scholarly journals Collaborative working practices: Imagining better research partnerships

2017 ◽  
Vol 1 (2) ◽  
pp. 310-322 ◽  
Author(s):  
Zanib Rasool
Keyword(s):  
Collaborative Research ◽  
Social Research ◽  
Funds Of Knowledge ◽  
Knowledge Gap ◽  
Ordinary People ◽  
Research Partnerships ◽  
The Everyday ◽  
Collaborative Working ◽  
Working Practices ◽  
Everyday Experiences

Collaborative research can bring communities to the heart of social research and provide a lens on the everyday experiences of ordinary people living extraordinary lives, capturing the funds of knowledge held in communities that exist outside the corridors of education institutions. If delivered in an ethical way, co-production can empower communities and elevate voices that traditionally have been on the margins. Through collaboration, we can bridge the knowledge gap that exists between communities and universities and raise community aspirations.

Cruising in-between immunity and community: A virtual ethnography of cruising in Istanbul

Sexualities ◽  
2020 ◽  
pp. 136346072097389
Author(s):  
Tankut Atuk
Keyword(s):  
Queer Theory ◽  
Virtual Community ◽  
Ordinary People ◽  
Virtual Ethnography ◽  
The Everyday ◽  
Everyday Experiences ◽  
Geosocial Networking

This article revisits the concept of (virtual) cruising with the purpose of uncovering an often-disregarded fact in queer theory: that cruising is equally about rejecting as it is about welcoming others/otherness. With the help of two critical conceptual tools, community and immunity, that I borrow from Italian philosopher Roberto Esposito, this paper discusses how a particular Geosocial Networking Application, Hornet, both enables and undermines the emergence of a virtual community in Istanbul, Turkey. While defying heteronormativity, Hornet reproduces violence in the shape of homonormativity, endangering what it claims to offer originally: community. By addressing cruising in relation not only to community but also immunity, this article makes an intervention in queer theory’s tendency to reduce cruising to a universal welcoming of otherness. This paper aims to revisit both the communitarian potentials and immunitarian risks of cruising in the light of a rather politicized analysis grounded in the everyday experiences of ordinary people.

scholarly journals Building communities: Teachers researching literacy lives

2012 ◽  
Vol 15 (2) ◽  
pp. 101-115 ◽  
Author(s):  
Teresa Cremin ◽  
Marilyn Mottram ◽  
Fiona Collins ◽  
Sacha Powell ◽  
Rose Drury
Keyword(s):  
Collaborative Research ◽  
Literacy Practices ◽  
Funds Of Knowledge ◽  
Primary Teachers ◽  
Children And Families ◽  
Research Partnerships ◽  
Teachers Perceptions ◽  
Time Space ◽  
Wide Range ◽  
Home And School

In the light of wide recognition that the traffic between home and school is traditionally one-way, this article reports on a deliberately counter-cultural project that involved teachers in researching children’s everyday literacy practices and ‘funds of knowledge’ (González, Moll, & Amanti, 2005) over a year. Eighteen primary teachers from 10 schools in five local authorities in England were involved; this article focuses on two of the practitioners’ experiences. Drawing on a wide range of data, it is argued that the project challenged teachers’ perceptions and beliefs about children and families, prompting dispositional shifts and new understandings of difference and diversity. However, creating responsive curricula that connected to the lived social realities of the children represented a considerable professional challenge. The article highlights the affordances of collaborative research partnerships, and argues that considerable time, space and support is needed in order for teachers to appreciate and understand children’s and families’ funds of knowledge and blur the boundaries between home and school.

Distributed Creativity

2017 ◽  
Keyword(s):  
Contemporary Music ◽  
Division Of Labour ◽  
Conceptual Frameworks ◽  
Creative Processes ◽  
Distinctive Features ◽  
Concert Music ◽  
Collaborative Creativity ◽  
Collaborative Working ◽  
Working Practices ◽  
And Performance

Creative practice in music takes place in a distributed and interactive manner embracing the activities of composers, performers and improvisers—despite the sharp division of labour between these roles that traditional concert culture often presents. Two distinctive features of contemporary music are the greater incorporation of improvisation and the development of integrated and collaborative working practices between composers and performers. By blurring the distinction between composition and performance, improvisation and collaboration provide important perspectives on the distributed creative processes that play a central role in much contemporary concert music. This volume explores how collaboration and improvisation enable and constrain these creative processes. Organized into three parts, thirteen chapters and twelve shorter Interventions present diverse perspectives on distributed and collaborative creativity in music, on a range of collaborations between composers and performers, and on the place of improvisation within contemporary music, broadly defined. The thirteen chapters provide more substantial discussions of a variety of conceptual frameworks and particular projects, while the twelve Interventions provide more informal contributions from a variety of practitioners (composers, performers, improvisers), giving direct insights into the pleasures and problems of working creatively in music in collaborative and improvised ways.

Age and gentrification in Berlin: urban ageing policy and the experiences of disadvantaged older people

2018 ◽  
Author(s):  
Meredith Dale ◽  
Josefine Heusinger ◽  
Birgit Wolter
Keyword(s):  
Older People ◽  
Urban Transformation ◽  
Economic Interests ◽  
Political Processes ◽  
Socially Disadvantaged ◽  
The Everyday ◽  
Disadvantaged Neighbourhoods ◽  
Everyday Experiences ◽  
The Impact ◽  
The City

Chapter 5 examines the impact of gentrification processes in Berlin, Germany, on the distribution of older people across the city as well as the everyday experiences of ageing in socially disadvantaged neighbourhoods. The chapter concludes with an overview of developments in the context of political processes, where urban transformation driven by economic interests generates growing conflict and contradiction with the needs of an ageing and increasingly less affluent population.

