scholarly journals The Experimental Narrative Strategies of the British 1990s' In-yer-face Theatre -Centering on Martin McDonagh's The Beauty Queen of Leenane, Mark Ravenhill's Shopping and Fucking, and Sarah Kane's Cleansed-

2008 ◽  
Vol null (35) ◽  
pp. 249-306
Author(s):  
최영주
Keyword(s):  
Narrative Strategies ◽  
Experimental Narrative

Introduction: Religion, the Egyptian Novel and the New Literary Sensibility

2019 ◽  
pp. 112-121
Author(s):  
Christina Phillips
Keyword(s):  
Narrative Strategies ◽  
Cultural Shifts ◽  
Experimental Narrative ◽  
Cultural Developments

Having discussed the religious/secular dialectic at length in Part One, this chapter sets the scene for the Egyptian novel’s engagements with religion post-1967. It discusses literary developments in the Egyptian novel from the late 1960s, specifically the turathi trend and ascendance of experimental narrative strategies, in the context of wider cultural shifts around this time, including the religious resurgence, and considers how these literary and cultural developments affected the representation of religion on the pages of the Egyptian novel.

Géographie et cartographie fictionnelles dans l’Utopie (1516) de Thomas More

Moreana ◽  
2010 ◽  
Vol 47 (Number 181- (3-4) ◽  
pp. 9-68
Author(s):  
Jean Du Verger
Keyword(s):  
Complex Network ◽  
Narrative Strategies ◽  
Thomas More ◽  
The Third ◽  
Editio Princeps ◽  
Shed Light ◽  
The Way

The philosophical and political aspects of Utopia have often shadowed the geographical and cartographical dimension of More’s work. Thus, I will try to shed light on this aspect of the book in order to lay emphasis on the links fostered between knowledge and space during the Renaissance. I shall try to show how More’s opusculum aureum, which is fraught with cartographical references, reifies what Germain Marc’hadour terms a “fictional archipelago” (“The Catalan World Atlas” (c. 1375) by Abraham Cresques ; Zuane Pizzigano’s portolano chart (1423); Martin Benhaim’s globe (1492); Martin Waldseemüller’s Cosmographiae Introductio (1507); Claudius Ptolemy’s Geographia (1513) ; Benedetto Bordone’s Isolario (1528) ; Diogo Ribeiro’s world map (1529) ; the Grand Insulaire et Pilotage (c.1586) by André Thevet). I will, therefore, uncover the narrative strategies used by Thomas More in a text which lies on a complex network of geographical and cartographical references. Finally, I will examine the way in which the frontispiece of the editio princeps of 1516, as well as the frontispiece of the third edition published by Froben at Basle in 1518, clearly highlight the geographical and cartographical aspect of More’s narrative.

Narrative strategies and illusion of reality in reality entertainment program : tvN’s

2017 ◽  
Vol 50 ◽  
pp. 79-108
Author(s):  
Hwan-Hee Kim ◽  
Hoon-Soon Kim
Keyword(s):  
Narrative Strategies

Explanation and Understanding in Animal Narratives

2018 ◽  
Author(s):  
David Herman
Keyword(s):  
Mental State ◽  
Paradigm Shifts ◽  
Top Down ◽  
Bottom Up ◽  
Human Behaviors ◽  
Discourse Practices ◽  
Strategic Oscillation ◽  
Experimental Narrative ◽  
The Way

With chapter 6 having described the way norms for mental-state ascriptions operate in a top-down manner in discourse domains, chapter 7 explores how individual narratives can in turn have a bottom-up impact on the ascriptive norms circulating within particular domains. To this end, the chapter discusses how Thalia Field’s 2010 experimental narrative Bird Lovers, Backyard employs a strategic oscillation between two nomenclatures that can be used to profile nonhuman as well as human behaviors: (1) the register of action, which characterizes behavior in terms of motivations, goals, and projects; and (2) the register of events, which characterizes behavior in terms of caused movements that have duration in time and direction in space. In braiding together these two registers, Field’s text suggests not only how discourse practices can be repatterned, but also how such repatterning enables broader paradigm shifts—in this case shifts in ways of understanding cross-species encounters and entanglements.

Staging Romance

2017 ◽  
Author(s):  
Laurence Publicover
Keyword(s):  
Early Modern ◽  
Narrative Strategies ◽  
Early Modern Theatre ◽  
Spatial Grammar ◽  
History Of ◽  
The Ideal

This chapter explores the mostly overlooked history of romance on the early modern stage. Analysing the geographies of two little-known plays, Clyomon and Clamydes (1580s?) and Guy of Warwick (early 1590s?), it argues that, in its imaginative openness and its flexible staging of space, the early modern theatre was the ideal environment in which to stage romance’s extravagant spatial and ethnographical imaginings. Further, the chapter demonstrates how a theatrical tradition of clowning enabled these late-Elizabethan dramas to contest the values of the very romance-worlds they had established. It closes with a fresh reading of Francis Beaumont’s parody of romance, The Knight of the Burning Pestle, arguing that the play satirizes dramatic romance’s spatial grammar as well as its narrative strategies.

Transnational Precursors of American Realism

2019 ◽  
pp. 17-39
Author(s):  
Renate von Bardeleben
Keyword(s):  
Gustave Flaubert ◽  
Honore De Balzac ◽  
Formative Period ◽  
Guy De Maupassant ◽  
Narrative Strategies ◽  
New Techniques ◽  
Fyodor Dostoevsky ◽  
Industrial Age ◽  
The Social ◽  
American Authors

This chapter concentrates on European realist innovators—Björnstjerne Björnson, Ivan Turgenev, Leo Tolstoy, Fyodor Dostoevsky, Honoré de Balzac, Gustave Flaubert, Guy de Maupassant—and their effect on the formative period of American realism. It studies in detail the transatlantic development of new techniques and discusses the ways in which these new methods were reflected in the works of American authors and critics. Inspired by the theories and practice of their precursors, American writers felt liberated to introduce new narrative strategies to represent America’s rising urbanism, the struggles of the social classes, and the increase of social mobility in the industrial age. They also dealt with the emancipated “New Woman” and the changing relationship between the sexes. The guiding principles on which writers on both sides of the Atlantic agreed were truth, sincerity, and frankness.

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