scholarly journals The Qalupalik by E. Kilabuk

2012 ◽  
Vol 1 (3) ◽  
Author(s):  
Sandy Campbell
Keyword(s):  
Picture Book ◽  
Read Aloud ◽  
Small Children ◽  
University Of Alberta ◽  
Early Readers ◽  
Colour Image ◽  
Text Page ◽  
The University ◽  
Different Cultures

Kilabuk, Elisha.  The Qalupalik. Iqaluit:  Inhabit Media Inc., 2011. Print. This volume is the first in the Unikkaakuluit Series from Inhabit Media.  It is currently available in English and South Baffin Inuktitut editions, with other Inuktitut dialects in the works.   Contemporary Inuit storyteller, Elisha Kilabuk, leads off this series with a story that he learned from his mother, who learned it from her father. It is not unusual to find a myth appearing in different cultures or subcultures in different forms.  This cautionary story is about the qalupalik has many variants.  The qalupalik is a scary monster that lives under the sea ice, and captures small children who wander too close to the water.  The monster is outwitted by a small orphan child, who convinces the creature that his toes, which are poking out of his shoes, will eat her. Inhabit Media has recently published similar stories in Stories of the Amautalik: Fantastic Beings from Inuit Myths and Legends.    In that version, the creature comes from underground, but is still outwitted by a child who tells the creature that his toes eat Amautaliks. The Qalupalik is a single story in a picture book.   There are a few sentences on each text page and a full colour image on the facing page.  Joy Ang’s artwork is evocative and effective.  Her qalupalik is green and slimy with a huge nose, white eyes, webbed feet and long claws.  It is scary enough to keep any child from roaming too close to the water’s edge.  The images of this disgusting creature will also cause this book to be in high demand among those 6 to 8 year olds who love “gross” pictures.  In contrast to the qalupalik, Ang’s images of the children are more cartoon-like and light-hearted.  They are a nice balance to the scary monster.  While the text will be too difficult for early readers, the images tell the story and the book will work well as a “read aloud”. Overall The Qalupalik is an excellent presentation of the myth and is recommended for public and elementary school libraries. Highly Recommended:  4 stars out of 4 Reviewer:  Sandy CampbellSandy is a Health Sciences Librarian at the University of Alberta, who has written hundreds of book reviews across many disciplines.  Sandy thinks that sharing books with children is one of the greatest gifts anyone can give.

Catch That Baby! by N. Coffelt

2011 ◽  
Vol 1 (2) ◽  
Author(s):  
Sandy Campbell
Keyword(s):  
Picture Book ◽  
Public Library ◽  
Health Sciences ◽  
Read Aloud ◽  
University Of Alberta ◽  
Visual Detail ◽  
Award Winning ◽  
Book Award ◽  
The University

Coffelt, Nancy.  Catch That Baby! Toronto: Aladdin, 2011. Print. There comes a point in every toddler’s life when he or she just needs to make a break for it and run away from Mom; if naked, after a bath, so much the better.  Nancy Coffelt captures that moment in this delightful book.  Rudy tosses his towel at the dog, shouts, “No dressed” and the romp begins.  Mom chases, clothing in hand, and is joined in successive panels by other family members all of whom try, but not too hard, to “catch that naked baby”. This is primarily a picture book.  Award-winning illustrator Scott Nash has drawn cartoon style illustrations, with large blocks of bright colour, little visual detail and speech bubbles.   The simple presentation is perfect for toddlers, who will be able to completely relate to “Nudie Rudy” pelting around the house in the buff, although most pre-readers will not end up swinging from vines in the conservatory. Young children will enjoy the repetition in the little bit of text on each page and will love finding Rudy on each page, particularly on pages where those silly adults cannot see him, even though he is so obviously in plain sight that a baby could find him. Catch That Baby! is a gem that will become a favourite read aloud book in many families.  It would make an excellent gift for a toddler and belongs in every public library collection. Highly recommended:  4 out of 4 stars Reviewer: Sandy CampbellSandy is a Health Sciences Librarian at the University of Alberta, who has written hundreds of book reviews across many disciplines.  Sandy thinks that sharing books with children is one of the greatest gifts anyone can give.

