scholarly journals A Tattle-tell Tale: A story about getting help by K. Cole

2017 ◽  
Vol 6 (3) ◽  
Author(s):  
Stephanie Gil
Keyword(s):  
Junior High School ◽  
Black People ◽  
Picture Book ◽  
Middle Eastern ◽  
School Setting ◽  
Real Life ◽  
University Of Alberta ◽  
Canadian Population ◽  
Black Characters ◽  
The University

Cole, Kathryn. A Tattle-tell Tale: A story about getting help. Second Story Press, 2016.This picture book is designed to help kids understand that asking for help from adults does not make them tattlers. The bright colours used make the book attractive to children. There are good visual examples of what bullying might look like in an elementary school setting. These could be used by teachers to spark conversations about bullying. Teachers could ask children questions such as, “How do you think this boy is feeling?” or “How would you feel if someone was doing this to you?” in order to make them more empathetic towards their peers in those situations. The principal in the story also explains that “[w]hen we tattle, we’re trying to get someone into trouble, [b]ut we tell so we can get help.” He makes the distinction between tattling and telling to get help clear and easy to understand. While this is a Canadian publication, there is an unrealistic representation of the multicultural Canadian population. We only see Caucasian and Black characters in the school, which might make it most useful in an area with a high population of Black people. However, Canadian children of East Asian, South Asian, Middle Eastern, Indigenous or Hispanic extraction will not see themselves represented in this book. The story also renders a simplistic view of bullying situations and solutions to them. In real life, bullying situations are very complex and the problem is seldom completely solved by a student telling an adult who then intervenes only once. Much more time and numerous interventions are usually required. In addition, the situation in the book seems to have gone on too long and escalated too far without supervising teachers realizing what was happening and intervening. Still, this book could be a useful resource for teachers or parents, and it should be available in school and public libraries.Recommended: 3 stars out of 4Reviewer: Stephanie GilStephanie Gil is a University of Alberta student of linguistics who enjoys working with children and new immigrants. She spent a year teaching English as a Second Language in Japan to kindergarten and junior high school students.Shelagh K. Genuis is an Alberta Innovates–Health Solutions Postdoctoral Research Fellow at the University of Alberta’s School of Public Health. Although an avid reader of biography, she has never stopped reading children’s fiction. <w:LsdException Locked="false" Priori

scholarly journals Gift Days by K.-L. Winters

2014 ◽  
Vol 3 (3) ◽  
Author(s):  
Margaret Law
Keyword(s):  
Picture Book ◽  
School Setting ◽  
Life Changes ◽  
School Students ◽  
Her Family ◽  
University Of Alberta ◽  
Rural Libraries ◽  
Book Format ◽  
The University ◽  
Public Librarian

Winters, Kari-Lynn. Gift Days. Illus. Stephen Taylor. Markham, ON: Fitzhenry & Whiteside, 2012. Print.A young Ugandan girl, Nassali, watches her brother go to school every day, and wishes she could go too.  She wants to learn to read but her time is filled with taking care of her family, her responsibility since the death of her mother.  How her life changes, and how she learns to read is told through this picture book. The author, Kari-Lynn Winters, is a Canadian author and literacy researcher and a faculty member in Teacher Education at Brock University.  She is a well-known author of numerous picture books.The book is illustrated by Stephen Taylor, a graduate of the Ontario College of Art, and frequent Illustrator of children’s books.  The illustrations are charming and add a great deal of depth to the story.  They do an excellent job of conveying how alone and left out Nassali feels as her brother goes to school every day, and her joy and sense of pride when she learns to read.The story unfortunately, is not as engaging as the illustrations.  The language is quite dry and somewhat didactic, seemingly at odds with the picture book format.  There are some disconnections in the story. It is unclear, for example, why the brother decides to teach Nassali to read.  For this reason it is difficult to determine the intended audience.  The format suggests primary school students, but the content suggests an older audience.This book would be useful as an instructional resource in an elementary school setting for a unit on gender issues or development. It is not, however, likely to engage a self-directed reader of any age.Reviewer:  Margaret Law Recommended with reservations: 2 out of 4 starsMargaret Law is the Associate University Librarian (International Relations) at the University of Alberta, responsible for developing international library partnerships.  Previously, she was a public librarian, primarily involved with the development of rural libraries in Alberta.

