scholarly journals Zebra Stripes Go Head to Toe by. S. & S. Shapiro

2014 ◽  
Vol 4 (1) ◽  
Author(s):  
Leslie Aitken
Keyword(s):  
Picture Books ◽  
Primary Grades ◽  
Building Blocks ◽  
Small Problem ◽  
Front Cover ◽  
University Of Alberta ◽  
Spatial Understanding ◽  
Parallel Lines ◽  
The University ◽  
Selection Of

Shapiro, Sheryl and Simon Shapiro.  Zebra Stripes Go Head to Toe.  Toronto: Annick Press, 2013. Print.The truth must be stated: the cover of this title aroused false hope in one particular five-year-old.  Selecting it from a proffered array of picture books, he cried, “I want a story about a zebra!”  It wasn’t. Still, it was a beautifully illustrated introduction to geometric shapes and terms: squares, cubes, and (mostly parallel) lines. The Shapiros build concepts with colorful and distinct examples that are quite within the experience, real or vicarious, of children.  We see building blocks, crosswalks, and, yes, the striped patterning of the zebra on the front cover.  The text, a series of rhyming couplets, is both playful and informative.  The font is very suitable for kindergarten or primary grades.  Undoubtedly, the book can be used to develop a child’s spatial understanding and linguistic precision.What then to do about that not so small problem: the dashed hopes that arise when a book that promises to be about a zebra turns out to be a math text?  Next time, this reviewer will preface its offering with a statement of fact: “This book can make arithmetic fun.”Recommended: 3 out of 4 stars Reviewer: Leslie AitkenLeslie Aitken’s long career in librarianship involved selection of children’s literature for school, public, special, and university collections.  She is a former Curriculum Librarian at the University of Alberta.

scholarly journals Owls Are Good at Keeping Secrets: An Unusual Alphabet by S. O'Leary

2019 ◽  
Vol 9 (1) ◽  
Author(s):  
Leslie Aitken
Keyword(s):  
Children's Literature ◽  
Academic Libraries ◽  
Children’S Literature ◽  
The Other ◽  
University Of Alberta ◽  
The University ◽  
Selection Of ◽  
Child Readers

O’Leary, Sara.  Owls Are Good at Keeping Secrets: An Unusual Alphabet. Illustrated by Jacob Grant. Tundra Books, 2018. From first to last, the phonic examples in O’Leary’s alphabet book are disarming:                 “Aa                 Alligators think you’d like them if you got to know them.”                 “Zz                Zebras would like to be first. Just once.“ Unlike so many other authors of this genre, O’Leary rarely struggles to find simple, memorable examples of words that begin with the appropriate vowels and consonants. The sole exception in his work is the use of “Chipmunks” to illustrate the sound of the letter “C.” Child readers would have to be mature enough to recognize the digraph (ch) and be alert to its sound. That exception being noted, all of the other phonic illustrations—even the ones for the “difficult” sounds—are straight-forward, playful and engaging.                 “Qq                 Quail get quite tired of being told to be quiet.”                 “Uu                 Unicorns believe in themselves.                 “Yy                 Yaks giggle at their own jokes.” Joseph Brant’s illustrations are all that they ought to be: large, clear, colourful and, most importantly in this type of book, unambiguous. His depiction of voles for the letter “V” is particularly endearing. Those of us involved in the field of children’s literature might want this illustration and its motto on our flag:                 “Vv                 Voles always want just one more book.” In any case, we should ensure that this delightful book is on our children’s library shelves. Highly recommended: 4 out of 4 starsReviewer: Leslie Aitken Leslie Aitken’s long career in librarianship included selection of children’s literature for school, public, special and academic libraries. She was a Curriculum Librarian for the University of Alberta.              

scholarly journals Interrupting Chicken and the Elephant of Surprise by D. Stein

2019 ◽  
Vol 8 (3) ◽  
Author(s):  
Leslie Aitken
Keyword(s):  
Fairy Tales ◽  
Picture Book ◽  
Read Aloud ◽  
Primary School Children ◽  
University Of Alberta ◽  
Line Drawings ◽  
Good Story ◽  
Ugly Duckling ◽  
The University ◽  
Selection Of

