Liar, Liar: The Theory, Practice, and Destructive Properties of Deception by G. Paulsen

2011 ◽  
Vol 1 (1) ◽  
Author(s):  
Dale Storie
Keyword(s):  
New York ◽  
Public Library ◽  
Medical Illness ◽  
The Novel ◽  
Way Of Life ◽  
Negative Effects ◽  
University Of Alberta ◽  
Second Nature ◽  
Greater Good ◽  
The University

Paulsen, Gary. Liar, Liar: The Theory, Practice, and Destructive Properties of Deception. New York: Wendy Lamb Books, 2011. Print. Kevin Spencer, the fourteen year-old protagonist of Gary Paulsen’s latest novel, is a consummate and unashamed liar.  He considers lying to be second nature, “a way of life”; even going so far to proclaim that it is his duty to lie for the greater good because it makes things easier for everyone.  In his words, the secret to successful lying is that “people only listen for what they want to hear, so I only tell them that.”  Possessing this particular skill also means he’s never been caught in a lie. This novel chronicles a week in Kevin’s life, the week in which his lying gets out of control and his life goes from “zero to crap”.  He lies to his classmate about a medical illness to get out of working on an assignment, lies to his teachers so he can get skip class and spend more time trying to impress a girl, and lies to his parents to get his siblings in trouble.  Along the way, he explains the rules behind “good” lying as he rationalizes and justifies his actions, until finally he is forced to face the fact that his lying has consequences. Liar, Liar is full of Paulsen touchstones, including a bright, self-aware teenage protagonist, a cast of quirky supporting characters, and witty and fast-paced dialogue. Ultimately, the novel is stronger on character development and dialogue than on plot.  Although the story moves along briskly enough to keep most readers interested, it is not as satisfying or cohesive as those in Paulsen’s other novels.  The series of events that precipitate Kevin’s eventual realization about the negative effects of his lying are less dramatic than expected, resulting in a rather understated story overall.  Similarly, the romantic interest that drove many of his lies was also left resolved (likely to be continued in the next novel in the series). Nevertheless, anyone who is a fan of Paulsen’s later novels such as Lawn Boy will still find Liar Liar to be an enjoyable read.  Even if it’s not always clear where Kevin is going with his consistent lying, his inner monologue keeps the journey entertaining.   Recommended: 3 out of 4 stars Reviewer: Dale StorieDale is Public Services Librarian at the John W. Scott Health Sciences Library at the University of Alberta. He has a BA in English, and has also worked in a public library as a children's programming coordinator, where he was involved with story times, puppet shows, and book talks. 

Where Do Diggers Sleep at Night? by B. Sayers

2014 ◽  
Vol 3 (3) ◽  
Author(s):  
Debbie Feisst
Keyword(s):  
New York ◽  
Picture Book ◽  
Public Library ◽  
Young Adult Fiction ◽  
Construction Site ◽  
Good Night ◽  
University Of Alberta ◽  
Heavy Equipment ◽  
The University ◽  
First Time

Sayres, Brianna K. Where Do Diggers Sleep at Night? Illus. Christian Slade.  New York: Random House, 2012. Print.If the title Where Do Diggers Sleep at Night? seems a tad familiar, well, it probably is.  In the same vein as the ultra-popular Good Night, Good Night, Construction Site, Diggers presents the sweet nighttime rituals of diggers, trucks and other heavy machinery.  At first I thought this was a simple effort to take advantage of a similar, bestselling title however Sayres’ work does indeed hold its own.In this picture book aimed at ages 3-6, first time picture book author Sayres gives young heavy equipment aficionados a delightful take on the bedtime story.  In rhyming couplets and often in a humorous manner, all sorts of trucks, cranes and tractors get ready for rest under the watchful headlamps of their caregivers: “Where do garbage trucks sleep / when they’re done collecting trash? / Do their dads sniff their load and say, / ‘Pee-yew—time to take a bath’?”  Sure to get the young ones giggling.The sleepy-eyed dozers and tow trucks eventually give way to an equally sleepy young boy in his cozy bed, with a reminder that the trucks will be waiting for him when he wakes.  Save for one naughty truck, winking, under the bed (my five-year-old happily pointed this out).Though the illustrations by former Disney animator Christian Slade are rather cartoon-like and not realistic, they match the text well, are in soothing nighttime colours and allow for the trucks to have droopy eyes and smiling faces. Read in a lyrical fashion, or even as a song, this would be a nice end to any wee truck lover’s day.  This would make a nice addition to any public library or as a gift.Reviewer: Debbie Feisst Recommended: 3 stars out of 4Debbie is a Public Services Librarian at the H.T. Coutts Education Library at the University of Alberta.  When not renovating, she enjoys travel, fitness and young adult fiction.

