The Role of Visual Analysis in the Regulation of Electronic Order Book Markets

2014 ◽  
Author(s):  
Mark E. Paddrik ◽  
Richard Haynes ◽  
Andrew Todd ◽  
Peter Beling ◽  
William Scherer
Keyword(s):  
Visual Analysis ◽  
Order Book ◽  
Electronic Order ◽  
Book Markets

Visual analysis to support regulators in electronic order book markets

2016 ◽  
Vol 36 (2) ◽  
pp. 167-182 ◽  
Author(s):  
Mark E. Paddrik ◽  
Richard Haynes ◽  
Andrew E. Todd ◽  
William T. Scherer ◽  
Peter A. Beling
Keyword(s):  
Visual Analysis ◽  
Order Book ◽  
Electronic Order ◽  
Book Markets

Volatility Regimes and the Provision of Liquidity in Order Book Markets

2004 ◽  
Author(s):  
Helena M. Beltran-Lopez ◽  
Alain C. J. Durré ◽  
Pierre Giot
Keyword(s):  
Order Book ◽  
Volatility Regimes ◽  
Book Markets

Investments in the imaginary: commercial drone speculations and relations

2021 ◽  
Author(s):  
Anna Jackman ◽  
Maximilian Jablonowski
Keyword(s):  
Social Relations ◽  
Visual Analysis ◽  
Key Sites ◽  
Critical Visual Analysis

Drones are increasingly understood and imagined as important actors, inhabiting and transforming aerial space. From their entrenched establishment within battlefield operations, drones have spawned into a diverse ecosystem of platforms and applications, increasingly punctuating domestic urban airspace. While occupying a status as exemplars of urban innovation, the drone poses, and remains bound to, a range of techno-cultural contestations – from challenges around airspace integration, to concerns around privacy, safety and pollution. Thinking with commercial drone futures, and specifically the logistics sector, this article interrogates the role of speculation in this unfolding techno-landscape. In so doing we turn to two key sites through which the drone is anticipated – namely patents and adverts – as lenses through which to investigate projected visualisations underpinning the emergent, envisioned and anticipated drone. We argue that such drone speculations do not simply and solely envision new means of circulating goods, people and information, but rather embody and act to promote a particular set of aerial desires and social relations. Critically unpacking envisioned notions of frictionless mobility, instant consumption, and the appropriation of vertical spaces and spectra, we argue that such speculative sites and practices importantly participate in a techno-fetishist agenda positing drone technology as a privileged and panacea agent of futurity, while often eliding its implications.<br /><br />Key messages<br /><ul><li>Drones are increasingly understood and imagined as important actors, inhabiting and transforming urban airspace.</li><br /><li>Interrogating the domestic drone, we offer a critical visual analysis of key sites through which it is speculated.</li><br /><li>While envisioning convenience from the air, commercial drone speculations also embody and promote particular aerial desires.</li><br /><li>We argue that staying with speculation enables the critical unpacking of notions of frictionless mobility, instant consumption and the appropriation of vertical space.</li></ul>

CHARACTERISTICS OF ORGANIZING AND MANAGING SALES ACTIVITIES USING THE EXAMPLE OF “OOO LAMZUR”

2020 ◽  
Vol 10 (6) ◽  
pp. 1001-1015
Author(s):  
E.A. Leonenko ◽  
◽  
S.V. Kunev ◽  
N.N. Chindyaykina ◽  
◽  
...  
Keyword(s):  
Economic Activity ◽  
Visual Analysis ◽  
Distribution Channels ◽  
Enterprise Management ◽  
Competitive Advantages ◽  
New Methods ◽  
Confectionery Products ◽  
Marketing Activities ◽  
Further Development

In modern conditions, the further development of the market economy puts each subject of economic activity in very difficult conditions. For the survival and effective functioning of an organization, it is no longer enough to simply produce goods in the maximum possible volume, it is especially important to sell these goods. The significant role of sales activities in the enterprise management requires searching for new methods of improvement, one of which is the revision of existing and the development of new optimal distribution channels under conditions of environmental uncertainty. Currently, distribution channels for final products are a complex multi-structure system with active elements, operating in a dynamically developing market environment. Studies by economists show that the complexity (complexity) of this system is based not on the number of elements, but on the nature of the network structure (the complexity of the structure of the system and the interactions of its components). This article presents a visual analysis of the sales activities of one of the largest Russian confectionery manufacturers - “OOO Lamzur”. For this kind of enterprises, the organization of sales activities is very important in ensuring economic efficiency and achieving high competitive advantages. In the marketing activities of the investigated enterprise, a number of problem areas are identified that impede its development. In the process of analyzing sales activities, a number of shortcomings were noted, the key of which is the loss by the enterprise of such sales functions as establishing feedback with consumers. In the course of the study, the effectiveness of the marketing activities of “OOO Lamzur” was assessed based on the analysis of the dynamics of sales of confectionery products, as well as by interviewing customers.

