scholarly journals ENVIROMENTAL INSIGHT IN UCIL THE MOUSE DEER FAIRY TALE COLLECTION WRITTEN BY TRIA AYU K (AN ECOCRITIC STUDY)

2019 ◽  
Vol 18 (1) ◽  
pp. 107-112
Author(s):  
Nanik Setyowati ◽  
Emzir Emzir

ABSTRACT The connection of nature with literary works raises concepts about ecological problems in literature among literary critics. Many environmental problems that occur at this time. Through poetry, fairy tales and other literary works, the writers mention this in their works. Ecocritic has a basic paradigm that every object can be seen in ecological networks, and ecology can be a helpful science in this critical approach. Environmental insight can be obtained through a literary work. Some writers in Indonesia make nature and the environment a prominent part of their works. In addition to literary works such as poetry and novels, fairy tales have first explored nature. In fairy tales, nature is described as the place of life of the characters. That way, fairy tales indirectly invite the audience to come into contact with environmental insights that need to be studied and applied in everyday life. Keywords: environmental insight ; ecocritic; fairy tale; literary studies

2020 ◽  
pp. 383-398
Author(s):  
Polina V. Korolkova

The essay deals with the interaction between the genre transformations of the author fairy tale and the national problematics, as well as the question of the modern strategies of genre renewal on the example of the texts by modern Russian and Hungarian writers (“The Moscow fairy tales” by A. Kabakov, “The fairy tales not about people” by A. Stepa-nov, “The Budapest fairy tales” and “The supermarket fairy tales” by A. Mosonyi). Among other questions, I address the so-called “genre me-mory” (M. Lipovetsky’s term), which in the texts by Kabakov, Stepanov, and Mosonyi functions at the level of entire cycles but rarely at the level of separate texts. With regard to the fi eld of children’s literature, the na-tional locus makes the texts appear more modern-looking and therefore appealing to an adult reader who rediscovers the details of everyday life. The opposite strategy is often applied in the philosophical, parable or political fairy tales, when the authors give priority to the nation-specifi c, nuanced and recognizable locus, which at the same time receives the features of the fairy tale or mythological space.


2020 ◽  
Vol 21 (2) ◽  
pp. 44-47
Author(s):  
Siti Karomah ◽  
Agus Hermawan

Abstract— Literary work, directly or indirectly, is the realization and imagination of the author as a reflection and the reality that the author gets from society. Literary works can be found through the life forms of society. Thus, literary works cannot be separated from the elements around them. Literary work along its journey always implicate man, humanity, life, and life. In essence, literary works are born for the surrounding community. Literary works are the products of authors who live in the social world. That way, short story literary works in the form of fairy tales are the author's imaginative world that is always related to social life. There are interesting things that are given to our children to change attitudes and daily ethics. Keywords—: Literary works; short stories; fairy tales.


