The Keyboard Instruments

2014 ◽  
Vol 29 (1) ◽  
pp. 1-2 ◽  
Author(s):  
Ralph A Manchester
Keyword(s):  
Performing Arts ◽  
Musculoskeletal Disorder ◽  
Physical Therapist ◽  
The Other ◽  
Music Students ◽  
Growing Up ◽  
Potential Importance ◽  
Performing Artists ◽  
New Information ◽  
Authority Figures

When I was growing up, it seemed like posture was a big deal—to my parents, other (older) relatives, teachers, and other authority figures. Hardly a day passed (as I recall) without an adult telling me to stand up taller or sit up straighter. ... On the other hand, I have suggested to a number of music students who have come in to see me about a performance-related musculoskeletal disorder (PRMD) that they should talk with their teacher and a physical therapist about their posture and the effect it may be having on their body and their performance. So how can we best understand the relationships among posture, performance, and injury in the performing arts? The article by Ramella et al. in this issue of MPPA gives us some new information about the potential importance of posture for instrumental musicians. In order to provide some context for this article, I will try to give a brief overview of what we know about posture and the health of performing artists.

Promoting Health in Post-Secondary Music Schools

2006 ◽  
Vol 21 (3) ◽  
pp. 95-96
Author(s):  
Ralph A Manchester
Keyword(s):  
Health Promotion ◽  
Injury Prevention ◽  
Performing Arts ◽  
Music Students ◽  
College Level ◽  
Performing Arts Medicine ◽  
Performing Artists ◽  
Accreditation Standard ◽  
Health Promotion In Schools ◽  
Schools Of Music

The Special Article in this issue of Medical Problems of Performing Artists has the potential to usher in a new era in improving the lives of musicians (and potentially other performing artists) around the world. The Health Promotion in Schools of Music conference that was held in Texas in the fall of 2004 brought together a rich mixture of music and performing arts medicine professionals. Stimulated by the new National Association of Schools of Music accreditation standard that requires undergraduate music students to receive instruction in injury prevention and occupational health promotion, participants in the conference worked diligently for 3 days to discuss what we know, what we don't know, and how to approach the vital yet immensely complex issue of health promotion and injury prevention for college-level music students. While the recommendations in the Special Article are intentionally broad and allow each school to develop its own program, they are based on a true state of the art analysis of the field.

scholarly journals Contribution of the CK2 Catalytic Isoforms α and α’ to the Glycolytic Phenotype of Tumor Cells

Cells ◽  
2021 ◽  
Vol 10 (1) ◽  
pp. 181
Author(s):  
Francesca Zonta ◽  
Christian Borgo ◽  
Camila Paz Quezada Meza ◽  
Ionica Masgras ◽  
Andrea Rasola ◽  
...  
Keyword(s):  
Cell Proliferation ◽  
Protein Kinase ◽  
Cancer Cells ◽  
Tumor Cells ◽  
Therapeutic Strategies ◽  
The Other ◽  
Osteosarcoma Cell ◽  
Monomeric Form ◽  
New Information

CK2 is a Ser/Thr protein kinase overexpressed in many cancers. It is usually present in cells as a tetrameric enzyme, composed of two catalytic (α or α’) and two regulatory (β) subunits, but it is active also in its monomeric form, and the specific role of the different isoforms is largely unknown. CK2 phosphorylates several substrates related to the uncontrolled proliferation, motility, and survival of cancer cells. As a consequence, tumor cells are addicted to CK2, relying on its activity more than healthy cells for their life, and exploiting it for developing multiple oncological hallmarks. However, little is known about CK2 contribution to the metabolic rewiring of cancer cells. With this study we aimed at shedding some light on it, especially focusing on the CK2 role in the glycolytic onco-phenotype. By analyzing neuroblastoma and osteosarcoma cell lines depleted of either one (α) or the other (α’) CK2 catalytic subunit, we also aimed at disclosing possible pro-tumor functions which are specific of a CK2 isoform. Our results suggest that both CK2 α and α’ contribute to cell proliferation, survival and tumorigenicity. The analyzed metabolic features disclosed a role of CK2 in tumor metabolism, and suggest prominent functions for CK2 α isoform. Results were also confirmed by CK2 pharmacological inhibition. Overall, our study provides new information on the mechanism of cancer cells addiction to CK2 and on its isoform-specific functions, with fundamental implications for improving future therapeutic strategies based on CK2 targeting.