scholarly journals Ishi: Simple Tips from a Solid Friend by A. Yabuki

2017 ◽  
Vol 6 (4) ◽  
Author(s):  
Kimberlee Johnson
Keyword(s):  
Elementary School ◽  
School District ◽  
Picture Book ◽  
Real Life ◽  
School Libraries ◽  
Main Character ◽  
Public School District ◽  
University Of Alberta ◽  
Curriculum And Pedagogy ◽  
The University

Yabuki, Akiko. Ishi: Simple Tips from a Solid Friend. POW!, 2016.The motivational picture book, Ishi, written and illustrated by Akiko Yabuki, with art direction from Yuko Brown, demonstrates to the reader how to cope with everyday feelings and experiences. The main character, Ishi, is a rock who encounters situations in the story that all readers would likely experience and shows the reader how he manages them. Ishi is illustrated using distinct real life photographs that specifically match the text, making it an appropriate text for all readers. Ishi is found in numerous familiar settings throughout the book that the reader would recognize: a road, a pile of leaves, a plate of food. The author informs readers that everyone has “gloomy” days and educates them on methods to use to get through the dark days. For example, when Ishi feels hopeless, he surrounds himself with dreamers.The storybook is simple, yet engaging as it encourages the reader to reflect on the situations that Ishi is in and develop coping strategies to deal with them. By the end of the book, readers should have a calm presence, and a toolbox full of techniques to use when they themselves are in difficult situations.Ishi is a book that elementary school libraries and teachers should have. The limited text and language used clearly describes each illustration so even young children can read this book. Children who are upset or sad would benefit from reading this book. This inspirational picture book also can give children ideas as to how they can handle their situations.Readers could find their own Ishi rock and photograph situations where they feel solemn and what they do in order to feel better.Recommended 3 out of 4 starsReviewer: Kimberlee JohnsonKimberlee Johnson is a grade three teacher in the St. Albert Public School District and is currently completing her Master’s Degree in Curriculum and Pedagogy at the University of Alberta. Kimberlee loves how her students give her honest and true opinions about each and every book they read.

scholarly journals Found by S. Yoon

2015 ◽  
Vol 4 (4) ◽  
Author(s):  
Tara Kammerer
Keyword(s):  
New York ◽  
Public Schools ◽  
Elementary Education ◽  
Picture Book ◽  
Real Life ◽  
Read Aloud ◽  
University Of Alberta ◽  
Rightful Owner ◽  
Young Readers ◽  
The University

Yoon, Salina. Found. New York, NY: Walker Books for Young Readers, 2015. Print.The fictional picture book Found, written and illustrated by Salina Yoon, takes place in the forest and follows Bear, who found a stuffed bunny and tries to find its rightful owner by putting up FOUND flyers and searching for them.This book has a strong visual quality with fun illustrations in bold colours. The limited text on each page is appealing for younger and beginning readers and work collaboratively with the illustrations in an aesthetically pleasing manner. The story could be understood without looking at the text as the illustrations clearly dictate what is happening in the plot. Yoon includes a variety of ‘Lost’ posters throughout the book that are engaging to read, beyond the book’s text.Children can easily make connections to this picture book because of the idea of ‘lost’ and ‘found’ are familiar to them. Some readers may find the book’s ending unrealistic as the bunny’s rightful owner allows Bear to keep it. Young readers may recognize that in real life, this is often not the case, or they may have a false hope in the future when they find something they would like to keep that is not theirs.Recommended: 2 out of 4 StarsReviewer: Tara KammererTara Kammerer is a grade 2 teacher with Elk Island Public Schools and is currently completing her Masters Degree in Elementary Education at the University of Alberta. Tara loves how excited her grade 2 students get every time she brings a new book into the classroom to read aloud to them!