scholarly journals Sweetest Kulu by C. Kalluk

2016 ◽  
Vol 5 (3) ◽  
Author(s):  
Sandy Campbell
Keyword(s):  
Public Libraries ◽  
School Libraries ◽  
Character Trait ◽  
Read Aloud ◽  
The Arctic ◽  
Small Children ◽  
University Of Alberta ◽  
Arctic Hare ◽  
The University

Kalluk, Celina.  Sweetest Kulu. Illus. Alexandria Neonakis.  Iqaluit, NU:  Inhabit Media Inc., 2014.  Print.“Kulu” is an Inuktitut term of endearment for babies and small children.  In this work, traditional throat singer and author, Celina Kalluk, shows all of the gifts that nature brings to a newborn baby.  The images show the baby cradled and adored by many creatures.  Each creature brings a character trait as a gift for the baby.  “Caribou chose patience for you, cutest Kulu.  He gave you the ability to look to the stars, so that you will always know where you are and may gently lead the way”.  With each gift, Kalluk uses a different adjective to describe the baby – happy Kulu, admired Kulu, beloved Kulu. Illustrator, Alexandria Neonakis has created an image for each animal in rich and deep colours.  The images spread over two facing pages with text over-printed. Each image is gentle and tender.  The baby is shown nestled between the front hooves of a musk-ox, curled up against a polar bear or snuggled up in the paws of an Arctic hare.  The baby is reflected in the water when the Arctic char brings a gift of tenderness.This book is a beautiful representation of a mother’s love for her baby reflected in the traditional Inuit connection to the land and nature.  It is a calming and peaceful book, which will become a bedtime read-aloud favourite. Highly recommended for elementary school libraries, public libraries and babies’ rooms everywhere.Highly Recommended:   4 stars out of 4Reviewer:  Sandy CampbellSandy is a Health Sciences Librarian at the University of Alberta, who has written hundreds of book reviews across many disciplines.  Sandy thinks that sharing books with children is one of the greatest gifts anyone can give.

scholarly journals I Want My Mommy! by T. Corderoy

2014 ◽  
Vol 4 (2) ◽  
Author(s):  
Sandy Campbell
Keyword(s):  
Separation Anxiety ◽  
Public Libraries ◽  
Picture Book ◽  
School Libraries ◽  
Read Aloud ◽  
University Of Alberta ◽  
Picket Fence ◽  
Age Appropriate ◽  
The University

Corderoy,Tracey. I Want My Mommy!  Wilton, CT: Tiger Tales, 2013. Print.This charming picture book addresses separation anxiety, which is common among young children being left with occasional caregivers.  The story is depicted with mice playing the roles of people.  Arthur is a small mouse, who is staying with his grandmother while his mother goes out for the day.  Arthur has "never been apart from Mommy for the whole day before".  He misses her a lot.  Although his grandmother distracts him with dragons, sword fights and lunch, Arthur is still sometimes sad and thinks that his mom has returned every time the doorbell rings.  Allison Edgson's illustrations are bright, attractive and somewhat romantic.  Grandma's garden has a white picket fence with an arched trellis, hollyhocks and climbing roses.  Throughout, Arthur is dressed in a green dragon suit.   The images are sometimes two-page spreads with text over-printed or smaller round pictures with in text the white spaces around them. The text is a large font, with a few words bolded or capitalized for effect.  The text is age appropriate for pre-kindergarten to grade three, but intended to be read aloud by an adult.I Want My Mommy! allows children to see their own situation depicted in a story.  Children can  empathize with Arthur and see that he does cope with being away from his mother and that his mother does return. This is an excellent book for public libraries and elementary school libraries and pediatric health collections. Highly recommended: 4 stars out of 4Reviewer: Sandy CampbellSandy is a Health Sciences Librarian at the University of Alberta, who has written hundreds of book reviews across many disciplines.  Sandy thinks that sharing books with children is one of the greatest gifts anyone can give. 

