scholarly journals Rediscovering the Tradition of Painted Caribou Belongings in Eeyou Istchee: A Community-Based and Community-Led Research Project

2021 ◽  
Vol 5 (1) ◽  
Author(s):  
◽  
Margaret Orr ◽  
Natasia Mukash ◽  
Paula Menarick
Keyword(s):  
Knowledge Creation ◽  
Community Based ◽  
Research Project ◽  
The Core ◽  
The Arts ◽  
Canada Council ◽  
Eighteenth And Nineteenth Centuries

One of the core programming goals at Aanischaaukamikw Cree Cultural Institute is to rediscover, relearn, and reintroduce the traditions of our historic belongings through the display, study, and research of belongings currently cared for by museums outside our region. In 2017, we received funding from the Canada Council of the Arts for a multi-year research and knowledge creation project, "Rediscovering the Tradition of Painted Caribou Coats in Eeyou Istchee." Our project brought Eeyou knowledge together with surviving examples of painted caribou coats and accessories from the eighteenth and nineteenth centuries usually referred to, and classified as, "Naskapi" by museums and "experts" outside our region.

Risk Attitudes and Behavior Among Norwegian Adolescents

2005 ◽  
Vol 10 (1) ◽  
pp. 25-38 ◽  
Author(s):  
Hilde Iversen ◽  
Torbjørn Rundmo ◽  
Hroar Klempe
Keyword(s):  
Public Health ◽  
Traffic Safety ◽  
Behavior Modification ◽  
Health Programs ◽  
Risk Attitudes ◽  
Community Based ◽  
Public Health Programs ◽  
The Core ◽  
And Behavior ◽  
Attitudes And Behavior

Abstract. The core aim of the present study is to compare the effects of a safety campaign and a behavior modification program on traffic safety. As is the case in community-based health promotion, the present study's approach of the attitude campaign was based on active participation of the group of recipients. One of the reasons why many attitude campaigns conducted previously have failed may be that they have been society-based public health programs. Both the interventions were carried out simultaneously among students aged 18-19 years in two Norwegian high schools (n = 342). At the first high school the intervention was behavior modification, at the second school a community-based attitude campaign was carried out. Baseline and posttest data on attitudes toward traffic safety and self-reported risk behavior were collected. The results showed that there was a significant total effect of the interventions although the effect depended on the type of intervention. There were significant differences in attitude and behavior only in the sample where the attitude campaign was carried out and no significant changes were found in the group of recipients of behavior modification.

Determination of core zone of marine sanctuary in Bahoi Village, North Minahasa Regency

2013 ◽  
pp. 10
Author(s):  
Sonny Tasidjawa ◽  
Stephanus V Mandagi ◽  
Ridwan Lasabuda
Keyword(s):  
Conventional Method ◽  
Local Community ◽  
Marine Protected Area ◽  
Final Decision ◽  
Marine Biota ◽  
Small Community ◽  
Community Based ◽  
Simple Method ◽  
Core Zone ◽  
The Core