Soldier photography: visualising the war in Iraq

2009 ◽  
Vol 35 (4) ◽  
pp. 817-833 ◽  
Author(s):  
LIAM KENNEDY
Keyword(s):  
Real Time ◽  
Visual Communication ◽  
The Internet ◽  
Photographic Images ◽  
Historical Significance ◽  
The Everyday ◽  
War In Iraq ◽  
Digital Generation ◽  
Everyday Experiences ◽  
The Way

AbstractThis article focuses on the production and dissemination of photographic images by serving US soldiers in Iraq who are photographing their experiences and posting them on the Internet. This form of visual communication – in real time and communal – is new in the representation of warfare; in earlier wars soldiers took photographs, but these were not immediately shared in the way websites can disseminate images globally. This digital generation of soldiers exist in a new relationship to their experience of war; they are now potential witnesses and sources within the documentation of events, not just the imaged actors – a blurring of roles that reflects the correlations of revolutions in military and media affairs. This photography documents the everyday experiences of the soldiers and its historical significance may reside less in the controversial or revelatory images but in more mundane documentation of the environments, activities and feelings of American soldiery at war.

ThePennyles Pilgrimageof John Taylor: Poverty, Mobility and Performance in Seventeenth-Century Literary Circles

Rural History ◽  
2013 ◽  
Vol 24 (1) ◽  
pp. 9-24 ◽  
Author(s):  
JULIE SANDERS
Keyword(s):  
Seventeenth Century ◽  
Social Economic ◽  
Ben Jonson ◽  
The Everyday ◽  
Commercial Enterprise ◽  
Everyday Experiences ◽  
John Taylor ◽  
And Performance ◽  
Literary Circles

Abstract:In this article I ask what it means for cartographical, social, economic and political understandings of poverty and mobility when the ‘geography of vagrancy’, as A. L. Beier termed it, is re-staged and reconfigured in specific acts of writing and even specific acts of walking. Invoking a range of public performances as well as print and manuscript publications by recognised literary figures of the day, including work by Ben Jonson and John Taylor, I concentrate on one particular literary remaking of the everyday experiences of the mobile poor in Taylor's 1618 published pamphletThe Pennyles Pilgrimage or The Money-lesse perambulation, of Iohn Taylor, Alias the Kings Majesties Water-Poet. What Taylor understood when engaging with the ‘geography of vagrancy’ in his challenging text was that the act of mapping the spatial world of the itinerant poor required considerable thought not only about the spaces inhabited, albeit temporarily, or travelled through, but also the ways in which the mobile poor performed such spaces. In turn, Taylor's own performance can be understood as a contradictory act of commercial enterprise and self-promotion as well as one that gives literary historians significant access to contemporary imaginings of the specific socioeconomic and spatial conditions of poverty and mobility.

Coming to Everyman

2019 ◽  
pp. 119-142
Author(s):  
Steven J. Osterlind
Keyword(s):  
Probability Theory ◽  
Everyday Life ◽  
Fifteenth Century ◽  
Calculus Of Variations ◽  
Celestial Mechanics ◽  
Great Influence ◽  
Ordinary People ◽  
The Everyday ◽  
Morality Play

This chapter focuses on how quantification began to increase in the everyday life of ordinary people, who are represented in this chapter by the allegorical figure “Everyman” (from the fifteenth-century anonymous morality play Everyman). It discusses the invention of the chronometer and explores the effect that the increasing availability of luxury items such as sugar, as well as the quantifying ideas that were coming into use at that time, had on the general populace. The chapter then introduces Pierre-Simon Laplace, who assiduously worked to bring the newly formed probability theory to Everyman, especially through his efforts on the orthodrome problem in Traité de mécanique céleste (Celestial Mechanics), his ideas on scientific determinism (symbolized by “Laplace’s demon”), and his General Principles for the Calculus of Probabilities. The chapter also introduces Joseph-Louis Lagrange, whose work on the calculus of variations had a great influence on Laplace.

scholarly journals We Drew a Swastika of Grain: Vernacular Religion in the Tibetan Songs of Nubri, Nepal

Religions ◽  
2020 ◽  
Vol 11 (11) ◽  
pp. 593
Author(s):  
Mason Brown
Keyword(s):  
Folk Songs ◽  
Ordinary People ◽  
Sacred Landscape ◽  
Religious Knowledge ◽  
Community Values ◽  
Everyday Practices ◽  
Vernacular Religion ◽  
The Everyday ◽  
Religious Subject ◽  
And Function

The academic study of Tibetan Buddhism has long emphasized the textual, philological, and monastic, and sometimes tended to ignore, dismiss, or undervalue the everyday practices and beliefs of ordinary people. In this article, I show that traditional folk songs, especially changlü, are windows into the vernacular religion of ethnically Tibetan Himalayans from the Nubri valley of Gorkha District, Nepal. While changlü literally means “beer song”, and they are often sung while celebrating, they usually have deeply religious subject matter, and function to transmit Buddhist values, reinforce social or religious hierarchies, and to emplace the community in relation to the landscape and to greater Tibet and Nepal. They do this mainly through three different tropes: (1) exhortations to practice and to remember such things as impermanence and death; (2) explications of hierarchy; and (3) employment of spatialized language that evokes the maṇḍala. They also sometimes carry opaque references to vernacular rituals, such as “drawing a swastika of grain” after storing the harvest. In the song texts translated here, I will point out elements that reproduce a Buddhist worldview, such as references to deities, sacred landscape, and Buddhist values, and argue that they impart vernacular religious knowledge intergenerationally in an implicit, natural, and sonic way, ensuring that younger generations internalize community values organically.

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