scholarly journals Is There a Definition? Ruminating on Poetic Inquiry, Strawberries and the Continued Growth of the Field

2018 ◽  
Vol 3 (2) ◽  
pp. 48-76 ◽  
Author(s):  
Adam Vincent

Over the last ten years, Poetic Inquiry (PI) has proven itself as an emergent arts-based research methodology. It has gained greater acceptance in the larger community of qualitative research due in large part to the hundreds of published studies that employ the writing or analysis of poetry as a major focus of the research process (Finley, 2003; Prendergast, Leggo & Sameshima, 2009; Prendergast & Galvin, 2012). However, despite this greater acceptance and increase in studies found in the literature, there has not been a critical contemporary exploration of the history, theory and method of PI that could lend itself to defining what the method is, for those unfamiliar with it. This article provides a summary of PI as it exists in the literature today. This includes surveying the rhizomatic history of the method, exploring debates around who should or should not use the method and conversation around the current uses of PI in qualitative research.

2020 ◽  
Vol 19 (S1) ◽  
pp. 211-226
Author(s):  
Siri Skar

AbstractA tendency in psychodrama research is the focus on proving effectiveness. This article in the Zeitschrift für Psychodrama und Soziometrie aims to propose arts-based research (ABR) methodology through a theoretical approach by a brief literature review of psychodrama research, a glimpse into discourses in applied theatre research and an introduction to arts-based research (ABR) methodology. How moments of participation and self-identified significant experiences by the participants from a psychodrama group can be investigated through ABR methodology will be exemplified through performative inquiry (Fels 2012), inspired by poetic inquiry (Faulkner 2018). In this way, the article aims to shed light on the question: How might arts-based research methodology in combination with qualitative research methodology contribute to the psychodrama research field? The article also presents empirical and ontological perspectives relating to the pilot study and give a discussion of the advantages and disadvantages of applying ABR methodology exemplified in the article. This way, the paper aims to illuminate how ABR methodologies can be applied together with qualitative research methodology to contribute to psychodrama research.


2020 ◽  
Vol V (III) ◽  
pp. 43-50
Author(s):  
Bakht Munir

In the history of the Indian subcontinent, the claims that the science of administration of justice reached its apex during the period of the Great Mughals are critically investigated in this paper. Though the Mughals initiatives were oriented to public and social welfare, their absolute authority over the state cast shadows on the system they introduced, one of which was administration of justice. With the help of qualitative research methodology, this article examines whether the Mughal system of administration was meant to dispense with justice and uphold welfare of the people or it was just a replica of the police state where sovereignty was exercised in a dictatorial manner.


2019 ◽  
Vol 27 (2) ◽  
pp. 307-310
Author(s):  
Candice P Boyd ◽  
Kaya Barry

There is a long history of collaboration between artists and geographers, with creative forms of research and dissemination of findings taking shape as artworks. In addition, there has been significant push from academia for researchers to maximise their research in ways that cater to, and engage with, broader public audiences. Art and creative practices tap into this through formats such as exhibitions, performances and participatory workshops which draw upon arts-based research methodologies with which geographers are becoming increasingly engaged. However, with this enthusiasm to adopt art practices for research dissemination purposes, tensions can arise in determining the levels of collaboration and authorship between artists and geographers, especially when the artist is employed as a research assistant on the project. In this ‘In Practice’ article, we explore the tensions and challenges that creative collaborations produce with respect to copyright and authorship, specialist skills and the delicate balance of doing creative research as part of a research team. We argue that geographers and artists need to address these issues from the outset and revisit them throughout the research process, and we offer some suggestions for how art–geography research collaborations might best be negotiated.


Author(s):  
Wong Ling Yann ◽  

This paper aims to explore into the categories, structural formation, syllables and alphabetic characteristics of the naming of Chinese streets in Sibu, Sarawak. Sibu is the third biggest city in Sarawak, is also called “New Foochow” or “Little Foochow”. The Foochow people is one of the main ethnicities in Sibu. The Foochow culture and dialect play an important role in developing the history of Sibu. One of the significant influences of the Foochow culture and dialect towards the history of Sibu is the naming of the city streets in Chinese. This study adopts a qualitative research methodology to collect and analyse research data, where a historical comparative study is adopted to study the naming categories, the structural formation, syllables and alphabetic characteristics of the Chinese streets in Sibu.


2019 ◽  
Vol 19 (2) ◽  
pp. 104-120
Author(s):  
Nicole Brunker

Purpose Working creatively as a researcher should be a core foundation in doctoral studies, though it may be an isolating, even risky, endeavour. The purpose of this paper is to share the author’s journey through the “darkness” of innovation in research methodology. Design/methodology/approach At the heart of this research journey was Portraiture (Lawrence-Lightfoot, 1983), which emerged early in the post-modern evolution of qualitative research. While exploring Portraiture, the author found researchers used this methodology in varying ways: application, appropriation and interpretation. In stumbling through Portraiture, the author discovered patchwork as their bricoleur’s toolbag. Patchwork provided a torch that gave light to the darkness of the research process enabling interpretation of Portraiture for alignment of method and research problematic[1]. Findings Looking back at the research journey, the author recognises the steps into post-qualitative research and the need for methodological innovators to share their journeys for inspiration, to develop understanding and open the way to greater creativity and innovation during the research process. Originality/value This paper provides an original view to Portraiture along with the addition of patchwork as a way of engaging with methodology as well as data.


