Artists with Disabilities

2000 ◽  
Vol 15 (2) ◽  
pp. 49-50
Author(s):  
Alice G Brandfonbrener
Keyword(s):  
Performing Arts ◽  
Wide Spectrum ◽  
Memorial Hospital ◽  
Performing Artists ◽  
Minimal Impact ◽  
Medical Environment ◽  
Medical Program ◽  
Casual Observer ◽  
Performing Artist

Although the Medical Program for Performing Artists was founded in 1985 at Northwestern Memorial Hospital, since 1990 it has been a part of the Rehabilitation Institute of Chicago (RIC). At the time of the move I felt that this special medical environment would provide an ideal setting for our clinic, and this feeling has been borne out by the experience of the subsequent decade. What I did not anticipate was the nonmedical impact on both my patients and myself from such an institution. Performing arts patients typically have problems that are not readily apparent to the casual observer, albeit their significance to the artists. Furthermore, by and large their problems have minimal impact on their nonartistic lives as well as on their health in general. More typical patients seen at the Rehabilitation Institute have a wide spectrum of disabilities, which, in contrast to the performing artist patients, have disrupted and compromised both their own lives and those of their families.

Atskaņotājmākslas attīstība Liepājā un Otrā pasaules kara ietekme uz mūziķu likteņiem

2021 ◽  
pp. 338-351
Author(s):  
Vēsma Lēvalde
Keyword(s):  
World War Ii ◽  
Soviet Union ◽  
Performing Arts ◽  
Symphony Orchestra ◽  
Historical Study ◽  
World War ◽  
National Socialist ◽  
Performing Artists ◽  
Cultural Life ◽  
The Soviet Union

The article is a cultural-historical study and a part of the project Uniting History, which aims to discover the multicultural aspect of performing art in pre-war Liepaja and summarize key facts about the history of the Liepāja Symphony Orchestra. The study also seeks to identify the performing artists whose life was associated with Liepāja and who were repressed between 1941 and 1945, because of aggression by both the Soviet Union and National Socialist Germany. Until now, the cultural life of this period in Liepāja has been studied in a fragmentary way, and materials are scattered in various archives. There are inaccurate and even contradictory testimonies of events of that time. The study marks both the cultural and historical situation of the 1920s and the 1930s in Liepāja and tracks the fates of several artists in the period between 1939 and 1945. On the eve of World War II, Liepāja has an active cultural life, especially in theatre and music. Liepāja City Drama and Opera is in operation staging both dramatic performances, operas, and ballet, employing an orchestra. The symphony orchestra also operated at the Liepāja Philharmonic, where musicians were recruited every season according to the principles of contemporary festival orchestras. Liepāja Folk Conservatory (music school) had also formed an orchestra of students and teachers. Guest concerts were held regularly. A characteristic feature of performing arts in Liepaja was its multicultural character – musicians of different nationalities with experience from different schools of the world were encountered there. World War II not only disrupted the balance in society, but it also had a very concrete and tragic impact on the fates of the people, including the performing artists. Many were killed, many repressed and placed in prisons and camps, and many went to exile to the West. Others were forced to either co-operate with the occupation forces or give up their identity and, consequently, their career as an artist. Nevertheless, some artists risked their lives to save others.

Diversity in Performing Arts Medicine

2006 ◽  
Vol 21 (2) ◽  
pp. 45-46
Author(s):  
Ralph A Manchester
Keyword(s):  
Performing Arts ◽  
Diverse Populations ◽  
Performing Arts Medicine ◽  
Performing Artists ◽  
The World ◽  
Attention To Diversity

As the diverse populations of the planet interact on a more frequent and intense basis, it becomes increasingly important for every individual and organization to examine its own approach to this vital issue. The field of performing arts medicine should pay particular attention to diversity for a number of reasons, some of which will help to advance our specialty and improve the lives of performing artists, while others may help save the world.

scholarly journals Mapping the Canadian landscape : the performing arts and experiential perspectives

2021 ◽  
Author(s):  
Christine Alison Johns
Keyword(s):  
Art History ◽  
Performing Arts ◽  
Ways Of Knowing ◽  
Specific Time ◽  
Performing Artists ◽  
Place And Space ◽  
Specific Time Period ◽  
Time Period ◽  
Performing Art ◽  
The Way

Focusing on a specific time period in Canadian performing art history--from the 1970s through to the late 1990s--this thesis "maps out" three artists' experiences in the landscape and the way these experiences are represented to an audience through performance. Using specific examples from the repertoire of Davida Monk, Paul Thompson, and R. Murray Schafer, I make a case for considering these performing artists as landscape researchers. I suggest that their performances explicitly and implicitly explore foundational questions about the meanings, uses, and affective power of landscape in ways that are analogous to the writings of cultural geographers during the same period. Like Yi-Fu Tuan, John Jakle, Denis Cosgrove and Jay Appleton, these performing artists examine the experience of humans in the landscape and focus on issues of place and space, homeland, and the meaning of landscape. Monk, Thompson and Schafer extend the perspectives of the geographers and bridge important gaps in their ways of knowing landscape.

Professional Education in Performing Arts Medicine

2010 ◽  
Vol 25 (4) ◽  
pp. 139-140 ◽  
Author(s):  
Ralph A Manchester
Keyword(s):  
Professional Education ◽  
Performing Arts ◽  
State Of The Art ◽  
Panel Discussion ◽  
The Body ◽  
Performing Arts Medicine ◽  
Performing Artists ◽  
Body Of Knowledge ◽  
Broad Variety ◽  
Huge Challenge

As the body of knowledge that comprises the field of performing arts medicine has grown, it has simultaneously become more important and more difficult for everyone who is concerned about the health of performing artists to stay current with the state of the art. In this regard, performing arts medicine is no different from any other field, but we have a huge challenge as we try to meet the educational needs of the broad variety of professionals who treat, teach, manage and do research on musicians, dancers, and other performing artists. A panel discussion on this subject was part of the 2010 Aspen Symposium on the Healthcare of Performing Artists. ... I will try to summarize where our efforts to educate performing arts medicine professionals stand today and what our options are for the future.

