Entertainment Industry Disputes; Arbitration As a Catalyst to Perennial Malady

2017 ◽  
Author(s):  
Temitayo Bello
Keyword(s):  
Entertainment Industry

Everyday Catastrophes: Gender, Labour and Power in Beckett's Theatre

2019 ◽  
Vol 28 (1) ◽  
pp. 19-34
Author(s):  
Trish McTighe
Keyword(s):  
Sexual Harassment ◽  
Entertainment Industry ◽  
Film Production ◽  
Social Hierarchies ◽  
The Everyday ◽  
The World ◽  
Public Consciousness ◽  
Gender Boundaries ◽  
The Invisible ◽  
Making Art

In an era of public consciousness about gendered inequalities in the world of work, as well as recent revelations of sexual harassment and abuse in theatre and film production, Beckett's Catastrophe (1982) bears striking resonances. This article will suggest that, through the figure of its Assistant, the play stages the gendered nature of the labour of making art, and, in her actions, shows the kind of complicit disgust familiar to many who work in the entertainment industry, especially women. In unpacking this idea, I conceptualise the distinction between the everyday and ‘the event’, as in, between modes of quotidian labour and the attention-grabbing moment of art, between the invisible foundations of representation and the spectacle of that representation. It is my thesis that this play stages exactly this tension and that deploying a discourse of maintenance art allows the play to be read in the context of the labour of theatre-making. Highlighting the Assistant's labour becomes a way of making visible the structures of authority that are invested in maintaining gender boundaries and showing how art is too often complicit in the maintenance of social hierarchies.

Batman Rides Again! The Influence of a Superhero Branded Attraction on Visitation to a Casino-integrated Resort in Macao

2020 ◽  
Vol 24 (4) ◽  
pp. 515-526
Author(s):  
Glenn McCartney ◽  
Karen Cheong Su Man
Keyword(s):  
Preliminary Analysis ◽  
Entertainment Industry ◽  
Theme Parks ◽  
Brand Alliances ◽  
Preliminary Study

The global popularity and rise of superhero movies from companies such as Marvel, DC Comics, and Dream Works has led to these superhero icons being increasingly integrated into the event and entertainment industry, through brand alliances at movie theme parks and integrated resort complexes, or individual attractions such as the Batman Dark Flight (BDF) ride studied in this research. Given the significant costs to license, stage, and maintain superhero branded entertainment zones and rides at integrated resorts (IR), this preliminary study importantly examined the rationale behind visiting the ride and ultimately the ride's overall influence in IR visitation. Respondents were questioned while queuing for the BDF ride collecting 304 valid responses specifically asked on their level of interest in Batman including the motives for choosing the ride. Notably the study revealed that the BDF was essentially a peripheral attraction. In the absence of the ride, most respondents would still have visited the IR. Although a preliminary analysis, the findings suggest greater assessment is required on the net economic and competitive worth of event and entertainment hosting at Macao's IRs and in particular to Chinese audiences who make up most of Macao's visitation and this study sample.

Prescribing French: A corpus-linguistic approach to official terminology in French newspapers

2020 ◽  
pp. 1-24
Author(s):  
Gyula Zsombok
Keyword(s):  
Computer Science ◽  
Negative Influence ◽  
Written Language ◽  
Entertainment Industry ◽  
Dynamic Approach ◽  
French Academy ◽  
Corpus Linguistic ◽  
Linguistic Approach ◽  
Lexical Fields ◽  
Do So

ABSTRACT In France, English is often perceived as a negative influence on the language in the eyes of purist institutions like the French Academy. Terminological commissions have been established to replace foreign expressions with French terminology that is regularly published in the Journal officiel de la République française. Although the Toubon Law of 1994 prescribes the use of this terminology in government publications, speakers are merely encouraged to do so. This article investigates the variation between English lexical borrowings and their prescribed equivalents in a large newspaper corpus containing articles from 2000 to 2017 in order to see whether formal written language complies with the purist recommendations. Time is treated with a new dynamic approach: the probability of using a prescribed term is estimated three years before and three years after official prescription. Fifty-four target terms are selected from the lexical fields of computer science, entertainment industry and telecommunication, including emblematic prescribed words such as courriel and mot-dièse. The analysis reveals that prescription is only effective when it follows already attested use. Furthermore, conservative newspapers show higher proportions of recommended terminology, especially as compared to newspapers specializing in technology.

Digital Piracy

2021 ◽  
Vol 2 (5) ◽  
Author(s):  
Matthew N. O. Sadiku ◽  
Tolulope J. Ashaolu ◽  
Abayomi Ajayi-Majebi ◽  
Sarhan M. Musa
Keyword(s):  
Publishing Industry ◽  
Film Industry ◽  
Book Publishing ◽  
Economic Loss ◽  
Entertainment Industry ◽  
Music Video ◽  
Digital Piracy ◽  
Movie Industry ◽  
Book Publishing Industry ◽  
Silver Bullet

Digital refers to the practice of downloading and distributing copyrighted contents such as music, video, software, and e-book without permission. It is a fact of life for book publishing industry, entertainment industry, movie industry, television sector, film industry, etc. Piracy is regarded as a crime. Not only does piracy hurts and cause economic loss to these companies, it also inhibits incentive to keep creating. Unfortunately, there is no “silver bullet” solution to the problem of digital piracy. This paper provides an introduction to digital piracy.

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