scholarly journals The Long, Long Line by T. Ohmura

2014 ◽  
Vol 3 (4) ◽  
Author(s):  
Debbie Feisst
Keyword(s):  
Elementary Schools ◽  
Young Adult ◽  
Young Children ◽  
Picture Book ◽  
Young Adult Fiction ◽  
University Of Alberta ◽  
Young Readers ◽  
Long Line ◽  
Wide Range ◽  
The University

Ohmura, Tomoko. The Long, Long Line. Toronto, ON: OwlKids Books, 2013. Print."Thank you for waiting, and welcome aboard! One at a time, please!" mentions the bird, who is the ride guide on this mysterious ride for which 50 different animals have patiently lined up. As they wait, the bird flies amongst them, offering reassuring words as they guess as to what they may be in line for and play word games to pass the time.  The anticipation builds, and finally they start boarding the ride, which turns out to be a very large whale on which the animals ride while the whale performs somersaults, dives and sprays. Children will be delighted by all 50 animals represented on the large gatefold spread in the center of the book, from the smallest frog to the largest elephant.Children will love the small details such as the tail of the next animal in line ‘peeking’ around the corner of the page and the size of the animals increasing as they get closer to the ride giving perspective of size. A list of all 50 animals is included at the back for easy reference when young readers get stumped by a species. While this is indeed a picture book aimed at young children it is no quick read – children will want to hear every word of the animals’ conversations as they wait and will want to count as they go, and likely once all the animals are aboard the whale they will want to confirm there are indeed 50 animals present, perhaps multiple times.The colourful illustrations by the author are cute and engaging and show a wide range of expressions and interplay between the animals.  The language felt slightly unnatural but this may be a result of this edition being a translation of the original Japanese work Nanno Gyoretsu? A fun book for public and elementary schools as well as a nice addition to science or math based storytime in lower elementary grades.The Long, Long Line was selected as one of the best children’s books of 2013 by Kirkus Reviews.Recommended: 3 out of 4 stars Reviewer: Debbie FeisstDebbie is a Public Services Librarian at the H.T. Coutts Education Library at the University of Alberta.  When not renovating, she enjoys travel, fitness and young adult fiction.

scholarly journals I Like Vegetables: A Touch-and-Feel Board Book by L. Siminovich

2011 ◽  
Vol 1 (1) ◽  
Author(s):  
Kim Frail
Keyword(s):  
Cross Section ◽  
Public Services ◽  
Picture Book ◽  
The Other ◽  
Learning Method ◽  
University Of Alberta ◽  
Young Readers ◽  
Dinner Table ◽  
Wood Grain ◽  
The University

Siminovich, Lorena. I Like Vegetables: A Touch-and-Feel Board Book. Somerville: Candlewick Press, 2011. Print.“I Like Vegetables” is a dream come true for any nutritionally conscience parent, children’s librarian or teacher. The brightly hued collage illustrations are intriguingly textured with patterns and “touch & feel” inlays. Silky peas and rough-skinned carrots invite young readers to learn about vegetables. The layout is quite clever as it leverages contrast and comparison as a learning method. On one side of the page vegetables are depicted as they would appear growing in the garden while on the other side they are in the home being prepared for the dinner table. In addition, the nature side of the page illustrates the concept of opposites. For example, there are “tall” and “short” cornstalks. Orange carrot roots are “below” the ground, while the feathery green tops are “above”. The indoor side of the page features close-ups of vegetables against a wood-grain background that evokes a cutting board. Here children get a different perspective on the harvested veggies. We see shelled peas, open cornhusks and a cross-section of a pumpkin. The concluding series of images features an “empty” gardener’s basket next to a basket “full” of colourful vegetables on a blue and white gingham picnic tablecloth inlay.  This is primarily a picture book with only the names of the vegetables and the two opposing concepts appearing on each page. The typeset is Helvetica and is large and easy to read.  It is a sturdy board book and the inlays could not be easily ripped out or damaged. It is therefore a welcome addition to any toddler’s library. Other titles in the “I Like” series by Siminovich include: “I Like Toys “, “I Like Bugs” and “I Like Fruit”. “I Like Vegetables” is sure to engage children from ages 1-3. Highly recommended: 4 out of 4 stars Reviewer: Kim FrailKim is a Public Services Librarian at the H.T. Coutts Education Library at the University of Alberta. Children’s literature is a big part of her world at work and at home. She also enjoys gardening, renovating and keeping up with her two-year old. 