Stein, David E. Interrupting Chicken and the Elephant of Surprise. Candlewick Press in Association with Penguin Random House Canada, 2018. In this, his second picture book starring Interrupting Chicken, Stein begins with a delightful pun: Chicken declares that every good story has “an elephant of surprise.” Papa tries to convince her that she has misheard her teacher, that every good story has “…an element of surprise.” To demonstrate, he attempts to read aloud classic folk and fairy tales: The Ugly Duckling; Little Mermaid; Rapunzel. Chicken, of course, interrupts. The Ugly Duckling gazes at his reflection and sees “…an Elephant.” The prince ascends the tower on a rope of hair to discover that his love is “…an ELEPHANT!”. Papa is dogged; he keeps trying. Chicken is relentless; she keeps interrupting. The story hour goes on with appealing silliness until Papa graciously allows it to end, not surprisingly, with elephants. A former Caldecott Honor winner, Stein creates not only this amusing storyline, but its illustration as well. He employs a variety of artistic techniques to great effect. The basic narrative, (including Chicken’s interruptions of Papa’s readings) is presented in cartoon style and bold crayon; the classic readings are highlighted with line drawings and water colour. Thus the theme of “interruption” is both conveyed and sustained by the art work. There are a few provisos about sharing this book with primary school children: a child will more fully enjoy the inappropriateness—and silliness—of Chicken’s outbursts if he or she is familiar with the plotlines of the classic tales that Papa attempts to read. The wise parent, or teacher, or librarian will ensure this familiarity in the most obvious and enjoyable way: sharing the stories. There is a further consideration: the hilarity of Chicken’s behaviour arises because she either cannot, or will not, acknowledge the literary concept of a “surprise element.” Children who, themselves, can grasp that concept will laugh harder than children who cannot. Depending on the age and maturity of the child listener, a little didacticism on the part of the adult reader may be appropriate. With these requirements satisfied, this book is a winner. Recommended: 3 out of 4 stars Reviewer: Leslie Aitken Leslie Aitken’s long career in librarianship included selection of children’s literature for school, public, special, and academic libraries. She is a former Curriculum Librarian of the University of Alberta.

scholarly journals Audrey (cow) by D. Bar-el

2017 ◽  
Vol 6 (3) ◽  
Author(s):  
Leslie Aitken
Keyword(s):  
Academic Libraries ◽  
Animal Rights ◽  
Final Outcome ◽  
Truck Driver ◽  
First Person ◽  
University Of Alberta ◽  
Black And White ◽  
Visual Clue ◽  
The University ◽  
Selection Of

ar-el, Dan.  Audrey (cow), illustrated by Tatjana Mai-Wyss. Tundra Books, 2014.In an amazing series of first person accounts, Dan Bar-el details the escape of a Charolais cow, Audrey, from her apparent destiny: the abattoir.  Both her ordeal and her survival   involve a huge cast of characters, some loving, some nasty, some honorable, some mercenary, some clever, some daft.  Those most instrumental in Audrey’s salvation include Eddie, her devoted dog friend; Buster, a brilliant but introverted pig; Boris an outcast but ingenious skunk; and Fay, a warm hearted but political wily animal rights activist.  Those at best indifferent to her existence (and, at worst, complicit in plotting her death) include Kasey the cattle truck driver, and Claudette, the cougar.   There are, however, countless others who detail their role in Audrey’s harrowing adventure.  Each role, in its own way, is significant in the course of events.  The brilliance of Bar-el’s storytelling is that he gives every character a unique and engaging voice; in fact, the tale just begs to be dramatized or animated. Tatjana Mai-Wyss’s black and white drawings appeal to the eye, mind and heart.  Some provide a necessary explanation for the reader.  In particular, the drawing of the latch mechanism (p. 71) that Audrey must unhook to flee from the truck makes plausible the cow’s escape.Most independent readers (grades three to six) could handle the text and would find the story both emotionally engaging and exciting.  It is, in fact, so suspenseful (and Audrey’s possible plight so horrifying) that a sensitive child might need reassurance that the final outcome is a happy one.  Reading the story aloud to younger children could prove a challenge; without the visual clue of the speakers’ names (entered as subheadings)little listeners could lose their way in the multiplicity of first person accounts.  However, if you are a storyteller who excels at “doing voices,” this book is for you; hesitate not to share it with the very young.  Finally, a trigger warning: this book could lead to youthful declarations of vegetarianism!Reviewer:  Leslie AitkenHighly recommended:  4 stars out of 4Leslie Aitken’s long career in librarianship included selection of children’s literature for school, public, special, and academic libraries.  She is a former Curriculum Librarian at the University of Alberta.