2016 ◽  
Vol 10 (1) ◽  
Author(s):  
Christian Folde

AbstractThe Norwegian philosopher Dagfinn Føllesdal and his German colleague Heide Göttner argued independently from one another that the interpretation of literary texts proceeds by the hypothetico-deductive method. In this paper I critically examine their view. My interest, however, is systematic rather than exegetical. After elucidating the claim and working through some case studies, I discuss several objections raised in the debate. My central point is that the view runs into a dilemma: there is no variant of the view which is both tenable and capable of showing that the interpretation of literature is a respectable scientific activity.Among other things Føllesdal (1979) and Göttner (1973) argue that the justification of hypotheses in interpretations of works of literature proceeds by the hypothetico-deductive method. I refer to this as the HD-view. Systematically, it has much to offer. If interpretation is hypothetico-deductive, then it seems to inherit all the alleged merits of this method: exactness, intersubjectivity, reliability, and rationality, among other things. Interpreting literary works would turn out to be a proper scientific activity subject to the same general standards as, say, experimental physics. The interpretation of literary works is thereby demystified and rendered comprehensible. Also, the HD-view would speak in favor of the idea that all empirical science is equal, unified by a single method and the same general goals, among them, arguably, pursuing the truth and generating knowledge.In the first section of my paper I elucidate the HD-view in more detail. The key element of the view is the hypothetico-deductive method. The idea of the HD-method is roughly this. One forms a hypothesis which often cannot be directly verified (e. g., all ravens are black), deduces from this hypothesis in conjunction with auxiliary assumptions (e. g., this is a raven) all kinds of empirical consequences (e. g., this raven is black), and checks these consequences: observation either confirms or disconfirms them. If the consequences are disconfirmed, the hypothesis (or the auxiliary assumptions) should be discarded. If, however, the consequences are confirmed, the hypothesis (and the auxiliary assumptions) is also confirmed (to a certain degree) – it fits in with our experience. Importantly, the HD-method concerns not the genesis but the justification of a hypothesis.After pointing out some of the philosophical issues surrounding the HD-method, I distinguish several variants of the HD-view that will play a role when assessing the objections directed against it. Finally, I discuss issues that arise when transferring the HD-method to the interpretation of literature, such as the role of hypotheses, auxiliary assumptions, data and observation.The second part of my paper concerns Føllesdal’s and Göttner’s case studies and their positive arguments for the HD-view. I go through their examples (interpretations of Ibsen’sThe third and final section addresses several objections that have been raised against the HD-view. Some argue that the view is too strict: other methods of justification are used in interpretations. Others argue that the view is too broad: some (kinds of) interpretation hypotheses cannot be justified by the HD-method. A third objection has it that the view fails because some interpretations cannot, even in principle, be (dis)confirmed. Some take the view to be a false descriptive claim. Others take it as a misguided normative claim. Finally, the view is said to be insufficient because it does not supply criteria to decide between rival interpretations. None of these objections is found to be fatal. However, the HD-view must be modified to circumvent each objection. These modifications result in the following variant of the view: the justification of empirical hypotheses in argumentative interpretations of literary works can be reconstructed as proceeding, among other things, by the HD-method.Although this claim seems tenable it is far from the original view. This would not be a problem, if it were to meet the main goal the HD-view was meant to achieve, viz. show that the interpretation of literary works is a kosher scientific activity. Unfortunately, the modified variant does not deliver the goods. Only a fragment of all interpretations of literary works conducted in literary studies is rendered scientific. This result does not do justice to scientific practice. And it does not offer a methodology for all interpretations.The result is a dilemma: the modified version of the HD-view is correct but misses its goal whereas the original version does meet this goal but is incorrect. The choice is between admitting that the project failed and saying something false.The second horn of the dilemma – meeting the goal but saying something false – is no option for a rational being. Thus, friends of the original idea should opt for the first horn: admit that the project has failed and make something of the modified variant.One way to go is to become revisionary and claim that only a fraction of all interpretations conducted in literary studies is actually scientific. This entails a ban from science for a bulk of current interpretative practice. I am not aware of anyone in the literature who defends this position. It is certainly not the position of Føllesdal or Göttner. And it faces the problem of explaining why the interpretations characterized by it are the only scientific ones.I conclude that it is still a desideratum of literary studies to come up with a convincing methodology of interpretation.


2021 ◽  
pp. 131
Author(s):  
Nita Novianti

The need for a more critical approach to EFL teaching and learning is undeniable, yet little has been done to prepare teachers for teaching with this approach. This article reports one of the cycles on my action research study, involving a teacher educator and 35 pre-service English teachers. Together with the teacher educator, a unit on critical literacy was developed using fairy tales as the core text. In the unit, we introduced pre-service teachers to critical  literacy through the critical reading, analysis, and rewriting of fairy tales for social transformation. They were assigned to rewrite a fairy tale as a form of social action and to reflect on the choices made in the rewriting process. The re-written fairy tales and the accompanying reflection essay were analysed using a rubric adapted from the four dimensions of critical literacy (Lewison et al., 2002). The re-written fairy tales and the reflections suggest the pre-service teachers’ growing understanding of the non-neutrality of text, ability to read from a different perspective and offer an alternative one, and ability to identify socio-political issues, such as stereotypes, and to subvert them.