scholarly journals Gina’s Wheels by M. H. Bishop

2016 ◽  
Vol 6 (1) ◽  
Author(s):  
Sandy Campbell
Keyword(s):  
Role Model ◽  
Picture Book ◽  
Public Library ◽  
Reading Level ◽  
Small Children ◽  
University Of Alberta ◽  
The Disabled ◽  
The University ◽  
Adult Reader

Bishop, Mary Harelkin. Gina’s Wheels. Regina, SK: DriverWorks Ink, 2014. Print.While this is a picture book and the protagonist is just entering kindergarten, the language is quite a high reading level and the text dense.  It is definitely a book that needs an adult reader. The artwork in this book is simple and unsophisticated, but will engage small children with the work.  Illustrator Diane Greenhorn does resort to the visual cliché of diversity in the classroom, including the obligatory red-head, blonde, African American, brown-skinned children and child with a hijab, although kindergarten-aged Muslim girls are often not covered.The messages that the book conveys are complex.  It is about a child, Gina, who encounters Métis Paralympian Colette Bourgonje, who has a wheelchair.  Gina is sufficiently moved by the meeting that she goes home and for several weeks does everything while sitting in a stroller, to understand the experience of being in a wheelchair.  When she enters kindergarten and meets a child in a wheelchair, her experience helps her befriend the child.While the book does a good job of presenting how to interact with a disabled person, the concept of the Paralympics and the integration of a disabled child into school, it does not present the things that Gina had to do to adapt to life seated in a stroller.  As is often the case when the able-bodied write about the disabled, rather than from the disabled person’s perspective, the reader does not learn much more about life as a disabled person.  However, the book does present disability in a positive light and also shows Bourgonje as a role model.  It also presents Gina as a role model of a child demonstrating understanding and empathy and Gina’s Mom as a role model as a parent who is positive about disability and supportive of her child’s exploratory learning.   Because there are few children’s books about disability, and fewer still about disabled Indigenous people, this book is recommended with reservations for public library and elementary school libraries.Recommended with reservation:  2 stars out of 4Reviewer:  Sandy CampbellSandy is a Health Sciences Librarian at the University of Alberta, who has written hundreds of book reviews across many disciplines.  Sandy thinks that sharing books with children is one of the greatest gifts anyone can give.

scholarly journals Sometimes I Feel Angry / Sometimes I Feel Nervous / Sometimes I Feel Jealous / Sometimes I Feel Lonely / Sometimes I Feel Sad Illus. A. Sandland.

2018 ◽  
Vol 8 (2) ◽  
Author(s):  
Sandy Campbell
Keyword(s):  
Public Libraries ◽  
Literacy Learning ◽  
School Libraries ◽  
Read Aloud ◽  
The Arctic ◽  
Small Children ◽  
University Of Alberta ◽  
The North ◽  
The University

Sometimes I Feel Angry /   Sometimes I Feel Nervous / Sometimes I Feel Jealous /   Sometimes I Feel Lonely /   Sometimes I Feel Sad. Illus. Amanda Sandland. Iqaluit: Inhabit Education, 2017. The Nunavummi Reading Series from Inhabit Education situates emotional literacy learning in the Canadian Arctic. These books are part of a leveled reading series and are graded at Fountas & Pinnell Text Level J (books designed to be read aloud to young children). Amanda Sandland’s illustrations are spare and uncluttered.  Backgrounds are plain or contain simple landscapes. The characters developed by Ali Hinch are anthropomorphized animals representing small children.  The nervous caribou has a hat and satchel and Aqi, the sometimes sad and lonely bird, has boots. Some of the characters appear in several books. One of the most helpful things about these books is that the resolutions are realistic. The characters display real emotions and reactions. These situations are resolved through talking with friends and recognizing which responses are healthy and which are not. There are none of the trite “quick-fixes” that so often appear in children’s books related to emotions. There are many children’s series that address emotions, but because these books are set in the Arctic and use Arctic animals, children in the North will be more comfortable with the content. The characters do things that Northern children would do: playing one-foot high kick, looking for fossils, picking berries, ice-fishing and going sliding. Children who do not live in Northern environments will be able to learn more about the North, as well as about emotions. This is a high-quality, relatively inexpensive series that is highly recommended for elementary school libraries and public libraries.  Highly recommended: 4 out of 4 stars Reviewer: Sandy Campbell Sandy is a Health Sciences Librarian at the University of Alberta, who has written hundreds of book reviews across many disciplines. Sandy thinks that sharing books with children is one of the greatest gifts anyone can give. 

