scholarly journals The Gryphon Project by C. Mac

2012 ◽  
Vol 1 (3) ◽  
Author(s):  
David Sulz
Keyword(s):  
Elementary Education ◽  
Sudden Change ◽  
Meaning Of Life ◽  
Eternal Life ◽  
Main Theme ◽  
University Of Alberta ◽  
Big Brother ◽  
Library Studies ◽  
The University ◽  
Ethical Tension

Mac, Carrie. The Gryphon Project. 2009. Puffin Canada. Print. A lot happens in the first 6-page chapter. We are introduced to a small and suitably multicultural clique of teenage friends with cute nicknames: Phoenix (Phee); her slightly older brother Gryphon (Gryph); his buddies Saul, Huy, Tariq; Phee’s best friend Nadia who is also Saul’s girlfriend; and Nadia’s younger brother Neko, the tag-along clique mascot. Also, we meet Phee and Gryph’s seemingly bland background of a family - a mom who spends evenings going over work files, a United Church minister Dad, and a cute younger sister. The story begins with Phoenix lamenting the souring of her formerly idyllic relationship with Gryph. While she wonders whether his sudden change from “perfect big brother” to “just an asshole who lived in her house” is because of drugs, his major athletic sponsorship contract with the Chrysalis corporation, or just being a teenager, the reader might well wonder if this will just be another generic story of teenage angst and relationship drama holding little promise of creativity or challenging ideas. Fortunately, the last sentence of Chapter One catches our attention: “fifteen years ago tomorrow, Phoenix had died. For the first time… and the Chrysalis corporation had brought her back from the dead.”   The next 275-odd pages are certainly filled with a lot of the usual teenage concerns: why does my brother hate me? Does my boyfriend really love me? My little sister is really annoying sometimes. My parents just don’t get me, etc, etc. However, there is an underlying; not-so-far-fetched technological advance called “reconning” that adds a fascinating moral and ethical tension. Carrie Mac embeds this ability to bring people back to life so deeply into this fictional society that the reader only slowly realises the main theme of the novel is actually the exploration of how death affects the way we live our lives and how the sudden discovery of a way to cheat death might be handled.   Of course, the immediate thought is that eliminating death could be nothing but good – no more sorrow, no more angst about making mistakes, endless time to iron out mistakes in relationships. But would eternal life for everyone be desirable?  And if limits were necessary, who would decide on and then control those limits (e.g. a private corporation, churches, government)? How would our actions change if we knew we had three “recons” left or that we had been born into a segment of society where the so-called “importance” of our parents’ occupations dictated whether we were allocated three, two, one, or even no recons? How would we react if we suddenly discovered that our banal family in our boring suburb and our seemingly pointless education system was actually part of the privileged elite and a whole world of poverty, violence, and a lack of recons existed just kilometres away? Would having three deaths make us more curious about death and more willing to take on risk, or would we value life even more?   The surface story in The Gryphon Project is enthralling enough as Phoenix and Nadia slowly unravel the mystery of the older boys’ strange behaviour and ominous secrecy. The underlying theme, however, makes this a thought-provoking exploration into the meaning of life and how the sudden ability to override death would change us. I suspect many readers could enjoy this book just for the surface story of adventure but anyone who even occasionally gives thought to the meaning of life and social justice would really enjoy the additional and challenging layers. Highly recommended: 4 out of 4 starsReviewer: David SulzDavid is a librarian at the University of Alberta working mostly with scholars in Economics, Religious Studies, and Social Work. His university studies included: Library Studies, History, Elementary Education, Japanese, and Economics. On the education front, he taught various grades and subjects for several years in schools as well as museums. His interest in Japan and things Japanese stands above his other diverse interests.