scholarly journals Today is the Day by E. Walters

2016 ◽  
Vol 5 (4) ◽  
Author(s):  
Leslie Aitken
Keyword(s):  
Extended Family ◽  
Young Audiences ◽  
University Of Alberta ◽  
Line Drawings ◽  
Color Palette ◽  
Realistic Fiction ◽  
The Creation ◽  
The University ◽  
First Time ◽  
Selection Of

Walters, Eric.  Today is the Day.  Illus. Eugenie Fernandes.  Toronto: Tundra Books, a division of Random House of Canada, 2015.Eric Walters, who has written a wealth of realistic fiction for Canadian children, now takes young audiences into the realm of fictionalized reality.  The decision to fictionalize is warranted; the unvarnished truths with which he deals are stark enough for an adult’s comprehension, let alone that of a child. A former teacher and social worker, Walters established The Creation of Hope, a foundation which runs an orphanage in the Mbooni district in Kenya.  He works with hundreds of children who have lost parents to a wide variety of causes including HIV/AIDS.  Children arrive at his orphanage because any extended family members whom they might have are too impoverished or frail to provide for them.  Today is the Day is set in the orphanage.Walters’ gift as a writer is the ability to create a positive, hopeful and believable moment in a harsh reality.  His young protagonist, Mutanu, has awakened to a day of celebration, a day when all one hundred fifteen young residents of the orphanage would receive gifts and treats and visits from extended family.  Even more exciting than these events for Mutanu and each of fifteen others, this day, July 12, was to be declared their official birthday.  Such were the circumstances of their early lives that no record of their birth exists. Now, for the very first time, Mutanu’s “… coming into the world was not forgotten but was a cause for joyous celebration.”Eugenia Fernandes’ illustrations convey the expansiveness and beauty of the Kenyan landscape, the humbleness and simplicity of the orphanage.  Her line drawings are generally realistic in perspective, whimsical in content.  Her color palette is cheerful and sunlit.  In large part, her work creates the mood of hopefulness in this book.Extensive end notes explain the purpose and setting of the Creation of Hope foundation and, as well, provide photographs of the orphanage.  The background to this story is explained, and we are introduced to the real Mutanu and some of her friends. There is no direct appeal for funds in the book itself; however, the publisher’s notes indicate that “A contribution to The Creation of Hope will be made by the author and publisher based on sales of this book in Canada.”  It seems a worthy cause.Highly Recommended: 4 out of 4 starsReviewer: Leslie AitkenLeslie Aitken’s long career in librarianship involved selection of literature for school, public, special and academic libraries.  She was a former Curriculum Librarian at the University of Alberta.

scholarly journals A Day at School / Une Journée à L’école by S. Cordier & C. Lacroix

2015 ◽  
Vol 4 (3) ◽  
Author(s):  
Leslie Aitken
Keyword(s):  
Picture Book ◽  
Children’S Literature ◽  
Target Audience ◽  
First Year ◽  
Intended Audience ◽  
University Of Alberta ◽  
Key Factor ◽  
Grade One ◽  
The University ◽  
Selection Of

Cordier, Séverine and Cynthia Lacroix.  A Day at School / Une Journée à L’école.  Trans. Sarah Quinn. Toronto: Owlkids Books, 2013. Print. The format co-creators Cordier and Lacroix use in Picture My Day, Picture My World, and A Day at the Farm succeeds very nicely in this picture book as well.  Their success has much to do with both their sensitivity to the target audience (pre-school to grade one), and their anticipation of the book’s use. They provide abundant illustration, keeping the text very brief.  Short sentences or mere labeling hint at, but do not force, the storyline.  The latter is created, in large part, by the reader.This book would work very well in a one-on-one situation: one adult, one child.  The adult might prompt,“Where do you think they went on their holidays? What are they buying for school? How are they getting ready for their day?  I wonder where Mummy and the baby are going?  Let’s see where Daddy and the children are going.” and so forth.Inspired by an array of color filled drawings, even a non-reading child could flesh out the story, making it the same every time—for comfort’s sake—or different every time—for variety’s sake.   The key factor is the child’s involvement.The vocabulary used in the text is well within the range of the intended audience.  Most five-year-olds would begin to memorize the text after a few readings; most grade ones would actually recognize and read the words by the end of their first year at school.  In sum, A Day at School is an invitation to imagine, to create, to read and to learn.Highly recommended: 4 out of 4 starsReviewer: Leslie AitkenLeslie Aitken’s long career in librarianship involved selection of children’s literature for school, public, special, and university collections.  She is a former Curriculum Librarian at the University of Alberta.

scholarly journals “...whether they took treaty or not, they were subject to the laws of the Dominion.”