2019 ◽  
Vol 3 (1) ◽  
pp. 79
Author(s):  
Fadlil Munawwar Manshur

From the perspective of formalism theory, this study aims to reveal that a research on literary texts does not only pay attention to textual facts existing in literary works, but also needs to pay attention to what exists outside the text. In the literary works, the element of defamiliarization holds that literary language is able to express facts of stories using unfamiliar languages. From the perspective of structuralism theory, this study aims to reveal that structuralism is conceptually a continuation of formalism which largely depends on language. Structuralism theory has a close relationship with linguistics, especially in analyzing the functions of the language used. The analysis of language function can help understanding language semiotics that views literature as a sign that then led to literary semiotics. Therefore, functioning to examine a phenomenon, the concept of semiotic structuralism emerged as a social fact.  Critical approach was deemed suitable to be used in this study because formalism theory and structuralism theory are part of a social construction and part of a discursive formation in the formation of subject and reality. As a result, it could be seen the position of formalism theory and structuralism theory in literary research of which raw material is language. The findings in this study are that the formalism theory in its development is dynamic and its language construction stimulates readers to respond. In principle, literary work is not autonomous because it contains author’s feelings and society’s mind. Literary research should exceed the boundaries of formalism and be able to create new vocabularies in writing novels. In the novel, there is intertextual polyvalence, which is a series and intensive dialogic linkages that are capable of giving birth to new novels. Another finding is that structuralism theory has a close relationship with linguistics, for example phonological elements in linguistics which can help literary theory in analyzing sound levels in oral literary works. This theory has also developed a study of poetry to the aesthetic level so that this study has shifted from its original aspects of verbal art only to all art and artistic aesthetics in the present time. This shift distinguishes the views between formalism and structuralism in relation to norms and values inherent in language.


2021 ◽  
Vol 6 (1) ◽  
pp. 266-299
Author(s):  
Alexander A. Panchenko

In the second chapter of The Gift, Fyodor Konstantinovich Godunov-Cherdyntsev recalls a “Kirghiz fairy tale” about a human eye that wants “to encompass everything in the world.” The plot of the story goes back to a Talmudic parable about Alexander the Great. The parable was retold in Russian by a number of writers and scholars in the 19 th and early 20 th centuries. However, it seems unlikely that Nabokov did use in any original piece of Inner Asian folklore in his novel. More probable is that he invented the “fairy tale” proceeding from one of the Russian versions of the parable. At the same time, Nabokov’s version is based on a number of international literary and folkloric motifs and is related to the “Kalmyk fairy tale” in Pushkin’s novel The Captain’s Daughter and to 19 th century Russian literary fairy tales in verse. While the central theme of Nabokov’s parable is the insatiability of human vision and the frailty of life, its con- and subtexts allude to some other recurrent themes of the novel — death and immortality, the quest for paradise, closed doors and exile, sources of love and poetical inspiration. The Oriental coloring of the tale (and the second chapter of the novel in general) appears to be a literary play with a limited number of texts, in particular with The Captain’s Daughter and A Journey to Arzrum. This allows discussing the “Kirghiz fairy tale” as an intratextually meaningful part of the novel rather than a marginal encrustation. It seems that Nabokov’s literary work with “migratory” plots and folklore texts was in a way close to the methods and ideas developed in Alexander Veselovsky’s school of comparative literary studies.


