scholarly journals Breakfast on a Dragon’s Tail: and Other Book Bites by M. Springett

2012 ◽  
Vol 2 (1) ◽  
Author(s):  
Sandy Campbell

Springett, Martin. Breakfast on a Dragon’s Tail: and Other Book Bites. Markham, ON: Fitzhenry and Whiteside, 2011. Print. This unusual volume by award-winning illustrator/author Martin Springett takes the “choose your own ending” idea to a whole new level by not providing an ending at all. In fact the whole book is made up of thirteen beginnings of stories, each accompanied by a full-page illustration, which might have served as a book cover. The book is designed to promote creative activities.  Springett tells children that each story “should have a beginning, a middle and an end” and that he has provided the beginning. He encourages children to finish the stories in any way they like, through creative endeavors ranging from poetry to a “chalk drawing on the sidewalk”. Children are also encouraged to post their stories to publisher Fitzhenry and Whiteside’s website, where “teachers and parents will also find useful information and classroom activities”. Springett’s art-work depicts the fantastic in each story. The first image, accompanying Breakfast on a Dragon’s Tail, is bordered by patterns that recall a medieval illuminated manuscript. In the same vein, the letter “O” which begins the story is embellished with a dragon curled around it. The others are more cartoon-like. Springett’s writing is very good . His story beginnings are engaging. In the Twelve Dancing Crocodiles the reader finds out that a magician and twelve dancing princesses have disappeared.   Are they the twelve dancing crocodiles? They are if you want them to be.  In The Nattering Tree, people sit under a tree and listen as the tree talks to itself. There are also lots of good one-line jokes in the story beginnings. In the Dithering Ducks of Deptford, one of the ducks says, “Never listen to a gnome! They are born naughty!” Another story, which has nothing to do with computers, is called Chip and Pin. In Dracula and Son, Springett irreverently refers to the characters as “Papa Drac” and “Drac Junior”. It would have been entertaining to read Springett’s versions of the endings. In fact, some children may be put off by the fact that they have to think up their own endings and entertain themselves. Because of that, this book will probably work best in a structured environment, where children have a reason to stay on track and complete the stories. Overall this book is an interesting concept, that is probably best suited to the classroom environment, so it is recommended with that reservation.Recommendation:  3 stars out of 4 Reviewer:  Sandy Campbell Sandy is a Health Sciences Librarian at the University of Alberta, who has written hundreds of book reviews across many disciplines.  Sandy thinks that sharing books with children is one of the greatest gifts anyone can give.

2015 ◽  
Vol 5 (1) ◽  
Author(s):  
Sandy Campbell

Pelletier, Mia.  A Children’s Guide to Arctic Birds.  Iqaluit, NV:  Inhabit Media Inc., 2014. PrintMia Pelletier is an ecologist who, since 2010, has worked with seabird populations in Nunavut.  In this children’s field guide, she introduces fourteen species of Arctic birds.  Each bird is introduced in two pages. One full page displays Danny Christopher’s illustrations of the birds and the facing page provides the natural history of the species.  Each description includes both English and Inuktitut names, though notably, not the standard Latin name.  The text is broken into easy to read paragraphs for:  physical description, where to look for the birds, what they eat, the sounds they make, nests, eggs, chicks and where the birds winter.  In addition to the species descriptions, Pelletier has supplied helpful sections including a coloured chart of the birds’ eggs, a size comparison chart, and comparative descriptions of the birds’ feathers, bills and feet.   In addition to her own knowledge, Pelletier has based her work on research, including visiting a museum in Iceland to view species and eggs that she had not seen in the wild.Danny Christopher’s watercolours are excellent representations of the birds.  Every species could easily be identified from the paintings.  Each image page also contains a “Feathered Fact” that tells the reader something special about the bird.  For example:  “Long-tailed ducks like to sneak their eggs into the nests of other long-tailed ducks”.Overall, this is an excellent introduction to common Arctic birds, which could be used to learn about the birds or as a guide for field identification.  This work is highly recommended for public libraries and elementary school libraries.Highly Recommended:  4 stars out of 4Reviewer:  Sandy CampbellSandy is a Health Sciences Librarian at the University of Alberta, who has written hundreds of book reviews across many disciplines.  Sandy thinks that sharing books with children is one of the greatest gifts anyone can give. 