Bahoi village is located in West Likupang District of North Minahasa Regency. It is one of the villages that is included in the conservation network of North Sulawesi Province. A marine sanctuary has been established in this village in 2003 and it has been managed by local community, known as community-based marine sanctuary management, since then, this sanctuary has been in operation. As a small community-based marine protected area with lots of users, it requires an appropriate method to determine the Core Zone that allows an effective preservation of the marine biota. This is the driving factor of this study.  The purpose of this study is to examine the processes and output of determining the core zone of a Marine Sanctuary using a conventional method and Marxan Method. The conventional method is a simple method in determining a core zone such as using manta tow technique. While Marxan, it only requires input of data such as spatial and figures to generate information for determining the core zone. After comparing the processes of these two methods in the study site, it was found that Marxan method was more effective and more accurate with lower costs than the conventional one. In addition, the final decision of the core zone depended on the outcome of the village meetings when the conventional method was applied. This long process could be avoided when Marxan method was used. Therefore, it is highly recommended to use Marxan in determining core zones© Desa Bahoi terletak di Kecamatan Likupang Barat Kabupaten Minahasa Utara. Desa ini merupakan salah satu desa yang masuk dalam jejaringan kawasan konservasi di Provinsi Sulawesi Utara. Sebuah Daerah Perlindungan Laut telah didirikan di desa ini pada tahun 2003 dan dikelolah oleh masyarakat setempat, yang dikenal sebagai pengelolaan Daerah Perlindungan Laut Berbasis Masyarakat, sejak saat itu Daerah Perlindungan Laut ini telah beroperasi. Sebagai Daerah Perlindungan Laut Berbasis Masyarakat yang kecil namun memiliki banyak pengguna, diperlukan metode tepat yang akan menentukan Zona Inti yang memungkinkan pelestarian biota laut menjadi sangat efektif. Ini adalah faktor pendorong dari penelitian. Selanjutnya, tujuan dari penelitian ini adalah untuk mengkaji proses dan hasil penentuan zona inti Daerah Perlindungan Laut dengan menggunakan metode konvensional seperti survei manta tow dan marxan. Metode konvensional adalah metode sederhana dalam menentukan zona inti seperti teknik manta tow. Sedangkan marxan, hanya perlu memasukan data seperti spasial dan angka untuk menghasilkan informasi penentuan zona inti. Setelah membandingkan proses dari dua metode di lokasi penelitian, ditemukan bahwa metode marxan jauh lebih baik dari pada metode konvensional, karena lebih efektif, lebih akurat dengan biaya yang lebih rendah. Selain itu, keputusan akhir dari zona inti tergantung pada hasil rapat desa ketika metode konvensional diterapkan, proses panjang ini dapat dihindari jika metode marxan digunakan©

scholarly journals Being-with: Access to Relation, Participation, and Togetherness in Contemporary Art

2017 ◽  
Vol 6 (1) ◽  
Author(s):  
Tony Valberg
Keyword(s):  
Contemporary Art ◽  
Social Space ◽  
Small Town ◽  
Art Practice ◽  
Research Project ◽  
Relational Practices ◽  
The Arts ◽  
The Social ◽  
Specific Setting

Being-with is an artistically based research project aimed at applying and studying participatory and relational practices within the arts as well as addressing the esthetical and ethical questions that such practices generate. The participants in Being-with – researchers and artists as well as children, parents, grandparents, siblings and other residents in the small town of Høvåg in Norway – gathered weekly for half a year to experience how aesthetic production may interact with social space and vice versa. The article reflects on what consequences such interaction may have for the conception of art, and its arenas and agendas … when we consider art not only as a reflection of our lives, but also as an agent shaping our lives and changing the social surroundings we are part of. The article relates discourses of aesthetics penned by continental philosophers over the last 50 years to a specific setting in a Nordic contemporary art practice.

The French Language in Russia

2018 ◽  
Author(s):  
Derek Offord ◽  
Vladislav Rjéoutski ◽  
Gesine Argent
Keyword(s):  
French Language ◽  
Speech Community ◽  
Historical Sociolinguistics ◽  
Arts And Humanities ◽  
Imperial Russia ◽  
The Arts ◽  
The Social ◽  
National Boundaries ◽  
Eighteenth And Nineteenth Centuries ◽  
The Uk

-- With support from the Arts and Humanities Research Council of the UK and the Deutsches Historisches Institut Moskau -- The French Language in Russia provides the fullest examination and discussion to date of the adoption of the French language by the elites of imperial Russia during the eighteenth and nineteenth centuries. It is interdisciplinary, approaching its subject from the angles of various kinds of history and historical sociolinguistics. Beyond its bearing on some of the grand narratives of Russian thought and literature, this book may afford more general insight into the social, political, cultural, and literary implications and effects of bilingualism in a speech community over a long period. It should also enlarge understanding of francophonie as a pan-European phenomenon. On the broadest plane, it has significance in an age of unprecedented global connectivity, for it invites us to look beyond the experience of a single nation and the social groups and individuals within it in order to discover how languages and the cultures and narratives associated with them have been shared across national boundaries.