scholarly journals The Wolf’s Boy by S. Williams Beckhorn

2017 ◽  
Vol 6 (3) ◽  
Author(s):  
Kyle Marshall
Keyword(s):  
Reading Skills ◽  
Public Library ◽  
The Novel ◽  
Human Relationships ◽  
University Of Alberta ◽  
Self Discovery ◽  
Advanced Readers ◽  
Children’S Work ◽  
The University ◽  
The Village

Williams Beckhorn, Susan. The Wolf’s Boy. Disney-Hyperion, 2016.Shortly after he is born, Kai’s parents discover his clubfoot and decide to abandon him to a pack of nearby wolves. Rather than become a meal for the wolves, they care for him until his mother comes to reclaim him to a human upbringing. Yet still, Kai’s childhood in the human village is not exactly easy for someone whose foot is considered to have made him tabat (cursed). He is dogged by taunts from his peers, who call him “Wolfboy”, and reproaches from his father, who is quietly ashamed of his son’s perceived limitations. Banned from taking part in hunting, Kai toils doing children’s work and harbours a secret artistic streak. His loneliness is eventually placated when he adopts a local wolf club (Uff) but, eventually, their existence in the village becomes untenable and Kai sets out with Uff on a dangerous adventure of self-discovery. Along the way, they learn to hunt, meet a giant Ice Man and develop a friendship that is believed to be impossible between humans and wolves.The Wolf’s Boy is Beckhorn’s second foray into prehistoric children’s fiction, following her 2006 novel Wind Rider. Here, she fashions a fairly complex story for young readers, with liberal usage of the villagers’ fictitious language that is seemingly unsupported with definitions (until the reader stumbles across the book’s glossary of term definitions). These challenges, however, will reward advanced readers looking to hone their reading skills on more advanced prose. Beckhorn quickly departs from The Wolf Boy’s familiar Jungle Book beginnings to establish the novel as a memorable work in its own right, and she uses beautiful, descriptive language to tackle bullying, promote body diversity and even explore the ancient beginnings of humans’ fears of “otherness”.Given Beckhorn’s success at using a prehistoric setting to illustrate the depth and genesis of human relationships with animals, it’s almost surprising that authors have not mined this territory consistently before. With certain appeal for children interested in prehistory, dogs and survival stories, The Wolf’s Boy will reward strong readers.Recommended: 3 out of 4 starsReviewer: Kyle MarshallReviewer biography: Kyle Marshall is the Planning, Assessment & Research Analyst for Edmonton Public Library. He graduated with his MLIS from the University of Alberta in June 2015, and is passionate about diversity in children's and youth literature.

scholarly journals The Lonely Book by K. Bernheimer

2013 ◽  
Vol 3 (2) ◽  
Author(s):  
Robert Desmarais
Keyword(s):  
New York ◽  
Book History ◽  
Picture Book ◽  
English Literature ◽  
Public Library ◽  
University Of Alberta ◽  
The Public ◽  
Special Collections ◽  
Information Studies ◽  
The University

