scholarly journals Sizing Up Winter by L. Flatt

2014 ◽  
Vol 3 (3) ◽  
Author(s):  
Maria Tan

Flatt, Lizann. Sizing Up Winter. Illus. Ashley Barron. Toronto, ON: Owlkids, 2013. Print.Children’s book author, Lizann Flatt, is a freelance editor and writer of children’s fiction, non-fiction, and poetry. Ms Flatt has enjoyed a longstanding relationship with Owl, beginning as a teen in 1981, when she won a writing contest and was published in Owl Magazine. Lizann went on to contribute in content development and editorial positions during and following her Arts degree.Hailing originally from Whitby, Ontario, Toronto-based illustrator, Ashley Barron is passionate about nature, and this comes through in her cut-paper collages.  Ms Barron’s skillful use of simple shapes, choice of colour and texture, and attention to detail, result in visually stunning cut-paper collage works, which are a central feature in Sizing up Winter, as well as the other books in the same series.Sizing up Winter is the third book in the Math in Nature series, which includes “Counting on Fall”, “Sorting through Spring”. This book pairs rhyming text with colourful nature-inspired artwork to introduce young readers to measurement concepts such as depth, distance, size, area, and time. Highlight boxes on each page ask questions that encourage readers to examine the images closely, encouraging interactive reading.Many of the pages use rhyming text, but this approach is used inconsistently. Some words and concepts may not be clear to young readers (e.g., mass, capacity) a glossary or call-out boxes on the same page as the introduced terms would have been helpful. The back of the book includes Nature Notes with additional information about the animals featured in the pages of the book, in the order in which the animals appear, rather than in alphabetical order.The online Teacher’s Guide resource, a pdf that includes support activities to reinforce measurement concepts from each page of the book, is a valuable addition to the book: http://www.owlkidsbooks.com/ResourcesActivities/TeacherGuides.aspx or http://www.owlkidsbooks.com/Portals/0/docs/teachersGuides/SizingUpWinter-TeacherGuides.pdf (pdf document). It’s unfortunate that the book itself does not mention its availability (I only learned about it from a publisher promotional insert in the review copy of the book).“Shaping up Summer”, a fourth book in the Math in Nature series will be released in Spring 2014.Recommended: 3 out of 4 starsReviewer: Maria TanMaria is a library intern at the University of Alberta’s John W. Scott Health Sciences Library. She enjoys travelling and visiting unique and far-flung libraries. Maria firmly believes that children's literature is an essential component in the fountain of youth.

2016 ◽  
Vol 5 (3) ◽  
Author(s):  
Kim Frail

Smallman, Steve. Poo in the Zoo. Illus. Ada Grey. Wilton, CT : Tiger Tales, 2015. Print.This story is a fun way to introduce kids to the fact that there all sorts of messy but very necessary jobs in the world. “There’s too much poo in the zoo!” for zookeeper Bob McGrew. Children who are at the age when all things scatological are both fascinating and hilarious will revel in watching Bob clean up after all of the animals in the zoo. The creative wordplay, rhyme scheme, as well as the fact that the word “poo” shows up an average of 2 or 3 times a page is sure to delight and amuse young listeners:“There was tiger poo, lion poo, prickly porcupine poo, Plummeting giraffe poo that landed with a splat.Gobs of gnu poo, bouncy kangaroo poo,A dotted line of droppings from a fat wombat!”After consuming some fireflies, an escaped iguana produces a green, glowing, alien-like pile of poop which draws crowds to the zoo. Hector Glue, who owns a travelling side-show of exotic poo, arrives on the scene to acquire it for his collection. With the money from the sale, the zookeeper is able to buy a robot “pooper scooper”. Ada Grey’s illustrations are rendered in a bright colour palette punctuated by lots of interesting textures. For example, in the scene where we meet Hector Glue, there is a myriad of patterns used in the depiction of the animal coats and skin as well as in the clothing of the zoo patrons, particularly in Hector’s Victorian-era showman outfit. Children will enjoy perusing the bottles of exotic poo from Hector’s collection which are also reproduced in the endpapers. There are clever gems such as:  “Squirrel Poo: Warning May Contain Nuts”.  Among the fictional creatures mentioned on the bottles, there are also many lesser-known animals such as an ocelot and a blob fish. This provides an opportunity for teachers or parents to encourage young readers to learn more about these animals. “Poo in the Zoo” could also work as a complement to a lesson or non-fiction book on animals or on caring for pets, provided that the teacher or parent points out the differences between fact and fiction. Recommended for ages 3-7.Recommended: 3 out of 4 starsReviewer: Kim FrailKim is a Public Services Librarian at the H.T. Coutts Education Library at the University of Alberta. Children’s literature is a big part of her world at work and at home. She also enjoys gardening, renovating and keeping up with her kids.


