scholarly journals The Song Within My Heart by D. Bouchard

2016 ◽  
Vol 5 (3) ◽  
Author(s):  
Trudy Cardinal ◽  
Sulya Fenichel

Bouchard, David. The Song Within My Heart. Markham: Red Deer Press, 2015. Print.Similar to Nokum is My Teacher, David Bouchard and Allen Sapp team up to tell the story of a young boy and his Nokum, his grandmother.  Drawing upon his memories, illustrator Allen Sapp paints rich, expressive images of his own Nokum while Bouchard, in the form of a poem, tells the story of a young boy’s first experience of a Pow-wow. Bouchard and Sapp warmly guide the reader to more deeply understand the sacredness of story and song.  They highlight the importance of learning to listen with one’s whole being and not just with one’s ears; to crave more than a direct understanding of the words of a story or a song, but to feel its broader presence as a teaching, as a living part of the teller, and as part of an ongoing journey of learning and self-discovery. Through the wisdom of his Nokum both the narrator and we, as readers, come to know that “[a] story is a sacred thing,” and that stories – especially those we carry in our hearts and “call our own” – are more valuable than “toys or clothes,” than “jewels or cars.”  Given the sacredness of stories, we are cautioned to “never use another’s tale, [u]nless he knows and he approves.” The book, along with the drum beats and voices present on the accompanying CD, invites us to think differently about what it means to learn and what it means to respect our own voices and internal knowing. As if to remind us that gentleness is always required in processes of learning, the book ends with a reminder not to worry if we cannot yet understand its message and encourages its readers to continue to listen in these more complex ways, to keep listening for a story they might come to hear, that no one else hears - a story of their very own. The book is written for elementary children and yet appeals to all ages.  For those wanting to create spaces for the stories of Indigenous children and families, books such as The Song Within My Heart are essential. Not only does it give equal space upon the page for both English and Cree text but with the CD, also inclusive of both English and Cree Language versions and the music of Northern Cree, it also honours oral storytelling traditions.Recommended:  4 out of 4 starsReviewers:  Trudy Cardinal & Sulya FenichelDr. Trudy Cardinal is a Cree/Métis scholar from the University of Alberta whose research interests center on the experiences of Indigenous children and families on and off school landscapes. Her passion for stories and storytelling includes a love of children’s literature especially literature written by and portraying the multiplicities in the lives of Indigenous youth and families.Sulya Fenichel is a doctoral student at the University of Alberta. Mindful of important, and increasing, mandates to include Indigenous approaches to living and learning into contemporary curricula she is fascinated by the ‘how’ of interconnection and communication between people(s) and disciplines.  In her research, she hopes to explore the ways in which key, and sometimes ideologically entrenched, ‘stakeholder’ groups might improve communication and collaboration in processes of education and sees storytelling, in all its forms, as central to this process.

2015 ◽  
Vol 5 (2) ◽  
Author(s):  
Trudy Cardinal ◽  
Lynne Driedger-Enns

Bouchard, David. The First Flute: Whowhoahyahzo Tohkohya. Markham: Red Deer Press, 2015. Print.With poetic words, Métis author, David Bouchard, encourages his readers to find a quiet place to share the telling of his hardcover book The First Flute.  Specifically, in order to honour the teachings of storyteller Standing Elk, Bouchard invites readers to “hear and dream it without interruptions” and this invitation immediately invokes a feeling of ceremony and spirituality; it attends deeply to protocol.David Bouchard, Jan Michael Looking Wolf, and Don Oelze collaborate in the retelling of a traditional story about a young man who had many skills appreciated by his village – hunting, fishing and tracking – but whose real passion, dancing, was not recognized until Grandfather Cedar gifted him with a flute. This, the first flute, helped the young man prove his worth to his village and to the woman he loved.The many different art forms that find voice in this book, such as storytelling, visual art, and music awaken spiritual, emotional, physical, and mental faculties and make space for thinking in new ways. The words, melodies, and gift of visual images that it shares serve to lighten the heart and invite the reader to hear and dream the story of Konhe Waci, Dancing Raven, but also to hear and dream their own stories of who they are in their own families and communities.The First Flute is a resource essential to any K-8 arts education classes to open conversations about identity, and how identity is shaped in relationship with other people and places.Highly recommended:  4 out of 4 starsReviewer:  Lynne Driedger-Enns & Trudy CardinalDr. Lynne Driedger-Enns is the 2015 Horowitz Scholar with the Centre for Research for Teacher Education and Development at the University of Alberta. Dr. Trudy Cardinal is a Cree/Métis scholar from the University of Alberta whose research interests center on the experiences of Indigenous children and families on and off school landscapes. They share an interest in stories and storytelling.