Louis the Tiger Who Came from the Sea by M. Kozlowski

2011 ◽  
Vol 1 (1) ◽  
Author(s):  
David Sulz
Keyword(s):  
Social Work ◽  
Elementary Education ◽  
Facial Expressions ◽  
Religious Studies ◽  
Press Release ◽  
The Other ◽  
Breakfast Cereal ◽  
University Of Alberta ◽  
Library Studies ◽  
The University

Kozlowski, Michal. Louis the Tiger Who Came from the Sea. Illus. Sholto Walker. Toronto: Annick Press, 2011. Print. If you are a logical thinker, as many adults are, this book just does not make sense. How could a tiger be mistaken for a carrot or a pumpkin? What do white chin-patches and nose-tickling whiskers have to do with the name Louis? Why would you put on swimsuits and snorkeling gear to nudge a bucket of breakfast cereal into a sleeping tiger’s belly with a push-broom? And, above all, what self-respecting parents would parade their family dressed up as a narwhal, dolphin, blowfish, and 6-tentacled octopus to lure a tiger back to the ocean so it can swim into the orange sunset? On the other hand, if you can appreciate whacky logic and enjoy engaging illustrations with thoughtful background details and telling facial expressions, you will find yourself reading this story over and over until it eventually almost makes sense. If you figure out why 24 words are printed in larger type and bright colours, let me know!  Recommended age from press release: 4-7 years. Recommended: 3 out of 4 stars Reviewer: David Sulz David is a librarian at the University of Alberta working mostly with scholars in Economics, Religious Studies, and Social Work. His university studies included: Library Studies, History, Elementary Education, Japanese, and Economics. On the education front, he taught various grades and subjects for several years in schools as well as museums. His interest in Japan and things Japanese stands above his other diverse interests. 

scholarly journals How do you Hug a Porcupine? by L. Isop

2012 ◽  
Vol 1 (3) ◽  
Author(s):  
David Sulz
Keyword(s):  
New York ◽  
Elementary Education ◽  
Real Life ◽  
General Rule ◽  
Later Life ◽  
Religious Studies ◽  
University Of Alberta ◽  
Library Studies ◽  
The Difference ◽  
The University

Isop, Laurie. Illustrated by Gwen Millward. How do you Hug a Porcupine? New York: Simon & Schuster Books for Your Readers, 2011. Print. A charming and hopefully harmless little book.  The variety of animals is illustrated realistically enough to be recognizable on the page and probably even in real-life. The text is nicely lyrical with a rhythm and rhyme that makes you want to sing while reading. The message, however, is not all positive. On the good side, the portrayal of animals as worthy of human attention, respect, and appreciation (although not particularly original in children’s books) is always welcome.  Also nice is the mix of familiar animals (e.g. cow, horse, pig, giraffe) with some that don’t get much attention (e.g. hedgehog, yak, ostrich) so young readers might learn something new. On the negative side, however, is the encouragement to hug any-and-all animals. Knowledge of the difference between tame (domestic) animals and wild animals should be instilled from a young age and, even if not taught explicitly, children’s authors should at least not introduce ideas that must be unlearned in real life. Pandas, yaks, porcupines, kangaroos, and dolphins should NOT, as a general rule, ever be hugged and people should NOT be convinced that everything needs a hug. For one thing, animals are unpredictable and potentially dangerous to the hugger. For another, hugging or touching a wild animal can be dangerous for the hugged - hugging a porcupine would dislodge many quills and reduce its defenses against predators. Sometimes I wonder if the national park tourists who slather honey on their child’s arm to get a picture of the cute bear licking it or approach a fully-grown elk to touch its antler velvet were maybe too exposed to this sort of book. In short, the answer to “how do you hug a porcupine?” should be, “you don’t!” Stick to hugging your own kitty-cat or puppy-dog instead that you know will probably appreciate it and not attack you. Recommended with reservations: 2 out of 4 stars (charming and lyrical but potentially dangerous in later life). Reviewer: David Sulz David is a librarian at the University of Alberta working mostly with scholars in Economics, Religious Studies, and Social Work. His university studies included: Library Studies, History, Elementary Education, Japanese, and Economics. On the education front, he taught various grades and subjects for several years in schools as well as museums. His interest in Japan and things Japanese stands above his other diverse interests.    

scholarly journals Big Brothers Don't Take Naps by L. Borden

2013 ◽  
Vol 3 (2) ◽  
Author(s):  
Allison Sivak
Keyword(s):  
New York ◽  
Elementary Education ◽  
University Of Alberta ◽  
Big Brother ◽  
Library And Information Studies ◽  
Information Studies ◽  
Family Secret ◽  
The University ◽  
Actual Size ◽  
Older Siblings