Bernheimer, Kate. The Lonely Book. Illus. Chris Sheban. New York: Random House, 2012. Print.This charming story about a well-loved book will not easily be forgotten. It’s the sort of picture book I would have loved to discover during my childhood visits to the public library. The tale begins in a classic fairytale style, “Once there was a brand-new book that arrived at the library.” As the story unfolds, young readers learn all sorts of details about the inner workings of a public library, including the custom that many of the newest books are placed on a special shelf in a high traffic area.The “lonely book” of this story initially had a popular and fulfilling life on the new book shelf but eventually it is relegated to the children’s section, along with countless other well-loved titles. Years pass, the book becomes a little tattered and worn, and is now checked out all too infrequently. Then, one morning, a little girl named Alice discovers it and falls in love with the story about the girl and her life under a toadstool, and so she takes it home. “The book had never felt so beloved.” Readers will discover how lonely it becomes when Alice forgets to renew her old book, and especially so when it begins a new life in the library’s storage basement. In time, Alice longs for her favourite book and despairs that she may never see it again. The story ends on a cheerful note, however, when Alice is reunited with her once cherished book at the library’s big book sale.For those of us who understand what it is like to cherish a book from our childhood, this book will bring back fond memories. The soft watercolour illustrations complement the story beautifully and they evoke a magical time when children fall in love with books, read them late into the night, fall asleep with them under their pillows, and dream sweet dreams about favourite characters and events.Highly recommended: 4 out of 4 starsReviewer: Robert DesmaraisRobert Desmarais is Head of Special Collections at the University of Alberta and Managing Editor of The Deakin Review of Children’s Literature. A graduate of the University of Toronto’s Faculty of Information Studies, with a Book History and Print Culture designation, he also has university degrees in English literature and publishing. He has been collecting and enjoying children’s books for as long as he can remember.

scholarly journals Listen, Slowly by T. Lai

2016 ◽  
Vol 5 (3) ◽  
Author(s):  
Kyle Marshall
Keyword(s):  
New York ◽  
Public Library ◽  
The United States ◽  
International Studies ◽  
Bicultural Identity ◽  
University Of Alberta ◽  
Summer Vacation ◽  
The Face ◽  
The University ◽  
Cultural Colonialism

Lai, Thanhha. Listen, Slowly. New York: HarperCollins Children’s Books, 2015. Print.Twelve year-old Mai wants nothing more for her summer vacation than to spend her days on the beach hanging out with her best friend, getting to know her first romantic crush. Instead, her parents expect Mai to chaperone her grandmother (Bà) on a return trip to Vietnam to uncover the secrets of her grandfather’s disappearance and death in “THE WAR” over 40 years ago. Despite being raised in a home that carried on some Vietnamese traditions, Mai’s parents could not have prepared her for the heat, mosquitoes or infrequent Internet access in her grandfather’s rural northern village. In a display of her preteen angst, Mai immediately starts counting down the days until she can return to the known comforts of life back home in California.With time, however, her language skills improve and she begins to form relationships in the community, particularly with Ut, a girl her age with a serious interest in frogs, and Minh, the local teenage translator with a Texan drawl he acquired through his international studies in the United States. In Mai’s ensuing journey she travels across Vietnam, from the rural rhythms of her ancestral village to the colonial splendour of Hanoi and the humid chaos of Ho Chi Minh City. The nation’s contrasts provide her with an unforgettable summer that far surpasses anything she could have imagined with her initial Laguna Beach plans.After receiving a 2011 National Book Award and 2012 Newbery Medal Honor for Inside Out and Back Again, Thanhha Lai’s second novel continues to explore Vietnamese-American experiences. In contrast to her first book’s focus on a refugee family’s journey, Listen, Slowly examines the frustrations of a second-generation American attempting to reconcile her Vietnamese cultural deficits. Mai’s path to settle within her bicultural identity is an experience familiar to thousands of children her age, who are raised in part with traditions from their parents’ country yet never fully feel immersed in that culture. In her protagonist, Lai has created a relatable character who eventually, and maybe reluctantly, shows capacity for adaptation and resilience in the face of adversity.Lai depicts a vibrant Vietnam with verdant landscapes and mouth-watering descriptions of the nation’s notoriously fresh cuisine. The novel’s humour generally hits the mark, including a hilarious passage of cultural colonialism in which Mai convinces young Vietnamese girls to transform their comfortable underwear to thongs. While the disruption of the story’s pace during philosophical Vietnamese translations might test the patience of young readers, this challenge will be welcomed by many. Overall, this story of adventure, family history and bicultural identity is one that should have a home in all school and public libraries.Recommended: 3 out of 4 StarsReviewer: Kyle MarshallKyle Marshall is the School-Aged Services Intern Librarian for Edmonton Public Library. He graduated with his MLIS from the University of Alberta in June 2015, and is passionate about diversity in children's and youth literature.