1 Protecting the Hearing of Performing Artists

2010 ◽  
Vol 25 (1) ◽  
pp. 1-2
Author(s):  
Ralph A Manchester
Keyword(s):  
Hearing Loss ◽  
Performing Arts ◽  
Time Loss ◽  
Medical Problems ◽  
Performing Artists ◽  
Controversial Topic ◽  
Loss Of Hearing

While there are many causes of hearing loss, many of which have nothing to do with exposure to loud noises, noise (or music)-induced hearing loss is theoretically preventable 100% of the time. Loss of hearing is typically a major problem if it happens to dancers and actors, but it is catastrophic for musicians. Thus, it is not surprising that this topic has been covered extensively in Medical Problems of Performing Artists, starting with “The Musician and Occupational Sound Hazards” by Hart et al. in volume 2, over 20 years ago. Without duplicating the content of those articles, this editorial will try to determine why this remains a somewhat controversial topic in the performing arts and what can be done to move us forward.

The Piano and the Couch: Music and Psyche. By Margret Elson

2019 ◽  
Vol 34 (2) ◽  
pp. 120-121
Author(s):  
Michael C Singer
Keyword(s):  
Sigmund Freud ◽  
Gustav Mahler ◽  
Performing Artists ◽  
Performing Artist

The celebrated meeting between Sigmund Freud and Gustav Mahler in 1910 was the first known instance of a performing artist seeking out the assistance of a psychotherapist who happened to know something about art. It marked the beginning of what has grown into a permanent relationship between psychotherapists and performing artists.

The Sickness of Stigmas

2017 ◽  
Vol 32 (3) ◽  
pp. 183-184
Author(s):  
Bronwen J Ackermann
Keyword(s):  
Health Promotion ◽  
Health Risk ◽  
Performing Arts ◽  
Health Management ◽  
Modern Medicine ◽  
Performing Artists ◽  
Injury Management ◽  
And Performance ◽  
Physical Challenges ◽  
Improved Methods

In modern medicine, approaches to healthcare no longer only encompass injury management, but increasingly focus on understanding the performance demands and health risk exposures faced by performing artists. Quantitative and qualitative scientific and health analyses by performing artists, clinicians, educators, and researchers are increasingly helping us to develop effective, targeted, and relevant health promotion and performance optimisation strategies worldwide. While such research increasingly identifies improved methods of preventing and managing potential psychological, audiological, or physical challenges faced by performing artists, we still need to work hard to address very important barriers to implementing appropriate health approaches. One of the challenges to better health management in performing arts populations relates to stigmatization.

Research in Performing Arts Medicine

2015 ◽  
Vol 30 (1) ◽  
pp. 66-67 ◽  
Author(s):  
Ralph A Manchester
Keyword(s):  
Performing Arts ◽  
Sports Medicine ◽  
South Florida ◽  
Medical Problems ◽  
Performing Arts Medicine ◽  
Performing Artists ◽  
Know How ◽  
Dance Medicine ◽  
Artistic Performance

The field of performing arts medicine has grown significantly over the last few decades. While we still have a long way to go before we can confidently state that we know how to prevent and treat the maladies that interfere with artistic performance, we are making progress on several fronts. In preparation for giving one of the keynote addresses at the 2015 University of South Florida--Performing Arts Medicine Association Conference titled Caring for Artists and Arts that Heal, I reviewed the types of articles that have been published in Medical Problems of Performing Artists over the last 10 years. I also did a comparison of those articles to articles published in the Journal of Dance Medicine and Science and in the American Journal of Sports Medicine. In this editorial, I will present my findings.

Programming strategies in the performing arts of the municipal libraries in the French metropolises of Paris and Marseilles

2016 ◽  
Vol 50 (2) ◽  
pp. 117-129 ◽  
Author(s):  
Daniel Urrutiaguer
Keyword(s):  
Performing Arts ◽  
Public Libraries ◽  
Performing Artists ◽  
Research Attention ◽  
Institutional Image ◽  
The Public ◽  
Audience Development ◽  
Email Survey

Performing artists’ activities in public libraries have received scant research attention. To address this gap, this study is based on semi-directed interviews with staff in charge of performing artists programmes in 11 libraries, and an email survey of libraries in the two main French metropolises of Paris and Marseilles. Four types of goals underpin the programming strategies of the public libraries surveyed: the development of audience; the enhancement of collections; the modification of institutional image and the decompartmentalization of arts. Finally, the article examines the effects on the libraries’ governance as regards audience development, their core missions and their development partnerships.

Progress in Performing Arts Medicine

2010 ◽  
Vol 25 (3) ◽  
pp. 93-94
Author(s):  
Ralph A Manchester
Keyword(s):  
Performing Arts ◽  
Medical Problems ◽  
Performing Arts Medicine ◽  
Performing Artists ◽  
Founding Editor ◽  
Important Development

The announcement last month that Medical Problems of Performing Artists will now be indexed in Medline/PubMed is truly an important development for the field of performing arts medicine. While many of us wish that this had happened sooner, we should all be proud of our combined efforts that made it possible. In addition to the publisher Mike Bokulich, who has labored tirelessly to reach this goal, I also want to publicly thank (again) Alice Brandfonbrener, the founding editor of MPPA. Without her 20 year labor of love, we would not have been in a position to be included in Medline now.

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