organization that develops special idols known as Verse Maidens to fight the BEEP. Surviving members of humanity provide the fan base for the Verse Maidens. The Verse Maidens depend on fan support to fuel their powers. Battles in Omega Quintet feature an assortment of musical weaponization. Examples include Sound Weapons as the main conduit for physical attacks, Verse Maidens’ unique songs to play during extended attack sequences known as Live Mode, and special joint attacks known as Harmonic Chains. The battles take the commodification of idols to such an extreme that they are simultaneously consumed and used as weapons. Presented as a duality of fragility and strength, beauty and brutality, art and war, the Verse Maidens are consumed in a complex system of cultural and narrative implications.

Pulse Rate Pattern For Gamers during Playing Video Game in Angry Emotion

2020 ◽  
Author(s):  
Dhanu Kurnia Utama ◽  
Adhi Dharma Wibawa ◽  
Lutfi Hakim ◽  
Mauridhi Hery Purnomo
Keyword(s):  
Pulse Rate ◽  
Video Game ◽  
Playing Video Game
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