Lexical Arguments and Information Types in Malay Oral Narratives

2015 ◽  
Vol 7 (1) ◽  
pp. 80-97
Author(s):  
Siaw-Fong Chung
Keyword(s):  
Information Flow ◽  
The Other ◽  
Discourse Structure ◽  
Oral Narratives ◽  
Clear Cut ◽  
The Core ◽  
New Information ◽  
Intonation Units ◽  
Locative Expressions ◽  
Transitive Verbs

The analysis in this paper was based on five Malay narratives of the “frog story”. In these narratives, the types of lexical arguments and their relations with information flow and topic continuity were analyzed. It was found that most narrators used one lexical argument in telling the frog story (e.g., sarang itu jatuh “the nest fell”). About 60% of the verbs in the narratives contained one lexical argument only. Some transitive verbs that usually require the presence of both lexical arguments were used with one lexical argument only when produced in speech (e.g., dia mencari ø di merata tempat “he searched (for) ø everywhere”). Objects were sometimes omitted, as their meanings could be predicted from previous context. Despite the omission of objects, transitive constructions still prevailed in the stories. The most frequently occurring lexical arguments were objects (O) (37%), followed by intransitive subjects (S) (29%) and transitive subjects (A) (27%). In addition, our results showed that new information in Malay was usually allocated to the core argument of the object and to locative expressions, indicating that most of the new information appeared at the end of a clause. On the other hand, topic continuity was held between the subjects in two continuous intonation units. This clear-cut division of discourse functions in the heads and tails of constructions was consistently found in the five pieces of narration. This observation not only showed how ideas could be continued in Malay oral narratives, but also contributes to the study of discourse structure in Malay.

Atskaņotājmākslas attīstība Liepājā un Otrā pasaules kara ietekme uz mūziķu likteņiem

2021 ◽  
pp. 338-351
Author(s):  
Vēsma Lēvalde
Keyword(s):  
World War Ii ◽  
Soviet Union ◽  
Performing Arts ◽  
Symphony Orchestra ◽  
Historical Study ◽  
World War ◽  
National Socialist ◽  
Performing Artists ◽  
Cultural Life ◽  
The Soviet Union

The article is a cultural-historical study and a part of the project Uniting History, which aims to discover the multicultural aspect of performing art in pre-war Liepaja and summarize key facts about the history of the Liepāja Symphony Orchestra. The study also seeks to identify the performing artists whose life was associated with Liepāja and who were repressed between 1941 and 1945, because of aggression by both the Soviet Union and National Socialist Germany. Until now, the cultural life of this period in Liepāja has been studied in a fragmentary way, and materials are scattered in various archives. There are inaccurate and even contradictory testimonies of events of that time. The study marks both the cultural and historical situation of the 1920s and the 1930s in Liepāja and tracks the fates of several artists in the period between 1939 and 1945. On the eve of World War II, Liepāja has an active cultural life, especially in theatre and music. Liepāja City Drama and Opera is in operation staging both dramatic performances, operas, and ballet, employing an orchestra. The symphony orchestra also operated at the Liepāja Philharmonic, where musicians were recruited every season according to the principles of contemporary festival orchestras. Liepāja Folk Conservatory (music school) had also formed an orchestra of students and teachers. Guest concerts were held regularly. A characteristic feature of performing arts in Liepaja was its multicultural character – musicians of different nationalities with experience from different schools of the world were encountered there. World War II not only disrupted the balance in society, but it also had a very concrete and tragic impact on the fates of the people, including the performing artists. Many were killed, many repressed and placed in prisons and camps, and many went to exile to the West. Others were forced to either co-operate with the occupation forces or give up their identity and, consequently, their career as an artist. Nevertheless, some artists risked their lives to save others.