2019 ◽  
Vol 10 (2) ◽  
Author(s):  
Matthew James Weigel
Keyword(s):  
Research Project ◽  
Ongoing Research ◽  
University Of Alberta ◽  
Special Collections ◽  
The University ◽  
Selection Of

A selection of poems from a chapbook research creation regarding the mystery of the printing and distribution of the Treaty 6 parchment. Treaty 6 was signed in 1876 with the promise of parchment copies to be delivered to the signatories the following year. This delivery did not occur. A copy of the parchment with unknown provenance is housed in Bruce Peel Special Collections at the University of Alberta. These poems are part of an ongoing research project examining the implications of one-sided document access in a nation-to-nation agreement.

scholarly journals Not Your Typical Dragon by D. Bar-el

2015 ◽  
Vol 5 (1) ◽  
Author(s):  
Leslie Aitken
Keyword(s):  
New York ◽  
Primary School ◽  
Picture Book ◽  
University Of Alberta ◽  
Young Readers ◽  
Normal Reading ◽  
Colour Palette ◽  
The University ◽  
Reading Distance ◽  
Selection Of

Bar-el, Dan.  Not Your Typical Dragon. Illus. Tim Bowers. New York: Viking-Penguin Young Readers Group, 2013. Without didacticism, this picture book explores the plight of those who are not “typical;” along the way, it highlights the value of peacemaking.  Crispin Blaze, the child of a long, proud line of dragons who breathe fire, breathes everything but.  Band-Aids, bubbles and teddy bears are amongst his pacifying emissions.  Finding acceptance in a world of knights and dragons becomes his challenge.Not intended as “beginning-to-read” material, the text is still admirably written for oral presentation by either a proficient reader or a storyteller.  Phrasing and structure promote the build up of suspense.  Sentences are generally short and crisp, allowing, as appropriate, for the dramatic pause.  The vocabulary is well chosen, varied, and unpretentious.  The storyline should prove both amusing and satisfying to kindergarten and primary school children.Tim Bower’s illustrations add to the humour of the tale.  They are large and clearly delineated—a good accompaniment to the text when seen at normal reading distance. Bower’s colour palette, however, is sometimes delicate.  Viewed from the distance at which a story hour audience might see them, some images seem to meld.  Others are perfectly fine for group viewing: good choices would be Crispin’s exhalations of both birthday streamers and teddy bears.All in all, this book provokes spontaneous laughter and subtle reflection.  Parents, teachers and librarians will find many occasions on which to present it.Highly recommended: 4 stars out of 4Reviewer: Leslie AitkenLeslie Aitken’s long career in librarianship involved selection of children’s literature for school, public, special, and university collections.  She is a former Curriculum Librarian at the University of Alberta.

scholarly journals Gabby Wonder Girl by J. Grant

2017 ◽  
Vol 7 (1) ◽  
Author(s):  
Leslie Aitken
Keyword(s):  
Young Child ◽  
Language Development ◽  
Apple Tree ◽  
Picture Book ◽  
Complex Structure ◽  
University Of Alberta ◽  
Primary Focus ◽  
The University ◽  
Selection Of

Grant, Joyce.  Gabby Wonder Girl, illustrated by Jan Dolby. Fitzhenry and Whiteside, 2016Rising again from Joyce Grant’s imagination, Gabby and Roy, “the dynamic duo,” star in this language development picture book.  This time, their creator’s didactic purposes are disguised in the story of Mrs. Oldham’s rescue from an apple tree.  The primary focus of the lesson underlying their adventures is the concept of interrogatives: “who,”  “where,” “how.”  The sounds and shapes of the letters that comprise these words are explored.   Other words germane to the story, “mask,” “pie,” are also decoded.  The final two pages of the work contain follow-up games and activities.As in Grant’s 2013 work, Gabby Drama Queen, the clear intent is that the young child engaged in the story will be guided by an adult who reads the text and focuses attention on the lesson.  Consider the following example:When she was safely on the ground, Mrs. Oldham plucked a “P” from the poppies, inserted an “i” that was inside the inuksuk, and ended with an “e” from the elf to make…”pie.”Obviously, any reader who can cope, quite independently, with the complex structure of this sentence and, as well, the meaning of such words as “inserted” and “inuksuk,”  is unlikely to need help spelling the word “pie.” (In fact, a child who has come this far in his or her reading is likely to be intellectually beyond Gabby Wonder Girl.)  The publisher suggests, very reasonably, that the book would be suitable for five to seven-year-olds.Jan Dolby’s illustrations support this view.  They are cartoon-like, larger than life, boldly delineated and humorous.  Tracking the highlighted letters and words through the pages of her bright and busy drawings should engross and delight young children.  Long before they are taught to parse a sentence (Is that even done anymore?) they can be introduced to the idea that language has structure.  Such a purpose is commendable; so is the book.   Highly Recommended: 3 out of 4 starsReviewer: Leslie Aitken Leslie Aitken’s long experience as a librarian involved selection of children’s literature for school, public, special, and academic libraries.  She is a former Curriculum Librarian for the University of Alberta. 

