scholarly journals Are Branch Banks Better Survivors? Evidence from the Depression Era

2001 ◽  
Author(s):  
Mark A. Carlson
Keyword(s):  
Branch Banks ◽  
Depression Era

scholarly journals Fireside Chats: A Novel Wellness Initiative for Medical Students in the COVID-19 Era

2021 ◽  
pp. 000313482110030
Author(s):  
Sean J Lee ◽  
Abdul Kader Natour ◽  
Sunil K Geevarghese
Keyword(s):  
Mental Health ◽  
Medical Students ◽  
Learning Communities ◽  
Small Group ◽  
Survey Data ◽  
Social Engagement ◽  
Present Survey ◽  
Group Activities ◽  
Large Group ◽  
Depression Era

To supplement preexisting wellness programming for the surgery clerkship, a faculty surgeon at Vanderbilt initiated Fireside Chats (FC) in 2015. Inspired by Franklin Roosevelt’s Depression-era radio broadcasts, FC features small group sizes, off-campus excursions, and a reimagining of the mentor–mentee relationship that eschews hierarchy in favor of deep, mutualistic connections in both personal and professional domains. Here we describe the rationale and implementation of FC and present survey data that demonstrate the warm reception of FC and its efficacy in stewarding the mental health of medical students. Moreover, unlike large group activities such as “learning communities,” FC continues to meet in-person during COVID-19 and preserves social engagement opportunities that may alleviate pandemic-induced isolation and distress.

A screwball property: Love It or List It as postfeminist realty TV

2017 ◽  
Vol 20 (5) ◽  
pp. 543-559 ◽  
Author(s):  
Jean M Bruce
Keyword(s):  
Cultural Critique ◽  
Contemporary Culture ◽  
Modern Life ◽  
Gothic Novel ◽  
Progressive Politics ◽  
The Family ◽  
Television Programme ◽  
Family Home ◽  
Screwball Comedy ◽  
Depression Era

This article argues that the property television programme, Love It or List It (2008–), employs conventions from the classic screwball comedy to both consolidate its position within the lucrative realty TV market – especially in response to the recent (2008) recession – and negotiate modern gender dynamics within the home. Its Depression-era (1930s) financial and aesthetic resonances are not incidental. And, as with much contemporary culture, this modern iteration of the screwball comedy is not discretely contained by medium or genre of influence: Love It or List It also borrows flourishes from documentary, tabloid TV, melodrama and the gothic novel. In keeping with its reference to a kind of baseball pitching style that is difficult for hitters to anticipate, the screwball’s tendency to suddenly switch course has been identified as its central means for engaging in cultural critique. Love It or List It as an exemplar of reality TV’s recombinant style is still very much like its cinematic predecessor: it has the adeptness to say many things to many audiences. This article makes no claims for Love It or List It’s progressive politics; rather, as with some classic screwball comedies, it explores the possibility that equivocating, shifting course or otherwise abandoning narrative logic register a profound ambivalence about marriage, coupledom and the family home as sacrosanct loci of modern life.

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