Over-the-Counter Markets

Dark Markets ◽  
2012 ◽  
Author(s):  
Darrell Duffie
Keyword(s):  
Limit Order Book ◽  
Institutional Setting ◽  
Order Book ◽  
Limit Order ◽  
Over The Counter ◽  
Limited Knowledge ◽  
Trading Mechanism

This chapter introduces the institutional setting of over-the-counter (OTC) markets and raises some of the key conceptual issues associated with market opaqueness. An OTC market does not use a centralized trading mechanism, such as an auction, specialist, or limit-order book, to aggregate bids and offers and to allocate trades. Instead, buyers and sellers negotiate terms privately, often in ignorance of the prices currently available from other potential counterparties and with limited knowledge of trades recently negotiated elsewhere in the market. OTC markets are thus said to be relatively opaque; investors are somewhat in the dark about the most attractive available terms and about whom to contact for attractive terms. Prices and allocations in OTC markets are, to varying extents, influenced by opaqueness and by the role of intermediating brokers and dealers.

Visual Performativity of Violence: Power and Retaliatory Humiliation in Islamic State (is) Beheading Videos Between 2014 and 2017

2020 ◽  
pp. 123-147
Author(s):  
Michael Krona
Keyword(s):  
Group Identity ◽  
Visual Analysis ◽  
Layered Media ◽  
Islamic State ◽  
Theoretical Discussion ◽  
Hybrid Warfare ◽  
Media Campaigns ◽  
Image Composition ◽  
Visual Propaganda

The significance of visual propaganda in war has never been as debated as since the Islamic State (IS) started gaining global attention for its sophisticated media campaigns in 2014. Although IS propaganda contains several narratives, the videos of beheadings have for years been at the centre of attention. This graphic violence involves deliberate choices in terms of image composition, lighting, camera-angles, and overall editing techniques deployed to reach maximum effects its targeted audiences. These videos are not only evidence of tactical choices in hybrid warfare, but also mediated communicative artefacts. This chapter aims to dissect this mediation of performative violence: the visualization of beheadings as multi-layered media artefacts, produced with the dual objective to incite fear among adversaries and strengthen the in-group identity of the organization. How videos of IS beheadings are designed is crucial to understand the role of visual propaganda in IS contemporary warfare. The chapter is based on qualitative visual analysis of beheading videos produced by IS official media wings between 2014 and 2017 with particular focus on image composition and sequencing, contextualized through a theoretical discussion about how power and retaliatory humiliation are constructed through the visual performativity of violence.

Limit Order Book Markets

2013 ◽  
pp. 191-235
Author(s):  
Thierry Foucault ◽  
Marco Pagano ◽  
Ailsa Röell
Keyword(s):  
Limit Order Book ◽  
Order Book ◽  
Limit Order ◽  
Book Markets

Working with nature in designing cultural events: the case of Norway.

2021 ◽  
pp. 80-93
Author(s):  
Lusine Margaryan ◽  
Peter Fredman
Keyword(s):  
Empirical Data ◽  
Outdoor Recreation ◽  
Visual Analysis ◽  
Event Studies ◽  
Cultural Narratives ◽  
Cultural Events ◽  
Nature And Culture ◽  
Natural Landscapes ◽  
Tourism Flows

Abstract This chapter looks at the role of nature in cultural events and the role of event design in facilitating holistic experiences of nature and culture. The chapter focuses on understanding how the cultural narratives (content) are woven into the natural environment (context) and how this relationship is designed to give rise to the event experience. The study is based on theoretical insights from the fields of event studies and nature-based tourism and outdoor recreation. Empirically, the case is based on Norway, which currently experiences rapid growth in tourism flows as well as proliferation of a wide variety of outdoor events in its scenic natural landscapes. The empirical data come from interviews with outdoor event managers as well as a visual analysis of the websites of cultural events in nature.

scholarly journals The symbol of social media in contemporary protest: Twitter and the Gezi Park movement

2020 ◽  
pp. 135485652093374
Author(s):  
Olu Jenzen ◽  
Itir Erhart ◽  
Hande Eslen-Ziya ◽  
Umut Korkut ◽  
Aidan McGarry
Keyword(s):  
Social Media ◽  
Social Movement ◽  
Information Sharing ◽  
Digital Media ◽  
Collective Identity ◽  
Visual Analysis ◽  
Main Emphasis ◽  
Media Practices

This article explores how Twitter has emerged as a signifier of contemporary protest. Using the concept of ‘social media imaginaries’, a derivative of the broader field of ‘media imaginaries’, our analysis seeks to offer new insights into activists’ relation to and conceptualisation of social media and how it shapes their digital media practices. Extending the concept of media imaginaries to include analysis of protestors’ use of aesthetics, it aims to unpick how a particular ‘social media imaginary’ is constructed and informs their collective identity. Using the Gezi Park protest of 2013 as a case study, it illustrates how social media became a symbolic part of the protest movement by providing the visualised possibility of imagining the movement. In previous research, the main emphasis has been given to the functionality of social media as a means of information sharing and a tool for protest organisation. This article seeks to redress this by directing our attention to the role of visual communication in online protest expressions and thus also illustrates the role of visual analysis in social movement studies.

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