Borden, Louise. Big Brothers Don't Take Naps. Illus.Emma Dodd. New York: Margaret K. McElderry Books, 2011. Print.A sweet, playful look at what older siblings do for their adoring youngers. The book is large-format, and Dodd often draws the children actual-size, which can make for an immersive feel of being in the page. The drawings are fairly simple ink drawings, which emphasize the emotions of the characters well, and they use much colour. The design also plays with fonts and text layout, making space for the adult reader to be a bit more playful in the reading – for example, the rocket ship countdown. As well as naming all the things big brothers can do, the story hints at a family secret: a new baby sister is coming, so Nicholas can himself now be a big brother. The book is a warm, positive story that children up to Kindergarten age will love.Recommended: 3 out of 4 starsReviewer: Allison SivakAllison Sivak is the Assessment Librarian at the University of Alberta Libraries. She is currently pursuing her PhD in Library and Information Studies and Elementary Education, focusing on how the aesthetics of information design influence young people’s trust in the credibility of information content.

scholarly journals Word after Word after Word by P. MacLachlan

2012 ◽  
Vol 1 (3) ◽  
Author(s):  
David Sulz
Keyword(s):  
New York ◽  
Elementary Education ◽  
Religious Studies ◽  
The Real ◽  
University Of Alberta ◽  
Children's Writing ◽  
Library Studies ◽  
The Many ◽  
The University ◽  
Core Message

MacLachlan, Patricia. Word after Word after Word. New York: Katherine Tegan Books, 2010. Print. Ms. Mirabel, a famous writer, starts visiting a grade four class regularly and has a profound impact on a group of five friends by encouraging them to write, even if it means breaking the rules that their teacher believes are essential (such as creating an outline).  Ms. Mirabel’s core message that writing “word after word after word” can change your life strikes a chord with the five friends and, as their daily discussions under a lilac tree suggest, there is a lot they would like to change.  Lucy’s mom has cancer, Evie wants desperately to find a new woman for her recently-separated dad, a new baby is entering May’s family, and Russell not only has to babysit his younger brother every day but also deal with the recent death of his dog.  In contrast, Henry discovers writing helps him not to change anything but to “save everything I have.” The last scene, an open-house highlighting the children’s writing brought a lump to my throat as the parents read their child’s inner-most feelings and realize how their actions as adults and parents have unexpected and powerful effects on their children. I have to admit, Ms. Mirabel annoyed me. She dresses flamboyantly to grab attention; she is sensitive, creative, and wise in a way no ordinary teacher could ever be; and she even encourages Russell’s annoying questions that make the real teacher sigh. Perhaps I am little sensitive about the stereotype of real teachers as boring, rule-bound, and uncreative. On another note, there is something about the kids that does not ring quite true; they come across more like how an adult might romanticize that time of life rather than what real grade four kids are like. To be fair, the real author (Patricia MacLachlan) notes she visits many classrooms and receives letters from young readers of her other books, so perhaps she has a different insight into the thoughts and emotions of that age group. In fact, as she tells us in the author’s notes at the end, this book was written to address the many questions she gets about the hows and whys of being a writer in a more entertaining way. Overall, this is an inspiring book about the joys and power of writing. Recommended: 3 out of 4 starsReviewer: David SulzDavid is a librarian at the University of Alberta working mostly with scholars in Economics, Religious Studies, and Social Work. His university studies included: Library Studies, History, Elementary Education, Japanese, and Economics. On the education front, he taught various grades and subjects for several years in schools as well as museums. His interest in Japan and things Japanese stands above his other diverse interests.

scholarly journals End of Days by E. Walters

2012 ◽  
Vol 1 (4) ◽  
Author(s):  
David Sulz
Keyword(s):  
Elementary Education ◽  
Religious Studies ◽  
Distant Future ◽  
University Of Alberta ◽  
The Earth ◽  
Library Studies ◽  
Essential Questions ◽  
The University ◽  
The Impact ◽  
Noah's Ark

