scholarly journals The Deakin Review Is Grateful to Lynne Wiltse for Her Guest Editorial

2019 ◽  
Vol 8 (4) ◽  
Author(s):  
Lynne Wiltse

***Access the interview with author Shelly Becker by clicking here.*** Dear Readers, It is my pleasure to be contributing the editorial for this special issue of The Deakin Review of Children’s Literature. My name is Lynne Wiltse and I am an Associate Professor in the Department of Elementary Education at the University of Alberta in Edmonton, Alberta. I teach courses in language and literacy and children’s literature. This is the third time that the graduate students in my Children's Literature in the Elementary School (EDEL 510) course have participated in writing book reviews for a Special Issue of the Deakin Review; however, this is the first time that they have been joined by undergraduate students from my Teaching Literature in Elementary Schools (EDEL 409) course. This term, I taught a combined undergraduate/graduate course, and the editorial team of the Deakin Review generously agreed to a special issue featuring book reviews by my 10 graduate and 20 undergraduate students. We began our course by reading Kathy Short’s (2108) article, What’s Trending in Children’s Literature and Why It Matters. In her articles, Short identifies the increasing influence of visual culture in children’s books and continuing concerns about the lack of diversity in children’s literature as two recent trends. Regarding the first trend, the opportunity to evaluate picture books was linked to course content about visual storytelling and the design of picture books. In her article, Short makes the point that, because children are immersed in a visual culture, they find books with powerful visual images particularly appealing. This was certainly reflected in the selection of picture books, published in 2018, chosen by the 30 students in the course for review. An example can be found in Ocean Meets Sky, a finalist for the 2018 Governor General's Literary Award for young people's literature (illustrated books category), by brothers Eric and Terry Fan. You can read about the stunning visual images in this picture book about a young boy who sets sail to find the spot where the ocean meets the sky in Melinda Cooke’s review. Kathy Short notes that the influence of visual culture is evident in the increasing publication of wordless books in which the story is told completely (or almost completely) through visual images. In this regard, our collection includes I Walk With Vanessa: A Story about a Simple Act of Kindness, a wordless book by Kerascoet (the joint pen name of married illustrators, Marie Pommepuy and Sébastien Cosset). Terri Beach reviewed this book, told without words, about a girl who is bullied and then supported by school mates. That the students in this book comprise different ethnicities and races relates to the second trend in children’s books that Short highlights in her article. The author argues that the limited availability of books that reflect the diversity within society can be damaging for children who rarely see their lives represented within books. On this count, the books reviewed by my students were encouraging as they displayed diverse ways of being diverse, so to speak. Immigrant students may recognize themselves in Island Born, written by Junot Diaz and illustrated by Leo Espinosa, while young non-binary readers may identify with Julian is a Mermaid by Jessica Love. Girls, long underrepresented in children’s literature, may in particular be inspired by Roda Ahmedk’s and Stasia Burrington’s Mae Among the Stars, based on the first African American woman to travel in space, Hidden Figures: The True Story of Four Black Women and the Space Race, written by Margot Lee Shetterly and illustrated by Laura Freeman, and Chelsea Clinton and Alexandra Boiger’s, She Persisted Around the World:13 Women who Changed History. I am hopeful that these and other books reviewed by my students indicate a positive shift in the second trend regarding the lack of diversity in children’s literature. Short’s view is that, as educators, we are often followers, rather than creators of trends. I am confident that the teachers, librarians and prospective teachers from my course will contribute to this shift by thoughtfully selecting children’s literature for our diverse society. Writing reviews for this issue was a valuable learning experience for my students and we are eager to see the published reviews. I am grateful to the editorial team of the Deakin Review for their support, and a special thanks is extended to Kim Frail for assisting me with the process and my students with their reviews. Reference Short, K. (2018). What’s Trending in Children’s Literature and Why It Matters. Language Arts, 95(5), 287-298.  

