scholarly journals The Collision of Two Lexicons: Librarians, Composition Instructors and the Vocabulary of Source Evaluation

2016 ◽  
Vol 11 (1) ◽  
pp. 23 ◽  
Author(s):  
Toni M. Carter ◽  
Todd Aldridge

Abstract Objective – The study has two aims. The first is to identify words and phrases from information literacy and rhetoric and composition that students used to justify the comparability of two sources. The second is to interpret the effectiveness of students’ application of these evaluative vocabularies and explore the implications for librarians and first-year composition instructors’ collaborations. Methods – A librarian and a first-year composition instructor taught a class on source evaluation using the language of information literacy, composition, and rhetorical analysis (i.e., classical, Aristotelian, rhetorical appeals). Students applied the information learned from the instruction session to help them locate and select two sources of comparable genre and rigor for the purpose of an essay assignment. The authors assessed this writing assignment for students’ evaluative diction to identify how they could improve their understanding of each other’s discourse. Results – The authors’ analysis of the student writing sample exposes struggles in how students understand, apply, and integrate the jargon of information literacy and rhetoric and composition. Assessment shows that students chose the language of rhetoric and composition rather than the language of information literacy, they selected the broadest and/or vaguest terms to evaluate their sources, and they applied circular reasoning when justifying their choices. When introduced to analogous concepts or terms between the two discourses, students cherry-picked the terms that allowed for the easiest, albeit, least-meaningful evaluations. Conclusion – The authors found that their unfamiliarity with each other’s discourse revealed itself in both the class and the student writing. They discovered that these miscommunications affected students’ language use in their written source evaluations. In fact, the authors conclude that this oversight in addressing the subtle differences between the two vocabularies was detrimental to student learning. To improve communication and students’ source evaluation, the authors consider developing a common vocabulary for more consistency between the two lexicons.

Author(s):  
Marlee Givens ◽  
Liz Holdsworth ◽  
Ximin Mi ◽  
Fred Rascoe ◽  
Alison Valk ◽  
...  

This chapter addresses technology in education, multimodal texts, and information literacy in a STEM research-focused university setting. Students produce multimodal content in first year composition classes, but composition instructors lack the skills required to teach students multimedia technology. Librarians respond to the needs of the faculty and students they support. Library instruction takes place within the composition class (course-integrated or “one-shot” instruction) or in a multimedia classroom at the library. The librarians bring technical skills as well as a grounding in information literacy, and their instruction increases students' written, sonic, visual and data literacy. As a result, students become more savvy content consumers as well as creators.


Author(s):  
Monica D. T. Rysavy ◽  
Russell Michalak ◽  
Kevin Hunt

This chapter describes how the researchers at a small private Master's level college examined how different delivery modes—face-to-face (F2F), hybrid, and online instruction—may impact first-year students' perceptions of their information literacy (IL) skills compared to their test-assessed information literacy skills using the students perception of information literacy-questionnaire (SPIL-Q) and information literacy assessment (ILA) instruments. These instruments were developed and deployed to international graduate business students in two previous studies: Michalak and Rysavy and Michalak, Rysavy, and Wessel. The students (n=161) in this study were enrolled in a first-year English composition course in the Spring 2017 semester. This iteration achieved an overall response rate of 87.04% (n=141). Overall, results demonstrated the greatest achievement were demonstrated by students in hybrid course sections.


Author(s):  
Donna Scheidt ◽  
William Carpenter ◽  
Robert Fitzgerald ◽  
Cara Kozma ◽  
Holly Middleton ◽  
...  

2015 ◽  
Vol 43 (1) ◽  
pp. 45-67 ◽  
Author(s):  
David James Brier ◽  
Vickery Kaye Lebbin

Purpose – The purpose of this paper is to explore drawing as an instructional method to teach information literacy. Design/methodology/approach – The authors describe their work using Collaborative Speed Drawing with students in a collection of information literacy workshops for students enrolled in English 100 (first-year composition). Examples of student drawings from the workshops are examined to demonstrate the benefits and problems of this teaching method. Findings – Drawing is an excellent low-tech teaching method that helps students demonstrate their competence (or ignorance) of information literacy concepts. This method enables librarians to clarify, reinforce, challenge or change the pictures in student’s heads that underpin their understandings of library instruction and information literacy. Practical implications – This article provides ideas on how to use drawing in information literacy sessions or credit courses. Many of the ideas shared can be copied, enhanced or tailored to meet the needs of diverse lessons and students taking face-to-face instruction sessions. Originality/value – This is the first paper in library literature that focuses on and promotes drawing as a teaching method. In doing so, it challenges the high-tech instruction imperative and invites librarians to explicitly consider the images behind the words and concepts used in information literacy and library instruction sessions.


Author(s):  
Ashok Bhusal

The chapter argues that teacher training should focus on providing guidelines to instructors on how to use technology and on the skills necessary to implement multimodal assignments. It uses UTEP's first-year writing program as a case study to investigate the multimodal assignments as part of the syllabus given to first-year students. It presents an analysis of interviews with current first-year composition instructors regarding their experience teaching multimodal projects and examines current first-year composition courses and teacher training practices at the University of Texas El Paso (UTEP) to gauge the effective implementation of multimodal assignments. Finally, it offers recommendations to address the obstacles and lack of expertise of instructors in employing multimodality in the classroom.


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