2015 ◽  
Vol 4 (3) ◽  
Author(s):  
Linda Quirk

Shapiro, Simon and Sheryl Shapiro. What Can You Do with Only One Shoe: Reuse, Recycle, Reinvent. Illus. Francis Black. Toronto: Annick Press, 2014. Print.The publisher is promoting this charmingly-illustrated book as one intended to inspire a practical and constructive response to the environmental concerns with which we all must grapple. It is a theme which is oddly underrepresented in children’s books, perhaps because it is difficult to craft an approach which is empowering.This book considers popular contemporary ideas about recycling/repurposing everyday objects which have outlived their initial purpose, but it is not the do-it-yourself handbook that it appears to be. Instead, it is a collection of juvenile short poems with a humorously entertaining tone, but no clear message. Clearly, we should not judge this book by its title or by its covers. One poem makes fun of a toilet-turned-into-a-planter and offered as a gift, while another offers a range of silly suggested uses for a single shoe, including flattening pancakes. There is a poem which describes a tractor pulling a “broom propeller” for street sweeping which doesn’t work very well (“pebbles flying left and right”) and another in which a dog made of bicycle parts is less than satisfying (“he can’t lick my nose”). There are some poems with a less mocking tone, but which offer suggestions that are even more absurd, such as children making musical instruments from rusty cans retrieved from a landfill site or children building their own playground, complete with a swing and a slide, from an old ambulance. Intended for children aged 5-8 years old, I wonder what young readers would make of these poems.The illustrations by Francis Blake are by far the best feature of this book. Going well beyond what is found in the poems, the illustrator has created a marvelous cast of characters that are expressive in a way that is both quirky and charming. While the illustrations deserve four stars out of four, the text certainly does not.Not recommended: 1 star out of 4 Reviewer: Linda QuirkLinda taught courses in Multicultural Canadian Literature, Women's Writing, and Children's Literature at Queen's University (Kingston) and at Seneca College (Toronto) before moving to Edmonton to become the Assistant Special Collections Librarian at the Bruce Peel Special Collections Library at the University of Alberta.  Her favourite children's book to teach is Hana's Suitcase, not only because Hana's story is so compelling, but because the format of this non-fiction book teaches students of all ages about historical investigation and reveals that it is possible to recover the stories of those who have been forgotten by history.


1979 ◽  
Vol 46 ◽  
pp. 368
Author(s):  
Clinton B. Ford

A “new charts program” for the Americal Association of Variable Star Observers was instigated in 1966 via the gift to the Association of the complete variable star observing records, charts, photographs, etc. of the late Prof. Charles P. Olivier of the University of Pennsylvania (USA). Adequate material covering about 60 variables, not previously charted by the AAVSO, was included in this original data, and was suitably charted in reproducible standard format.Since 1966, much additional information has been assembled from other sources, three Catalogs have been issued which list the new or revised charts produced, and which specify how copies of same may be obtained. The latest such Catalog is dated June 1978, and lists 670 different charts covering a total of 611 variables none of which was charted in reproducible standard form previous to 1966.


2014 ◽  
Vol 3 (4) ◽  
Author(s):  
Debbie Feisst

Ohmura, Tomoko. The Long, Long Line. Toronto, ON: OwlKids Books, 2013. Print."Thank you for waiting, and welcome aboard! One at a time, please!" mentions the bird, who is the ride guide on this mysterious ride for which 50 different animals have patiently lined up. As they wait, the bird flies amongst them, offering reassuring words as they guess as to what they may be in line for and play word games to pass the time.  The anticipation builds, and finally they start boarding the ride, which turns out to be a very large whale on which the animals ride while the whale performs somersaults, dives and sprays. Children will be delighted by all 50 animals represented on the large gatefold spread in the center of the book, from the smallest frog to the largest elephant.Children will love the small details such as the tail of the next animal in line ‘peeking’ around the corner of the page and the size of the animals increasing as they get closer to the ride giving perspective of size. A list of all 50 animals is included at the back for easy reference when young readers get stumped by a species. While this is indeed a picture book aimed at young children it is no quick read – children will want to hear every word of the animals’ conversations as they wait and will want to count as they go, and likely once all the animals are aboard the whale they will want to confirm there are indeed 50 animals present, perhaps multiple times.The colourful illustrations by the author are cute and engaging and show a wide range of expressions and interplay between the animals.  The language felt slightly unnatural but this may be a result of this edition being a translation of the original Japanese work Nanno Gyoretsu? A fun book for public and elementary schools as well as a nice addition to science or math based storytime in lower elementary grades.The Long, Long Line was selected as one of the best children’s books of 2013 by Kirkus Reviews.Recommended: 3 out of 4 stars Reviewer: Debbie FeisstDebbie is a Public Services Librarian at the H.T. Coutts Education Library at the University of Alberta.  When not renovating, she enjoys travel, fitness and young adult fiction.


