scholarly journals Museum Course and Archaeology in Belgrade during the World War II

2016 ◽  
Vol 9 (3) ◽  
pp. 625
Author(s):  
Aleksandar Bandović

The museum course in the Museum of Prince Paul in Belgrade lasted from 1942 to 1944, initiated by Miodrag Grbić, one of the curators of the Museum. The whole generation of the post-war archaeologists, art historians, and architects stemmed from the lectures of Miodrag Grbić, Đorđe Mano Zisi, Milan Kašanin and Ivan Zdravković. The course became the turning point in the history of archaeology, a sort of parallel university in the occupied city. However, it should not be valorised isolated from other events in Belgrade during the World War II. The German authorities established new institutions in charge of heritage protection in the occupied Serbia – Kunst und Denkmalschutz, the department chaired by Baron Johann von Reiswitz. Himmler’s organization Ahnenerbe was also active in the region of Belgrade and Serbia. As part of its activities, Wilhelm Unverzagt, the director of the Berlin museum conducted the excavations at Kalemegdan. These excavations symbolically legitimized the German presence in Belgrade. On the other hand, the project became one of the topoi of the ideology of collaborationism. The students of the museum course acquired their practical training during these excavations.

Author(s):  
Oskar Stanisław Czarnik

The subject of this article is an overview of Polish publishing in the exile during the World War II and first post-war years. The literary activity was mostly linked to the cultural tradition of the Second Polish Republic. The author describes this phenomenon quantitatively and presents the number of books published in the respective years. He also tries to explain which external factors, not only political and military, but also financial and organizational, affected publications of Polish books around the world. The subject of the debate is also geography of the Polish publishing. It is connected with a long term migration of different groups of people living in exile. The author not only points out the areas where Polish editorial activity was just temporary, but also the areas where it was long-lasting. The book output was a great assistance to Polish people living in diasporas, as well as to readers living in Poland. The following text is an excerpt of the book which is currently being prepared by the author. The book is devoted to the history of Polish publishing in exile.


2019 ◽  
pp. 62-66
Author(s):  
Serhiy Denysiuk

The history of Ukraine has got many examples of how different personalities were able to unite and direct their efforts in meaningful way for higher purpose. One of such interesting pages is an activity of Ukrainian Art movement (UAM) –unification of Ukrainian writers in emigration, who after the end of World War II turned up in camps for displaced persons in Germany and Austria. The leadership of union helped to create such climate in the organization that would maximize imaginative work and minimize confrontational points among its members. The peculiar quality check of the organization and its ability to withstand the devastating tendencies was a debate in UAM about relevant problems of searching for ways of development Ukrainian culture in emigration conditions. Its starting point was Y. Shevelov`s report «The styles of contemporary Ukrainian literature in emigration» (1945), which he pronounced at the First congress of organization. The reviewer proclaimed the mission of new organization - to create a nationwide and a sub-region writing, which can reach worldwide recognition. The main direction of its development Y. Shevelov determined the creation of deeply peculiar Ukrainian literary style. The idea of national-organic style has caused mixed reactions and criticism in the Ukrainian emigration environment. The national-organic style does not anticipate a forced imposition on his writers. This style does not mean an isolation of narrow national limits and departure from European influences and traditions. It includes only blind copying borrowed samples. Supplemented the concept of Y. Shevelov with his ideas such persons as I. Bagryany, Y. Kosach, I.Kosteckii and other representatives of UAM`s, who defended national origin in literature. The most irreconcilable opponent of Y. Shevelov and his theory of national-organic style became a literary scholar, critic, translator V. Derzhavin. There were several reasons for the conflict between these creative personalities among which, in particular, differences between generations, to which they belong. In the modern scientific literature one can come across for approval that a deepening conflict between Y. Shevelov and V. Derzhavin led to the split and termination of the organization activity. Such an estimate is untrue, because the real reason for the termination of the organization was hold at the 1948 a monetary reform in Germany and mass departure of Ukrainian emigrants from displaced persons camps to the other countries of the world. Well, conflicts, which took place in the history of Ukrainian Art Movement, did not lead to the division of the organization into hostile camps, as its members were united by the common purpose of creating new Ukrainian literature, that would take a worthy place in the world culture.


1939 ◽  
Vol 1 (2) ◽  
pp. 212-228
Author(s):  
Sigmund Neumann

Munich marks the end of an epoch, a “turning point in history,” as Arnold J. Toynbee recently states in a most suggestive article. In fact, these decisive events were foreshadowed long before September 1938, by actions almost necessarily leading the road to Munich. If one can speak of the end of a period, one might better say: Hitler's march into the Rhineland, March 7, 1936, was the real water-shed between two political continents. Indeed what had been said about the World War, that it merely precipitated a development of political and social forces which were moulding the twentieth century, could be repeated of this greatest diplomatic upset of our time too. It had its roots in the history of post-War Europe, and it may be that even the more we win distance from this “water-shed of Munich” the clearer it will become that the currents of history are running in the same old beds and in the same directions as before September, 1938.


2019 ◽  
Vol 20 (2) ◽  
pp. 37-41
Author(s):  
Maftuna Sanoqulova ◽  

This article consists of the politics which connected with oil in Saudi Arabia after the World war II , the relations of economical cooperations on this matter and the place of oil in the history of world economics


2020 ◽  
Vol 2020 (10-3) ◽  
pp. 70-81
Author(s):  
David Ramiro Troitino ◽  
Tanel Kerikmae ◽  
Olga Shumilo

This article highlights the role of Charles de Gaulle in the history of united post-war Europe, his approaches to the internal and foreign French policies, also vetoing the membership of the United Kingdom in the European Community. The authors describe the emergence of De Gaulle as a politician, his uneasy relationship with Roosevelt and Churchill during World War II, also the roots of developing a “nationalistic” approach to regional policy after the end of the war. The article also considers the emergence of the Common Agricultural Policy (hereinafter - CAP), one of Charles de Gaulle’s biggest achievements in foreign policy, and the reasons for the Fouchet Plan defeat.