Applauders and authors: Notes on the profits and losses of audience engagement

2020 ◽  
Vol 6 (1) ◽  
pp. 27-37 ◽  
Author(s):  
Sophie Purchase
Keyword(s):  
Social Practice ◽  
Collaborative Work ◽  
Art World ◽  
Community Based ◽  
Audience Engagement ◽  
Building Relationships ◽  
Positive Effects ◽  
High Profile ◽  
The Arts ◽  
Venice Biennale

Social practices, whether described as socially-engaged, participatory or community-based, share the potential to transform audience members into active participants in an artwork or project. However, the purpose of this public engagement is sometimes in conflict with the private experience of the viewer, constructing a complex relationship between audience, artist and gallery. Beginning by contextualizing the historic position of the audience in relation to the arts, the present article uses this as grounding to unpick elements of the dynamic which exist today. ‘The audience’ investigates the reported social benefits of engaging in the arts, questioning how evidence of these positive effects is reported and judged. This article exemplifies Marcelo Sánchez-Camus’ work with patients in palliative care and Spacemakers’ community-based projects as artworks intended to instigate positive social change. Further, ‘The artist’ explores the relationship between those facilitating these projects and their audience. By breaking down the term ‘audience’ into viewers, participants, collaborators and co-authors, one can use levels of agency to segment those involved and the differing experiences of their involvement. Petra Bauer’s long-term collaborative work with SCOT PEP is used to demonstrate how a group’s agency and stakes within an artwork can be enhanced by building relationships on equal terms. Finally, ‘The gallery’, uses the high-profile examples of Tate Group and Venice Biennale to demonstrate how the more powerful entities in the art world can misrepresent engagement and participation as quantitative markers of success or accessibility. This article ultimately aims to question what motivates the production of social practice and how these entities are important in constituting a successful process and outcome, for audience, artist and institute.

scholarly journals Geomagnetic secular variation

1989 ◽  
Vol 329 (1606) ◽  
pp. 415-502 ◽  
Keyword(s):  
Steady Flow ◽  
Southern Africa ◽  
Secular Variation ◽  
Static Field ◽  
Time Interval ◽  
The Core ◽  
Flow Maps ◽  
The Pacific ◽  
Construct Maps ◽  
Eighteenth And Nineteenth Centuries

We analyse over 175000 magnetic observations from an interval spanning 1695-1980 to produce a sequence of maps of the magnetic field at the core-mantle boundary; we find that even the earlier data enable us to determine reliable maps. We produce these maps at approximately 60-year intervals through the eighteenth and nineteenth centuries, and at 10-year intervals in the twentieth century. This span of maps is long enough to render straightforward the distinction between static and drifting features in the field: we observe that some features show no sign whatsoever of drift over the entire 285-year time interval, although others drift westwards. In particular, we observe that the secular variation is very low beneath the Pacific ocean, but beneath southern Africa and the South Atlantic ocean we observe rapid secular variation. We interpret the morphology of the static field in terms of a simple model of the dynamo, and conjecture that interactions between the core and the mantle are an important element of the process. As part of the static field we identify four main concentrations of flux, two in each hemisphere, at high latitudes: these features largely account for the Earth’s axial dipole moment. We find unequivocal evidence that magnetic flux has not remained frozen over the time span of our models; much of the diffusive behaviour that we identify is associated with the formation of a pair of flux spots (a ‘core spot’) beneath southern Africa, early in this century. Nevertheless, we are able to construct maps that satisfy a set of necessary conditions for frozen-flux, and use these maps to construct maps of the core surface fluid flow, based on the steady flow hypothesis. Although we find no strong evidence against the steady flow hypothesis, we do find some grounds on which to doubt the validity of the flow maps.

scholarly journals Trust and Witnessing: Lessons for Dance Education / Professional Development in Community

2015 ◽  
Vol 9 (1) ◽  
pp. 249-265
Author(s):  
Miriam Torzillo
Keyword(s):  
Primary Schools ◽  
Dance Education ◽  
Summer Institute ◽  
Embodied Experience ◽  
Community Based ◽  
Dance Company ◽  
The Arts ◽  
Education Professional Development ◽  
Arts Curriculum ◽  
Rare Opportunity

Dance education is rarely taught in Australian primary schools. A National Arts curriculum was published online in 2014, and ready for implementation the following year. Therefore schools and teachers will be looking for models and frameworks that will help them implement the arts, including dance. The author experienced the work of the community-based dance company Dance Exchange during a summer institute in 2013. For a teacher of dance in a relatively isolated regional town, taking part in the summer institute was a rare opportunity to nourish creative inspiration and a reminder of the importance of the collaborative creative process and the embodied experience within Dance Education.

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