Author(s):  
Bastian Zulyeno

The literary work of every nation is our window to witness the spirit of the nation. There are many ways in which various nations of the world share their taste, feelings, desires and wishes, one of them is especially through literary works. These are conveyed in theater, tragedy, comedy, and also through the medium of stories and fairy tales, as well as poetry. The Persians chose poetry as the best medium to explore the taste of their inner nature. Local wisdom, also called hereditary cultural heritage, is formed by nature and habitus in the arena of oral and written culture. Word "wisdom" implies a kind of firmness and conviction, and applies to anything solid and impenetrable, whether material or spiritual. Wisdom also is the science in which the facts of things are discussed, as they are in the soul of al-Amr as much as human power and ability. The subject of wisdom is matter of things outside and in the mind, its usefulness is the attainment of perfection in life, salvation and goodness. Knowing the local wisdom of other nations can make us feel the cultural values of the nation. This paper there are several examples of poetry and prose from Persian classical writers those contain the meaning of local wisdom. The purpose of this research is to assess and reveal the local wisdom in classical Persia literary works with qualitative approach and method obtaining data based on library methodology.


2021 ◽  
Vol 317 ◽  
pp. 01003
Author(s):  
Budi Mulyadi ◽  
Yuliani Rahmah ◽  
Fajria Noviana

Currently, many literary works discuss environmental problems. Animation is a modern literary work that often discusses environmental issues. One of which is an animation by director Nizo Yamamoto entitled Miyori no Mori. This animation is full of criticism related to environmental issues. Through literary ecocritical research methodology, this study discusses the problems of the natural environment and the manifestations of the characters' concern for the natural environment to save the natural environment. From the research results, it is known that the main problems in this animation are: the efforts of evil humans who want to drown the forest and the village where the main character lives into a dam. The forest located near this village is the source of life for the surrounding community. With various efforts made, the main character struggled to thwart the government's efforts to sink forests and villages. The efforts made by the characters in this animation are a manifestation of their concern in protecting and protecting the natural environment from the damage caused by evil humans who want to submerge forests and their surrounding areas into the dam.


2017 ◽  
Vol 2 (2) ◽  
pp. 142
Author(s):  
Pheni Cahya Kartika

Film as one of super important visual media is currently growing in Indonesia. Films will only be meaningful if it meets with the audience. Indonesia's willingness to watch the movie becomes very important. According to the survey the majority of wide screen film lovers, films adapted from literary works such as novels. This research is qualitative research in the field of literary studies and concentrate on the educational value of social psychology. Based on the analysis, it can be concluded that moviegoers are more interested in the film because of adopting novel storyline that often make a good impression, especially on their personality. Literary works such as novels able to be taught and enjoyed also by the presence of the film that this requirement will be educational value. Compared with the films that did not adopt a literary work, lovers of literature are sometimes not more interested in movies with some reason considered quite rational. Differences in the way the story and imagination commercial terms was seen as reducing the spirit of a literary work's title.


wisdom ◽  
2021 ◽  
Vol 18 (2) ◽  
pp. 6-16
Author(s):  
Anna CHERNYSH ◽  
Larysa HORBOLIS ◽  
Volodymyr POHREBENNYK

The article discusses the specifics of the interaction of psychoanalysis and literary studies. It is proved that literary studies actively use fundamental psychoanalytic methods and techniques in decoding the mental unconscious of characters in literary works. Literary terms proposed for implementation and use – a literary work of psychoanalytic direction, a literary work with psychoanalysis elements, a literary work with thepsychoanalytic dominant orpsychoanalytic constructs certifying the integration of psychoanalysis theory into literary studies. The use of certain aspects of psychoanalytic theory contributes to the literary interpretation of unconscious processes in the psyche of the author of the work and its characters, marked by various pathologies, deviations, neuroses, fears, etc. The article emphasizes that interpreting literary texts in the psychoanalytic aspect actualizes the method of free associations, close to the specific literary technique of the consciousness stream, as well as the specifics of interpretations of the dreaming discourse.


Sign in / Sign up

Export Citation Format

Share Document