scholarly journals Sex is a Funny Word: A Book about Bodies, Feelings, and YOU by C. Silverberg & F. Smyth

2016 ◽  
Vol 5 (3) ◽  
Author(s):  
Kyle Marshall
Keyword(s):  
New York ◽  
Sexual Activity ◽  
Sex Education ◽  
Public Library ◽  
Hard Work ◽  
High Contrast ◽  
Adult Readers ◽  
University Of Alberta ◽  
Age Appropriate ◽  
The University

Silverberg, Cory and Fiona Smyth. Sex is a Funny Word: A Book about Bodies, Feelings, and YOU. New York: Seven Stories Press, 2015. Print.“Having a penis isn’t what makes you a boy. Having a vulva isn’t what makes you a girl. The truth is much more interesting than that!”In a watershed year for transgender activism, Cory Silverberg and Fiona Smyth have broken ground with their trans-inclusive sex education book Sex is a Funny Word. This new release follows a cast of four 8-10 year old kids, including gender queer Zai, as they learn about and explore that strange and funny word - sex. Throughout the book, Smyth’s illustrations employ bright, opaque and high-contrast colours to great effect, and readers are exposed to characters of wonderfully diverse abilities, races, shapes and sexualities.It is however reductive to merely draw attention to the diversity in Sex is a Funny Word, as a wide gamut of topics are discussed with age-appropriate aplomb, including anatomy, “touch” and relationships. Silverberg’s opening notes to adult readers provide tips for co-reading the book with children, explaining that the text is meant to be read over many sittings to aid comprehension and reflection. By bookending each chapter with interactive questions, readers identify and reflect on personal morals anchored in four concepts - trust, respect, joy and justice. These questions do the hard work for parents, who can defer to one of the lively and inquisitive characters for discussion points. Moreover, the only sexual activity mentioned in this book is masturbation, so even the most squeamish adult readers should feel comfortable co-reading Sex is a Funny Word.Sex is a Funny Word is the second of a three-part, age-specific sex education series written by Silverberg and illustrated by Smyth. Those with younger children can find reproduction discussed in What Makes a Baby, while intercourse will specifically be covered in the series’ next title. For a positive, fun and healthy introduction to these concepts, parents and librarians will be well-served by seeking out Sex is a Funny Word for their collection.Highly Recommended: 4 out of 4 starsReviewer: Kyle MarshallKyle Marshall is the School-Aged Services Intern Librarian for Edmonton Public Library. He graduated with his MLIS from the University of Alberta in June 2015, and is passionate about diversity in children's and youth literature.

scholarly journals Falling Kingdoms by M. Rhodes

2014 ◽  
Vol 4 (1) ◽  
Author(s):  
Colette Leung
Keyword(s):  
New York ◽  
Information Science ◽  
Social Classes ◽  
Digital Tools ◽  
Library And Information Science ◽  
The Novel ◽  
Baby Girl ◽  
Humanities Computing ◽  
University Of Alberta ◽  
The University

