scholarly journals The Caterpillar Woman by N. Sammurtok

2018 ◽  
Vol 7 (3) ◽  
Author(s):  
Sean Borle

Sammurtok, Nadia.  The Caterpillar Woman. Inhabit Media, 2016In The Caterpillar Woman, Nadia Sammurtok tells a traditional Inuit version of “the princess and the frog” story. A kind young woman, Piujuq, trades coats with a woman who is cold. When she puts on the other woman’s coat she turns into a caterpillar. She lives alone because she thinks that no one will want to be around her until an older hunter sees past her strange exterior and marries her. Through the magic of an ancient drum beater, they are “rewarded for their kindness and unconditional love” and become young, strong and beautiful again. The language is too difficult for a picture book, so an older person would need to read this to small children. While the cover design is strangely uninviting and sad, not making the reader want to pick up the book, the rest of the illustration is well done. The pictures convey creepiness where appropriate, such as the darkness of the inside of a tent at night and many sweeping tundra landscapes.In the same way that this book’s cover is not a good representation of its content, the main health message in this book is “don’t judge a book by its cover” or learn to look past superficial physical differences to see the person, their character, and their abilities. The secondary message is that we should be kind to people, no matter what their appearance. These are good lessons for young children to learn. I highly recommend this book for as a starting place for classroom discussions on physical differences.Highly Recommended: 4 stars out of 4Reviewer: Sean BorleSean Borle is a University of Alberta undergraduate student who is an advocate for child health and safety. 

2017 ◽  
Vol 7 (2) ◽  
Author(s):  
Sean Borle

Palacio, R.J.  We’re All Wonders. Alfred A. Knopf, 2017This is one of several picture books which R.J. Palacio has spun off her bestselling novel, Wonder, which introduced Auggie, a boy missing his left eye. There are few picture books about children with facial deformities, so this is a welcome addition. In condensing the novel into a picture book, however, much of the positive content has been lost. This is a sad story. Auggie is not accepted by other children. When he feels sad he puts helmets on his dog and himself to isolate himself from people’s stares. However, a child and dog with helmets are likely to attract as many stares. Auggie’s other coping mechanisms include: an imaginary trip to Pluto, where his “old friends” are one-eyed creatures that look a bit like sheep with tentacles, and wishing that “other people can change the way they see”. Given that there is a long science fiction history of scary one-eyed space aliens and monsters, it seems strange that Palacio would associate her character with them.  Wishing that the world was different does not make it different. We do not see the positive things that were in the novel such as people sticking up for Auggie or his intelligence and achievements.Palacio’s artwork is bright and easily accessible to small children. Strangely, though, the final image shows only the right half of Auggie’s face, with the earth replacing his eye, while the left half, that is the focus of the whole story, is missing.This book would be good for classrooms where there are children with physical differences, but it would be important for teachers to add a positive spin to the story. Recommended:  3 stars out of 4Reviewer:  Sean BorleSean Borle is a University of Alberta undergraduate student who is an advocate for child health and safety. 


2016 ◽  
Vol 5 (4) ◽  
Author(s):  
Sean Borle

Welton, Jude.  Thomas Loves:  A Rhyming Book about Fun, Friendship – and Autism.  Philadelphia, PA:  Jessica Kingsley Publications, 2015. Print.This picture book introduces the day-to-day life of a happy kid, who happens to be autistic.  The book starts out presenting Thomas like any other boy, playing with a train.  Slowly we learn that he likes to repeat strange sounding words, can't stand loud noises, has a limited diet, flaps his hands if stressed, and requires a picture-plan of what is going to happen each day. The author does not try to make you feel sorry for Thomas or pity him.  It is just an introduction to this particular boy. The book is aimed at pre-school children, and both the cartoon pictures by Jane Telford and the rhymed text by Jude Welton will make the book attractive to small children.  It would be a good book to use with children who are in a classroom with an autistic child.  At the end of the book there are author notes that provide facts about autism. I highly recommend this book for elementary schools, day cares and public libraries.Highly Recommended:  4 stars out of 4Reviewer:  Sean BorleSean Borle is a University of Alberta undergraduate student who is an advocate for child health and safety.


