Lineages of Dissent: Popular and Artistic Resistance to Imperialism and Extraction on 'The Beautiful Island'

“The Dark Iconoclast”: African Americans’ Artistic Resistance in the Civil War South

The Art Bulletin ◽

10.1080/00043079.2017.1327777 ◽

2017 ◽

Vol 99 (4) ◽

pp. 133-167

Author(s):

Jennifer Van Horn

Keyword(s):

Civil War ◽

African Americans ◽

Artistic Resistance

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Het ‘niet-fascistische leven’: identiteit, subjectiviteit, verzet

Algemeen Nederlands Tijdschrift voor Wijsbegeerte ◽

10.5117/antw2020.2.004.corn ◽

2020 ◽

Vol 112 (2) ◽

pp. 137-154

Author(s):

Lars Cornelissen

Keyword(s):

Michel Foucault ◽

The Self ◽

Philosophical Practice ◽

The Subject ◽

Artistic Resistance

Abstract ‘Non-Fascist Living’: Identity, Subjectivity, ResistanceThis article explores a recent form of academic and artistic resistance to contemporary modalities of fascism. This form of resistance is premised upon the argument that fascism lodges itself in the deepest recesses of the self, manifesting as fascist desires and beliefs. As such, traces of fascism are present in everyone, including people who do not otherwise hold fascistic ideas. This position goes on to argue that any critic of fascism must accordingly identify and eradicate such traces inside her own subjectivity, by means of an ethics of ‘non-fascist living’. Critically examining the philosophical presuppositions of this position, the article asks what implicit conception of the subject and its relation to resistance is at work here. It brings this position into conversation with Michel Foucault, upon whose work it draws but whose understanding of resistance, it is argued, it reconceptualises. The article concludes by reflecting on the implications of this form of resistance for critical philosophical practice.

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“Everybody’s Donghu”: Artistic Resistance and the Reclaiming of Public Space in China

Space and Culture ◽

10.1177/1206331220902980 ◽

2020 ◽

pp. 120633122090298

Author(s):

Jian Xiao ◽

Shuwen Qu

Keyword(s):

Public Space ◽

Urban Space ◽

Public Spaces ◽

Urban Transformation ◽

Commercial Development ◽

Power And Control ◽

East Lake ◽

Resistance To Power ◽

And Control ◽

Artistic Resistance

This paper presents a study of an artistic resistance project in China, “Everybody’s Donghu (East Lake),” held in 2010, 2012, and 2014 with the aim of intervening in the commercial development of an urban scenic space. It aims to demonstrate the practices of resistance in public spaces, particularly in the context of an authoritarian regime such as China, as opposed to democratic societies. First, the recent development of protest and forms of resistance in China will be discussed. It will then focus on the arising conflicts between the conceptualization of an urban space by the urban planners and the imagination of it by the participants. This is followed by a discussion of the tactics deployed in this event, focusing on how the participants appropriate urban space for their own use through performance. Finally, it explores how technology is used in the practices of resistance, concerning the representation of the area through utilization of online space. Overall, this paper argues that appropriating and representing urban space can open up new possibilities of resistance to power and control in the process of urban transformation.

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