scholarly journals The Adventures of Miss Petitfour by A. Michaels

2017 ◽  
Vol 6 (3) ◽  
Author(s):  
Linda Quirk

Michaels, Anne. The Adventures of Miss Petitfour, illustrated by Emma Block. Tundra Books, 2015.  The winner of numerous awards, Anne Michaels has earned her place among Canada’s most talented wordsmiths. Long a respected Canadian poet, her brilliant debut novel—Fugitive Pieces (1996)—brought her international acclaim. The Adventures of Miss Petitfour is Michaels’ first book for children.  Emma Block is a young freelance illustrator who has already established a reputation for delicately feminine and delightfully quirky illustrations. Her work can be seen in children’s books, Hallmark products, and in tableware. This book represents a nearly perfect partnership between the author and the illustrator.Among other things, this is a book about the stories we like to tell and read. The books in the village bookshop near Miss Petitfour’s house are divided into two sections: ho-hum and hum. The former are books in which nothing ever happens, but are “full of interesting facts that would never come in useful” and the latter are adventure books.This charming little book is certainly not ho-hum, but neither does it offer grand adventures. The adventures of the unconventional Miss Petitfour and her sixteen fun-loving cats—all of whom go everywhere with her, quite literally wherever the wind takes them—are adventures of "just the right size—fitting into a single, magical day." These little adventures demonstrate that sometimes “the best things happen” when “things work out differently than you expect.”Young bookworms and aspiring writers will be delighted to find that Michaels offers them a peak behind the curtain, one that reveals some of the key elements in the construction of a story, and explains how these elements function with clarity and wit. For example, in the midst of a major digression in a story about a trip to buy marmalade, we are told that a digression is “when the story wanders off the point and gets lost” and that it can be the best part of a story. Several digressions follow naturally and are clearly marked as such. In another story, we are told that a coincidence “is something that happens at just the right moment,” and that stories use them “to fix up tricky tangles”, following which, coincidentally, the story—about a confetti factory explosion—cleverly and humorously demonstrates the technique several times in rapid succession.The name of the main character—Miss Petitfour—is somewhat unexpected, but the delicate and ornate nature of the French pastry known as a petitfour makes it a suitable metaphor at the heart of a little book that celebrates little everyday adventures, decorative language, and fanciful illustrations in a way that is light and sweet and fun. This book is very highly recommended for children of all ages and is well suited for reading aloud.Highly recommended: four stars out of fourReviewer: Linda QuirkLinda taught courses in Canadian Literature, Women's Writing, and Children's Literature at Queen's University (Kingston) and at Seneca College (Toronto) before moving to Edmonton to become a teaching librarian at University of Alberta’s Bruce Peel Special Collections.  Her favourite children's book to teach is Hana's Suitcase, not only because Hana's story is so compelling, but because the format of this non-fiction book teaches students of all ages about historical investigation and reveals that it is possible to recover the stories of those who have long been forgotten by history.

2016 ◽  
Vol 6 (1) ◽  
Author(s):  
Linda Quirk

Hill, Janet. Miss Moon, Wise Words from a Dog Governess. Illus. Janet Hill. Toronto: Tundra Books, 2016. Print.This book is disappointing because it lacks the wise (or whimsical) words that it promises and offers only well-worn clichés, like “practice makes perfect” and “remember your manners.” These trite teachings are not offered as part of a story, but simply as a series of lessons. We are told in the introduction that Miss Wilhelmina Moon learned these lessons when she worked for a time as the “governess to sixty-seven dogs on an island off the coast of France,” but we never learn what led her to these insights. The introduction teases us by suggesting that we are about to read about the adventures of a dog governess with an absurdly large number of charges.  Unfortunately, there is no story here so the introduction’s implausible premise just seems odd and the text is nothing more than a list of hackneyed expressions. At the back of the book is a “class photo” of the sixty-seven dogs which is confusing because it seems to suggest that Miss Moon is not a governess in a private household, but a teacher at a school for dogs.Since no story grows out of the clever and original idea of an overburdened dog governess, we are left to focus on the illustrations. Dogs are cute. Children are cute. Illustrations of dogs in various guises—wearing glasses, hats, scarves, capes, or bow ties–and involved in various children’s activities—riding a bicycle, listening to a bedtime story, practicing archery, or taking a bath—can hardly fail to be appealing. Janet Hill’s sometimes adorable illustrations manage to capture something of the character of a range of dog breeds and they are sometimes very cleverly conceived, but they vary significantly in quality and sometimes seem unfocused or unfinished. Even so, the only reason to reach for this book is for the charming illustrations.Recommended with reservations: two stars out of fourReviewer: Linda QuirkLinda taught courses in Multicultural Canadian Literature, Women's Writing, and Children's Literature at Queen's University (Kingston) and at Seneca College (Toronto) before moving to Edmonton to become a librarian at Bruce Peel Special Collections & Archives at the University of Alberta.  Her favourite children's book to teach is Hana's Suitcase, not only because Hana's story is so compelling, but because the format of this non-fiction book teaches students of all ages about historical investigation and reveals that it is possible to recover the stories of those who have long been forgotten by history.


