Raport dotyczzcy funkcjonowania elektronicznego rynku treeci muzycznych w Polsce (Report on Functioning of the Digital Music Market in Poland)

2013 ◽  
Author(s):  
Patryk Galuszka
Keyword(s):  
Author(s):  
Subash Giri

Abstract This paper investigates the current legitimate digital music business trends and models created by the innovation of new digital technologies and examines their pertinence in the Nepalese music industry. Further, it scrutinises neighbouring music markets and juxtaposes the Nepalese music market against their current market trends. Based on eight in-depth semi-structured interviews with executives and stakeholders of different major, medium and independent Nepalese record labels, the paper examines two questions: what is preventing Nepalese recorded music from being found digitally and accessible legally; and what are the opportunities, gaps and requirements that confront the search for a commercially viable route for the optimal digital music business model to make Nepalese music digitally and legally accessible, both locally and globally?


2019 ◽  
Vol 19 (4) ◽  
pp. 39-46
Author(s):  
Liang-Chieh Cheng ◽  
Yunpeng Zhang
Keyword(s):  

2021 ◽  
Vol 7 (13) ◽  
pp. 295-332
Author(s):  
Tuğba Aydın Öztürk ◽  
Nick Crossley

This research explained new economic models in the digital music industry in view of cultural, technological, and sociological aspects. The importance of local entrepreneurship, as well as global markets, were accessed. There have been many developments in digital music in the past two decades. These developments have affected relations between the digital economy and music technology. The study is mainly focused on the Turkish music market. Why the subscription and bundling models are on the rise? How does an economic merger between telecommunication companies and digital music services work? What are the effects of the recent developments in technology, in particular smartphones on music industry? The partnership of Turkcell, the largest GSM operator in Turkey, and one of the top 5 in Europe and Turkish digital music service Fizy was exemplified. Thus, the significance of local markets in the digital era, expectations of the audiences, the applicability of streaming, and bundling economic models in Turkey have been examined.


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