scholarly journals Who Do I Want To Become? by R. Billan

2019 ◽  
Vol 8 (3) ◽  
Author(s):  
Leslie Aitken
Keyword(s):  
Personal Growth ◽  
Role Models ◽  
Career Planning ◽  
Picture Book ◽  
Central Character ◽  
University Of Alberta ◽  
Self Actualization ◽  
Important Approach ◽  
Inherent Nature ◽  
The University

Billan, Rumeet. Who Do I Want To Become?  Illustrated by Michelle Clement. Page Two Books, 2018. This picture book conveys an important approach to problem solving. When asked by his teacher, Mr. Janzen, “What do you want to be when you grow up?” the central character, Dylan, initially thinks in narrow terms: career choices. He is stymied. When he reframes the question as “Who do I want to become?” he arrives at a thoughtful answer.             “I want to be someone who tries new things and isn’t afraid to fail. I want to be someone who helps others and makes a difference in the world. Someone who isn’t afraid to be me.” [p.31] Dylan clearly has changed the problem from “What do I want to do for a living?” to “What kind of person do I want to be?” It should be pointed out that the actual words of his reframing are no guarantee of a philosophical result. Many children would still respond to the question, “Who do I want to become?” in terms of role models, generic or specific: “I want to become Prime Minister.” “Chris Hadfield.” “Tessa Virtue.” (Certainly, had I been asked that question at eight years of age as I struggled, in my brother’s old hockey skates, to navigate the frozen puddle that was our “rink” I would have replied, “Barbara Ann Scott.”) The culminating focus of the storyline is character development; parents and teachers could use this book to begin discussion of it. They may have to do some prompting, even a little rewording of the central question, to achieve that focus. It is worth the effort. Dillan’s answer opens up issues of self-acceptance, self-direction, and self-actualization in a manner suitable for school aged children. His conclusion also emphasizes that the business of childhood is personal growth and development, not career planning. Though this is a picture book, the inherent nature of its topic, as well as Billan’s writing vocabulary, suggest its use with children eight to twelve years of age. Michelle Clement’s humorous cartoon-style drawings should appeal to that age group as well.  In sum, the total package seems age appropriate for pre-adolescent youngsters. Reviewer:  Leslie AitkenRecommended: 3 out of 4 stars Leslie Aitken’s long career in librarianship included selection of children’s literature for school, public, special and academic libraries. She is a former Curriculum Librarian of the University of Alberta.

scholarly journals Black Cat Bone: the Life of Blues Legend Robert Johnson by J. P. Lewis

2012 ◽  
Vol 2 (1) ◽  
Author(s):  
Allison Sivak
Keyword(s):  
Elementary Education ◽  
Picture Book ◽  
Historical Context ◽  
The United States ◽  
Older Children ◽  
University Of Alberta ◽  
Library And Information Studies ◽  
Poetic Text ◽  
History Of ◽  
The University