2013 ◽  
Vol 2 (4) ◽  
Author(s):  
Linda Quirk

Wharton, Thomas. The Fathomless Fire. Toronto: Doubleday Canada, 2012. Print. In the first book of The Perilous Realm fantasy trilogy for young adults, The Shadow of Malabron (2010), Will Lightfoot travels to the city of Fable in the land of Story and he is told that it “is not just a world with stories in it,… this world is story” (60).  In this place, Will learns about his own special talents and discovers that he must play his part in the story that is unfolding around him if there is to be any chance of averting catastrophe.  Together with his friend Rowen, her loremaster grandfather, Nicholas Pendrake, and a wolf named Shade, Will undertakes a perilous journey in the hopes that he can help his new friends and find his own way home. The second book of the trilogy, The Fathomless Fire (2012), picks up the adventures of Will, Rowen, and Shade where The Shadow of Malabron left off.  Will returns to the land of Story only to discover that his past exploits have become the stuff of legend, but that the land of Story is imperilled because one story is growing so powerful that it is changing and warping everything, even the past, and there is now a very real risk that this dark story will become the only story “everywhere and for ever.  No one will remember that there was ever anything else before, or imagine that things might be different” (325). This novel is recommended for young adults (16+).  This is an intriguing book for those who are interested in the idea that we are each, as individuals, the product of the stories (or histories) that we tell ourselves and others, and that we have the power to change the narrative.  Thomas Wharton has imagined a complex world of adventure, but one in which meanings can be both unfathomable and unstable.  Like many of the books in this category, “The Perilous Realm” series can be understood by young adult readers but will offer greater depth to moremature and knowledgeable readers.Follow the links below to view my interview with Thomas Wharton videotaped for The Deakin Review of Children’s Literature in December 2012. In this interview, the author discusses two of his earlier novels – Icefields (1995) and The Logogryph (2004) – before turning to the first two books in his The Perilous Realm trilogy: The Shadow of Malabron (2010) and The Fathomless Fire (2012). ¤ Access the interview here: http://youtu.be/aRUVHma7ZS4 Recommended: 3 out of 4 stars Reviewer: Linda Quirk Linda taught courses in Multicultural Canadian Literature, Women's Writing, and Children's Literature at Queen's University (Kingston) and at Seneca College (Toronto) before moving to Edmonton to become the Assistant Special Collections Librarian at the Bruce Peel Special Collections Library at the University of Alberta.  Her favourite children's book to teach is Hana's Suitcase, not only because Hana's story is so compelling, but because the format of this non-fiction book teaches students of all ages about historical investigation and reveals that it is possible to recover the stories of those who have been forgotten by history. For another perspective on this novel, please see the review by Lissa Davies in The Deakin Review of Children’s Literature, Vol. 2, No. 3 (2012).


