The Devil is in the Details: Policing the Implementation of the Military Chaplain System

2005 ◽  
Author(s):  
Liam James Montgomery
Author(s):  
Lisa Nanney

The years 1934-37, during which Dos Passos undertook three film projects, were critical in Dos Passos’s literary career and political thought. He believed that capitalism was another of the monolithic forces of the machine age, like the military, that could eradicate individual self-determination. But he saw increasing danger in Stalin’s repressive regime and what he considered American Communists’ subordination of workers’ interests to Party ideology. His nascent political ambivalence emerges in the first two volumes of U.S.A., The 42nd Parallel (1930) and 1919 (1932). By 1934, when he accepted a short-term contract as screenwriter for Paramount, he was engaged in work on the third volume, The Big Money (1936), and his experiences while working on a film vehicle for Marlene Dietrich, The Devil Is a Woman (1935, dir. Josef von Sternberg), solidified his conviction of the complicity between the Hollywood “dreamfactory” and capitalism to stoke American consumer culture. While the manuscript of the Paramount film shows signs of Dos Passos’s aesthetics, it is The Big Money’s film-inflected narrative representation of the corruption of the industry that articulates the impact of both the formal and the cultural dynamics of film on his work.


Social Forces ◽  
1978 ◽  
Vol 56 (4) ◽  
pp. 1286
Author(s):  
Mady Wechsler Segal ◽  
Clarence L. Abercrombie

Author(s):  
Leo Tolstoy

‘It is impossible to explain why Yevgeny chose Liza Annenskaya, as it is always impossible to explain why a man chooses this and not that woman.’ This collection of eleven stories spans virtually the whole of Tolstoy's creative life. While each is unique in form, as a group they are representative of his style, and touch on the central themes that surface in War and Peace and Anna Karenina. Stories as different as 'The Snowstorm', 'Lucerne', 'The Diary of a Madman', and 'The Devil' are grounded in autobiographical experience. They deal with journeys of self-discovery and the moral and religious questioning that characterizes Tolstoy's works of criticism and philosophy. 'Strider' and 'Father Sergy', as well as reflecting Tolstoy's own experiences, also reveal profound psychological insights. These stories range over much of the Russian world of the nineteenth century, from the nobility to the peasantry, the military to the clergy, from merchants and cobblers to a horse and a tree. Together they present a fascinating picture of Tolstoy's skill and artistry. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.


1977 ◽  
Vol 4 (1) ◽  
pp. 165-167
Author(s):  
Thomas M. Gannon

2015 ◽  
pp. 172-183
Author(s):  
T. A. Kalenychenko

Kalenychenko T. A. Since the spring of 2014, we can observe the movement of update of military chaplaincy, the emergence of mass volunteering by religious leaders. While Ukraine only continues to develop a new Chaplaincy service, society has already received the first presentation about the priests at the forefront thanks to the work of the Ukrainian media. In this article, author examines the messages about the military chaplaincy of key media and analyzes the way in which the image was formed from the military chaplain to a secular society, and the role it has assumed.


2016 ◽  
Vol 50 (1) ◽  
Author(s):  
Neil E. Allison

The waning influence of Christianity in the United Kingdom’s armed forces since 1960 and the growing ignorance of personnel who have ties to a particular denomination, gave rise to a new assessment of the military chaplain in a modern and postmodern context. This article gives an overview of the practice during the two world wars and after the 1960s. It also gives an overview of the debate on the current role of the military chaplain, especially the beliefs of Herspring, Zahn, Coleman and McCormack, and eventually set up a role model from a Free Church perspective. It is shown that an operating model that is only defined in pastoral terms does not satisfy. The pastoral and spiritual definition, in terms of a liminal serving as an alternative, is suggested because it frees the chaplain to act more independent and also describes the best practice that has always prevailed in the British army.


Theology ◽  
1981 ◽  
Vol 84 (700) ◽  
pp. 249-257 ◽  
Author(s):  
Alan Wilkinson

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