2017 ◽  
Vol 6 (4) ◽  
Author(s):  
Lynne Wiltse

It is my pleasure to be contributing this editorial for the Deakin Review of Children’s Literature.My name is Lynne Wiltse and I am an Associate Professor in the Department of Elementary Education at the University of Alberta in Edmonton, Alberta. I teach courses in language and literacy and children’s literature, and have eagerly read each issue of the Deakin Review of Children’s Literature since its inception in 2011. I have made sure to introduce my students to this valuable resource. For example, I have the undergraduate students in my children’s literature course undertake an assignment that requires them to explore the site in detail. With its feature editorial and reviews of contemporary English-language texts for children and young adults, the Deakin Review is an excellent resource for prospective teachers.  This is the second time that the graduate students in my Children's Literature in the Elementary School (EDEL 510) course have participated by writing book reviews for a Special Issue of the Deakin Review (the reviews were published in Vol 4, No 4, 2015). The first time my students took part in this initiative was such a powerful learning experience that the next time I was due to teach the course, I approached the editorial team to see if we could recreate the opportunity. The result is this Special Issue. Once again, I am delighted with the diverse range of books my students selected for review. With the 2015 issue, the book review of The Right Word: Roget and His Thesaurus, introduced me to the amazing author and illustrator team of Jen Bryant and Melissa Sweet. I have since read all their other biographies written for children. This year, Ada Twist Scientist, written by Andrea Beaty and illustrated by David Roberts, one of the books selected for review, really caught my attention. I can’t wait to read Beaty’s other books! As most of my students are practicing elementary teachers, we focused on picture books for young children at the K-6 level. These graduate students were able to apply what they were learning about visual literacy and evaluating picture books in our course to the picture books they had selected to review. We also discuss the importance of authentic writing opportunities for children; writing the reviews certainly proved to be an authentic writing experience for my students, one that they took very seriously. We are excited to see the published reviews. I thank Kim Frail and the rest of the editorial team of the Deakin Review of Children’s Literature for their support of this special issue.   


2013 ◽  
Vol 6 ◽  
Author(s):  
Maj Asplund Carlsson ◽  
Johannes Lunneblad

Title: Where “the wild things” are: An author of children’s books on a visit to the suburbsAbstract:Few studies have been carried out on children’s literature from a post-colonial perspective. In this article, we look closer at four picture books recently published in Sweden with the purpose of giving children from urban areas patterns of identification. The aim of our study is to see how the ‘suburb’ is articulated as a multi-accented sign. Three themes are elaborated in our analysis, i.e. loneliness and alienation, drug abuse and misery as well as small business occurrence. We also discuss the consequences for children in early years of an encounter with a distorted or alienated view of suburban culture.


2014 ◽  
Vol 4 (2) ◽  
Author(s):  
Sandy Campbell

This special issue of the Deakin Review of Children’s Literature is dedicated to health fiction.  The concept for the special issue grew out of an interest in using fiction as a tool in health literacy and healing.  Many of us have had the experience of escaping in to a book as a place of refuge when the real world seems too tough or being moved and inspired by a story about someone coping with illness, injury, or disability.  We wondered whether or not fictional works that offer children similar benefits are readily available? The answer is ‘Yes’, to a large extent.  But as we started to read our way through the books in local libraries, we realized that a number of the books may be of questionable benefit. Many had flaws, from obvious content errors to subtle issues that you might not recognize unless you read the book closely or someone brought them to your attention.  We wanted to take the opportunity to use this issue of Deakin to showcase some of the high quality fiction that we would recommend to libraries and parents. The authors of the reviews are librarians or other information professionals, with strengths in children's literature, health librarianship, or both.  Many have children.  Most are experienced reviewers.   Even though we had done some pre-screening, several of the reviewers started reviews and then discarded them when they found that upon close examination, they could not recommend the books. The accompanying article describes the larger study that we undertook to thoroughly review current children's health fiction. The end products of this research were: 1) a checklist for selection of children's health fiction; 2) a list of readily available works in the area; 3) this special theme issue of the Deakin, and; 4) a joint exhibit of the reviewed books, at the University of Alberta’s Education and Health Sciences libraries, to complement the publication of this issue. In addition to the outcomes mentioned above, it is our hope that an additional benefit of this project will be an increased community awareness of the value of children’s health fiction and the knowledge that sometimes a good story is good medicine. Sandy Campbell and Maria TanSandy is a Health Sciences Librarian at the University of Alberta, who has written hundreds of book reviews across many disciplines.  Sandy thinks that sharing books with children is one of the greatest gifts anyone can give. Maria C. Tan is a medical librarian at the Abdul Khaliq Library in Alberta Health Services’ Cross Cancer Institute and a former editorial team member of the Deakin Review. She firmly believes that children's literature is an essential component in the fountain of youth.


2017 ◽  
Vol 16 (1-3) ◽  
pp. 160-164
Author(s):  
Tura Campanella Cook

How meaningful is it to check out books from the library, or donate books to libraries and schools, or read and discuss books with children? When these are children’s books with Arab children and teens as main characters, such simple acts resist the cultural anti-Arab and anti-Muslim message prevalent in the media, entertainment, and textbooks. This article analyzes picture books: Silent Music by James Rumford and Sitti’s Secrets by Naomi Shihab Nye, along with two novels for early teen readers: The Turtle of Oman by Naomi Shihab Nye and The Shepherd’s Granddaughter by Anne Laurel Carter.


