A representation of Brazilian identity in an EFL textbook

2021 ◽  
Author(s):  
Gustavo Haiden de Lacerda
Keyword(s):  
Author(s):  
Eli Lee Carter

In this book, Eli Carter explores the ways in which the movement away from historically popular telenovelas toward new television and internet series is creating dramatic shifts in how Brazil imagines itself as a nation, especially within the context of an increasingly connected global mediascape. For more than half a century, South America’s largest over-the-air network, TV Globo, produced long-form melodramatic serials that cultivated the notion of the urban, upper-middle-class white Brazilian. Carter looks at how the expansion of internet access, the popularity of web series, the rise of independent production companies, and new legislation not only challenged TV Globo’s market domination but also began to change the face of Brazil’s growing audiovisual landscape. Combining sociohistorical, economic, and legal contextualization with close readings of audiovisual productions, Carter argues that a fragmented media has opened the door to new voices and narratives that represent a more diverse Brazilian identity.


2020 ◽  
pp. medhum-2020-011950
Author(s):  
Yuki Bailey

Brazil is currently home to the largest Japanese population outside of Japan. In Brazil today, Japanese-Brazilians are considered to be successful members of Brazilian society. This was not always the case, however, and Japanese immigrants to Brazil endured much hardship to attain their current level of prestige. This essay explores this community’s trajectory towards the formation of the Japanese-Brazilian identity and the issues of mental health that arise in this immigrant community. Through the analysis of Japanese-Brazilian novels, TV shows, film and public health studies, I seek to disentangle the themes of gender and modernisation, and how these themes concurrently grapple with Japanese-Brazilian mental health issues. These fictional narratives provide a lens into the experience of the Japanese-Brazilian community that is unavailable in traditional medical studies about their mental health.


Author(s):  
Maria Lúcia Pallares-Burke

Although his views on the subject were changeable and difficult to define, Gilberto Freyre was interested in politics from his youth onwards. He had a brief political career as assistant to the Governor of Pernambuco (1926–1930) and as a deputy in the Constituent Assembly (1946–1950), where he spoke for the North East. He had what he called a “quasi-political” career as a journalist for most of his long life and he was also a cultural manager who founded or supported institutions that spread the ideas he believed in. More importantly, his central interests and ideas had political implications. He was accused of “Bolshevism” for his emphasis on the African element in Brazilian culture. His regionalism embodied a protest against centralization and standardization. His lifelong interest in architecture included a concern with housing for the poor that was hygienic and environmentally friendly, and also with the conservation of colonial buildings to serve as an inspiration for a Brazilian style of modern architecture. As a scholar, Freyre supported what he called the “tropicalization” of the social sciences, freeing them from generalizations based simply on European and North American experience. His view of Brazil in terms of culture instead of race implied that the government should be concerned with the health and education of the poor rather than with “whitening” the country by encouraging immigration from Europe. His idea that mixture was the core of Brazilian identity was taken up by governments from Vargas to Lula, while his idea of “Luso-Tropicalism,” claiming that the Portuguese were more flexible and benevolent colonizers than other nations, was used as a defense against critics of colonialism by the Salazar regime.


2012 ◽  
Vol 19 (3) ◽  
pp. 423-452 ◽  
Author(s):  
John Collins

AbstractThis essay examines theories of value and property in relation to conceptions of morality, correct comportment, and their influences on Afro-Bahians subject to late twentieth- and early twenty-first-century cultural heritage initiatives in the Pelourinho neighborhood of Salvador, Bahia, Brazil. This urban space is the nation's most expressive site for the performance of Afro-Brazilian identity and the commemoration of tradition. In analyzing the role of morality in Pelourinho-based cultural property-making, I focus on popular critiques of heritage discourse to argue that, in conjuring a particular form of cultural heritage that bears a distinct resemblance to UNESCO's immaterial patrimony programs, the Bahian state has piggybacked on social scientific evaluations of local people's moral comportments in order to put together an archive of everyday life that exists as a standing reserve for histories of Brazil and the marketing of cultural heritage. This data produced in an effort to regulate the historical center has revolved around the state's evaluation of the moral probity and everyday habits of the Pelourinho's overwhelmingly Afro-Brazilian populace. The result is a conceptualization of cultural labor that emanates not from the capacities and struggles of producers, but from a decentered or distributed view of production, which I tie to the existence of this archive. Consumers, or visitors to the historical center, as well as historical archives thus play a critical role in this form of constructing property and understanding the sources and fungibility of labor in a global economy for multicultural difference that depends on an emphasis on futurity and market reflexivity.


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