2015 ◽  
Vol 4 (3) ◽  
Author(s):  
Linda Quirk

Shapiro, Simon and Sheryl Shapiro. What Can You Do with Only One Shoe: Reuse, Recycle, Reinvent. Illus. Francis Black. Toronto: Annick Press, 2014. Print.The publisher is promoting this charmingly-illustrated book as one intended to inspire a practical and constructive response to the environmental concerns with which we all must grapple. It is a theme which is oddly underrepresented in children’s books, perhaps because it is difficult to craft an approach which is empowering.This book considers popular contemporary ideas about recycling/repurposing everyday objects which have outlived their initial purpose, but it is not the do-it-yourself handbook that it appears to be. Instead, it is a collection of juvenile short poems with a humorously entertaining tone, but no clear message. Clearly, we should not judge this book by its title or by its covers. One poem makes fun of a toilet-turned-into-a-planter and offered as a gift, while another offers a range of silly suggested uses for a single shoe, including flattening pancakes. There is a poem which describes a tractor pulling a “broom propeller” for street sweeping which doesn’t work very well (“pebbles flying left and right”) and another in which a dog made of bicycle parts is less than satisfying (“he can’t lick my nose”). There are some poems with a less mocking tone, but which offer suggestions that are even more absurd, such as children making musical instruments from rusty cans retrieved from a landfill site or children building their own playground, complete with a swing and a slide, from an old ambulance. Intended for children aged 5-8 years old, I wonder what young readers would make of these poems.The illustrations by Francis Blake are by far the best feature of this book. Going well beyond what is found in the poems, the illustrator has created a marvelous cast of characters that are expressive in a way that is both quirky and charming. While the illustrations deserve four stars out of four, the text certainly does not.Not recommended: 1 star out of 4 Reviewer: Linda QuirkLinda taught courses in Multicultural Canadian Literature, Women's Writing, and Children's Literature at Queen's University (Kingston) and at Seneca College (Toronto) before moving to Edmonton to become the Assistant Special Collections Librarian at the Bruce Peel Special Collections Library at the University of Alberta.  Her favourite children's book to teach is Hana's Suitcase, not only because Hana's story is so compelling, but because the format of this non-fiction book teaches students of all ages about historical investigation and reveals that it is possible to recover the stories of those who have been forgotten by history.


2013 ◽  
Vol 3 (1) ◽  
Author(s):  
Linda Quirk

Levine, Karen. Hana’s Suitcase Anniversary Album. Toronto: Second Story Press, 2012. Print. The true story of Hana’s Suitcase began when a teacher named Fumiko Ishioka was inspired to try to answer some of the questions asked by visiting Japanese school children about a suitcase on display in the Tokyo Holocaust Education Resource Center. The suitcase had come from the Auschwitz death camp. Marked with a girl’s name, her date of birth (May 16, 1931), and the German word for orphan (“Waisenkind”), the empty suitcase offered few clues, but Fumiko was determined to learn what she could about the owner of the suitcase Hana Brady. First published in 2002, Hana’s Suitcase told the interrelated stories of a group of curious Japanese children, the remarkable journey of discovery undertaken by their very determined teacher, and the story of an inquisitive and energetic young Czech girl who was among “the one-and-a-half million children who died in the Holocaust”. Author Karen Levine accomplished a great deal with this book.  Not only did she teach readers about how history is discovered, she showed us that those who have been forgotten by history can, in fact, be found again.  Furthermore, she found a way to talk about one of the darkest chapters in human history in a way that is suitable for young readers, producing a remarkable book which is, at the same time, both terribly heartbreaking and profoundly hopeful. We are told that in its first ten years the book was “published in forty-five countries and has been the catalyst for stage and film dramatizations, prose, poetry, and every kind of exploration of the worst and best humanity has to offer.  It has won national and international recognition, and holds the most awards of any Canadian children’s book ever”.  This new edition, Hana’s Suitcase Anniversary Album, includes all of the original content – including the forward by Desmond Tutu – but it offers 64 pages of additional material, including memories from one-time neighbours of the Brady family, and responses to Hana’s story from children, parents, and teachers.  The new material, while very interesting, need not inspire anyone to purchase a second copy of the book.  Nevertheless, the new edition may help to bring this extraordinary book to a new generation of young readers.  This book, in its new or original form, is strongly recommended for readers who are at least 10 years of age. Highly Recommended: 4 stars out of 4 Reviewer: Linda QuirkLinda taught courses in Multicultural Canadian Literature, Women's Writing, and Children's Literature at Queen's University (Kingston) and at Seneca College (Toronto) before moving to Edmonton to become the Assistant Special Collections Librarian at the Bruce Peel Special Collections Library at the University of Alberta.  Her favourite children's book to teach is Hana's Suitcase, not only because Hana's story is so compelling, but because the format of this non-fiction book teaches students of all ages about historical investigation and reveals that it is possible to recover the stories of those who have been forgotten by history.