Rhodes, Morgan. Falling Kingdoms. New York: Penguin Group, 2012. Print.This young adult fantasy novel tells the story of three different fictional kingdoms: the prosperous Auranos, the impoverished Paelsia, and the oppressed Limeros. The book opens with a short prologue where two witches steal a baby girl, who is prophesied to become a powerful sorceress.Sixteen years later, the story continues with Princess Cleo of Auranos, who is out with some friends and Lord Aron, whom she hates but may one day be her betrothed. They visit a wine merchant in Paelsia, as the country is known for its wonderful wine. After tasting a sample, Aron uses his position to bully the wine merchant into letting him buy many cases of wine for only a fraction of their cost. When the merchant’s two sons, Tomas and Jonas, interrupt the trade, they become insulted and start a fight with Aron, who pulls a dagger and kills Tomas. The incident serves as a catalyst for war between all three kingdoms.The novel follows four different storylines. One is the story of Princess Cleo, who feels incredibly guilty about the death of Tomas.  She discovers love and loss, and is kidnapped by the neighbouring kingdoms, who wish to use her to make the King of Auranos give up his realm. Another major storyline is that of Jonas, who seeks revenge for his brother’s death. He aligns himself with the Chief of Paelsia, and helps instigate a rebellion with the help of the Kingdom of Limeros, in order to conquer Auranos. The last two storylines deal with the royalty of Limeros. Prince Magnus, who grew up under the abuse of his tyrannical father, struggles to live up to the king’s expectation as heir, and also to protect his younger sister Lucia. Even more torturous for Magnus are his strong, romantic feelings towards Lucia. The last storyline is that of Lucia, who is in fact the baby stolen years ago, raised as a princess in Limeros. At age sixteen, her powers manifest, and she learns to control them, and she seeks to protect her brother at all costs. Her father wishes to use her powers to his advantage during the war on Auranos. All four of these stories converge by the end of the book.Falling Kingdoms takes a serious look at politics, and the effects of economic discrepancy between social classes. The book ends on a cliffhanger. It is the first in a series, the second of which is called Rebel Spring. This series explores not only the repercussions of the war between kingdoms, but the place of magic in this fictional world.As the book alternates between the four different viewpoints, and each of these viewpoints engage multiple characters, the story is complex, and might be hard for some to follow. The novel also deals with heavy themes, including war, revenge, death, incest, abuse, and sex.Recommended: 3 out of 4 starsReviewer: Colette LeungColette Leung is a graduate student at the University of Alberta, working in the fields of Library and Information science and Humanities Computing who loves reading, cats, and tea. Her research interests focus around how digital tools can be used to explore fields such as literature, language, and history in new and innovative ways.

Three by the Sea by M. Grey

2011 ◽  
Vol 1 (2) ◽  
Author(s):  
Debbie Feisst
Keyword(s):  
New York ◽  
Young Adult Fiction ◽  
Way Of Life ◽  
University Of Alberta ◽  
Trading Company ◽  
Children's Picture Books ◽  
Award Winning ◽  
Car Park ◽  
The University ◽  
The Stranger

Grey, Mini. Three by the Sea. New York: Alfred A. Knopf, 2010. Print. Mini Grey (yes, that’s her real name; she was born in a Mini in a Wales car park) is an award-winning author of children’s picture books including Egg Drop and Traction Man is Here! In Three by the Sea, a black cat, a white dog, and a gray mouse share a hut on a pebbly beach.  They lived together happily on the seemingly otherwise-uninhabited island.  The dog did the gardening, which amounted to burying and digging up bones; the cat did the housework by simply throwing garbage out the window; and the mouse did the cooking – a cheese fondue.  Every day. However, one stormy night, everything changes for the three unlikely roommates, as a traveling salesman blows to shore on an inflatable raft and finds his way to the trio’s beach hut.  This Stranger, a fox in a double-breasted striped suit, announces that they are the lucky winners of a free visit from the Winds of Change Trading Company and proceeds to bestow gifts upon them.  For Mouse, cookbooks and herb seed packets; for Dog, a shiny new collar; and for Cat, some tins of sardines.  The gifts, however, are not truly free, as the Stranger also pointed out the inadequacies and faults of the friends’ personalities and behaviour. At dinner—a cheese fondue—the fighting begins, and insults are hurled.  After deciding to pack up and go where his culinary talents would be appreciated, Mouse finds himself in a spot of trouble as he attempts to leave the island. Of course, in the end, friendship reigns, and all three agree it is time for the Stranger to go; however, the short visit has everlasting effects on their relationship and way of life. This is a lovely story that will provoke discussion about the fox’s motivations, though children younger than 5 years may find the concept a challenge.  The illustrations are charming and are vintage and modern at the same time. Recommended: 3 out of 4 stars Reviewer: Debbie FeisstDebbie is a Public Services Librarian at the H.T. Coutts Education Library at the University of Alberta.  When not renovating, she enjoys travel, fitness and young adult fiction.

scholarly journals Return to Titanic: Time Voyage by S. Brezenoff

2012 ◽  
Vol 2 (3) ◽  
Author(s):  
Melissa Blackwood
Keyword(s):  
New York ◽  
Science Fiction ◽  
100Th Anniversary ◽  
The Novel ◽  
Reading Levels ◽  
Book Series ◽  
University Of Alberta ◽  
Spring Break ◽  
Non Fiction ◽  
The University