2003 ◽  
Vol 46 (1-4) ◽  
pp. 17-26 ◽  
Author(s):  
Radmila Sajkovic

In this text the author reviews the life and work of Zagorka Micic, famous Serbian woman-philosopher, in honour of the 100th anniversary of her birth. She was one of the first students of Edmund Husserl, and her Ph. D. thesis was among the earliest ones in phaenomenology, which was waking in that time. Her cooperation with Husserl has continued for a decade. After the World War II Zagorka Micic worked as a professor of logic and history of philosophy at the University of Skoplje (now FYRM). Stressing her individual qualities, the paper is full of personal memories and reminiscences of mutual encounters.


Author(s):  
Tetiana Yelova

The new geopolitical realities after the World War II saw the revival of the Polish state in a new form. The Republic of Poland appeared on the map of Central Europe, with about half of its territory being the so-called Recovered Territories, while the state borders moved west. The new eastern border of the post-war Poland ran along the Curzon line. The new post-war eastern border of Poland was being negotiated and agreed upon by the Soviet and the Polish authorities starting from 1944 on an annual basis, up to 1948. The last exchange of territories took place in 1951. The debates about the political map of Europe and the new eastern border of Poland, which became a new reality after the World War II, were held both at politicians’ offices and in various media outlets. The most prominent debate about the new Polish eastern border could be found on the pages of the Kultura immigrant periodical. The Polish immigrant public intellectuals Jerzy Giedroyc, Juliusz Mieroszewski, Josef Czapski and other members of the Kultura periodical editorial board were adamant about the need to recognize the Polish borders drawn after the World War II. Such a stance was unacceptable for the Polish Governmentin-Exile based in London and some immigrant circles in the USA. Starting from 1952, the Kultura editorial staff is consistent in its efforts to defend the principle of inviolability of borders drawn after the World War II, urging the Poles to give up on the so-called Polish Kresy (Kresy Wschodnie) and to reconcile with the neighbours on the other side of the new eastern border.


2019 ◽  
Vol 33 (4) ◽  
pp. 313-321
Author(s):  
Z. H. Popandopulo

In 1977 on the site of famous burial mound Chmyrеva Mohyla located on the northern outskirts of Velyka Bilozerka village of Zaporizhzhia region three bronze pole-tops with images of gryphons were found by local people on the plowed field. There is no evidence whether other artifacts have been found. Luckily nearby in Gunovka village the expedition of Institute of Archaeology of National Academy of Sciences of Ukraine was working under the leadership of Yu. V. Boltryk who got the founded artifacts and then sent them to Zaporizhzhia regional museum of local lore, history and economy. The history of excavations of Chmyrеva Mohyla numbers more than a century. They were started by F. A. Braun in 1898, M. I. Veselovskiy (1909—1910) continued the excavations and Yu. V. Boltryk in 1994 completed them. The burial mound has not been excavated in full because of various reasons. The destiny of finds from this barrow was tragic. A lot of artifacts among them silver vessels from the hiding-place which was revealed by M. I. Veselovskiy were lost during the World War II when the collections of Kharkiv historic museum were evacuated. Scythian bronze pole-tops as one of the most interesting categories of artifacts for a long time attracted attention of scholar world. They were classified by types and date, their significance in funeral ceremony and everyday life was searched for. The questions still remain. In this article we tried to put into scholar circulation a scanty type of pole-tops with the image of pacing gryphon on the pear-shaped little bell which is characteristic only for Steppe Dnieper river region. For today only eight of them are known and most of them are originated from of the burial mounds of high Scythian aristocracy: Tovsta Mohyla, Haimanova Mohyla, Chmyrova Mohyla. Chronologically they are slightly differed from other pole-tops both with the image of deer on pear-shaped little bells from Tovsta Mohyla, and with the image of deer on flat cone bushes from Haimanova Mohyla. The question about the place of production of such pole-tops is still opened. Probably just these types of pole-tops could be produced in one workshop but not all known variety of objects as V. A. Ilinska thought. One of the problems to be solved by researchers is searching for such workshops. But if these objects have been moulded by wax models the task becomes more complicated.


1979 ◽  
Vol 11 (1) ◽  
pp. 169-184 ◽  
Author(s):  
Steven Ellner

The Comintern's adoption of the popular front strategy in August 1935 marked a new stage in the history of world Communism which lasted until the end of World War II. Communist leaders embarked on this course in the hope of isolating the fascist movement which was then in the ascendant throughout the world. Their strategy was to create coalitions (‘popular fronts’) of progressive groupings on the basis of a reformist program and anti-fascist rhetoric. This conciliatory position towards the rest of the left represented a sharp departure from the policy of previous years when Communists frequently denounced their leftist rivals as ‘ social fascists’.


Author(s):  
Michael Freeman

This chapter examines the concept of human rights, which derives primarily from the Charter of the United Nations adopted in 1945 immediately after World War II. It first provides a brief account of the history of the concept of human rights before describing the international human rights regime. It then considers two persistent problems that arise in applying the concept of human rights to the developing world: the relations between the claim that the concept is universally valid and the realities of cultural diversity around the world; and the relations between human rights and development. In particular, it explores cultural imperialism and cultural relativism, the human rights implications of the rise of political Islam and the so-called war on terror(ism), and globalization. The chapter concludes with a discussion of the new political economy of human rights.


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