2014 ◽  
Vol 3 (4) ◽  
Author(s):  
Sandy Campbell

Rumbolt, Paula Ikuutaq. The Legend of Lightning and Thunder. Iqualuit, NV:  Inhabit Media, 2013. Print.There are many Inuit stories that tell of the origins of things.  There are also many stories about orphans.  This book is a simple retelling of a legend that involves both and carries a gentle lesson.  It concludes that the presence of thunder and lightning in our world is the result of people neglecting and not caring for orphan children.  Paula Ikuutaq Rumbolt is an Inuit writer from Baker Lake, Nunavut.  She learned traditional Inuit stories and beliefs from her grandmother. The story is from “a time before stealing existed.  No one knew what it was, as it had never happened to anyone.”  When the orphan children are turned away from the camp, they must steal food to stay alive, which makes them permanent outcasts.  They steal caribou meat, a small caribou skin and a flint.  They discover that the skin will make noise and the flint will make sparks and have fun playing with them.  They soon realize, though, that they will be hunted by the people in the camp so they hide in the sky, where you can hear them today, playing with the skin and the flint, making thunder and lightning.    While the text is fairly easy to read, the presence of more difficult words such as “exhilarating” indicates that it is really intended to be shared by an adult and child.While the story is simple, it is brought to life by Jo Rioux’s artwork. For each pair of pages, one is a full page comic-book style image showing Inuit people in village settings and doing traditional activities.  The facing page has a smaller image, with text usually printed over a light coloured sky.  The images are in a palette of soft browns and oranges, which shade to reds, particularly where magical things are being depicted. Young children will enjoy this book, as will anyone who appreciates Inuit legends.  This volume extends  Inhabit Media's track record of consistently high quality publications and authentic voices and sources.  Highly recommended for elementary school and public libraries.Highly recommended:  4 stars out of 4 Reviewer:  Sandy CampbellSandy is a Health Sciences Librarian at the University of Alberta, who has written hundreds of book reviews across many disciplines.  Sandy thinks that sharing books with children is one of the greatest gifts anyone can give. 


2011 ◽  
Vol 1 (2) ◽  
Author(s):  
Sandy Campbell

Coffelt, Nancy.  Catch That Baby! Toronto: Aladdin, 2011. Print. There comes a point in every toddler’s life when he or she just needs to make a break for it and run away from Mom; if naked, after a bath, so much the better.  Nancy Coffelt captures that moment in this delightful book.  Rudy tosses his towel at the dog, shouts, “No dressed” and the romp begins.  Mom chases, clothing in hand, and is joined in successive panels by other family members all of whom try, but not too hard, to “catch that naked baby”. This is primarily a picture book.  Award-winning illustrator Scott Nash has drawn cartoon style illustrations, with large blocks of bright colour, little visual detail and speech bubbles.   The simple presentation is perfect for toddlers, who will be able to completely relate to “Nudie Rudy” pelting around the house in the buff, although most pre-readers will not end up swinging from vines in the conservatory. Young children will enjoy the repetition in the little bit of text on each page and will love finding Rudy on each page, particularly on pages where those silly adults cannot see him, even though he is so obviously in plain sight that a baby could find him. Catch That Baby! is a gem that will become a favourite read aloud book in many families.  It would make an excellent gift for a toddler and belongs in every public library collection. Highly recommended:  4 out of 4 stars Reviewer: Sandy CampbellSandy is a Health Sciences Librarian at the University of Alberta, who has written hundreds of book reviews across many disciplines.  Sandy thinks that sharing books with children is one of the greatest gifts anyone can give.