Brezenoff, Steve. Return to Titanic: Time Voyage. Illus. Scott Murphy. North Mankato, MN: Stone Arch Books, 2012. Print.    The legendary Titanic resurfaces for this children’s novel which cleverly combines history with science fiction.  The subject of the Titanic voyage is timely, since it is recently the 100th anniversary of its maiden voyage. Tucker and Maya spend their spring break helping out at a museum and as they sort through a box labeled “special collection” for the Titanic exhibit, they find an original ticket to the maiden voyage of the Titanic.  Their curiosity provokes them to open its protective case.  Once they touch the ticket, they are sent back in time to Queenstown, Ireland in 1912, the day the Titanic was to set sail across the Atlantic Ocean.  Tucker’s mother, the museum’s curator, always said there was “magic in the junk at the museum”.  Tucker and Maya must decide what to do next.  Should they stop the Titanic from sailing?  Is it possible to change history?  They begin to wonder how will they ever return back to 2012? Detailed pencil-sketch drawings by Scott Murphy decorate every few pages.  These illustrations enhance the description and imagery in the novel while supporting reluctant readers.  The shaded teal-coloured sketches assist with setting the tone of history, mystery, and adventure.  Inclusion of a map, at the beginning of each chapter, indicates the location of the characters at that moment in the novel, whether they were in Queenstown, Ireland or in New York.  To assist with these transitions, the change of time occurs at the start of a new chapter, as well as clear setting descriptions are included throughout, integral in showing the time and place.  These time transitions are smooth and easy to follow.   Themes of friendship, curiosity, history, time-travel, adventure, and courage are intertwined.  Educators can integrate this novel into lessons about the Titanic's history.  Time Voyage is an exciting adventure story to accompany non-fiction titles.  It is interesting to note the correct historical references of location, dates, and the company that sailed the Titanic incorporated in this work of fiction. Time Voyage is the first novel in the Return to Titanic four book series, written by Steve Brezenoff.   With easy vocabulary, great plot description, imagery, and consistent use of strong adjectives, this novel will captivate readers aged 9 to 13 years old, appealing to grade 2 to 3 reading levels.  The cliff-hanger at the end of the book will surely entice readers to continue reading this four book series. Recommended: 3 out of 4 stars Reviewer: Melissa Blackwood Melissa Blackwood is a Primary/Elementary teacher, presently completing a Master of Education in Teacher-Librarianship with the University of Alberta.

scholarly journals Why We Broke Up by D. Handler

2012 ◽  
Vol 1 (4) ◽  
Author(s):  
Sarah Mead-Willis
Keyword(s):  
High School ◽  
New York ◽  
English Literature ◽  
The Novel ◽  
Rare Book ◽  
University Of Alberta ◽  
Object A ◽  
Special Collections ◽  
Sexually Explicit ◽  
The University