Walters, Eric. End of Days. Toronto: Doubleday Canada, 2011. Print. T minus 24 years: Professor Sheppard is kidnapped from his bed at gunpoint and delivered to a top-secret research institute in Switzerland where he meets equally eminent astrophysicist, astronomer, and mathematician colleagues who were supposedly dead. T minus 17 years: Joshua Fitchett, world’s richest and most secretive man, calls a sudden press conference, announces that the earth will be destroyed in 17 years by a meteorite, and then “dies” the next day when his mansion compound burns to the ground. T minus 1 year: Billy, teenage leader of a gang of children surviving in the pre-collision chaos, is arrested by police and delivered to a cavernous, underground compound populated by the world’s most promising children. The connecting thread is a riveting exploration of how humans might respond if the earth were certain to be impacted by a massive meteorite in the not-so-distant future. Eric Walters has chosen four possibilities to explore in-depth. Governments and the scientific community try to keep everything secret, gather the best scientists, and collaborate on an unprecedented scale to devise a technological way to destroy the meteorite before it hits. The world’s richest man believes that a) humans deserve to know of their imminent destruction and b) that the earth will be uninhabitable for an indeterminate time. He creates a modern-day Noah’s ark and gathers only the best prospects to repopulate the world. Reverend Honey believes this is God’s Judgment Day and that salvation depends on thwarting all efforts to avert the disaster. Humanity in general gradually descends into chaos as the impact draws nearer. End of Days is a fantastic story that asks tough, but essential, questions including, “How would you act if we knew humanity’s doom to the exact minute but it was many years hence?” I hope there are more installments because the ending is just the beginning. Highly Recommended: 4 out of 4 starsReviewer: David SulzDavid is a librarian at the University of Alberta working mostly with scholars in Economics, Religious Studies, and Social Work. His university studies included: Library Studies, History, Elementary Education, Japanese, and Economics. On the education front, he taught various grades and subjects for several years in schools as well as museums. His interest in Japan and things Japanese stands above his other diverse interests.

The World is your Oyster by T. James

2012 ◽  
Vol 1 (4) ◽  
Author(s):  
David Sulz
Keyword(s):  
Social Work ◽  
Elementary Education ◽  
Language Learners ◽  
Religious Studies ◽  
University Of Alberta ◽  
Garden Path ◽  
The World ◽  
Library Studies ◽  
The Many ◽  
The University

James, Tamara. The World is your Oyster. Illus. Emma SanCartier.  Vancouver: Simply Read Books, 2009. Print. It is never a bad thing to introduce children (and other language learners) to the many fascinating idioms, metaphors, and baffling expressions that are key to really understanding English. This nicely-illustrated book strings together twenty-two such sayings, the second half giving feel-good and inspirational sayings to overcome the “feel-bad” descriptions in the first half. A few examples, however, left me scratching my head. “Some days your world is raining cats and dogs” implies in this story that the world is conspiring against you, or you are overwhelmed by the demands of the world, rather than the more common, simpler interpretation of an extremely heavy rainstorm (although, I suppose, such rain might thwart your long-anticipated plans to play outside). Another example is feeling like you want to “throw yourself to the lions;” I always thought other people were thrown to the lions. Another quibble with this book is that the extremely literal illustrations do nothing to help illuminate the real meanings of the idioms. A picture of a cute little kitty-cat yanking out a boy’s tongue might be humorous, but says nothing about being at a loss for words. The image of a child and a bull stomping on china plates implies purposeful destruction and anger rather than just being clumsy, gauche, or inconsiderate. The sayings are important and the artwork is first-rate, but without further explanation, someone unfamiliar with the sayings might be “led down the garden path.” Recommendation: 2 out of 4 starsReviewer: David SulzDavid is a librarian at the University of Alberta working mostly with scholars in Economics, Religious Studies, and Social Work. His university studies included: Library Studies, History, Elementary Education, Japanese, and Economics. On the education front, he taught various grades and subjects for several years in schools as well as museums. His interest in Japan and things Japanese stands above his other diverse interests.

scholarly journals Black Cat Bone: the Life of Blues Legend Robert Johnson by J. P. Lewis

