Is the Jew in Romans 2:17 Really a Gentile? Second Thoughts on a Recent Interpretation

2021 ◽  
Author(s):  
B. J. Oropeza
2019 ◽  
Vol 2019 (1) ◽  
pp. 53-70
Author(s):  
Rolf Kühn

The recent interpretation of Michel Henry’s thought as a ‘phenomenological vitalism’ raises fundamental questions regarding the reception of his phenomenology. The issue raised, however, is not primarily about radical phenomenology being inspired (or not) by more or less vitalistic philosophies like those of Maine de Biran, Schopenhauer, Nietzsche, and even Freud, rather it concerns the ‘how’ of purely immanent appearing in affect and force understood as immediate corporeality. Does the latter, being original affectivity, require temporality in order to free the affect from its passivity (Passibilit%t) and, thus, in order to enable action? This, however, would lead to an impossible intentional gap or difference within the original phenomenality of life itself. As an alternative, flesh can be seen as a potentiality, inwhich the concrete transcendental possibility and the phenomenological power of appearing as ‘I can’ are already united prior to any formal exercise of freedom. Such inquiry into the reception of the phenomenology of life provides at the same time a framework for the contemporary phenomenological debate


2013 ◽  
Vol 16 (1) ◽  
pp. 174-191
Author(s):  
Tommaso Piazza

In the first part of this paper I suggest that Dogmatism about perceptual justification – the view that in the most basic cases, perceptual justification is immediate – commits to rejecting Evidentialism, as it commits, specifically, to accounting for the mechanics of perceptual justification otherwise than by maintaining that perceptual experiences justify by providing evidence. In the second part of the paper, by following W. Hopp’s recent interpretation of Husserl’s Sixth Logical Investigation, I suggest that Husserl’s theory of fulfilment provides the basis of the non-evidential account of the mechanics of perceptual justification needed to vindicate Dogmatism.


1955 ◽  
Vol 16 (1) ◽  
pp. 77-85
Author(s):  
Vincent T. O'Keefe

Author(s):  
Lijuan Qian

This is a preprint of an article accepted for publication in Oxford Handbook of the Music of China (Oxford University Press ) The articulation of humanism is a recurrent theme in various Chinese literature and arts over the history. One of such well-known cases is the classic novel Journey to the West (Xi you ji) dates from the 16 th Century which stresses the issues of freedom, fighting with the authorities, the loss of belief, and the importance of self-direction. Various adapted versions from this novel popular over since then which hinted strong desire to humanism expression under China’s tight central governance. The recent interpretation of nationwide impacted products is an online novel The Wu Kong’s Biography (Wukong zhuan, written by Zeng Yu, pseudonym Jin Hezai, 2000) which adding the ambitions to challenge the authorities, an imaginary compensation of the young people in China (Liao, 2017). The great popularity of the novel leads to the release of its film version Wu Kong in 2017. Even the theme song of this movie “Equaling Heaven” (music and sung by Hua Chenyu, lyrics by Jin Hezai) brings a real hit in Chinese popular music scene. It was performed by Tibetan singer Zahi Bingzuo, the 2017 winner of The Voice of China in his final song-battle in that show (Qian, 2017: 57-8) and then Hua Chenyu in the TV talent show Singer (Geshou) in 2018. The humanism articulation of the song, same as in the novels and movie, shown well in the song: When I were young and wild, were worthy of it, who would give me a belief? …I could still smile before dawn… ignore the fate decided by the god and I would say the fate follows my heart. 1 Humanist articulations are part of a trend in Chinese pop song that dates back to the 1980s, when that genre first reappeared as an indigenous entertainment genre within China itself. As a transitional phrase during which multiple pre-existing and newly emerging social


2019 ◽  
pp. 115-130
Author(s):  
Gerhard Richter

This chapter investigates another set of problems with which the uncoercive gaze must contend when it fastens upon a work: the relationship of speculative thought to the work of art and the ways in which the chasm between literal and figurative speech bears upon that relationship. One of the themes that a reading of Kafka’s The Trial should emphasize is the way in which a literary text both calls for philosophical interpretation and resists such interpretation at the same time. One problem that arises out of this constellation concerns the question of the relationship between the literal and the figurative nature of a text’s rhetorical operations. If Kafka’s novel, by causing the relation between the literal and the figural to enter a space of indeterminacy, enacts a situation in which, as Adorno characterizes it, “a sickness means everything [eine Krankheit alles Bedeuten],” no reading of Kafka—at least no reading informed by the sensibilities of the uncoercive gaze—can afford to ignore the precise conceptual terms of this sickness. Finally, to cast Adorno’s reflections on Kafka into sharper relief, the chapter also considers them in relation to Giorgio Agamben’s recent interpretation of The Trial as Kafka’s commentary on the imbrication of law and slander.


Author(s):  
Gerhard Richter

This essay investigates the implications of the idea that a philosophically informed understanding of a literary text such as The Trial cannot proceed in isolation from a perpetual engagement with the ways in which the literal and the figurative dimensions of the text unfold in relation to each other. If Kafka’s novel, by causing the relation between the literal and the figural to enter a space of indeterminacy, enacts something of what Adorno calls “a sickness of all signification [eine Krankheit alles Bedeuten],” no reading of Kafka can afford to ignore the precise conceptual terms of this sickness. The implications of these reflections are considered in relation to an exemplary test case, Giorgio Agamben’s recent interpretation of The Trial as Kafka’s commentary on the relation between law and slander.


Author(s):  
Taichi Kato ◽  
Franz-Josef Hambsch ◽  
Berto Monard ◽  
Peter Nelson ◽  
Rod Stubbings ◽  
...  

Abstract We observed the 2018 November outburst of CS Ind and confirmed that it was a genuine superoutburst with a very long [0.12471(1) d on average] superhump period. The superoutburst was preceded by a long precursor, which was recorded for the first time in SU UMa-type dwarf novae. Our interpretation is that the combination of a sufficient amount of mass in the disk before the ignition of the outburst and the slow development of tidal instability near the borderline of the 3 : 1 resonance caused a cooling front to start before the full development of tidal instability. This finding provides more support to the recent interpretation of slow development of the tidal instability causing various phenomena similar to WZ Sge-type dwarf novae in SU UMa-type dwarf novae with very long orbital periods.


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