2011 ◽  
Vol 1 (1) ◽  
Author(s):  
Kim Frail

Siminovich, Lorena. I Like Vegetables: A Touch-and-Feel Board Book. Somerville: Candlewick Press, 2011. Print.“I Like Vegetables” is a dream come true for any nutritionally conscience parent, children’s librarian or teacher. The brightly hued collage illustrations are intriguingly textured with patterns and “touch & feel” inlays. Silky peas and rough-skinned carrots invite young readers to learn about vegetables. The layout is quite clever as it leverages contrast and comparison as a learning method. On one side of the page vegetables are depicted as they would appear growing in the garden while on the other side they are in the home being prepared for the dinner table. In addition, the nature side of the page illustrates the concept of opposites. For example, there are “tall” and “short” cornstalks. Orange carrot roots are “below” the ground, while the feathery green tops are “above”. The indoor side of the page features close-ups of vegetables against a wood-grain background that evokes a cutting board. Here children get a different perspective on the harvested veggies. We see shelled peas, open cornhusks and a cross-section of a pumpkin. The concluding series of images features an “empty” gardener’s basket next to a basket “full” of colourful vegetables on a blue and white gingham picnic tablecloth inlay.  This is primarily a picture book with only the names of the vegetables and the two opposing concepts appearing on each page. The typeset is Helvetica and is large and easy to read.  It is a sturdy board book and the inlays could not be easily ripped out or damaged. It is therefore a welcome addition to any toddler’s library. Other titles in the “I Like” series by Siminovich include: “I Like Toys “, “I Like Bugs” and “I Like Fruit”. “I Like Vegetables” is sure to engage children from ages 1-3. Highly recommended: 4 out of 4 stars Reviewer: Kim FrailKim is a Public Services Librarian at the H.T. Coutts Education Library at the University of Alberta. Children’s literature is a big part of her world at work and at home. She also enjoys gardening, renovating and keeping up with her two-year old. 


2013 ◽  
Vol 3 (1) ◽  
Author(s):  
Sean Luyk

Batten, Jack. Oscar Peterson: The Man and His Jazz. Toronto: Tundra Books, 2012. Print. This young adult non-fiction novel explores the life of the legendary Canadian jazz pianist and composer Oscar Peterson. Beginning with an account of Peterson’s 1949 breakthrough performance at Carnegie Hall as part of the influential Jazz at the Philharmonic (JATP) concert series, Batten traces the seventy year musical career of Oscar Peterson in an engaging and insightful style. This book seamlessly combines a personal and musical biography of Peterson with a history of the development of jazz from the 1920s to the time of Peterson’s death in 2007. True to the title of the book, Batten’s is indeed one about both the man and his music. From Peterson’s humble upbringing as the son of immigrants from the West Indies living in poverty in Montréal, the influence of his family on his personal and musical development is a consistent theme throughout the book. Batten does not hold back when describing the social conditions Peterson was operating under throughout his career. The racism Peterson encountered both at home and abroad, as well as the drug use prominent among jazz musicians is honestly explored, as are the personal tragedies Peterson faced, including his failed marriages and consistently poor health. Peterson’s many longtime musical collaborations are explored in great detail, with Batten highlighting the influential performing and recording achievements of his career. From his longtime relationship with the jazz promoter Norman Granz, through the many iterations of Peterson’s famous trio, Batten doesn’t leave out the details at any point. The addition of multiple photographs, quotes from Peterson’s teachers and collaborators, and a selected bibliography and discography add to the historical richness of this title. This book is recommended to the young adult reader with an interest in jazz history, and the life and accomplishments of one of Canada’s most cherished musicians.Recommended: 3 out of 4 starsReviewer: Sean LuykSean is the Music Librarian for the Rutherford Humanities and Social Sciences Library at the University of Alberta. Sean holds an MA in Music Criticism and B.Mus from McMaster University, as well as an MLIS from the University of Western Ontario.