2013 ◽  
Vol 6 (2) ◽  
pp. 205-217 ◽  
Author(s):  
Vanessa Joosen

Compared to the attention that children's literature scholars have paid to the construction of childhood in children's literature and the role of adults as authors, mediators and readers of children's books, few researchers have made a systematic study of adults as characters in children's books. This article analyses the construction of adulthood in a selection of texts by the Dutch author and Astrid Lindgren Memorial Award winner Guus Kuijer and connects them with Elisabeth Young-Bruehl's recent concept of ‘childism’ – a form of prejudice targeted against children. Whereas Kuijer published a severe critique of adulthood in Het geminachte kind [The despised child] (1980), in his literary works he explores a variety of positions that adults can take towards children, with varying degrees of childist features. Such a systematic and comparative analysis of the way grown-ups are characterised in children's texts helps to shed light on a didactic potential that materialises in different adult subject positions. After all, not only literary and artistic aspects of children's literature may be aimed at the adult reader (as well as the child), but also the didactic aspect of children's books can cross over between different age groups.


2008 ◽  
Vol 5 (2) ◽  
pp. 49
Author(s):  
Ramesh Nair

Children's literature serves as a powerful medium through which children construct messages about their roles In society and gender Identity is often central to this construction. Although possessing mental schemas about gender differences is helpful when children organize their ideas of the world around them, problems occur when children are exposed to a constant barrage of uncompromising, gender-schematic sources that lead to stereotyping which in turn represses the full development of the child. This paper focuses on how gender is represented in a selection of Malaysian children's books published in the English language. Relying on the type of content analysis employed by previous feminist social science researchers, I explore this selection of Malaysian children's books for young children and highlight some areas of concern with regard to the construction of maleness and femaleness in these texts. The results reveal Imbalances at various levels Including the distribution of main, supporting and minor characters along gendered lines and the positioning of male and female characters In the visual Illustrations. The stereotyping of these characters In terms of their behavioural traits will be discussed with the aim of drawing attention to the need for us to take concerted measures to provide our children with books that will help them realize their potential to the fullest.


2014 ◽  
Vol 4 (2) ◽  
Author(s):  
Maria Tan

The Deakin Review of Children's Literature Health Fiction Exhibition is a joint exhibit at the University of Alberta’s Education and Health Sciences libraries. It showcases books reviewed in this special issue.


Bibliosphere ◽  
2021 ◽  
pp. 80-88
Author(s):  
O. B. Bukhina

Comparing changes in publication policies, the influence of translated books, and an important role that women writers play now, author analyzed new tendencies in American and Russian children’s and teens’ literature. The author concludes that American picture books reflect the varieties of contemporary experiences, and the Russian ones thrive with poetry and non-fiction. The comparison of teens’ literature of both countries shows a lot of similarities; both encompass more sensitive topics, such as illness, death, suicide, drugs, psychological trauma, and bulling.


Bibliosphere ◽  
2017 ◽  
pp. 35-40
Author(s):  
E. V. Engalycheva

The article is devoted to the history of Siberian regional children's book publishing. The author has collected theoretic-practical opinions of historians, bibliologists, publishers and booksellers, librarians and bibliographers, psychologists and sociologists, which purpose is to generalize and reveal regularities of books' flow for children. V. G. Belinsky, L. N. Tolstoy, F. G. Tol’, N. V. Chekhov developed the first concepts of children's book. N. K. Krupskaya, V. A. Sukhomlinsky studied the «core» of the children book repertoire. V. G. Sopikov, B. S. Bondarsky reviewed children's literature of the 19th century in their bibliographic works. The author allocated some organizational components using formal-logical, comparative-historical and structural-typological methods. The first block is related to studying such definitions as «children's book», «children's literature», «editions for children», «a circle of childhood reading», «the repertoire of children's books», their typological signs. The presented concepts are investigated according to tasks, which children's editions solve. S. G. Antonova and S. A. Karaichentseva touched issues of children's literature typology in their publications. The second block of literature reveals the children's book development in Russia in various periods of its formation. I. E. Barenbaum, A. A. Grechikhin, A. A. Belovitskaya studied general fundamentals of the book's history, while A. Ivich, L. Kohn, I. Lupanova considered the history of children’s books. The third block is devoted to printing and art features of the children's book design, activity of universal and specialized publishing houses to distribute literature for children. The fourth block explains such category as «reader - library», considers techniques of work with children's book, offers methodical recommendations for teachers and tutors. Readers’ activity is examined as well. The author analyzes interests, factors, incentives and aims influencing childhood reading. Dissertation researches disclose the regional specifics of children's book publishing in 1980-2013, confirm the considered subject relevance. The historical, comparative, formal and logical analysis carried out by the author will be useful both the specialists in publishing and editorial affairs, researchers studying the history and development of the children's book, historians, and teachers in the educational process of such courses as «Publishing and Editing», «Children's Literature», «Book Science». The author concludes that the children's book has been studied in different periods of its development in the context of numerous aspects, directions and components, which makes it possible to reveal the special patterns of its existence.


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