2012 ◽  
Vol 1 (4) ◽  
Author(s):  
Sandy Campbell

Reid, Barbara. Picture a Tree. Toronto: North Winds Press, 2011. Print. The cover notes for this picture book tell us to “Picture a tree – now look again!”  Award winning Toronto author and illustrator, Barbara Reid, encourages readers to see not just the trees, but how people use them, what they mean and what we can see in them.  However it is not just the trees that demand a second look.  The book itself is the most amazing collection of artwork – all made of plasticine, a modeling clay!  On each page showing a tree in leaf, there are hundreds of tiny plasticine leaves.  When Reid shows us a street scene where the trees make a leafy tunnel, the street, the cars, the house fronts and the people walking their dog are all fine plasticine work.  When she shows us shade trees as umbrellas, not only is the woman with the baby and the man on a scooter made of the plasticine, the shadow cast by the tree is, too. As the book moves through the seasons from spring to winter, Reid really does find many different ways to look at trees. She sees the leafless branches as a drawing against the sky, falling leaves as a good-bye party and snow-covered trees as trees in snowsuits.  The text is brief and easy to read; no more than a single sentence on each page.  The concepts and words are simple enough for children ages three and up to enjoy. Most children reading this book will not see the artwork as different from any other illustration.  It is only in the expanses of sky or snow that it is easy to see the plasticine.  Because of this, parents will enjoy Picture a Tree on a different level from the children with whom they share it.   Highly recommended for public and elementary school libraries. Highly recommended:  4 out of 4 starsReviewer:  Sandy Campbell Sandy is a Health Sciences Librarian at the University of Alberta, who has written hundreds of book reviews across many disciplines.  Sandy thinks that sharing books with children is one of the greatest gifts anyone can give.


2017 ◽  
Vol 7 (1) ◽  
Author(s):  
Sandy Campbell

Christopher, Neil. Those That Cause Fear.  Inhabit Media, 2016.Neil Christopher, who has spent 16 years working to preserve Inuit traditional tales in the Eastern Arctic has, with the work of illustrator Germaine Arnaktauyok, created a field guide to scary creatures of the Arctic.  The book shows 20 creatures of whom we should be afraid.  Each creature is shown in a full page image created by Arnaktauyok, while the facing page presents Christopher’s description.  At the end of the book there is a pronunciation guide for the creatures’ names.  Arnaktauyok’s prints are simple designs in shades of browns and greens.  The images capture the essence of the stories.  For example, the image of the sleeping giant (p. 22) shows how a sleeping giant could be mistaken for a hill. The text is conversational, often addressing the reader as “you."  Many of the descriptions open with a question to engage the reader or ask the reader to imagine something.  “Have you ever imagined seeing a giant?  Do you think you would be scared?”  Often the stories contain bits of the traditional knowledge that allowed the Inuit to survive over the millennia.  For example, the Kajjait, we are told are the hungry spirits of animals that have been killed and the meat “not used properly” or “allowed to spoil."  The spirits look like gaunt wolves.  They roam the tundra, eating anything they can find, but in spite of that are constantly starving.  The lesson that hunters must use the animals that they kill is clear.While the book is aimed at an upper elementary audience, the content will be valuable to anyone who wants to know about these scary creatures.Inhabit Media has produced a number of books dedicated to individual scary creatures, such as the Qallupilluk and the Amautalik, but this is the first extensive collection.  Highly recommended for school and public libraries.Highly recommended:  4 stars out of 4 Reviewer:  Sandy CampbellSandy is a Health Sciences Librarian at the University of Alberta, who has written hundreds of book reviews across many disciplines.  Sandy thinks that sharing books with children is one of the greatest gifts anyone can give.


2018 ◽  
Vol 8 (1) ◽  
Author(s):  
Lydia Thorne

Campbell, Nicola. A Day with Yayah. Illustrated by Julie Flett. Tradewind Books, 2017. A Day with Yayah is a story that portrays a close relationship between a grandmother and her grandchildren. In A Day with Yayah, an Indigenous family makes a trip to British Columbia’s Nicola Valley to collect wild herbs and mushrooms. Along the way, the grandmother, Yayah, takes the opportunity to teach her grandchildren their language and to pass down her knowledge of edible plants and herbs. Yayah and her family are         Nle?képmx (Interior Salish peoples), who are often referred to as People of the Creeks. Campbell draws on her own background for this story, having grown up in the same valley where the story is set. Illustrator and award winning Cree-Métis artist, Julie Flett, provides stunning, brightly coloured full-page illustrations. Flett’s detailed drawings complement the narrative, and her folk-style characters, with their jubilant expressions and bright clothing, emphasize the importance of knowledge transfer from one generation to the next. Over the years, the language of the Interior Salisham people has become endangered and Campbell introduces her readers to twelve words in the Salish language. These words appear within the dialogue of the story several times, giving children the chance to identify and connect with these words. The glossary at the end of the book is a very helpful addition and aids readers with pronouncing and translating the terms that are used throughout the story. The phrasing of the sentences and the inclusion of Salish words makes this a more appropriate read-aloud to younger readers, but it would also be suitable for independent reading for students in elementary school. This book is highly recommended for both school and public libraries.  Highly recommended: 4 out of 4 stars Reviewer: Lydia Thorne Lydia Thorne is a Public Services Librarian at the University of Alberta. She obtained a BA and an MA degree in English Literature before deciding to pursue her MLIS. Lydia’s favourite part about reading is that it allows her to travel all over the world - without ever having to leave her chair.