2015 ◽  
Vol 5 (2) ◽  
Author(s):  
Trudy Cardinal ◽  
Cindy Swanson

Bouchard, David. Nokum is My Teacher. Markham: Red Deer Press, 2006. Print.Through the creation of conversational inquiry, David Bouchard’s award-winning picture book Nokum is My Teacher carries the reader on a beautiful journey between a young Cree boy and his Nokum, his grandmother. The journey honours both the Cree and English languages by including the dual text in columns throughout the book.  This format invites us to imagine the dialogue occurring in either language as the boy questions his place on the school landscape. He asks his grandmother for guidance and wonders how relevant his school learning is in his life when held in contrast to his experiences and knowing alongside his Cree family. Interwoven throughout the conversation, his grandmother responds to his wonders with questions as she gently guides him to seek answers from within his heart. Recognizing the importance of his traditional knowledge and ways of living alongside his Nokum, he begins to also see the value of the knowledge he will gain from his experiences in school. The young boy, steeped in his Nokum’s wisdom comes to see how new ways of knowing are essential in his life so he may continue to share his stories and experiences in multiple ways. Allen Sapp’s picturesque illustrations exquisitely show both contemporary and traditional Cree lives and invites readers to reflect on their own stories around the importance of place, family and community. A compact disc is included containing a reading of the story in English and Cree with the Cree reading accompanied by the award-winning Aboriginal drumming group, Northern Cree.  The images in the book, the dual text, and the CD offer multiple ways for readers to experience this story with the rhythmic heartbeat of the drum bringing it to life.While this is a children's picture book it will appeal to all ages. We would recommend it be used in every classroom from elementary through to post-secondary as a way to invite conversation about the tensions children and families negotiate as they travel between home and school and as a way to honour multiple ways of knowing.Highly recommended:  4 out of 4 starsReviewers: Cindy Swanson & Trudy CardinalDoctoral candidate Cindy Swanson and Dr. Trudy Cardinal are Cree/Métis scholars from the University of Alberta whose research interests center on the experiences of Indigenous children and families on and off school landscapes. Both share a passion for children’s literature, especially literature written by and portraying the multiplicities in the lives of Indigenous youth and families.


Eureka ◽  
2014 ◽  
Vol 4 (1) ◽  
pp. 1
Author(s):  
Christopher R. Madan

In this issue of Eureka, I am proud to share with you the exciting and innovative research projects that are being lead by undergraduate students at the University of Alberta. While I will let their work speak for themselves, I also would like to take this opportunity to reflect on the beginnings of my research career and the broad reaching effects I have found research to have.


2016 ◽  
Vol 5 (3) ◽  
Author(s):  
Sandy Campbell

Qitsualik-Tinsley, Rachel and Sean Qitsualik-Tinsley.  Skraelings. Illus. Andrew Trabbold. Iqaluit, NU:  Inhabit Media, 2014. Print.This volume is the first in the Arctic Moon Magick series.  In it writing duo, Rachael and Sean Qitsualik-Tinsley, have recreated an Inuit world at the time of Viking contact, presented through the eyes of a young Inuit hunter, Kannujaq.  In his travels, he comes across people of the Tuniit culture, of whom he has only heard legends.  He meets Siku, a boy-shaman, whose name means “ice” and is named for his blue eyes.  The Tuniit have been attacked in the past by Vikings from Greenland.  They return each spring and Kannujaq finds himself in the middle of a battle, where he becomes a reluctant warrior. The title Skraelings, which means “Weaklings”, is a Viking taunt to the Tuniit.This is a well written chapter book for ages 12 and older and the language is age-appropriate. There are a few black and white drawings that complement the text.   While much of the story proceeds logically along the plot line,  occasionally, the authors break in, not as narrators, but simply to give the reader additional information.  For example:  "Oh, we forgot to tell you:  Shamans were pretty clever when it came to the things that plants and other natural materials could do" (p. 26). While this is unusual in a novel and breaks the flow of the story, it is completely in keeping with oral storytelling and is rather endearing.  However, this book should not be mistaken for simple story.  It is an engaging read, culminating in a final plot twist that demonstrates the authors’ broad and compassionate understanding of the regional history of the Eastern Arctic. This is an excellent work and unique in young adult Arctic literature.  It should definitely be included in junior high and middle school libraries and public libraries everywhere.Recommendation:  4 stars out of 4Reviewer:  Sandy CampbellSandy is a Health Sciences Librarian at the University of Alberta, who has written hundreds of book reviews across many disciplines.  Sandy thinks that sharing books with children is one of the greatest gifts anyone can give. 