A Newly Discovered Manuscript: Second Version of Syarh Rubai of Hamzah Fansuri Written by Syamsuddin Al Sumatrani

2021 ◽  
Vol 27 (1) ◽  
pp. 65-77
Author(s):  
Pramono ◽  
◽  
Sudarmoko ◽  
Keyword(s):  
The Other ◽  
Islamic Studies ◽  
New Information

In the paper we provide a report on the discovery of a manuscript containing Syarh Rubai of Hamzah Fansuri written by his disciple Syamsuddin Al Sumatrani, which was found in the Minangkabau area. The manuscript is a second and largerly independent version in comparison to similar manuscript that has been previously found and edited by Ali Hasjmy in Aceh. We identify differences between both manuscripts such as the presentation structure, introduction, colophon, the number of stanza, the date of writing, and dictions. The manuscripts reflect the polemic on wujudiyah between Hamzah Fansuri and Syamsuddin on one side, and Nuruddin Ar Raniri on the other side. Furthermore, the locations related to the manuscripts, Aceh and Minangkabau, show the spread of wujudiyah in the Malay world that add new information to the discussion on local Islamic studies. We argue that the newly found manuscript shows the spread of wujudiyah from Aceh to Minangkabau and the growing number of its followers in the region.

Diversity in Performing Arts Medicine

2006 ◽  
Vol 21 (2) ◽  
pp. 45-46
Author(s):  
Ralph A Manchester
Keyword(s):  
Performing Arts ◽  
Diverse Populations ◽  
Performing Arts Medicine ◽  
Performing Artists ◽  
The World ◽  
Attention To Diversity

As the diverse populations of the planet interact on a more frequent and intense basis, it becomes increasingly important for every individual and organization to examine its own approach to this vital issue. The field of performing arts medicine should pay particular attention to diversity for a number of reasons, some of which will help to advance our specialty and improve the lives of performing artists, while others may help save the world.

High-precision abundances of elements in stars with asteroseismic ages

2017 ◽  
Vol 13 (S334) ◽  
pp. 166-169
Author(s):  
P. E. Nissen ◽  
V. Silva Aguirre ◽  
J. Christensen-Dalsgaard ◽  
R. Collet ◽  
F. Grundahl ◽  
...  
Keyword(s):  
High Precision ◽  
Main Sequence ◽  
Potential Problem ◽  
Galactic Evolution ◽  
The Other ◽  
Main Sequence Stars ◽  
Refractory Elements ◽  
Other Hand ◽  
New Information ◽  
Oscillation Frequencies

AbstractHigh-precision abundances of elements have been derived from HARPS-N spectra of F and G main-sequence stars having ages determined from oscillation frequencies delivered by the Kepler mission. The tight relations between abundance ratios of refractory elements, e.g., [Mg/Fe] and [Y/Mg], and stellar age previously found for solar twin stars are confirmed. These relations provide new information on nucleosynthesis and Galactic evolution. Abundance ratios between volatile and refractory elements, e.g., [C/Fe] and [O/Fe], show on the other hand a significant scatter at a given age, which may be related to planet-star interactions. This is a potential problem for chemical tagging studies.

scholarly journals Posleratni bildungsroman jedne generacije kao vrhunsko delo jugoslovenske popularne televizijske estetike – TV serija Grlom u jagode

2018 ◽  
Vol 13 (1) ◽  
pp. 93
Author(s):  
Nataša Simeunović-Bajić
Keyword(s):  
Popular Culture ◽  
Social Practices ◽  
The Other ◽  
Growing Up ◽  
Maturation Period ◽  
Story Line ◽  
The Balkans ◽  
Generational Identity ◽  
Discursive Field ◽  
Tv Show