Author(s):  
Nikola Von Merveldt

Artikelbeginn:[English title and abstract below] Am 1. April 1989 wird das Empire State Building von einem reichen Ölscheich gekauft, der es Stein für Stein, Stahlstrebe für Stahlstrebe, im Wüstensand wieder aufbauen lassen will. Der Schotte James Mac Killian reist von 1923–1925 in einem Heißluftballon um die Welt und berichtet davon. Und in den Fragmenten des Geographenvolks der Orbæ lassen sich versunkene Welten erahnen, die sich mutige Reisende erschlossen und dokumentiert haben. Irritiert mag man sich fragen, ob einem diese Fakten entgangen sind, oder ob David Macaulays Unbuilding (1980) fake news ist, Caroline Mac Killians Journey of the Zephyr (2010) eine Lüge und die beeindruckende Bildbandtrilogie von François Place, Atlas des géographes d’Orbæ (1996–2000), eine unverfrorene Fälschung. Oder sind alle drei ›einfach‹ Bilderbücher und somit ohnehin Fiktion, ja Kunst mit all den ihr zustehenden Freiheiten? Fictionality of the FactualReflections on the Poetics of Non-Fiction for Young Readers Drawing on recent research in narratology and theories of fiction, this article proposes ways of productively looking at non­fiction for children beyond the fact­fiction divide. The key to a differentiated analytical toolkit is the semantic distinction between the real and fictional content on the one hand – the question of referentiality – and the prag­matic difference between factual and fictional ways of presenting it on the other hand – whether it lays a claim or not to referential truthfulness on the discursive level. These categories, analysed according to a three­step model developed by Nickel­Bacon, Groeben and Schreier (2000), allow for a nuanced description of the many hybrid forms of non­fiction, especially information picture books. This article will present a typology of dif­ferent variations on the ›fictionality of the factual‹ and the ›factuality of the fictional‹ in current information books for young readers, and show that there is more fiction in non­fiction than is commonly assumed.


Author(s):  
Cornetta L. Mosley

Purpose A comprehensive aural rehabilitation (AR) program incorporates sensory management, perceptual training, counseling, and instruction. However, the process of designing and implementing such a program is inconsistent across clinical sites, and additional information regarding the use of teleaudiology to implement AR services is needed. The purpose of this clinical focus article is to describe the process of creating and implementing a comprehensive teleaudiology AR program for older adults who use cochlear implants (CIs) at the University of South Alabama (USA) Speech & Hearing Center. Conclusions A comprehensive teleaudiology AR program may be successfully designed and implemented for older adult populations. Information provided in this clinical focus article may serve as a guide or example for other trained health care professionals looking to create an in-person or telehealth AR program for older adults who use CIs. Supplemental Material https://doi.org/10.23641/asha.16755289


Author(s):  
Kaitlin A. Briggs

Theoretically informed by Julia Kristeva’s linkage of political dissidence with thinking, this chapter explores a deconstructive tool used to develop dissident thinking through writing in the post-secondary classroom: the “Proprioceptive Question,” a central feature of Metcalf and Simon’s Proprioceptive Writing™ (2002). After this method’s fundamentals are addressed, the devaluing of subjectivity throughout schooling, as played out through literacy learning, is surveyed. Analysis of the Proprioceptive Question in terms of its discursive components and examples of its academic uses follow in order to understand what makes this question such a powerful method for developing subjective engagement in the university setting. Just as dissidents separate from existing regimes to organize their opposition, this chapter concludes that student writers via the Proprioceptive Question create space between themselves and their thought content to challenge their own ideas. Thus the question serves as a form of political intervention, a disruptive pedagogical practice.


Author(s):  
ALFRED MAROYI

Helichrysum longifolium and Helichrysum pedunculatum have a long history of medicinal use, particularly managing wounds acquired during male circumcision rites in South Africa. There is a need to evaluate the existence of any correlation between the ethnomedicinal applications, the phytochemistry and pharmacological properties of the species. Therefore, in this review, analyses of the botanical, medicinal, and chemical and biological activities of H. longifolium and H. pedunculatum are presented as well as exploring the potential of the two species as important sources of health and pharmaceutical products. Information on the botany, medicinal uses, and phytochemistry and biological activities of H. longifolium and H. pedunculatum was assembled from several internet sources which included Scopus, Google Scholar, Elsevier, Science Direct, Web of Science, PubMed, SciFinder, and BMC. Additional information was sourced from journal articles, scientific reports, theses, books, and book chapters obtained from the University library. This study showed that alkaloids, flavonoids, linoleic acid, oleic acid, phenol, proanthocyanidin, saponins, and tannins have been identified from the leaves of H. longifolium and H. pedunculatum. The pharmacological research showed that H. longifolium and H. pedunculatum extracts and compounds isolated from the species have antibacterial, antifungal, anti-inflammatory, antioxidant, antiplasmodial, antiprotozoal, and cytotoxicity activities. For local communities to use H. longifolium and H. pedunculatum extracts with confidence as herbal medicines, there is a need for extensive phytochemical and pharmacological studies. Further research is required to establish the safety profiles of different H. longifolium and H. pedunculatum preparations.


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