Persistent Profits & Transitory Losses: Role of IT Innovation Capability

2010 ◽  
Author(s):  
Changling Chen ◽  
Jee-Hae Lim ◽  
Theophanis C. Stratopoulos
Keyword(s):  
Innovation Capability ◽  
It Innovation ◽  
Role Of It

What is the role of IT in innovation? A bibliometric analysis of research development in IT innovation

2016 ◽  
Vol 35 (12) ◽  
pp. 1130-1143 ◽  
Author(s):  
Xi Zhang ◽  
Hui Chen ◽  
Weiguang Wang ◽  
Patricia Ordóñez de Pablos
Keyword(s):  
Bibliometric Analysis ◽  
Research Development ◽  
It Innovation ◽  
Role Of It

Role of IT in HRM: Opportunities and Challenges

2012 ◽  
Vol 3 (4) ◽  
pp. 159-160
Author(s):  
Megha Vashishth ◽  
Keyword(s):  
Role Of It

POLIVARIABILITY OF THE BASTARD MOTIF IN THE SHORT STORIES BY GUY DE MAUPASSANT: CHARACTER IN SEARCH OF SELF-IDENTIFICATION

2018 ◽  
pp. 20-27
Author(s):  
Oksana Galchuk
Keyword(s):  
Short Stories ◽  
Short Story ◽  
Social Institutions ◽  
Point Of View ◽  
Guy De Maupassant ◽  
Traditional Values ◽  
The Social ◽  
Role Of It ◽  
Structural Methods

The theme of illegitimacy Guy de Maupassant evolved in his works this article perceives as one of the factors of the author’s concept of a person and the plane of intersection of the most typical motifs of his short stories. The study of the author’s concept of a person through the prism of polivariability of the motif of a bastard is relevant in today’s revision of traditional values, transformation of the usual social institutions and search for identities, etc. The purpose of the study is to give a definition to the existence specifics of the bastard motif in the Maupassant’s short stories by using historical and literary, comparative, structural methods of analysis as dominant. To do this, I analyze the content, variability and the role of this motive in the formation of the Maupassant’s concept of a person, the author’s innovations in its interpretation from the point of view of literary diachrony. Maupassant interprets the bastard motif in the social, psychological and metaphorical-symbolic sense. For the short stories with the presentation of this motif, I suggest the typology based on the role of it in the structure of the work and the ideological and thematic content: the short stories with a motif-fragment, the ones with the bastard’s leitmotif and the group where the bastard motif becomes a central theme. The Maupassant’s interpretation of the bastard motif combines the general tendencies of its existence in the world’s literary tradition and individual reading. The latter is the result of the author’s understanding of the relevant for the era issues: the transformation of the family model, the interest in the theory of heredity, the strengthening of atheistic sentiments, the growth of frustration in the system of traditional social and moral values etc. This study sets the ground for a prospective analysis of the evolution the bastard motif in the short-story collections of different years or a comparative study of the motif in short stories and novels by Maupassant.

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