2017 ◽  
Vol 6 (3) ◽  
Author(s):  
Kyle Marshall

Williams Beckhorn, Susan. The Wolf’s Boy. Disney-Hyperion, 2016.Shortly after he is born, Kai’s parents discover his clubfoot and decide to abandon him to a pack of nearby wolves. Rather than become a meal for the wolves, they care for him until his mother comes to reclaim him to a human upbringing. Yet still, Kai’s childhood in the human village is not exactly easy for someone whose foot is considered to have made him tabat (cursed). He is dogged by taunts from his peers, who call him “Wolfboy”, and reproaches from his father, who is quietly ashamed of his son’s perceived limitations. Banned from taking part in hunting, Kai toils doing children’s work and harbours a secret artistic streak. His loneliness is eventually placated when he adopts a local wolf club (Uff) but, eventually, their existence in the village becomes untenable and Kai sets out with Uff on a dangerous adventure of self-discovery. Along the way, they learn to hunt, meet a giant Ice Man and develop a friendship that is believed to be impossible between humans and wolves.The Wolf’s Boy is Beckhorn’s second foray into prehistoric children’s fiction, following her 2006 novel Wind Rider. Here, she fashions a fairly complex story for young readers, with liberal usage of the villagers’ fictitious language that is seemingly unsupported with definitions (until the reader stumbles across the book’s glossary of term definitions). These challenges, however, will reward advanced readers looking to hone their reading skills on more advanced prose. Beckhorn quickly departs from The Wolf Boy’s familiar Jungle Book beginnings to establish the novel as a memorable work in its own right, and she uses beautiful, descriptive language to tackle bullying, promote body diversity and even explore the ancient beginnings of humans’ fears of “otherness”.Given Beckhorn’s success at using a prehistoric setting to illustrate the depth and genesis of human relationships with animals, it’s almost surprising that authors have not mined this territory consistently before. With certain appeal for children interested in prehistory, dogs and survival stories, The Wolf’s Boy will reward strong readers.Recommended: 3 out of 4 starsReviewer: Kyle MarshallReviewer biography: Kyle Marshall is the Planning, Assessment & Research Analyst for Edmonton Public Library. He graduated with his MLIS from the University of Alberta in June 2015, and is passionate about diversity in children's and youth literature.


Author(s):  
Amy Mack ◽  
Jan Newberry

In this article we, as settler scholars, explore process as method within a community-driven, supradisciplinary project in southern Alberta called Raising Spirit. The project was a collaboration between the University of Lethbridge’s Institute for Child and Youth Studies and Opokaa’sin Early Intervention Society, a nonprofit that serves Indigenous children and families in southern Alberta. The project team formed in response to Opokaa’sin’s need for a digital library of Blackfoot culture, language, and history. Here, we reflect on the methods used during this project, specifically paraethnography (Marcus & Holmes, 2008) and design studio (Rabinow, Marcus, Faubion, & Rees, 2008). Throughout, we argue that this approach produced a collective sphere (Rappaport, 2008) wherein young people and community partners, Indigenous and non-Indigenous, became collaborators throughout the process. In this space of vulnerability and potential, everyone could contribute, share, and learn.


2012 ◽  
Vol 2 (2) ◽  
Author(s):  
Jorden Smith

Wiseman, Eva. The Last Song. Toronto, ON: Tundra Books, 2012. Print. Set in Inquisition-era Spain, Wiseman tells us the story of Isabel, a young woman about to be married to a villainous young man from a wealthy and well-established Catholic family. Isabel has lived a life of privilege in the historically tolerant Spain until, in the late 15th Century, the monarchy embraces Catholicism and seeks to eradicate all other religions by any means necessary. As the Inquisition, led by the truly evil Torquemada, storms into Toledo, Isabel thinks she is impervious to the violence she passively witnesses on the streets, believing her family to be devoutly Catholic. In an unsurprising twist, we discover that Isabel’s family has converted to Catholicism from Judaism, yet surreptitiously practices their faith. Isabel does not have the crisis of conscience that one might expect, and begins to adopt Judaism immediately. Disguised as a boy, she sneaks into to the Juderia to attend Torah classes and learn about the religion she previously scorned. Although the theme of self-discovery would generally welcome such dedication, it is not written in such a way that it is compelling or believable. As her malicious fiancée, Luis seeks to destroy her family and family friends begin to abandon them, Isabel and her parents search for a means of survival in a town torn apart by hate, greed, and ignorance. The characters, even the protagonist, are static with minimal development. The majority of the Catholics are depicted as cold and heartless, while the Jews are kind and generous. Although one might assume that people in Spain were, at the time, terrified of being falsely accused of punishable crimes and therefore were predominately on the offensive, this was not explained in the book and someone unfamiliar with the time period may not arrive at those conclusions. Isabel has the potential to be a truly great protagonist, yet she falls flat. I appreciate Wiseman’s ability to build tension, however a series of contrived coincidences underpins the plot. The story tackles a brutal historical period, but does so only superficially. It gently introduces the reader to the Inquisition and to dealing with blind hate, but does not delve into the depths of the animosity that tore apart 800 years of peace. The root of the issue is barely addressed, and not in any meaningful way. An opportunity to raise awareness about this incredibly significant and tragic time was lost. After reading Wiseman’s previous novel, Puppet, I expected more from this book. It held so much promise, but failed to deliver. I would recommend this novel for early teens interested as a safe introduction into the Inquisition and the history of Judaism in Europe. Recommended with reservations: 2 out of 4 starsReviewer: Jorden SmithJorden Smith joins the team as a book reviewer. Jorden is a Public Services Librarian in Rutherford Humanities and Social Sciences Library at the University of Alberta.  She is an avid fiction reader and subscribes to Hemingway’s belief that “there is no friend as loyal as a book.”