2020 ◽  
Vol 3 (2) ◽  
pp. 117-132
Author(s):  
Betha Rahmasari

This article aims to find out the developmentidea or paradigm through village financial management based on Law Number 6 of 2014 concerning Villages. In this study, the researcher used a normative research methodby examining the village regulations in depth. Primary legal materials are authoritatuve legal materials in the form of laws and regulations. Village dependence is the most obvious violence against village income or financial sources. Various financial assistance from the government has made the village dependent on financial sources from the government. The use of regional development funds is intended to support activities in the management of Regional Development organizations. Therefore, development funds should be managed properly and smoothly, as well as can be used effectively to increase the people economy in the regions. This research shows that the law was made to regulate and support the development of local economic potential as well as the sustainable use of natural resources and the environment, and that the village community has the right to obtain information and monitor the planning and implementation of village development.


2012 ◽  
Vol 5 (2) ◽  
pp. 109
Author(s):  
Besin Gaspar

This research deals with the development of  self concept of Hiroko as the main character in Namaku Hiroko by Nh. Dini and tries to identify how Hiroko is portrayed in the story, how she interacts with other characters and whether she is portrayed as a character dominated by ”I” element or  ”Me”  element seen  from sociological and cultural point of view. As a qualitative research in nature, the source of data in this research is the novel Namaku Hiroko (1967) and the data ara analyzed and presented deductively. The result of this analysis shows that in the novel, Hiroko as a fictional character is  portrayed as a girl whose personality  develops and changes drastically from ”Me”  to ”I”. When she was still in the village  l iving with her parents, she was portrayed as a obedient girl who was loyal to the parents, polite and acted in accordance with the social customs. In short, her personality was dominated by ”Me”  self concept. On the other hand, when she moved to the city (Kyoto), she was portrayed as a wild girl  no longer controlled by the social customs. She was  firm and determined totake decisions of  her won  for her future without considering what other people would say about her. She did not want to be treated as object. To put it in another way, her personality is more dominated by the ”I” self concept.


2002 ◽  
Vol 34 (3) ◽  
pp. 495-517
Author(s):  
Irini Renieri

This article explores household formation among the Greek Orthodox population of a mixed village of Cappadocia inhabited by Muslims, as well. The village, Çukur, was located on the right bank of the river Kızılırmak, 49 kilometers north–northwest of Kayseri.1 I aim to show that complex forms of household formation were the main type of social organization and were especially durable over time, with a high average household membership. I attempt to clarify whether the predominance of extended households—which, as other studies have shown, is not that common in the Asian portion of the Ottoman Empire—was related to the Christian character of this section of the Çukur population, or whether the agricultural basis of the village economy played a more important role.


2020 ◽  
Vol 34 ◽  
pp. 39-70
Author(s):  
Cristian Micu

"Shepherding on Argeș Valley – spatial coordinates This paper presents the essential elements that define the spatial coordinate characteristic of shepherding which is practised in the sub-Carpathian villages on the Argeș Valley, following the documentary attestations of the villages, the genesis and evolution of the village boundaries, the evolution of land ownership and the right to use lands (in condominium or individually). Also within the spatial coordinate, there are researched the traditional ways in which the potential of the rural land fund is highlighted, as a result of its geomorphological, pedological, climatic qualities, etc., the study taking into consideration all the areal types with pastoral potential, not only those on the administrative territory of the villages, but also those in the mountain area destined for summer grazing. If for the presentation of origins, attestations, borderline fixation of the villages from the studied areal, documents, monographic studies and other categories of specialized works have been used, for the understanding of the manner of pastoral, individual and especially collective exploitation of the land fund by the village communities, of valorizing the fodder qualities of the different types of surfaces, it was necessary to carry out field research in the three targeted villages: Albeștii de Argeș, Corbeni and Arefu, all in the Argeș County. The visit of sheepfolds from Lespezi, Lipitoarea, Ciocanu, Podeanu, Oticu, in the alpine hollow of the Făgăraș Mountains, were necessary both for studying some elements related to the spatial coordinate (sheepfold location, daily travel routes, travel routes from the village hearth to the mountains, etc.) as well as for conducting interviews, based on an elaborate questionnaire, interviews generating unique and extremely useful information also for researching the other coordinates of the pastoral system practiced in the area. Keywords: shepherding, Argeș Valley, spatial coordinate, pastoral system, field research "