The aim of this paper is to identify the way in which the television TV series Grlom u jagode (Headless Rush) has become cult TV show and piece of popular TV aesthetics. It represents the daily life and social reality, as well as the construction of generational identity in the period of 1960-1969 in Yugoslavia. Headless Rush was produced in 1975 by Srđan Karanovic. It is an original project of a group of young people and a product of the Editorial Staffof the Second Belgrade TV Channel.The paper starts from the assumption that television series as a specific TV discourse participate in the articulation of social practices in a complex political context, thereby significantly affecting the formation, evolution and understanding of the meaning of popular culture. The fact that the discursive field is very broad and very detailed is characteristic for the potential meanings of this series. It represents the attempt to grasp the whole maturation period of a young man in socialist Yugoslavia in the Balkans. This decade has been chosen on purpose because it was important in the growing up of the series’ crew and the other members on the set. Each episode is a comprehensive and complete narrative unit, related to events that took place in only one presented year. Each episode contains the same sentence: „Back in the 196...“ thereby chronologically pointing out to the significant world’s and Yugoslav historical events. Each episode follows the socialization of Bane Bumblebee primarily, and then that of his friends, girlfriends, his sister, as well as his periodical girlfriend Goca. Each episode combines factographies, documentaries, pseudo-factographies, in a narrative and fictional framework. Besides, there is something that might be called pseudo-documentary or out-of-film world in which the characters comment the story line in which they participate. All these elements and patterns create particular aesthetic world.

scholarly journals A Systemic Functional Analysis of Theme in Modern Standard Arabic Texts

2021 ◽  
Vol 12 (4) ◽  
pp. 15
Author(s):  
Tareq Alfraidi
Keyword(s):  
Systemic Functional Linguistics ◽  
The Other ◽  
Modern Standard Arabic ◽  
Written Discourse ◽  
Standard Arabic ◽  
Logical Frameworks ◽  
New Information ◽  
The One ◽  
The Empirical Analysis ◽  
Modern Standard

The concept of Theme is regarded as a functional linguistic element that exists in many languages. The main aim of this study is to explore the functions of Theme in Arabic, applying the Systemic Functional Linguistics framework adopted by Downing (1991). Methodologically, several related real examples have been selected from the written discourse of Modern Standard Arabic and then analyzed contextually. The empirical analysis has revealed that (i) Theme can provide different functions, such as Individual, Circumstantial and Subjective and Logical Frameworks for the interpretation of the Rheme, and (ii) Theme can interact dynamically with different grammatical functions (e.g. Subject, Object, etc.) and have different pragmatic functions (e.g. Topic, Given and New information). Therefore, the view that makes a necessary link between Theme on the one hand and Noun Phrase, Topic or Given information on the other hand is proven incorrect and empirically invalid. Similar results have been obtained in the context of English (Downing 1991) but not yet for Arabic? This strengthens not only the universality of the concept of Theme but also its functions.

scholarly journals Mapping the Canadian landscape : the performing arts and experiential perspectives

2021 ◽  
Author(s):  
Christine Alison Johns
Keyword(s):  
Art History ◽  
Performing Arts ◽  
Ways Of Knowing ◽  
Specific Time ◽  
Performing Artists ◽  
Place And Space ◽  
Specific Time Period ◽  
Time Period ◽  
Performing Art ◽  
The Way

Focusing on a specific time period in Canadian performing art history--from the 1970s through to the late 1990s--this thesis "maps out" three artists' experiences in the landscape and the way these experiences are represented to an audience through performance. Using specific examples from the repertoire of Davida Monk, Paul Thompson, and R. Murray Schafer, I make a case for considering these performing artists as landscape researchers. I suggest that their performances explicitly and implicitly explore foundational questions about the meanings, uses, and affective power of landscape in ways that are analogous to the writings of cultural geographers during the same period. Like Yi-Fu Tuan, John Jakle, Denis Cosgrove and Jay Appleton, these performing artists examine the experience of humans in the landscape and focus on issues of place and space, homeland, and the meaning of landscape. Monk, Thompson and Schafer extend the perspectives of the geographers and bridge important gaps in their ways of knowing landscape.

Sign in / Sign up

Export Citation Format

Share Document