Handler, Daniel. Why We Broke Up. Illus. Maira Kalman. New York: Little, Brown and Co., 2011. Print. In 1975, Judy Blume published Forever, in which a girl meets a boy at a high school party, dates him, falls madly in love with him, sleeps with him, and then breaks up with him. The novel was the first of its kind— a frank and sexually explicit portrait of teen love, delivered by a modern, post-women’s-lib female narrator. And while the book scandalized some readers, it became a coming-of-age touchstone for others. (Indeed, this reviewer remembers getting a copy from her mother – a bit embarrassing, given all the sex that was in it – as a sort of warning of the pleasures and pains of incipient adulthood.) Fast forward thirty-five years to Daniel Handler’s Why We Broke Up, in which a girl meets a boy at a high school party, dates him, falls madly in love with him, sleeps with him, and then breaks up with him. Not quite the trailblazer of a story that it was in 1975, but a fascinating (and in many ways superior) revision of the doomed-teen-romance downer. Daniel Handler is, after all, known to most as Lemony Snicket, and readers may detect shades of Snicket in the sly wit and mordant humour that infuse this particular series of unfortunate events. But his improvements on Blume’s prototype do not stop at style. For one thing -- and this is a big thing -- Handler invents a far more interesting narrator to tell the tale. While Min Green encompasses the moods and caprices typical of the teen girl umwelt, she also displays repertoire of quirks unwedded to age or gender: an obsession with cult cinema, a wicked sense of humour, and a singular worldview disclosed to the reader in lyrical, synaesthetic morsels. (“Enormous as a shout” is how she first describes Ed Slaterton, her love interest.) Through Min’s voice, Handler creates something that is less a love story than a headlong plunge into the teenage psychic cosmos— that welter of sensory, emotional, and cultural bric-à-brac that young people accrue in their projects of self-creation. The book is cluttered with spurious allusions to movies that were never made, musicians who don’t exist, food and beverages not on offer anywhere outside the text. (Viper shots, anyone? How about a bottle of Scarpia’s Extra Bitter?) These are a clever device on the author’s part; instead of attempting to tap the vocabulary of teenage cool (and burden the novel with effortful hipness), Handler fabricates a pitch-perfect simulacrum. As befits a post-2000 story of young love, there is a visual counterpoint to Handler’s text. Each chapter begins with the image of an object -- a bottle cap, a comb, a pair of earrings – rendered in lush oil paint by artist Maira Kalman. All are mementos of Min’s and Ed’s relationship, and all are cast away as Min comes to grips its ruin. But just as love leaves a trace that cannot be easily expunged, so the images conjured by this novel will resonate, mournful and comic, long after the book is closed. Highly recommended:  4 out of 4 starsReviewer:  Sarah Mead-WillisSarah is the Rare Book Cataloguer at the University of Alberta's Bruce Peel Special Collections Library. She holds a BA and an MLIS from the University of Alberta and an MA in English Literature from the University of Victoria.

scholarly journals Cheesie Mack Is Not a Genius or Anything by S. Colter

2012 ◽  
Vol 2 (2) ◽  
Author(s):  
Dale Storie
Keyword(s):  
New York ◽  
Elementary School ◽  
Public Library ◽  
Health Sciences ◽  
Fifth Grade ◽  
University Of Alberta ◽  
Young Readers ◽  
Best Friend ◽  
Grade 5 ◽  
The University

Cotler, Steve.  Cheesie Mack Is Not a Genius or Anything. Illus. Adam McCauley.  New York: Random House, 2011. Print. The protagonist of this story is Ronald “Cheesie” Mack, an energetic boy who, at ten years and ten months of age, has just finished Grade 5.  In his own words, his story is about “a mysterious old coin, an evil sister…a dead sister…runaway rodents, a super-best friend, a fifth-grade graduation disaster, some really unusual words (including a few that I made up), and The Haunted Toad”. The plot is equal parts mystery novel, elementary school pranks, and sibling rivalry, with a running commentary on friendship woven through the book. The strength of this novel is the first-person narration, which stays lively from Chapter 0 (“This Story is Over!”) to the very last page (“This is not a Chapter. Visit CheesieMack.com if…”).  Cheesie Mack is a self-aware narrator who makes frequent asides to the reader, in order to provide foreshadowing, define words, explain character motives, and encourage readers to visit his website.  Readers who enjoy plot-driven books may find Cheesie’s interludes annoying, since they act as frequent distractions from a plot that seems meandering at times.  The book weaves multiple plot threads together, but takes its time doing so.  Readers may feel as though the author will never return to earlier plot threads to resolve them (although he does successfully tie these pieces together at the end). However, young readers who appreciate a light-hearted character-driven story will definitely enjoy this book.  Readers of a similar age will be able to relate to Cheesie’s sentiments towards his best friend and to his ongoing battles with his sister.  His comical interjections and mock dialogue with his readers ensure that the book remains playful and engaging, even when the plot may not be.  For those who don’t want the story to end, there is always the CheesieMack.com website. Recommended: 3 out of 4 starsReviewer: Dale StorieDale Storie is Public Services Librarian at the John W. Scott Health Sciences Library at the University of Alberta. He has a BA in English, and has also worked in a public library as a children's programming coordinator, where he was involved with story times, puppet shows, and book talks.

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