2011 ◽  
Vol 1 (1) ◽  
Author(s):  
Kim Frail

Siminovich, Lorena. I Like Vegetables: A Touch-and-Feel Board Book. Somerville: Candlewick Press, 2011. Print.“I Like Vegetables” is a dream come true for any nutritionally conscience parent, children’s librarian or teacher. The brightly hued collage illustrations are intriguingly textured with patterns and “touch & feel” inlays. Silky peas and rough-skinned carrots invite young readers to learn about vegetables. The layout is quite clever as it leverages contrast and comparison as a learning method. On one side of the page vegetables are depicted as they would appear growing in the garden while on the other side they are in the home being prepared for the dinner table. In addition, the nature side of the page illustrates the concept of opposites. For example, there are “tall” and “short” cornstalks. Orange carrot roots are “below” the ground, while the feathery green tops are “above”. The indoor side of the page features close-ups of vegetables against a wood-grain background that evokes a cutting board. Here children get a different perspective on the harvested veggies. We see shelled peas, open cornhusks and a cross-section of a pumpkin. The concluding series of images features an “empty” gardener’s basket next to a basket “full” of colourful vegetables on a blue and white gingham picnic tablecloth inlay.  This is primarily a picture book with only the names of the vegetables and the two opposing concepts appearing on each page. The typeset is Helvetica and is large and easy to read.  It is a sturdy board book and the inlays could not be easily ripped out or damaged. It is therefore a welcome addition to any toddler’s library. Other titles in the “I Like” series by Siminovich include: “I Like Toys “, “I Like Bugs” and “I Like Fruit”. “I Like Vegetables” is sure to engage children from ages 1-3. Highly recommended: 4 out of 4 stars Reviewer: Kim FrailKim is a Public Services Librarian at the H.T. Coutts Education Library at the University of Alberta. Children’s literature is a big part of her world at work and at home. She also enjoys gardening, renovating and keeping up with her two-year old. 


2017 ◽  
Vol 7 (2) ◽  
Author(s):  
Sean Borle

Uhlberg, Myron.  The Sound of All Things, illustrated by Ted Papoulas, Peachtree Publishers, 2016.This is an autobiographical story about Myron, who is the child of two deaf parents, attempting to explain sounds to them as they spend a day at the Coney Island amusement park. The illustrations in this book are spectacular. Ted Papoulas captures not only the detail of the amusement park, the library and fireworks, he also captures whole stories in the expressions on people’s faces. All of the illustrations reflect the 1920s, when Myron was a child. Many of the illustrations have a dark tone to them, using browns for building interiors, street scenes and evenings, adding to a vintage look. For a picture book this text is wordy, dense, and written at an adult reading level. Myron’s voice, however, is authentic. Only the child of a deaf person would be able to write, “My mother’s hands sat silent in her lap.” The text displays the intimate knowledge that Myron has of the deaf world and his struggles to translate sound to his parents. '“What does the ocean sound like?”  “It is loud,” I answered again. “Don’t be lazy,” [my father] signed.  I squirmed in my seat. I didn’t have enough words to tell my father what he wanted to know”'. Because the text is sophisticated for a picture book, it would be appropriate for upper elementary and above.I would recommend this book for public libraries and school libraries and to anyone who teaches deaf children or children of deaf people. Recommended: 3 stars out of 4Reviewer:  Sean BorleSean Borle is a University of Alberta undergraduate student who is an advocate for child health and safety. 