2012 ◽  
Vol 2 (1) ◽  
Author(s):  
Allison Sivak
Keyword(s):  
Elementary Education ◽  
Picture Book ◽  
Historical Context ◽  
The United States ◽  
Older Children ◽  
University Of Alberta ◽  
Library And Information Studies ◽  
Poetic Text ◽  
History Of ◽  
The University

Lewis, J. P. Black Cat Bone: the Life of Blues Legend Robert Johnson. Illus. Gary Kelley. Mankato: Creative Editions, 2006. Print.Although this book is designed as a large-format picture book, Black Cat Bone is more likely to appeal to older children (middle school and adolescents) as a poetic text, with its rich illustrations and unusual narrative flow. The foreword of the book addresses a reader who knows some about blues musicians, as well as has some hint of the history of blues music in the United States. The language of the text is not trying to tell a linear story, but to be more evocative of a time, and of some of the historical context. The book actually has several texts: the address of the historical context that bookends the work, the bluesy poems which make up the majority of the text, excerpts from Johnson's own lyrics, and a footer running throughout the book, which provides aphoristic summaries of Johnson's story: “He was destined for legend not a field hand's work.” Each text tells a part of the interpretation of Johnson's story. With the images, it adds up to a faceted narrative of the man and his musical legacy. The illustrations alternate between impressionistic pastels in deep dark colours, reinforcing the air of mystery around Johnson's life as understood by popular culture. Kelley's other illustrative style is reminiscent of Indonesian shadow-puppets, dramatic and exaggerated in their execution. A particularly lovely example is show in full on the cover, a depiction of Johnson and the devil facing each other, each with a hand on the guitar. This image is reproduced in the text, split by the page turn in a clever design turn. Recommended: 3 stars out of 4Reviewer: Allison SivakAllison Sivak is the Assessment Librarian at the University of Alberta Libraries. She is currently pursuing her PhD in Library and Information Studies and Elementary Education, focusing on how the aesthetics of information design influence young people’s trust in the credibility of information content.

The Case of Teacher-Librarianship by Distance Learning at the University of Alberta, Canada

2011 ◽  
pp. 78-90
Author(s):  
Dianne Oberg
Keyword(s):  
Distance Education ◽  
Distance Learning ◽  
Elementary Education ◽  
Emerging Technologies ◽  
Framework Analysis ◽  
University Of Alberta ◽  
Certificate Programs ◽  
Online Distance Education ◽  
Online Distance ◽  
The University

The online distance education program, Teacher-Librarianship by Distance Learning, was developed and implemented in the Department of Elementary Education at the University of Alberta, Canada beginning in 1996. At the time, neither the university nor the department had the interest, funding or infrastructure required for such an undertaking, but these developed over time through a combination of careful planning and serendipity. The program’s instructional team has utilized various approaches to establish, maintain and continue the program: a distance education theoretical framework, analysis of distance education research, one-time government incentive funding, and on-going policy relevant research and evidence-based practice. Current challenges facing the organization are program growth, new and emerging technologies, and maintaining flexibility. The solutions to these challenges include a cohort model for the majority of program delivery; a stand-alone course introducing new and emerging technologies as a launching pad for integration of these technologies; and graduate certificate programs for meeting the short term needs of teachers new to the field.

scholarly journals Tinybop. Me: A Kid’s Diary by A. Seixas

2018 ◽  
Vol 8 (1) ◽  
Author(s):  
Allison Sivak
Keyword(s):  
Elementary Education ◽  
Young Children ◽  
University Of Alberta ◽  
The Public ◽  
The People ◽  
Library And Information Studies ◽  
Information Studies ◽  
Audio Recordings ◽  
The University ◽  
Colour Hair