scholarly journals Where Do You Look? by M. & N. Jocelyn

2015 ◽  
Vol 5 (1) ◽  
Author(s):  
Leslie Aitken
Keyword(s):  
Children's Literature ◽  
Picture Book ◽  
Children’S Literature ◽  
Font Size ◽  
Older Students ◽  
University Of Alberta ◽  
Sensitive Issue ◽  
Language Classes ◽  
The University ◽  
Selection Of

Jocelyn, Martha and Nell Jocelyn.  Where Do You Look?  Toronto: Tundra Books, a Division of Random House of Canada, 2013. Print.This picture book is a playful exploration of homonyms—in this case, those that are spelled alike.  The text comprises a series of questions; e.g.,    “Where do you look for a letter?  In the mailbox?”  Or on the page?” The illustrations, which incorporate collage and photographic techniques, are colourful and well defined—perfect for story hour viewing.  The accompanying questions are an invitation to participate; children will enjoy guessing what further meanings of a word might next be illustrated.  Beyond story hour, the book is appropriate, both in terms of font size and vocabulary, for independent reading by beginners.A further possibility for this book is its use in English as a Second Language classes.  Gleaning the contextual meaning of a word is always difficult when learning a new language and the Jocelyns provide a light-hearted approach to the problem.  To avoid the sensitive issue of using a beginner’s book in a lesson for older students and adults, introduce it as something an ESL learner might like to share with a child.  (Confess: those of us who love children’s literature have been playing that card forever!)Highly Recommended: 4 out of 4 starsReviewer:  Leslie AitkenLeslie Aitken’s long career in librarianship involved selection of children’s literature for school, public, special, and university collections.  She is a former Curriculum Librarian at the University of Alberta.

scholarly journals The Day War Came by N. Davies

2019 ◽  
Vol 9 (1) ◽  
Author(s):  
Leslie Aitken
Keyword(s):  
Children's Literature ◽  
Children’S Literature ◽  
Primary School Children ◽  
Her Family ◽  
University Of Alberta ◽  
Refugee Child ◽  
The University ◽  
The Guardian ◽  
Walking To School ◽  
Selection Of

Davies, Nicola. The Day War Came. Illustrated by Rebecca Cobb. Somerville, Massachusetts, Candlewick Press, in association with Help Refugees, 2018. A young school girl begins her day happily by breakfasting with her family, walking to school with her mother, and commencing the normal, pleasant learning activities of her classroom. In an instant, her world changes; she is orphaned and alone in a devastated landscape. War has come; she articulates its reality:                 “War took everything.                 War took everyone.                 I was ragged, bloody, all alone.” Simple, forceful, poetic lines such as these carry forward this story of a child refugee. Though it could be read and understood by primary school children, it would resonate with readers young and old alike.  Nicola Davies indicates that her book was inspired by the Guardian newspaper website which featured an account of a refugee child who was refused school entry because there was no chair for her to sit on. In Davies’ own words:                 “…hundreds and hundreds of people posted images of empty chairs, with the hashtag #3000 chairs, as symbols of solidarity with children who had lost everything and had no place to go.” Davies’ interpretation of this reality for young readers is engrossing and moving. Her storyline is perfectly interpreted by the watercolour and graphite pencil illustrations of Rebecca Cobb. Using an expressionistic style, Cobb captures the feelings of confusion and disbelief, abandonment and isolation felt by the displaced child. She also brings a sense of hope to the story’s conclusion. The teamwork of Davies and Cobb is brilliant. Together, they have created a moving and memorable piece of children’s literature. Highly recommended: 4 out of 4 starsReviewer: Leslie AitkenLeslie Aitken’s long career in librarianship included selection of children’s literature for school, public, special and academic libraries. She is a former Curriculum Librarian of the University of Alberta.

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