2021 ◽  
Vol 36 (Supplement_1) ◽  
Author(s):  
A Martin ◽  
S Carez ◽  
C Metzler-Guillemain ◽  
A Martial

Abstract Study question Is age a key criteria for characterizing the experience of families in telling donor offspring about the facts of their conception? Summary answer The study shows that, although donor offspring’s age at the time of disclosure has an impact, it is insufficient to describe these families’ experiences What is known already Secrecy was the norm for decades in donor conception, but “openness” has now become the new core value for institutions, professionals and interest groups. Accordingly, in recent years information-sharing practices have shifted in donor conceived families, but a proportion of parents, especially heterosexual couples, still appear to not inform their children about their being donor conceived. Disclosure recommendations seem difficult to apply in practice. A recurring question is: when should children be told? Age is presented as a key criteria: the younger the children are when their conception story is shared, the less of a problem it would create. Study design, size, duration The qualitative social science study includes two sets of semi-directive interviews conducted with 20 French sperm donor conceived adults (April-Dec. 2019) and 22 French parents by sperm, egg or double donation (Feb.-Oct. 2020). Calls for interviews aimed at donor conceived adults and parents by donation were shared on the Internet, in the media (press, radio, television) and through interest groups (PMAnonyme, BAMP!, MAIA) in France. The contact initiative was left to potential participants. Participants/materials, setting, methods Donor conceived participants include 17 women and 3 men conceived 1960–2000 through anonymous sperm donation in heteroparental families. The parent participants include 20 families (20 mothers, 2 fathers) who used donor conception—mainly anonymous (19)—in France, Spain and the Czech Republic starting in the 1980s. 17 conceived as heteroparental couples, 2 as solo-mothers-by-choice and 1 as a same-sex couple. 17 have already informed their offspring of the facts of their conception. Main results and the role of chance The participants’ experiences of disclosure appear to be bound to their historical and social context, especially regarding the prevailing norms on secrecy. Older parents mention having been advised by clinic professionals to keep the facts of their conception from their child(ren). Some also feared the stigma related to infertility. In contrast, some younger donor conceived participants recall the use of a children’s book while being told of their conception as toddlers. Beyond age, the larger context thus affects information-sharing practices. Furthermore, experiences of disclosure are impacted by the family context and history. Some are embedded within larger events such as divorces or the death of a family member. The story of the donation may be linked to narratives of diseases (such as cancer) or traumatic events (such as the loss of a fetus in utero) that may prevail over donor conception or make it untellable. Age proves to be an insufficient criteria to qualify these experiences, all the more so since “disclosure” sometimes unfolds in several steps. Some parents have first talked about their fertility issues without mentioning the use of a donor. Behind the prevailing norm of “openness”, difficulties in actually disclosing are confirmed. Limitations, reasons for caution Being qualitative, the study only includes a small number of participants without claiming exhaustivity nor representativity. It imperfectly reports on the view of those who do not disclose, as all participants question the principle of secrecy, many being members of interest groups defending openness. Wider implications of the findings: Our results complement existing studies that emphasize the weight of age in donor conceived families’ experience regarding disclosure. Age alone cannot describe information-sharing practices that are embedded within their historical and social context as well as the family context and history. Results thus inform familial difficulties related to disclosure. Trial registration number Not applicable


Author(s):  
Ni Luh Suriani

The parameters developed in organic farming are the use of vegetable pesticides and compost and liquid organic fertilizer. Some research has been done but it needs deeper research to get the right product. The purpose of this study was to determine the inhibitory activity of Piper caninum extract against the fungus Pyricuaria oryzae causing blast disease in rice, and to find out how much the impact of compost on increased crop yield after being combined with the extract. This research is a field research located in the village of Senganan, Penebel Tabanan Bali. With the following treatment Fo = control (100% soil). F1 = (soil 90% + compost 10% + extract 0.5%). F2 = (soil 80% + compost 20% + extract 1%) F3 = (soil 70% + 30% + extract 1.5%). F4 = (soil 60% + compost 40% + 2% extract), do repeat 4 times. The results showed that P. caninum extract effectively inhibited blast disease and could reduce the intensity of blast disease. The combination with compost can significantly increase yields (67.62%), reduce empty grains, and increase rice size.


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