2014 ◽  
Vol 4 (1) ◽  
Author(s):  
Debbie Feisst

Hatanaka, Kellen. Work: An Occupational ABC. Toronto: Groundwood Books, 2014. Print.At first glance, you may look at this book and think it just like the myriad of other ABC books for young children and preschoolers, but you would be delightfully wrong!  Yes, of course, each letter from A to Z is represented and indeed each letter is accompanied by an image that characterizes the letter.  But that is where the similarities end. Toronto-based designer, illustrator and artist Kellen Hatanaka, who can now also call himself a first time author, has created a beautiful and unexpected piece of art for the youngest readers and it is as much a delight to read as it is to behold.  With creamy paper and softly-coloured images, created digitally after first creating ‘hand-drawn patterns and images’, it is reminiscent of a small person’s version of a coffee table book, if said coffee table were in a nursery.It starts out simple enough, with A for Aviator and a full page spread with a boldly-coloured A as well as mountain tops that echo the A’s shape.  The next page, however, alerts the reader to the fun in store – B is for Butcher, shown chasing after a group of raccoons who have absconded with a string of sausages. Yes, there are occupations like Grocer and Tailor but there are also the Ice Cream Vendor, K-9 Officer and the Wedding Singer! What’s wonderful to note are the many alternative occupations, some that you may have not have heard of, and that there is a nice mix of women, men, and cultures taking part. For the curious reader, there is a section of funny ‘Want Ads’ which provides a short description of the occupation.This would make a wonderful new baby gift and is an excellent addition to a home or public library.Highly recommended: 4 stars out of 4 Reviewer: Debbie FeisstDebbie is a Public Services Librarian at the H.T. Coutts Education Library at the University of Alberta.  When not renovating, she enjoys travel, fitness and young adult fiction.


2011 ◽  
Vol 1 (1) ◽  
Author(s):  
Sandy Campbell

Kaslik, Ibi. Tales from the Tundra: A Collection of Inuit Stories. Illus. Anthony Brennan. Iqaluit: Inhabit Media, 2010. Print. Inhabit Media is an Inuit-owned, independent publishing company that “aims to promote and preserve the stories, knowledge, and talent of northern Canada.”  This collection of five traditional Inuit stories from different regions in Nunavut is one of their most recent offerings.  Three of the stories tell of how specific animals came into being.  One tells how the raven and loon came to look the way they do and the fifth, The Owl and the Siksik, is a typical story of outwitting the enemy. Anthony Brennan’s illustrations have a two-dimensional fantasy quality to them that is more reminiscent of cartoons or Japanese anime than of traditional Inuit art.  Many of the creatures are outlined in black and then filled with solid colour.  While the backgrounds are usually ice-blue, and there are pastel colours in the images, many of the main parts of the drawings are black, giving the book an overall ominous look. While these stories are described in the forward as “contemporary retellings”, Kaslik’s voice is similar to that of an elder telling stories and her style is traditional.  The language is simple and direct, occasionally incorporating Inuit words.  Animals are anthropomorphized.  They do the same sorts of things that humans do and have human emotions and foibles.  For example, in “The Raven and The Loon”, the two birds sew clothes for each other.   When Raven thinks that Loon is sewing too slowly, she reacts impatiently: “Please, sew faster!” impatient Raven pleaded.” Kaslik also uses internal dialogue, another traditional technique, to allow the reader to listen to the characters reasoning out their actions. For example, “Siksiks often go in and out of their dens,” thought the owl, believing himself to be very clever.  “Today I will find a siksik den and wait there until I see one.” There are few children’s books of Inuit mythology available, and fewer that have the authenticity of being published by an Inuit publishing house.  Overall, this volume is a small, but welcome addition to the field, through which many children will be able to learn about the mythology of the Inuit.  For public and school libraries everywhere. Highly recommended:  4 out of 4 stars Reviewer: Sandy Campbell Sandy is a Health Sciences Librarian at the University of Alberta, who has written hundreds of book reviews across many disciplines.  Sandy thinks that sharing books with children is one of the greatest gifts anyone can give. 