scholarly journals The Best Birthday Party Ever by J. LaRue Huget

2011 ◽  
Vol 1 (1) ◽  
Author(s):  
Debbie Feisst
Keyword(s):  
New York ◽  
Young Adult ◽  
Picture Book ◽  
Read Aloud ◽  
Young Adult Fiction ◽  
Elementary Grades ◽  
University Of Alberta ◽  
Birthday Party ◽  
Layer Cake ◽  
The University

Huget, Jennifer LaRue. The Best Birthday Party Ever. Illus. LeUyen Pham. New York: Schwartz & Wade Books, 2011. Print. “My birthday is 5 months, 3 weeks, 2 days, and 8 hours away.  Today I started to plan my party.” And so the planning begins for the 5-year-old soon-to-be birthday girl in this charming picture book.  She has to start planning early if she wants the best birthday party ever.  She is going to invite all 57 of her friends including the mailman and the invitations will be sprinkled with fairy dust.  She will have 9 thousand balloons, streamers and napkins: all in pink.  On the menu is a 17-layer cake, each layer a different flavour, with 6 zillion candles on top.  Not only will there be: a magician, camel rides and a Ferris wheel, but each lucky guest will receive a hamster as a party favour. In a kid-friendly countdown style towards the big day, our sweet party planner gets more and more excited as her birthday approaches and the plans get more and more grandiose.  Only after her mother comments that this birthday party is “getting out of hand” does she agree to skip the sparkly necklaces.  The day finally arrives and while it may not be the party she dreamed of, she is appreciative and enjoys her day so much that she immediately begins plans for her next birthday. This beautifully illustrated read-aloud captures the excitement of a child as she looks forward to her special day and will appeal to lower elementary grades as well as preschoolers.  The whimsical mostly-pink drawings may be initially off-putting to boys but they are certain to relate and enjoy the story. Highly recommended: 4 out of 4 stars Reviewer: Debbie FeisstDebbie is a Public Services Librarian at the H.T. Coutts Education Library at the University of Alberta.  When not renovating, she enjoys travel, fitness and young adult fiction. 

At the Heart of It: Dene dzó t’áré by R. Taniton & M. Willett

2012 ◽  
Vol 1 (4) ◽  
Author(s):  
Sandy Campbell
Keyword(s):  
Public Libraries ◽  
Picture Book ◽  
Health Sciences ◽  
Way Of Life ◽  
Book Series ◽  
University Of Alberta ◽  
Bear Lake ◽  
The People ◽  
The University

Taniton, Raymond and Mindy Willett.  At the Heart of It: Dene dzó t’áré.  Markham, On:  Fifth   House, 2011.  Print. Indigenous author Raymond Taniton is a member of The Sahtugot’ine, or the “people of Great Bear Lake”.  In At the Heart of It, Taniton invites readers into his world.  We meet his family, see the Sahtu Region where he lives, meet the elders in the community, learn how to make a traditional hand drum, learn some games and read some of the stories.  The stories are particularly important. This book is the most recent in Fifth House’s “The Land is Our Story Book” series, all co-authored by writer Mindy Willett. Taniton concludes this volume by saying, “The land is our storybook. It is our school, our library, our church. It is where we learn our stories and where we discover who we are as true Dene people. The land is at the heart of it all”.  And in this book Taniton and Willett do succeed in helping us to understand “the land”. This is a picture book, an educational book and a celebration of what it means to be Satugot’ine. Tessa Macintosh’s photographs are used throughout. The top of each page has a border image of the beaded toes of twenty-one moccasins. Often a large image will form the background of a page with text and other images superimposed.  For example, for the story “The Lake is the Boss”, the background is an image which looks out through the mouth of a cave.  The story is about a giant wolf that lived in the cave. The text, along with smaller images of the island that the wolf became when he turned to stone, is superimposed on the cave photograph.  The images and text, taken together, form many lessons for young people.  The stories provide metaphorical and philosophical lessons, but the book also provides practical lessons, such as the illustrated steps to making a drum.  As a whole, the book celebrates Raymond Taniton’s family, the Sahtugot’ine people and their way of life.   Highly recommended for elementary school and public libraries. Highly Recommended:  4 out of 4 starsReviewer:  Sandy CampbellSandy is a Health Sciences Librarian at the University of Alberta, who has written hundreds of book reviews across many disciplines.  Sandy thinks that sharing books with children is one of the greatest gifts anyone can give.

