scholarly journals The Private Life Annuity Market in Germany: Products and Money’s Worth Ratios

2010 ◽  
Author(s):  
Barbara Somova ◽  
Raimond Maurer
Keyword(s):  
Private Life ◽  
Life Annuity ◽  
Annuity Market

Bringing cost transparency to the life annuity market

2014 ◽  
Vol 56 ◽  
pp. 14-27 ◽  
Author(s):  
Catherine Donnelly ◽  
Montserrat Guillén ◽  
Jens Perch Nielsen
Keyword(s):  
Cost Transparency ◽  
Life Annuity ◽  
Annuity Market

scholarly journals An Optimal Strategy for Private Life Annuity by Utilizing AEW

IE interfaces ◽  
2011 ◽  
Vol 24 (3) ◽  
pp. 173-186
Author(s):  
Jae-Hwan Yang ◽  
Yoon-Kyung Yuh
Keyword(s):  
Optimal Strategy ◽  
Private Life ◽  
Life Annuity

Beyond Conflict: The Role of Work-Private Life Enrichment for Expatriates

2012 ◽  
Author(s):  
Regina Kempen ◽  
Karsten Mueller ◽  
Tammo Straatmann ◽  
Kate Hattrup ◽  
Sven-Oliver Spiess
Keyword(s):  
Private Life

State-cathedral nature of the first-rate Kiev

2000 ◽  
pp. 60-67
Author(s):  
M. M. Nikitenko
Keyword(s):  
World History ◽  
Cultural Influences ◽  
Private Life ◽  
Local Version ◽  
Russian Society ◽  
Public And Private ◽  
Main Center

The inclusion of Eastern Slavs in the sphere of religious and cultural influences of Byzantium was a tremendous event both in national and in world history. Since then, the main center of the culture of Kievan Rus, incorporating a complex of ideas and functions of the spiritual, public and private life of ancient Russian society, became the Eastern Christian temple in its local version

Time Lost, Time Regained: Billy Wilder's The Private Life of Sherlock Holmes

2020 ◽  
Vol 1 (2) ◽  
pp. 189-202
Author(s):  
Laura Marcus
Keyword(s):  
Private Life ◽  
Sherlock Holmes ◽  
History Of ◽  
Part Structure ◽  
Lost Time

This article discusses Billy Wilder's 1970 film The Private Life of Sherlock Holmes, which, though not enthusiastically received by audiences at the time, has subsequently become a work highly valued by critics and cineastes. Radically cut from its original four-part structure by the studio, it has come to be perceived as a film about loss. This relates both to its themes – suppressed love, the vanished world of Holmes and Watson – and to the history of the film itself, whose missing episodes exist only in fragmentary form. The first part of the essay looks at the ways in which the film constructs an image of Sherlock Holmes (played by Robert Stephen), with a focus on the question of his sexuality, while the second part turns to the ways in which the film became an ‘obsession’ for one writer in particular, the novelist Jonathan Coe.

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