2021 ◽  
pp. 194084472110526
Author(s):  
Helen F. Johnson

For many, the arts and sciences stand at opposite ends of an unbridgeable divide: the sciences, rigid, objective, systematic and authoritative; the arts, fluid, subjective, dynamic and capricious. Yet, there is a long history of productive dialogue and interconnection between these fields. Arts-based research represents a particularly fertile form of arts/science interaction. This paper interweaves poetry, theoretical discussion and empirical research to make the case for spoken word poetry as an arts-based method of inquiry that can provide a radically different way of doing, being and collaborating in and through research. With reference to the innovative method of ‘collaborative poetics’ and to the work of youth slam/spoken word educators, I argue that social scientists and spoken word practitioners can learn much from one another’s tools, techniques and ways of thinking, creating new forms of knowledge, redefining the audience/author relationship, and facilitating a ‘critical resilience’ which enables both individual fortitude in the face of adversity and a means through which to challenge the conditions that give rise to this adversity. The paper thus considers how spoken word as participatory poetic inquiry enables participants, researchers and poets to address the critical complexities and challenges of contemporary life.


2020 ◽  
Vol 19 ◽  
pp. 160940692090724
Author(s):  
Ilyana Janis ◽  
Maizam Alias ◽  
Muhammad Zulkipli ◽  
Firdaus Muhammad-Sukki

Industry 4.0 is viewed as a complex scenario. This complex scenario could be interpreted using illustrations such as sketches or drawings. Ideally, sketches and drawings are useful in illustrating complexity and multiple abstracts from observed social reality. The use of illustrations allows novice qualitative researchers to explore observed social reality in depth with less linear insight. However, few scholars mention the use of illustrations at the research planning stage because most sketches and drawings have been used as tools during data collection merely to understand an interviewee’s perspective. Therefore, this article aims to demonstrate the use of illustrations as a tool to facilitate the research process from problem identification to the selection of the qualitative research methodology. Five specific purposes of illustration that significantly contribute to the body of knowledge for effective decision making and are useful tools in delivering information are demonstrated in this article. Based on the illustrations demonstrated in this article, the most appropriate qualitative research methodology is the case study. Overall, the proposed use of illustrations can assist a novice qualitative researcher in determining the appropriate epistemological and ontological stances, as well as their methodology and method, more effectively.


2015 ◽  
Vol 47 (1) ◽  
pp. 7-22
Author(s):  
Natasa Matovic

The mixed methods research, as a new type of research, is discussed in the context of re-examining the relation between the two approaches, i.e. the possibility of not opposing, but connecting, combining and integrating them within research. The possibility to use such grounding in research as well could be quite important for pedagogy since the nature of the examined phenomena in this field is such that the majority has both quantitative and qualitative aspects. In order to explain the essence of a mixed methods research, the paper analyses its characteristics, first of all, what elements are combined, what is the nature of the relation between the combined elements and why they are combined, as well as its advantages and difficulties in application. The essential thing in a mixed methods research is the fact that combining refers to the research process as a whole, including the ontological and epistemological assumptions it is based on, which implies that the elements that are combined are understood rather broadly. The advantages and difficulties in application are considered in the context of the discussion of the possibility to combine all research elements, neutralise the limitations of quantitative and qualitative research methodology, implement the complex combining procedures etc.


Author(s):  
Susan Manning

This article illustrates how the author engaged in a collaborative poetry-making process with two participants, Margaret and Mary, in this feminist qualitative research study exploring women’s experiences of displacement, as loss of sense of place, in Newfoundland, Canada. The author evaluates some of the key successes of this type of process, including credible representation of participants’ experiences and reciprocity in the research process, as well as some of the methodological and philosophical tensions surrounding co-writing with participants that emerged during the poetry process. This article will be of particular interest to researchers and students who are looking for ways to collaborate with participants in crafting poems about their lived experience in poetic inquiry work.


Al-Burz ◽  
2019 ◽  
Vol 11 (1) ◽  
pp. 88-97
Author(s):  
Aysha Wahab

Brahui fiction has its dimensions, beside Novel, Short Story and Drama, the fourth part of Brahui fiction is known as “Inshaeya”. The word inshaeya can be translated as Essay. It can be describing as the shortest form of Short Story. the Brahui essay is a part of fiction. The purpose of writing this title is to identify social issues of the community in inshaeya. the history of shortest short story in Brahui commenced from 1960. When “Shirookh” published by Mr. Kamil-ul- Qadri, the decade of 60ties opened corridor for Brahui Inshaeya, after Qadri the local writers had worked on inshaeya. it is a part of Brahui fiction now. This paper has it objected to identified the inshaeya that the social problems have been addressed in. a qualitative research methodology has been adopted to complete this paper, the mod of this paper by topic is descriptive research. And the secondary source of data has been used and it has limited with the work of Mr. Kamil-ul-Qadri, Haji Abdul Latif Bangulzai, Prof. Khudaedad Gul, Mr. Arif Zia and Mr. Ghamkhwar Hayat in premises of Sarawan. This ends with the question why the work on ishaeya is slow in Brahui then the Short Story.


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