scholarly journals Visual Diary: How Photos Represent the Context of Field Research

Inter ◽  
2020 ◽  
Vol 12 (21) ◽  
pp. 96-117
Author(s):  
Elizaveta V. Polukhina ◽  
Anna V. Strelnikova ◽  
Alexandrina V. Vanke

The article addresses the possibility of using visual data in field research. The article is based on the visual data obtained in the frame of the author's research projects of 2017—2019, aimed at studying everyday life of industrial workers in Yekaterinburg and the transformation of industrial territories in Moscow. The article is the additional visual material to the authors methodological manual “How to Collect Data in the Field [Qualitative] Research”. The authors have shown both the analytical significance of visual materials and their didactic potential. The article demonstrates how the research practice of photographing is organically integrated into the classical stages of fieldwork — access to the field, data collection, analysis and presentation of the results. At the same time, photographs are the relevant source of data about everyday life of citizens — material culture, spatial practices, emotions, identities. The authors make an attempt to visualize the process of field research, show the process of conducting projects through the photographs and demonstrate the genre of empirical materials as a visual diary.

Inter ◽  
2020 ◽  
Vol 12 (3) ◽  
pp. 106-121
Author(s):  
Ilya E. Shteinberg

A review of the textbook by A.V. Vanke, E.V. Polukhina and A.V. Strelnikova “How to Collect Data in Field Qualitative Research”. The authors of the book describe a joint experience of participation in field research projects, choosing the genre of “how to do” with many examples of field situations, strategies, tools and documents. The problems of access to the field, visual materials collecting, issues of data archiving, and many other topical aspects of research work are reviewed here. The book shows the logic of a field project step by step, from constructing a research design to leaving the field and maintaining connections with it.


2019 ◽  
Vol 40 (1) ◽  
pp. 59-74
Author(s):  
Martin Soukup ◽  
Dušan Lužný

This study analyzes and interprets East Sepik storyboards, which the authors regard as a form of cultural continuity and instrument of cultural memory in the post-colonial period. The study draws on field research conducted by the authors in the village of Kambot in East Sepik. The authors divide the storyboards into two groups based on content. The first includes storyboards describing daily life in the community, while the other links the daily life to pre-Christian religious beliefs and views. The aim of the study is to analyze one of the forms of contemporary material culture in East Sepik in the context of cultural changes triggered by Christianization, colonial administration in the former Territory of New Guinea and global tourism.


Author(s):  
Tom Hamilton

This chapter explores the material culture of everyday life in late-Renaissance Paris by setting L’Estoile’s diaries and after-death inventory against a sample of the inventories of thirty-nine of his colleagues. L’Estoile and his family lived embedded in the society of royal office-holders and negotiated their place in its hierarchy with mixed success. His home was cramped and his wardrobe rather shabby. The paintings he displayed in the reception rooms reveal his iconoclastic attitude to the visual, contrasting with the overwhelming number of Catholic devotional pictures displayed by his colleagues. Yet the collection he stored in his study and cabinet made him stand out in his milieu as a distinguished curieux. It deserves a place in the early modern history of collecting, as his example reveals that the civil wars might be a stimulus as much as a disruption to collecting in sixteenth-century France.


Author(s):  
Jasmine Day

This lecture presents the major findings of the first anthropological study of British and American “mummymania”, the public fascination with ancient Egyptian mummies, and its associated myth, the mummy’s curse: a belief that those who interfere with Egyptian tombs will be punished. The study incorporates museum-based field research, textual sources, film analysis and material culture studies. Originally lay critiques of archaeological ethics, curses were appropriated by the mass media, which reduced public sympathy for them by associating them with evil living mummy characters. Fictional mummies? abject traits later came to symbolise old age, decay, pollution, death and differencenegative concepts with which museum visitors now associate real mummies. Museum displays inadvertently remind visitors of stereotypes and museums may exploit stereotypes for profit or employ staff who elaborate curse myths. In my view, museums could do more to counter stereotyping by addressing visitors? predisposition to regard mummies with abhorrence and derision.


Author(s):  
Larisa Badmaevna Mandzhikova ◽  

Introduction.Dorje Soktunovich Bembeyev-Salmin is one of the famous representatives of the old Kalmyk intelligentsia, a linguist, orientalist, public and political figure. His scientific works and biographical information are preserved in the private archive of D. S. Bembeev-Salmin in the Scientific Archive of the Kalmyk Scientific Center of the Russian Academy of Sciences (F. 10). This archive contains 12 items of storage for 1959. Among them are translations of works by Russian writers to the Kalmyk language, manuscripts of the text «The Orthography of the Oirat-Mongolian writing», Kalmyk folk proverbs and sayings, triads, pentastichesrecorded by D. S. Bembeev-Salmin. Of particular interest are the triads ― «orchlngingurvnts»(‘that there are three in the world’), recorded by him in 1931, they are one of the varieties of Kalmyk riddles. The themes of the riddles of the triads are diverse: everyday life, house hold activities, material culture, nature, family and kinship relations, ethics. D. S. Bembeyev-Salmin translated some of the three verses himself. This determines the value of the materials collected by him and their introduction into scientific circulation. The full text of the manuscript materials is published for the first time in this article.


