Felon Disenfranchisement The Voting Rights Act Fifty Years Later

2016 ◽  
Vol 16 (3) ◽  
Author(s):  
Maxine Bryant ◽  
Becky daCruz
2017 ◽  
Vol 32 (1) ◽  
pp. 147-171
Author(s):  
Jonathan Rothchild

AbstractThis article develops a legal and theological critique of the Shelby County, Alabama v. Holder decision that dismantled portions of the Voting Rights Act. Defending the Voting Rights Act in light of four basic features of voting rights—access, participation, empowerment, and expression of conscience—I refute the Shelby decision in terms of its oversimplified notions of discrimination and its overly narrow construal of federalism as state sovereignty and equality. I draw upon Catholic social teaching's subsidiarity and Johannes Althusius's federalism to defend the individual and communal dimensions of voting rights. I examine post-Shelby developments, including voter-identification laws, and I argue that such laws are unfounded and have deleterious effects. I conclude by offering modest recommendations for a post-Shelby world, including continued roles for Congress and the Department of Justice, the use of intermediary organizations, and the rescinding of felon disenfranchisement laws.


2018 ◽  
Vol 142 (1) ◽  
pp. 91-123
Author(s):  
Jeffrey Knapp

Every historical film must contend with the possibility that its viewers will be scandalized by its mixture of fact and fiction, but no recent historical film has faced such pressure to justify its hybrid nature as Selma has, in large part because no recent film has taken on so momentous and controversial a historical subject: the civil rights marches from Selma to Montgomery that led to the passage of the Voting Rights Act in 1965. The renewed urgency of the issues Selma dramatizes, along with the film’s own commitment to the “moral certainty” of the civil rights movement, helps explain why Selma wavers in a self-defense that links the fictionality of its historical reenactments to the purposely theatrical element of the marches themselves. But politics are not the only problem for fiction in Selma, and to show why, this essay compares Selma to an earlier historical film, The Westerner (1940), that openly flaunts the commercial nature of its fictionality.


1994 ◽  
Vol 14 ◽  
pp. 565-575
Author(s):  
Howard A. Scarrow

The weakening of American political parties has been a theme featured in the writings of political scientists for the past several decades. This essay is addressed to developments which may further that decline-developments which have undermined the very purpose which American political parties are said to serve. I refer to legal standards which were established by the Supreme Court in 1964, and which have since been expanded by the Court and then incorporated into the Voting Rights Act of 1965 and its amendment in 1982.


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