2019 ◽  
Vol 8 (4) ◽  
Author(s):  
Valerie Mayzel

Hobbie, Holly. Elmore. Random House Children’s Books, New York, 2018. Holly Hobbie’s Elmore is a heartwarming story about a lonely porcupine determined to make friends. His prickly exterior makes the other animals scared of him at first, but through his creativity and inventiveness, he finds a way to help others embrace what makes him unique, all while staying true to himself. The invaluable lessons that this picture book teaches are remarkable. Readers learn that what makes us different, makes us special; once we accept and appreciate our differences and share what we have to offer, others will get to know, accept, and appreciate us for who we are. This book also teaches its readers to not ‘judge a book by its cover’. Elmore was judged by the other animals because of his prickly quills, but once he celebrated his differences and the other animals learned what made him special, they felt lucky to be his friend. Hobbie’s use of language is powerful and provides young readers with the opportunity to learn and have discussions about new vocabulary, such as solitude, emphatically, and tuckered out. Hobbie’s whimsical illustrations are adorable and charming, and her realistic portrayal of Elmore’s facial expressions are endearing; readers empathize and grow to love Elmore. This book is highly recommended as a real-aloud for elementary school educators and parents alike, because it creates opportunities to discuss the hidden messages within the story. Children will be able to make their own connections with Elmore and feel comforted by the fact that making friends isn’t always easy, but others will learn to accept them for who they are, once they accept themselves. Editor’s note: It is worth reading more about the author and the history of her namesake character. https://en.wikipedia.org/wiki/Holly_Hobbie Highly Recommended: 4 out of 4 starsReviewer: Valerie Mayzel Valerie Mayzel is a fourth-year student in the Elementary Education program at the University of Alberta. She is very excited to begin her career as a teacher and is looking forward to incorporating a variety of literature in her lessons to support student learning.


2018 ◽  
Vol 8 (2) ◽  
Author(s):  
Sean Borle

Davies, Nicola. The Pond. Illustrated by Cathy Fisher. Graffeg, 2017. In this picture book, a half-finished garden pond, “a muddy, messy hole that filled our garden,” becomes a metaphor for a family’s grief at the death of a father, “a muddy, messy hole that filled our hearts.” The story highlights the fact that when someone dies, the family loses not only the person, but also the activities that the family did with that person. Eventually, the mother in this story gets the pond lined and it starts to come to life with tadpoles, dragonflies and a water lily, mirroring the family’s progression through their grief.  The artwork really carries the story forward, and accompanied by the simple text Nicola Davies depicts aquatic environments in a variety of ways. Her work is cinematic, capturing the movement and messiness of pond life.  She uses dark colours, splatters, scribbles and fractures in lines to depict the family’s grief. Some of the images are beautiful.  Her water lilies on solid black backgrounds are exceptional. The images in this book will engage all ages. This book would be good for children coping with loss or those preparing to cope with loss and should be a part of public and school library collections.  Recommendation:  4 stars out of 4Reviewer:  Sean Borle Sean Borle is a University of Alberta undergraduate student who is an advocate for child health and safety.  


2017 ◽  
Vol 7 (1) ◽  
Author(s):  
Sean Borle

Parenteau, Shirley.  Bears in a Band.  Candlewick Press, 2016.This is a great little book.  Children will love the rhymes, which tell the story of four brightly coloured teddy bears, who pick up instruments and begin to play.  They make a joyful noise that eventually wakes “Big Brown Bear." Instead of being angry, Big Bear joins as a conductor and the music becomes even better.There are two music messages in this book.  First, parents should celebrate their children’s musical activities and accept that there will be noise.  Second, everyone should attempt to find the music in themselves, and share that with everyone.The text is simple.  Young children will quickly memorize it.  “The bears all play a noisy song/They don’t care if the notes are wrong." The images are happy, uplifting and full of warm fuzzies. This would be a good bedtime picture book for young children.   I highly recommend this book for libraries. Highly recommended:  4 stars out of 4 Reviewer:  Sean BorleSean Borle is a University of Alberta undergraduate student who is an advocate for child health and safety.