Seixas, Ana. Tinybop. Me: A Kid’s Diary. 2016. Apple App Store, https://itunes.apple.com/app/apple-store/id1126531257?mt=8.  Ages 3-7 (depending on parent assistance)Cost: $2.99 This app allows young children to create a digital diary filled with their own writings, photos, audio recordings, and drawings. The child creates an avatar from a varied array of options for skin colour, hair colour and style, facial features, and accessories. The app then encourages the child to respond to prompts, such as, “A song about me would be titled…,” “This is an interesting fact about my family,” and, “If I were an animal, I would look like this.” Some questions require a textual response, while others ask the child to draw, record, or take a snapshot of their response to the prompt, thereby taking advantage of the affordances offered by a tablet or phone. Other activities include the option to create a family tree, to create avatars of the child’s friends, and to answer all kinds of questions about the people in the child’s life. A child can draw, record, and photograph daily activities, such as their life at school. Children can use the app to explore their own ideas, experiences, and feelings through both serious and silly questions. A Kid’s Diary takes a simple process and makes it even more accessible to quite young children. Ana Seixas’ illustrations use eye-popping colours, with good use of contrast and negative space to make clicking easy. The language of the questions is simple and displayed in a large font. Younger children should be able to use this app with the help of caregivers reading the text for the children’s answers. Caregivers should know that the company foregrounds their privacy policy on the developer site, noting that the app does not collect information about the users through the application itself. It is highly recommended as a fun way for children and their caregivers to learn more about themselves and the world they observe around them. Highly recommended: 4 out of 4 starsReviewer: Allison Sivak Allison Sivak is the Public Services Librarian at the University of Alberta Libraries. She is currently pursuing her PhD in Library and Information Studies and Elementary Education, focusing on how the aesthetics of information design influence young people’s trust in the credibility of information content.

scholarly journals Pathfinder by O. S. Card

2011 ◽  
Vol 1 (1) ◽  
Author(s):  
David Sulz
Keyword(s):  
New York ◽  
Elementary Education ◽  
Science Fiction ◽  
Harry Potter ◽  
Theoretical Physics ◽  
University Of Alberta ◽  
The Galaxy ◽  
Library Studies ◽  
Sense Of Time ◽  
Will Power

Card, Orson S. Pathfinder. New York: Simon Pulse, 2010. Print. Two warnings are in order before you read the first line. It is long (657 pages) and just the first in a series. Warnings are offered because the story is so completely engrossing that your sense of time will be altered. While you are in the story, time will speed up or slow down with the pace of the story and you will want to linger in some passages to figure out what is going on but speed through others to find out what will happen. When you are away from the story, your sole thought will be how to get back to it. Hours will pass in seeming minutes and minutes will linger for hours. And, as you approach the last few pages with the disappointment that comes when a great story ends but the satisfaction that all the loose ends will be tied up, a twist gets thrown in to make you desperate for the story to continue. These are the likely reactions for those who love science-fiction fantasy stories set in a future that is more like the past, with multiple story lines that converge and diverge, and characters who discover they have abilities that seem far-fetched yet somehow possible if only we knew a few secrets and had the will-power to practice them. This is a story about time travel and intrigue where people are not simply good or bad; in fact, each character is both with the ultimate judgment falling on the reader. The typeface splits the novel into two strands. In one, Ram and the expendables control a spaceship filled with sleeping human colonists that “make a daring leap into theoretical physics” to colonize another earth-like planet. The jump into the fold creates nineteen ships moving backward (yet forward) through time. In the other strand, thirteen-year-old Rigg is thrust from his life in the forest with his father’s dying order for him to find his mother and sister using a bag of nineteen jewels and the name of a banker in the city. Along the way, Rigg collects a trusty band of companions to help him. As expected, they have many adventures which are quite unexpected even for readers of similar novels. Fortunately, all that seemingly useless education from his father in the forest turns out to be very useful after all. The writing is fantastic without a word out of place, the characters are believable whether they are youths or adults, and the author is a master of creating new worlds and new words that are readily understandable. I saw hints of many favourite fantasy/science fiction/historic future adventure stories: Harry Potter, the Hobbit, Hitchhiker’s Guide to the Galaxy, and of course, Orson Scott Card’s own series starting with Ender’s Game. It would be impossible to put an appropriate age on this book as it can be enjoyed (or not) at many different levels – the writing is probably understandable for some starting in grade 5; the cover says “12 and up.” Highly recommended: 4 out of 4 stars Reviewer: David SulzDavid is a librarian at the University of Alberta working mostly with scholars in Economics, Religious Studies, and Social Work. His university studies included: Library Studies, History, Elementary Education, Japanese, and Economics. On the education front, he taught various grades and subjects for several years in schools as well as museums. His interest in Japan and things Japanese stands above his other diverse interests. 

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