2012 ◽  
Vol 1 (4) ◽  
Author(s):  
Sandy Campbell

Taniton, Raymond and Mindy Willett.  At the Heart of It: Dene dzó t’áré.  Markham, On:  Fifth   House, 2011.  Print. Indigenous author Raymond Taniton is a member of The Sahtugot’ine, or the “people of Great Bear Lake”.  In At the Heart of It, Taniton invites readers into his world.  We meet his family, see the Sahtu Region where he lives, meet the elders in the community, learn how to make a traditional hand drum, learn some games and read some of the stories.  The stories are particularly important. This book is the most recent in Fifth House’s “The Land is Our Story Book” series, all co-authored by writer Mindy Willett. Taniton concludes this volume by saying, “The land is our storybook. It is our school, our library, our church. It is where we learn our stories and where we discover who we are as true Dene people. The land is at the heart of it all”.  And in this book Taniton and Willett do succeed in helping us to understand “the land”. This is a picture book, an educational book and a celebration of what it means to be Satugot’ine. Tessa Macintosh’s photographs are used throughout. The top of each page has a border image of the beaded toes of twenty-one moccasins. Often a large image will form the background of a page with text and other images superimposed.  For example, for the story “The Lake is the Boss”, the background is an image which looks out through the mouth of a cave.  The story is about a giant wolf that lived in the cave. The text, along with smaller images of the island that the wolf became when he turned to stone, is superimposed on the cave photograph.  The images and text, taken together, form many lessons for young people.  The stories provide metaphorical and philosophical lessons, but the book also provides practical lessons, such as the illustrated steps to making a drum.  As a whole, the book celebrates Raymond Taniton’s family, the Sahtugot’ine people and their way of life.   Highly recommended for elementary school and public libraries. Highly Recommended:  4 out of 4 starsReviewer:  Sandy CampbellSandy is a Health Sciences Librarian at the University of Alberta, who has written hundreds of book reviews across many disciplines.  Sandy thinks that sharing books with children is one of the greatest gifts anyone can give.


2012 ◽  
Vol 1 (3) ◽  
Author(s):  
Debbie Feisst

Bedford, Martyn. Flip. Toronto: Doubleday Canada, 2011. Print. Martyn Bedford is a lecturer in creative writing at Leeds Trinity University College in the UK and is the award-winning author of five adult novels, including The Houdini Girl. Flip is his first foray into the genre of young adult fiction. Fourteen-year-old Alex Gray rushes home one December Friday night in an attempt to beat his curfew. Feeling a bit foggy upon waking the next morning, he realizes that not only is he in a strange bedroom but he does not recognize the clothes he is wearing. An unfamiliar voice calls for “Philip” to get ready for school, and when he descends the stairs to the breakfast table, he does not recognize the people seated, though they seem to recognize him. It’s now the middle of June. Upon looking into the mirror to wash his face, another boy stares back. Alex does not know if he has gone mad, or worse—if it is all real. Alex has no choice but to go through the day while trapped in another’s body, that of Philip Garamond. Nicknamed Flip, Philip is an athletic, sociable girl-magnet who goes to a posh school, and though he is Alex’s age, seems the complete opposite in every other way. For a while Alex even enjoys his new, fit body and the attention that comes with it. But where is Philip, and where is Alex’s body? Alex needs to figure out why his psyche has become trapped in Philip’s body and how he can get back into his own before it is too late. This is an excellent psychological thriller and not your average teen fare. The characters are realistic and the plot is action-packed, yet believable. Bedford dips into heavy topics like existentialism and concepts such as the soul and memory with adeptness. Body-swapping stories have no doubt been done before in teen fiction, but Bedford has given this tale a contemporary flair with a satisfying conclusion. Highly recommended: 4 out of 4 stars Reviewer: Debbie Feisst Debbie is a Public Services Librarian at the H.T. Coutts Education Library at the University of Alberta.  When not renovating, she enjoys travel, fitness and young adult fiction.


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