Cultural Transformations in Parentss Handling of Child ICT Usage

2016 ◽  
Author(s):  
Shun Lam
Keyword(s):  
Cultural Transformations

Cultural Transformations

2010 ◽  
Author(s):  
Chris Prentice ◽  
Vijay Devadas ◽  
Henry Johnson
Keyword(s):  
Cultural Transformations

ONCE MORE BEYOND CONSENSUS: THE “TRANSNATIONAL TURN” AND AMERICAN LIBERAL NATIONALISM

2011 ◽  
Vol 8 (3) ◽  
pp. 673-685
Author(s):  
CARL J. GUARNERI
Keyword(s):  
Contemporary History ◽  
Free Markets ◽  
Half Century ◽  
Liberal Nationalism ◽  
Liberal Tradition ◽  
Cultural Transformations ◽  
Reagan Revolution ◽  
American Creed ◽  
The 1960S ◽  
Louis Hartz

“It has been our fate as a nation not to have ideologies,” Richard Hofstadter famously wrote, “but to be one.” Defining that “American ideology” or “American creed” obsessed scholars of the consensus era, who celebrated (and occasionally lamented) Americans’ allegiance to a limited liberal vocabulary of rights, freedoms, and markets. The cultural transformations begun in the 1960s seemed to question the very idea of a unitary culture or creed, but some historians responded by exploring alternative ideological founding myths to the liberal consensus. Over the ensuing decades scholars mounted formidable efforts to support republicanism or millennial Christianity as challengers, but liberalism proved a resilient foe. And it seemed to have contemporary history on its side: during the Reagan revolution of the century's final decades the classic liberal combination of scaled-down government and free markets carried the day as Americans’ ideal if not their reality. The Lockean liberal tradition that Louis Hartz described a half-century earlier still appeared the only game in town, although scholars continued to argue over its terms, history, and boundaries.

Cultural transformations

1995 ◽  
Vol 29 (3) ◽  
pp. 21-22
Author(s):  
Cynthia Beth Rubin
Keyword(s):  
Cultural Transformations

scholarly journals Representing the victorious past: Chinese revolutionary TV drama between propaganda and marketization

2021 ◽  
pp. 016344372110227
Author(s):  
Yingzi Wang ◽  
Thoralf Klein
Keyword(s):  
Comparative Analysis ◽  
The Other ◽  
Market Reforms ◽  
Fictional Characters ◽  
Production Environment ◽  
Cultural Transformations ◽  
The One ◽  
Political Economic ◽  
Revolutionary History ◽  
Over Time

This paper examines the changes and continuities in TV representations of Chinese Communist Party’s revolutionary history and interprets them within the broader context of China’s political, economic and cultural transformations since the 1990s. Drawing on a comparative analysis of three state-sponsored TV dramas produced between the late 1990s and mid-2010s, it traces how the state-sanctioned revolutionary narratives have changed over time in response to the Party’s propaganda imperatives on the one hand, and to the market-oriented production environment on the other. The paper argues that while recent TV productions in the new century have made increasing concessions to audience taste by adopting visually stimulating depictions and introducing fictional characters as points of identification for the audience, the revolutionary narratives were still aligned with the Party’s propaganda agenda at different times. This shows the ongoing competition between ideological and commercial interests in Chinese TV production during the era of market reforms.

The Catholic Church's Role in the Disintegration of the Spanish Colonial Empire. The Case of the Viceroyalty of New Granada

2007 ◽  
Vol 20 (1) ◽  
pp. 10-36 ◽  
Author(s):  
Ana Maria Bidegain
Keyword(s):  
Spanish Colonial ◽  
New Granada ◽  
Cultural Transformations ◽  
Starting Point ◽  
Colonial Empire ◽  
New Ideas ◽  
Popular Classes ◽  
Nueva Granada ◽  
Role Of Religion ◽  
The Military

AbstractThis article analyzes aspects of the complex process that led to independence in the Viceroyalty of Nueva Granada. It focuses on the role of religion and of social actors that have not been sufficiently taken into account in traditional historiography. The latter has paid much attention to political and economic aspects, but has disregarded other important changes that propelled the independence process, profound socio-cultural transformations and events that indicate the complexity of the process. First of all, this was not just a revolution from above and the historical periodization has to be reworked as a result of the Borbonic Reforms, with their leaning toward enlightenment. We must not consider the military uprisings as the starting point of the emancipation from the Spanish crown. Even though the colonial societies did not follow the same path as the European bourgeois revolutions with their proposed liberal perspectives, important changes did indeed happen, in which all social groups were implicated. From both the religious and particularly the women's historical perspective we can see the important transformations that took place. Examples are provided of how women of the popular classes triggered the process. Likewise, women amongst the educated elite, large sectors of the Creole clergy and some educational institutions were important agents of the ideological changes, by propagating new ideas. All these, in turn, paved the way for the further diversification of the ideological and religious landscape of Latin America during the independence period.

Stylistic Morphing: Notes on the Digitisation of Contemporary Music Culture

2005 ◽  
Vol 11 (4) ◽  
pp. 106-121 ◽  
Author(s):  
Barry Sandywell ◽  
David Beer
Keyword(s):  
Cultural Change ◽  
Contemporary Music ◽  
Digital Music ◽  
Music Culture ◽  
Final Word ◽  
Cultural Transformations ◽  
The Social ◽  
Wide Range ◽  
Cultural Implications ◽  
Definitive Statement

This article is a series of notes concerned with tracking the social and cultural implications of the digitisation of music. In this piece we explore a number of emerging questions and phenomena with the explicit intention of opening new sets of questions and creating opportunities for further reflections and more detailed empirical case studies. This article, therefore, is not intended as a final word or a definitive statement on the phenomenon of cultural morphing, but rather it represents an attempt to experiment, to develop, and to explore the field of hybridisation and popular cultural change. It is hoped that these exploratory notes will illuminate some of the cultural transformations resulting from the proliferation and appropriation of a wide range of digital music technologies.

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