scholarly journals On the Shoulder of a Giant: an Inuit Folktale by N. Christopher

2015 ◽  
Vol 5 (1) ◽  
Author(s):  
Sandy Campbell
Keyword(s):  
Public Libraries ◽  
Picture Book ◽  
Bowhead Whale ◽  
The Arctic ◽  
Quality Work ◽  
University Of Alberta ◽  
The Difference ◽  
The University ◽  
The Impact

Christopher, Neil.  On the Shoulder of a Giant:  an Inuit Folktale. Iqualuit:  Inhabit Media, 2015. Print.This is another in a series of works designed by Neil Christopher, one of the founders of Inhabit Media, to preserve traditional Inuit stories.  In this book he retells a story, which is known in various forms all across the Arctic, of a giant who adopts a hunter as his son.  This giant, named Inukpak,  is one of the inukpasugjuit or “great giants” of Inuit stories.  Inukpak is so big that he can walk across the Arctic in “just a few days” and when he stands in the sea the water "never come[s] up past his knees". He is so big that he thinks that the hunter is a lost child, so he adopts him and carries him on his shoulder.This is a simple retelling, designed to teach about the mythical giants and to explain why the story is found in many cultures across the Canadian Arctic.  However, it also models a big person/small person relationship in which small people do not correct or talk back to big people.  Children will relate to the hunter, who is treated as a child and because the story is told from the hunter's perspective.  The giant sometimes doesn't recognize the impact of his own actions.  For example when he runs back to shore, he creates waves that swamp the hunter, but the giant thinks the hunter has been playing in the water.  "The hunter wanted to tell the giant that he had not been playing in the water.  He also wanted to explain to Inukpak that he had caught a bowhead whale, not a sculpin.  But, once again, the little hunter did not want to argue with a giant, so he just said, 'Okay.' "This is mainly a picture book. The illustrations run over two-page spreads with text over-printed on them.  Jim Nelson does a good job of presenting the difference in size between the giant and the human.  Inukpak is presented as a happy fellow, with black shaggy hair and a full beard.  Children will be amused by the giant picking up a polar bear by the scruff of its neck, like a kitten. The images are realistic and the backgrounds are lovely representations of Arctic landscapes. Overall, this is an enjoyable and high-quality work that should be included in elementary school libraries, public libraries and libraries specializing in Arctic children’s books.Highly Recommended:  4 out of 4 starsReviewer:  Sandy CampbellSandy is a Health Sciences Librarian at the University of Alberta, who has written hundreds of book reviews across many disciplines.  Sandy thinks that sharing books with children is one of the greatest gifts anyone can give. 

scholarly journals Kiviuq and the Bee Woman by N. McDermott

2019 ◽  
Vol 9 (1) ◽  
Author(s):  
Sandy Campbell
Keyword(s):  
Picture Book ◽  
School Library ◽  
Public Library ◽  
Reading Level ◽  
Older Children ◽  
University Of Alberta ◽  
Human Skulls ◽  
The University ◽  
Library Collections

