That One Spooky Night by D. Bar-el

2012 ◽  
Vol 2 (3) ◽  
Author(s):  
Annabelle Pendry

Bar-el, Dan. That One Spooky Night. Toronto: Kids Can Press. 2012.  Print. Especially appealing during the Halloween season or for those students who appreciate a good semi-scary story any time of the year, That One Spooky Night delivers three off-the-wall short and spooky tales.  Child protagonists who are all far from pillars of good behaviour set the stage for a more comedic and less truly scary approach to the zany horrors that happen to them.  In Broom With A View, a young girl chooses a witch costume for Halloween but accidentally switches brooms with a real witch.  On Halloween night, the broom whisks her away to its real owner, a cheeky but good-hearted witch who shows her younger counterpart how to really have fun on Halloween night without being a brat.  In 10,000 Tentacles Under the Tub, two mischievous brothers, who, after a night of getting into trouble and almost overwhelming their father with their misbehaviour, find themselves locked in an epic battle in the underwater world they discover at the bottom of their bathtub.  In The Fang Gang, four girls terrorize local children until they find themselves facing a foursome of real vampires in disguise who give them a dose of their own medicine. Illustrator David Huyck’s use of muted colours and soft edges throughout the book serve to both unify the stories and transmit an ethereal quality to the images.  The different colour schemes used in each story are particularly effective for transporting the reader into foreign, underwater worlds and sinister vampire lairs.  Wordless panels are interspersed throughout, further drawing the reader into sullen moods which effectively contrast the zany storyline making That One Spooky Night an entertaining read for upper primary and intermediate readers. Recommended: 3 out of 4 stars Reviewer: Annabelle Pendry Annabelle Pendry loves her job as Teacher Librarian at Mount Pleasant Elementary in Vancouver, BC.

2002 ◽  
Vol 4 (2) ◽  
pp. 176-179
Author(s):  
Ahmad Elkady

Words employing the root d–f–c occur no more than twelve times in the Qur'an, yet with a variety and depth of meaning that illustrate the Qur'an's eloquence and inimitability: one aspect of this is the Qur'an's practice of using one word to convey both a thing and its opposite – in Sura 4 for instance d–f–c is used in the sense of giving and handing over; in Sura 52 and Sura 70 it occurs in the sense of withholding – and such diversity of meaning gave theologians scope for the development of their various doctrines and opinions. D–f–c occurs in the Qur'an in a range of meanings and it describes not only repelling by force but also rebuffing by dialogue and good behaviour and by confronting evil with good. It becomes clear in this article that jihād in Islam is not part of a Muslim's creed but part of a political system which sanctions its use in the protection and defence of the community against invasion and attack.


2014 ◽  
Vol 3 (3) ◽  
pp. 188
Author(s):  
PranabKumar Sahana ◽  
Nilanjan Sengupta ◽  
Chanchal Das ◽  
Ranen Dasgupta

Author(s):  
Walter Lowrie ◽  
Alastair Hannay

A small, insignificant-looking intellectual with absurdly long legs, Søren Kierkegaard (1813–1855) was a veritable Hans Christian Andersen caricature of a man. A strange combination of witty cosmopolite and melancholy introvert, he spent years writing under a series of fantastical pseudonyms, lavishing all the splendor of his mind on a seldom-appreciative world. He had a tragic love affair with a young girl, was dominated by an unforgettable Old Testament father, fought a sensational literary duel with a popular satiric magazine, and died in the midst of a violent quarrel with the state church for which he had once studied theology. Yet this iconoclast produced a number of brilliant books that have profoundly influenced modern thought. This classic biography presents a charming and warmly appreciative introduction to the life and work of the great Danish writer. It tells the story of Kierkegaard's emotionally turbulent life with a keen sense of drama and an acute understanding of how his life shaped his thought. The result is a wonderfully informative and entertaining portrait of one of the most important thinkers of the past two centuries.


Author(s):  
Matthew Lewis

‘He was deaf to the murmurs of conscience, and resolved to satisfy his desires at any price.’ The Monk (1796) is a sensational story of temptation and depravity, a masterpiece of Gothic fiction and the first horror novel in English literature. The respected monk Ambrosio, the Abbot of a Capuchin monastery in Madrid, is overwhelmed with desire for a young girl; once having abandoned his monastic vows he begins a terrible descent into immorality and violence. His appalling fall from grace embraces blasphemy, black magic, torture, rape, and murder, and places his very soul in jeopardy. Lewis’s extraordinary tale drew on folklore, legendary ghost stories, and contemporary dread inspired by the terrors of the French Revolution. Its excesses shocked the reading public and it was condemned as obscene. The novel continues to beguile and shock readers today with its gruesome catalogue of iniquities, while at the same time giving a profound insight into the deep anxieties experienced by British citizens during one of the most turbulent periods in the nation’s history.


Author(s):  
Samuel Richardson

‘Pamela under the Notion of being a Virtuous Modest Girl will be introduced into all Families, and when she gets there, what Scenes does she represent? Why a fine young Gentleman endeavouring to debauch a beautiful young Girl of Sixteen.’ (Pamela Censured, 1741) One of the most spectacular successes of the burgeoning literary marketplace of eighteeent-century London, Pamela also marked a defining moment in the emergence of the modern novel. In the words of one contemporary, it divided the world ‘into two different Parties, Pamelists and Antipamelists’, even eclipsing the sensational factional politics of the day. Preached up for its morality, and denounced as pornography in disguise, it vividly describes a young servant’s long resistance to the attempts of her predatory master to seduce her. Written in the voice of its low-born heroine, but by a printer who fifteen years earlier had narrowly escaped imprisonment for the seditious output of his press, Pamela is not only a work of pioneering psychological complexity, but also a compelling and provocative study of power and its abuse. Based on the original text of 1740, from which Richardson later retreated in a series of defensive revisions, this edition makes available the version of Pamela that aroused such widespread controversy on its first appearance.


Sign in / Sign up

Export Citation Format

Share Document