Lewis, J. P. Black Cat Bone: the Life of Blues Legend Robert Johnson. Illus. Gary Kelley. Mankato: Creative Editions, 2006. Print.Although this book is designed as a large-format picture book, Black Cat Bone is more likely to appeal to older children (middle school and adolescents) as a poetic text, with its rich illustrations and unusual narrative flow. The foreword of the book addresses a reader who knows some about blues musicians, as well as has some hint of the history of blues music in the United States. The language of the text is not trying to tell a linear story, but to be more evocative of a time, and of some of the historical context. The book actually has several texts: the address of the historical context that bookends the work, the bluesy poems which make up the majority of the text, excerpts from Johnson's own lyrics, and a footer running throughout the book, which provides aphoristic summaries of Johnson's story: “He was destined for legend not a field hand's work.” Each text tells a part of the interpretation of Johnson's story. With the images, it adds up to a faceted narrative of the man and his musical legacy. The illustrations alternate between impressionistic pastels in deep dark colours, reinforcing the air of mystery around Johnson's life as understood by popular culture. Kelley's other illustrative style is reminiscent of Indonesian shadow-puppets, dramatic and exaggerated in their execution. A particularly lovely example is show in full on the cover, a depiction of Johnson and the devil facing each other, each with a hand on the guitar. This image is reproduced in the text, split by the page turn in a clever design turn. Recommended: 3 stars out of 4Reviewer: Allison SivakAllison Sivak is the Assessment Librarian at the University of Alberta Libraries. She is currently pursuing her PhD in Library and Information Studies and Elementary Education, focusing on how the aesthetics of information design influence young people’s trust in the credibility of information content.

scholarly journals The Best Birthday Party Ever by J. LaRue Huget

2011 ◽  
Vol 1 (1) ◽  
Author(s):  
Debbie Feisst
Keyword(s):  
New York ◽  
Young Adult ◽  
Picture Book ◽  
Read Aloud ◽  
Young Adult Fiction ◽  
Elementary Grades ◽  
University Of Alberta ◽  
Birthday Party ◽  
Layer Cake ◽  
The University

Huget, Jennifer LaRue. The Best Birthday Party Ever. Illus. LeUyen Pham. New York: Schwartz & Wade Books, 2011. Print. “My birthday is 5 months, 3 weeks, 2 days, and 8 hours away.  Today I started to plan my party.” And so the planning begins for the 5-year-old soon-to-be birthday girl in this charming picture book.  She has to start planning early if she wants the best birthday party ever.  She is going to invite all 57 of her friends including the mailman and the invitations will be sprinkled with fairy dust.  She will have 9 thousand balloons, streamers and napkins: all in pink.  On the menu is a 17-layer cake, each layer a different flavour, with 6 zillion candles on top.  Not only will there be: a magician, camel rides and a Ferris wheel, but each lucky guest will receive a hamster as a party favour. In a kid-friendly countdown style towards the big day, our sweet party planner gets more and more excited as her birthday approaches and the plans get more and more grandiose.  Only after her mother comments that this birthday party is “getting out of hand” does she agree to skip the sparkly necklaces.  The day finally arrives and while it may not be the party she dreamed of, she is appreciative and enjoys her day so much that she immediately begins plans for her next birthday. This beautifully illustrated read-aloud captures the excitement of a child as she looks forward to her special day and will appeal to lower elementary grades as well as preschoolers.  The whimsical mostly-pink drawings may be initially off-putting to boys but they are certain to relate and enjoy the story. Highly recommended: 4 out of 4 stars Reviewer: Debbie FeisstDebbie is a Public Services Librarian at the H.T. Coutts Education Library at the University of Alberta.  When not renovating, she enjoys travel, fitness and young adult fiction. 