2017 ◽  
Vol 7 (1) ◽  
Author(s):  
Sean Borle

Slade, Suzanne. The Music in George's Head: George Gershwin Creates Rhapsody in Blue. Calkins Creek, 2016.This biography gives Gershwin’s early history and then focuses on how he came to write Rhapsody in Blue, beginning with a train ride where  the “train noises created new melodies in his head.”This is a very blue book.  The whole palette is dark blue, purple and black, with sepia and light brown backgrounds and highlights. The images are surreal.  One shows Gershwin reaching out of a bus window to grab a note floating in the air.  Elongated keyboards twist and wave their way through collections of overlapping images.  Parts of pictures are disproportionate. Apart from the colour and the images, the most striking thing is the shape of the text.  On every page some words are much larger, in different fonts and different shades of blue.  The text and the images are meant to reflect the wild, unpredictable and jazzy nature of Gershwin’s music.The music message of this book is that composers and musicians can find music anywhere and that great compositions often break the rules.While this is a picture book, the text includes some difficult words like “rhapsody” and “syncopated”, which could be read and understood by children in upper elementary and junior high school, but they might pose a challenge for younger children. Highly Recommended:  3 stars out of 4Reviewer: Sean BorleSean Borle is a University of Alberta undergraduate student who is an advocate for child health and safety.


2017 ◽  
Vol 7 (1) ◽  
Author(s):  
Sean Borle

Cline-Ransome, Lesa.  Just a Lucky So and So: the Story of Louis Armstrong.  Holiday House, 2016.This is a children’s level biography of Louis Armstrong.  It is a difficult book to rate.  The watercolours are superb and rate 4 stars but the text is lacking and rates 2 stars.  While it is clearly a picture book and meant for children, the text seems like it might have originally been written for adults and then modified a little for children.  There are too many big words for a picture book and the story is choppy and sometimes too condensed to be understood. There are sometimes big gaps in the information.  For example, at a New Year’s Eve celebration, “shots were fired… Little Louis joined in with his stepfather’s gun. All his scrapes with the law added up, and at eleven years, Little Louis was sent away." We are not told why Louis was arrested, while it appears that firing guns in celebration was a normal thing to do. At one point we learn that he had a second wife, but up to that point there is no mention of marriage at all.  The writing does not flow and is not always easy to read.James Ransome’s images, however, are wonderful.  In keeping with the theme of luck in the book, all of the people are happy and smiling.  These are well-executed works of art.  The picture of the cornet inside the front cover is beautiful.  In the picture of Louis’s family when he was little, Ransome has perfectly captured the shape of a small kneeling boy with his head thrown back in laughter. The music message of this book is both historical and inspirational, showing that it doesn’t matter where you come from or how little you have, you can still do great things in music.Because there are relatively few biographical works of famous musicians, and elementary and junior high school students often have to make presentations on famous musicians, this book, in spite of its weaknesses should be in public and school libraries.Recommended:  3 out of 4 stars Reviewer:  Sean BorleSean Borle is a University of Alberta undergraduate student who is an advocate for child health and safety.


2017 ◽  
Vol 6 (3) ◽  
Author(s):  
Sean Borle

Zhao, Bingbo. The Pear Violin, illustrated by Gumi. Starfish Bay Children’s Books, 2016.Bingbo Zhao, who publishes under his first name, Bingbo, has published more than 370 children’s books and won more than 50 awards.  The Pear Violin is an imaginative picture book which starts from the idea that pears and violins are shaped alike. In Bingbo’s fantasy world, a squirrel cuts a pear in half, uses a twig and some of his whiskers to make a bow, and begins playing.  In this world foxes, elephants, bears, lions and a variety of other animals all inhabit the same forest.  The music of the violin is so powerful that it can make the fox stop chasing the chicken and the lion “let the rabbit lie in his arms, so that the rabbit would feel warmer when listening to the music.”  The music also has the power to make a small pear seed grow quickly into a tree and grow many pears.  All the animals make the pears into cellos, violins and violas and all play beautiful music together. Throughout the book Gumi (no last name given) illustrates the motion and emotion of the animals.  The animals’ faces show curiosity when the seed starts to grow and excitement when they play together in the concert. A suspension of disbelief is required for the enjoyment of this book.  Some children will ask, “Why don’t the pears rot?” and “Why are bears and elephants in the same forest?”   However, for most, it will just be a fun book which carries the message that music brings people together.  This book would be good for public libraries and school libraries.Recommended: 3 stars out of 4Reviewer:  Sean BorleSean Borle is a University of Alberta undergraduate student who is an advocate for child health and safety


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