Xihmai ◽  
2014 ◽  
Vol 9 (18) ◽  
Author(s):  
Patricia Fournier Garcí­a ◽  
Bridget M. Zavala Moynahan

Resumen A lo largo del Camino Real los habitantes usaron la cultura material - incluyendo objetos de uso cotidiano destinados a la preparación, almacenamiento y servicio de alimentos- para construir y reafirmar aspectos identitarios. En este ensayo, derivado de nuestras investigaciones concluidas en 2013, consideramos patrones de consumo de estos objetos desde el siglo XVIII hasta inicios del XX reflejados en inventarios de bienes de la época y contextos arqueológicos de la Nueva Vizcaya colonial (hoy Durango y Chihuahua). Contrastamos entre las vajillas que emplearon las personas con alto poder adquisitivo y los de uso entre el común de la gente, según los registros documentales y los contextos arqueológicos con diversas funciones y temporalidades registrados en el valle del Rí­o Sextí­n, Durango.   Palabras clave: Nueva Vizcaya, Camino Real, consumo cotidiano, haciendas, identidad Abstract   The residents along the Royal Road used material culture, including everyday life objects related to the preparation, storage and serving of foods, to construct and reaffirm aspects of their social identity and status. In this article, based on our research finished in 2013, we consider their consumption as reflected in 18th to 20th century documents and archaeological contexts from southern New Biscay (modern-day Durango and Chihuahua). We compare ceramic goods used by individuals with high economic standing with those employed by commoners, as registered in historical sources and data from archaeological sites with diverse functions and temporalities, recorded in the Sextí­n valley, Durango. Keywords: New Biscay, Royal Road, everyday life consumption, haciendas, identity


Author(s):  
Andrey Rezaev ◽  
Alexander Stepanov ◽  
Pavel Lisitsyn

The paper presents the outcomes of the field research oriented towards studying the usage of urban space by female labor migrants from Uzbekistan and Tajikistan in Saint Petersburg in comparison with the practices that they have developed in their places of origin. The paper is based on the sociology of everyday life. The authors focus on the migrants’ transnational practices and a scope of their integration into the host society, as well as the perception of the urban space of Saint Petersburg in comparison to the migrants’ homelands. The informants for the study were 28 legal transnational labor migrants. The methods of the research are in-depth interviews in combination with mental maps. The hypothesis of the study includes two assumptions. The first is that migrant women from Uzbekistan and Tajikistan have transnational practices that indicate their inclusion in the social networks of both the country of origin and the host society, while their everyday life will be characterized by a rather low degree of integration into the host society. The second assumption is that the mental maps of St. Petersburg that were drawn by the informants are detailed and diverse compared to the mental maps of the place of residence in their homelands. These assumptions were partly confirmed. Results of the inquiry raise new research questions that demand further research of migrant workers to be answered.


2021 ◽  
Author(s):  
Anna K. Zygowski

This research explores material artifacts of Edwardian lingerie and Modernist couture through their cultural and material connections. Material culture theories of communication and production were used to examine garment artifacts from both Eras, while a conceptual framework provided a space to develop material outcomes and knowledge based upon research. Key findings from the research show that the cultural commodification of the female body, increased female agency and the fragmentation of social structures resulted in the development of specialized garments uniquely suited to the cultural requirements of the Modernist Era. Cultural producers continually adapted design practices and transformed dress signifiers of value in a cycle of appropriation and transformation. In addition, the appropriation of labour intensive Edwardian Era Lingerie techniques by Modernist couture houses supported the development of exclusive commodities whose design process was key to preventing devaluation through counterfeiting. Ultimately, a collection of garments resulted from a design exploration of these techniques, using action and practitioner research.


2019 ◽  
pp. 301
Author(s):  
Ricarda Hofer

This paper explores dimensions of cultural exchange, a research area that traces mutual exchange activities of various kinds in material culture, including portraits and statues, but also tools of everyday life. At the heart of this study is Castle Ambras, a centre of regional cultural exchange activities in Renaissance Tyrol. Since the days of Archduke Ferdinand II of Tyrol, its proprietors cultivated relationships with other European princes interested in the arts. As will be shown in this paper, various objects found their way to Tyrol as part of this cultural exchange – and can still be found in the halls of Ambras’ present-day museum.


GeoTextos ◽  
2011 ◽  
Vol 6 (2) ◽  
Author(s):  
Rita Jaqueline Nogueira Chiapetti

O objetivo deste artigo é descrever a experiência de uma pesquisa de campo qualitativa em Geografia, com uma abordagem humanista. A pesquisa de campo foi feita no município de Itacaré, sul do estado da Bahia, com o propósito compreender como os sujeitos de Itacaré percebem o rio das Contas, qual é o significado do rio para eles. Como método de pesquisa de campo, optamos pela história oral e pelas técnicas da entrevista, da observação e, ainda, pelo registro de paisagens através de fotografias. A nossa presença em Itacaré foi importante para o êxito da pesquisa porque pudemos conhecer melhor as pessoas e o seu cotidiano, fato que contribuiu para a qualidade das informações contidas nas 41 entrevistas feitas. Também, essa convivência com as pessoas do lugar foi uma grande experiência vivida na perspectiva da Geografia Humanista. Abstract QUALITATIVE FIELD RESEARCH: EXPERIENCE IN HUMANISTIC GEOGRAPHY This paper aims at describing the experience of a qualitative field research in Geography under a humanistic approach. The field research was carried out in Itacaré, located in the south of Bahia state, aiming at understanding how the individuals from Itacaré perceive Rio das Contas, what the river means to them. We have chosen oral history as field research method and the techniques of oral interview, observation and the record of landscapes through photography. Our presence in Itacaré was critical for the field research’s success as we could get to know better the people and their everyday life, which contributed for the quality of the information contained in the 41 oral interviews collected. Also, staying with these people was a valuable experience under the Humanistic Geography perspective.


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