Where Do Diggers Sleep at Night? by B. Sayers

2014 ◽  
Vol 3 (3) ◽  
Author(s):  
Debbie Feisst
Keyword(s):  
New York ◽  
Picture Book ◽  
Public Library ◽  
Young Adult Fiction ◽  
Construction Site ◽  
Good Night ◽  
University Of Alberta ◽  
Heavy Equipment ◽  
The University ◽  
First Time

Sayres, Brianna K. Where Do Diggers Sleep at Night? Illus. Christian Slade.  New York: Random House, 2012. Print.If the title Where Do Diggers Sleep at Night? seems a tad familiar, well, it probably is.  In the same vein as the ultra-popular Good Night, Good Night, Construction Site, Diggers presents the sweet nighttime rituals of diggers, trucks and other heavy machinery.  At first I thought this was a simple effort to take advantage of a similar, bestselling title however Sayres’ work does indeed hold its own.In this picture book aimed at ages 3-6, first time picture book author Sayres gives young heavy equipment aficionados a delightful take on the bedtime story.  In rhyming couplets and often in a humorous manner, all sorts of trucks, cranes and tractors get ready for rest under the watchful headlamps of their caregivers: “Where do garbage trucks sleep / when they’re done collecting trash? / Do their dads sniff their load and say, / ‘Pee-yew—time to take a bath’?”  Sure to get the young ones giggling.The sleepy-eyed dozers and tow trucks eventually give way to an equally sleepy young boy in his cozy bed, with a reminder that the trucks will be waiting for him when he wakes.  Save for one naughty truck, winking, under the bed (my five-year-old happily pointed this out).Though the illustrations by former Disney animator Christian Slade are rather cartoon-like and not realistic, they match the text well, are in soothing nighttime colours and allow for the trucks to have droopy eyes and smiling faces. Read in a lyrical fashion, or even as a song, this would be a nice end to any wee truck lover’s day.  This would make a nice addition to any public library or as a gift.Reviewer: Debbie Feisst Recommended: 3 stars out of 4Debbie is a Public Services Librarian at the H.T. Coutts Education Library at the University of Alberta.  When not renovating, she enjoys travel, fitness and young adult fiction.

At the Heart of It: Dene dzó t’áré by R. Taniton & M. Willett

2012 ◽  
Vol 1 (4) ◽  
Author(s):  
Sandy Campbell
Keyword(s):  
Public Libraries ◽  
Picture Book ◽  
Health Sciences ◽  
Way Of Life ◽  
Book Series ◽  
University Of Alberta ◽  
Bear Lake ◽  
The People ◽  
The University

Taniton, Raymond and Mindy Willett.  At the Heart of It: Dene dzó t’áré.  Markham, On:  Fifth   House, 2011.  Print. Indigenous author Raymond Taniton is a member of The Sahtugot’ine, or the “people of Great Bear Lake”.  In At the Heart of It, Taniton invites readers into his world.  We meet his family, see the Sahtu Region where he lives, meet the elders in the community, learn how to make a traditional hand drum, learn some games and read some of the stories.  The stories are particularly important. This book is the most recent in Fifth House’s “The Land is Our Story Book” series, all co-authored by writer Mindy Willett. Taniton concludes this volume by saying, “The land is our storybook. It is our school, our library, our church. It is where we learn our stories and where we discover who we are as true Dene people. The land is at the heart of it all”.  And in this book Taniton and Willett do succeed in helping us to understand “the land”. This is a picture book, an educational book and a celebration of what it means to be Satugot’ine. Tessa Macintosh’s photographs are used throughout. The top of each page has a border image of the beaded toes of twenty-one moccasins. Often a large image will form the background of a page with text and other images superimposed.  For example, for the story “The Lake is the Boss”, the background is an image which looks out through the mouth of a cave.  The story is about a giant wolf that lived in the cave. The text, along with smaller images of the island that the wolf became when he turned to stone, is superimposed on the cave photograph.  The images and text, taken together, form many lessons for young people.  The stories provide metaphorical and philosophical lessons, but the book also provides practical lessons, such as the illustrated steps to making a drum.  As a whole, the book celebrates Raymond Taniton’s family, the Sahtugot’ine people and their way of life.   Highly recommended for elementary school and public libraries. Highly Recommended:  4 out of 4 starsReviewer:  Sandy CampbellSandy is a Health Sciences Librarian at the University of Alberta, who has written hundreds of book reviews across many disciplines.  Sandy thinks that sharing books with children is one of the greatest gifts anyone can give.

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