scholarly journals I. In the time of the others : a novel ; II. Out of east Pakistan : postcolonial colony Bangladesh as a case study of postcolonial state and postcolonial nation-state from east Pakistan to independence through the liberation war of 1971 : a critical analysis.

2017 ◽  
Author(s):  
Nadeem Zaman
2013 ◽  
Vol 1 (1) ◽  
pp. 15-24
Author(s):  
Alex Christison

The author of this paper investigates how blood has been constructed as a gendered and heteronormative cultural product, explored through the use of critical analysis of historical and contemporary uses of blood. Heteronormativity and the fallacy of discrete sexes are then defined and explored to give context to the argument. It is found that through gendering under the two-sex model of opposing male and female sexes, blood is heteronormative. A case study of Canadian Blood Services was used to show how governance is enacted based upon the limitation of a heteronormative construction. This argument is bolstered in a theoretical discussion of the nation-state and the creation of the archetypical citizen, part of which is a compulsory heterosexuality.


2017 ◽  
Vol 8 (1) ◽  
pp. 565-570
Author(s):  
Remmy Shiundu Barasa

Colonialism and its legacy continue to inspire a lot of debate among literary critics and theorists. Moses Isegawa’s novel, Abyssinian Chronicles, weaves interconnecting personal narratives which help illuminate the larger national stories of the postcolony nation-state, Uganda. The novel, through gendered narrativization, tells stories that represent Uganda’s socio-economic, cultural and political postcolonial state. Through close reading and critical analysis, this paper focuses on (re)construction of the postcolony by relying on the memory of the gendered subjectivities in the story. The chapter directs us to narratological, post-colonial and feminist literary critiques in which the narrative demonstrates its repudiations of stereotypes and reconfigurations of gender identities as part of an agent undertaking to recover the distinctive tradition of both the African man and woman.


2010 ◽  
Vol 42 (2) ◽  
pp. 293-323 ◽  
Author(s):  
SARAH A. RADCLIFFE

AbstractStarting from an understanding that maps of an entire nation-state territory reflect and regulate state projects and expressions of national identity, rather than providing detailed technical information for decision making, this paper examines the national maps of race/ethnicity produced under Ecuador's state-led multiculturalism. Using national-scale cartography as a means to examine contested processes of rearticulating state, citizen and nation, the paper analyses recent transformations in cartography, nation building and geographical knowledge in Ecuador. Directing a critical analysis towards the ways maps of indigenous populations are produced, circulated, authorised and read provides a distinctive lens by which to explore postcolonial questions of belonging, rights and presence. The paper discusses how, despite the emergence of innovative maps, the plurinational project envisaged by indigenous cartographers remains stymied by a series of material, cultural and postcolonial limitations.


2018 ◽  
Vol 33 (4) ◽  
pp. 1159-1177 ◽  
Author(s):  
Rahab Mbau ◽  
Edwine Barasa ◽  
Kenneth Munge ◽  
Stephen Mulupi ◽  
Peter K. Nguhiu ◽  
...  

2021 ◽  
Author(s):  
◽  
Celia Andrea Mallory Austin

<p>The act of displaying artwork and art objects in academic libraries has been called both a “natural idea and common practice” (Cirasella and Deutsch, 2012, p. 2), but this position lacks a considered and critical analysis. The motivation for displaying artwork in academic libraries and an evaluation of its impact on the library environment, as perceived by librarians, similarly lacks meaningful examination. This absence of previous inquiry provides a major stimulus for this research project, which uses a case study approach to examine and explore the ‘natural’ preoccupation for displaying artwork in academic libraries, and additionally considers such environments as public art spaces.</p>


2021 ◽  
Vol 10 (3) ◽  
pp. 99-116
Author(s):  
Łukasz Kurowski

Abstract While the legitimacy of the concept of the financial cycle (as distinct from the business cycle) in research and economic policy after the experience of the global financial crisis raises no concerns, the methodology for its application has become a subject of discussion. The purpose of this article is to indicate which research methods dominate in identifying a financial cycle and which methodological traps accompany them. The low level of critical perspective on the methods used to identify cycles often results in conclusions that have no economic justification and may result in erroneous decisions in economic policy and central bank practice. The case study carried out in the article confirms that the key elements in identifying a financial cycle are part of a long-term series covering at least two lengths of the financial cycle. In addition, because the results may be sensitive to the type of filter used, it is important not to rely on a single variable but rather to build indexes that take into account a number of them (including those obtained using filtration methods).


2020 ◽  
Vol 2 ◽  
pp. 93-109
Author(s):  
Marta Salvador i Almela ◽  
Núria Abellan Calvet

Currently, many are the phenomena that occur around intangible cultural heritage (ICH), related to its politics and legacy. With a critical analysis perspective, this article aims to describe the processes of patrimonialisation, commodification, and touristification of ICH, especially of the Guatemalan Mayan fabrics. The ongoing movement of Guatemalan weavers to protect and vindicate the cultural value of this art brings to light the role of different actors that intervene in intangible cultural heritage and, of greater relevance, indigenous communities. The following analysis framework on the diverse conceptualisations of heritage, authenticity, commodification and touristification allows for a deeper understanding of the Mayan weavers’ situation. The methodology used in this article consists on a case study, through which the following main conclusions arise: the lack of protection of ICH of this case study given the complex definitions and categorisations; the need to identify the consequences of commodification and touristification of ancestral tapestries, highlighting the importance of tourism management from the communities; and, finally, the key role of women as transmitters and protectors of ICH, who have headed a process of movement and empowerment.


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