McDermott, Noel.  Kiviuq and the Bee Woman. Iqauit, NU, Inhabit Media, 2019. When we last heard of Kiviuq, he had just survived a harrowing encounter with scary monster mermaids or tuutalik (Deakin Review by Kirk MacLeod). In Kiviuq and the Bee Woman, the grandfather who narrated Kiviuq and the Mermaid continues the bedtime story to his grandchildren. Kiviuq begins paddling home, but comes upon a tent where an old woman invites him to rest and dry his clothing. She turns out to be a giant Bee Woman who wants to cut up Kiviuq and put him in her cooking pot. For a bedtime story, both the text and the illustrations are quite scary. Illustrator Toma Feizo Gas lets us see into the dark, dramatic and frightening world of the Bee Woman, who is a determined killer. “She shouted, ‘I am Iguttarjuaq, the Bee Woman, and I am going to kill you with my ulu’.”  The accompanying image shows a woman with pointy teeth and insect mouth pincers, who is shaking a sharp ulu (knife) at Kiviuq. As is the case with many of Inhabit Media’s publications, the reading level is higher than one would expect to find in a picture book. For younger children, this book will need some adult intervention. In addition to the scary content, human skulls talk, the woman eats her own eyelids and “Kiviuq, realized the woman was boiling human meat.” Some of the language is difficult. For example, Kiviuq “fainted” of fright, but “feinted” to get away. McDermott also intersperses many Inuktitut words, which will slow down younger readers. These are defined at the end of the book. Overall, this excellent product from Inhabit Media should be included in public library collections and school library collections, but should probably be placed in collections designed for older children.  Highly recommended: 4 out of 4 starsReviewer: Sandy Campbell Sandy is a Health Sciences Librarian at the University of Alberta, who has written hundreds of book reviews across many disciplines. Sandy thinks that sharing books with children is one of the greatest gifts anyone can give. 

scholarly journals Interrupting Chicken and the Elephant of Surprise by D. Stein

2019 ◽  
Vol 8 (3) ◽  
Author(s):  
Leslie Aitken
Keyword(s):  
Fairy Tales ◽  
Picture Book ◽  
Read Aloud ◽  
Primary School Children ◽  
University Of Alberta ◽  
Line Drawings ◽  
Good Story ◽  
Ugly Duckling ◽  
The University ◽  
Selection Of

Stein, David E. Interrupting Chicken and the Elephant of Surprise. Candlewick Press in Association with Penguin Random House Canada, 2018. In this, his second picture book starring Interrupting Chicken, Stein begins with a delightful pun: Chicken declares that every good story has “an elephant of surprise.” Papa tries to convince her that she has misheard her teacher, that every good story has “…an element of surprise.” To demonstrate, he attempts to read aloud classic folk and fairy tales: The Ugly Duckling; Little Mermaid; Rapunzel. Chicken, of course, interrupts. The Ugly Duckling gazes at his reflection and sees “…an Elephant.” The prince ascends the tower on a rope of hair to discover that his love is “…an ELEPHANT!”. Papa is dogged; he keeps trying. Chicken is relentless; she keeps interrupting. The story hour goes on with appealing silliness until Papa graciously allows it to end, not surprisingly, with elephants. A former Caldecott Honor winner, Stein creates not only this amusing storyline, but its illustration as well. He employs a variety of artistic techniques to great effect. The basic narrative, (including Chicken’s interruptions of Papa’s readings) is presented in cartoon style and bold crayon; the classic readings are highlighted with line drawings and water colour. Thus the theme of “interruption” is both conveyed and sustained by the art work. There are a few provisos about sharing this book with primary school children: a child will more fully enjoy the inappropriateness—and silliness—of Chicken’s outbursts if he or she is familiar with the plotlines of the classic tales that Papa attempts to read. The wise parent, or teacher, or librarian will ensure this familiarity in the most obvious and enjoyable way: sharing the stories. There is a further consideration: the hilarity of Chicken’s behaviour arises because she either cannot, or will not, acknowledge the literary concept of a “surprise element.” Children who, themselves, can grasp that concept will laugh harder than children who cannot. Depending on the age and maturity of the child listener, a little didacticism on the part of the adult reader may be appropriate. With these requirements satisfied, this book is a winner. Recommended: 3 out of 4 stars Reviewer: Leslie Aitken Leslie Aitken’s long career in librarianship included selection of children’s literature for school, public, special, and academic libraries. She is a former Curriculum Librarian of the University of Alberta.

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