Author(s):  
Tracy Stewart ◽  
Denise Koufogiannakis ◽  
Robert S.A. Hayward ◽  
Ellen Crumley ◽  
Michael E. Moffatt

This paper will report on the establishment of the Centres for Health Evidence (CHE) Demonstration Project in both Edmonton at the University of Alberta and in Winnipeg at the University of Manitoba. The CHE Project brings together a variety of partners to support evidence-based practice using Internet-based desktops on hospital wards. There is a discussion of the CHE's cultural and political experiences. An overview of the research opportunities emanating from the CHE Project is presented as well as some early observations about information usage.


NeuroSci ◽  
2021 ◽  
Vol 2 (1) ◽  
pp. 75-94
Author(s):  
Kulpreet Cheema ◽  
William E. Hodgetts ◽  
Jacqueline Cummine

Much work has been done to characterize domain-specific brain networks associated with reading, but very little work has been done with respect to spelling. Our aim was to characterize domain-specific spelling networks (SpNs) and domain-general resting state networks (RSNs) in adults with and without literacy impairments. Skilled and impaired adults were recruited from the University of Alberta. Participants completed three conditions of an in-scanner spelling task called a letter probe task (LPT). We found highly connected SpNs for both groups of individuals, albeit comparatively more connections for skilled (50) vs. impaired (43) readers. Notably, the SpNs did not correlate with spelling behaviour for either group. We also found relationships between SpNs and RSNs for both groups of individuals, this time with comparatively fewer connections for skilled (36) vs. impaired (53) readers. Finally, the RSNs did predict spelling performance in a limited manner for the skilled readers. These results advance our understanding of brain networks associated with spelling and add to the growing body of literature that describes the important and intricate connections between domain-specific networks and domain-general networks (i.e., resting states) in individuals with and without developmental disorders.


2021 ◽  
pp. 146801732110091
Author(s):  
Suzanne C Robertson ◽  
Carey Sinclair ◽  
Andrew R Hatala

Summary There are upward of 11,000 Indigenous children and families in the Manitoba Child and Family Services (CFSs). Many factors coalesce as contributors to these high rates of care, including oppressive histories of Canadian settler colonialism, governmental policies and the Indian Residential Schools, and mass apprehensions of Indigenous children through “the 60’s scoop.” Although a process of “Devolution” began in Manitoba in 1999 to address Indigenous overrepresentation and improve cultural safety for children and families, the voices of women whose children are in care often remain silenced and marginal. Findings Utilizing an Indigenous Research lens, this qualitative study explored the stories and experiences of 12 Indigenous mothers involved with Manitoba CFS. The mothers’ stories revealed dynamics of power and control outlined in five core themes: (1) Being “set up to fail”; (2) Confronting “normalcy” and navigating case plans; (3) Dealing with tactics of intimidation; (4) Experiencing judgment and being labelled; and (5) Emotional politics. The mothers’ stories suggest that the CFS system continues to reflect colonial structures of oppression and that the “Devolution” did not fully have the intended impact on daily practice. Applications The womens' shared experiences highlight several areas for change, such as: enhanced family supports and worker relationships; utilization of capacity building frameworks; better institutional collaborations; increased efforts to maintain family relationships and units; and greater access to and quality of Indigenous cultural supports for mothers and children, including ceremony, healing, and access to Elders. Suggestions for more efficient and family-centered service provision are also offered.


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