scholarly journals Kultura udomowiona a nowe technologie

2021 ◽  
Vol 13(49) (1) ◽  
pp. 51-72
Author(s):  
Stanisław Jędrzejewski
Keyword(s):  
United States ◽  
New York ◽  
Popular Culture ◽  
Cultural Heritage ◽  
New Technologies ◽  
The United States ◽  
Film Production ◽  
Online Environment ◽  
Heritage Sites ◽  
The Media

Although the restrictions associated with the COVID-19 pandemic significantly reduced or completely eliminated the manifestations of artistic life, human ingenuity and simply necessity made it possible to transfer many offline cultural events and events to the online environment. Free online broadcasts from concerts such as the Berlin Philharmonic, opera performances from the New York Metropolitan, as well as theater and music concerts have gained in popularity worldwide. Film production companies have begun to make films available online. The offer of video or VOD (Netflix, YouTube, Twitch, Showmax, Paramount Play) has increased (Upper, 2020). Because, at least in the first phase of the pandemic, the revenue from the cinemas fell, VOD services could watch hits, e.g. in the United States — Emma, and in Poland — Hejter. Virtual tours were offered by well-known museums, such as the Louvre in Paris and international cultural heritage sites, including the Roman Colosseum. Since the outbreak of the epidemic there has also been a rapid increase in online gaming traffic. Finally, after the total suspension, sports competitions, e.g. football matches, came back, but without the participation of the fans, albeit like stand-ups with played recordings of the stadium’s fans’ reactions. In this way, what we call entertainment or popular culture has been domesticated and is done through the media. In this article I review the possibilities that new technologies now offer for domesticated culture in new circumstances forced by a pandemic COVID-19.

Applying the Devil's Works in a Holy Cause: Working-Class Popular Culture and the Salvation Army in the United States, 1879-1900

1997 ◽  
Vol 7 (2) ◽  
pp. 195-223
Author(s):  
Lillian Taiz
Keyword(s):  
United States ◽  
New York ◽  
New York City ◽  
Popular Culture ◽  
York City ◽  
The United States ◽  
Salvation Army ◽  
Public Meeting ◽  
The Many ◽  
Sunday Evening

Forty-eight hours after they landed in New York City in 1880, a small contingent of the Salvation Army held their first public meeting at the infamous Harry Hill's Variety Theater. The enterprising Hill, alerted to the group's arrival from Britain by newspaper reports, contacted their leader, Commissioner George Scott Railton, and offered to pay the group to “do a turn” for “an hour or two on … Sunday evening.” In nineteenth-century New York City, Harry Hill's was one of the best known concert saloons, and reformers considered him “among the disreputable classes” of that city. His saloon, they said, was “nothing more than one of the many gates to hell.”

scholarly journals Politicizing Religion

2021 ◽  
pp. 73-99
Author(s):  
Uta A. Balbier
Keyword(s):  
United States ◽  
New York ◽  
World War Ii ◽  
Cold War ◽  
The United States ◽  
World War ◽  
The United Kingdom ◽  
The Media ◽  
Media Discourses ◽  
The Cold War

This chapter defines Graham’s crusades in the United States, Germany, and the United Kingdom in the 1950s as powerful cultural orchestrations of Cold War culture. It explores the reasons of leading political figures to support Graham, the media discourses that constructed Graham’s image as a cold warrior, and the religious and political worldviews of the religious organizers of the crusades in London, Washington, New York, and Berlin. In doing so, the chapter shows how hopes for genuine re-Christianization, in response to looming secularization, anticommunist fears, and post–World War II national anxieties, as well as spiritual legitimizations for the Cold War conflict, blended in Graham’s campaign work. These anxieties, hopes, and worldviews crisscrossed the Atlantic, allowing Graham and his campaign teams to make a significant contribution to creating an imagined transnational “spiritual Free World.”

For Better or Worse: How Political Consultants are Changing Elections in the United States

2006 ◽  
Vol 39 (2) ◽  
pp. 446-448
Author(s):  
Kim Speers
Keyword(s):  
United States ◽  
New York ◽  
The United States ◽  
Political Campaigns ◽  
The Political ◽  
State University ◽  
Political Consultants ◽  
The Us ◽  
Science Community ◽  
The Media

For Better or Worse: How Political Consultants are Changing Elections in the United States, David Dulio, Albany: State University of New York Press, 2004, pp. xvii, 289.During the 2004 federal election, the media shone light on the political consultants who were reportedly affiliated or somehow related to Paul Martin's election campaign. By their account, the traditional party machine, often viewed to be the primary, if not the only, actor in political campaigns in Canada, seemed to have taken a backseat to the expensive, polished and professional campaign machinery the private sector had to offer. Campaign management through consultancy was now publicly visible in Canada and reliance on the party machine, while still important, seemed to face competition in terms of expertise and proximity to power. However, the study of political campaigns and specifically, the role of political consultants within campaigns, has received sparse attention from the political science community outside of the United States. Yet even in the US, in spite of the prevalent and pervasive presence of political consultants in electoral politics, the study of this group is relatively new.

Reproducing Carmen in the United States

2018 ◽  
Author(s):  
Michael Christoforidis
Keyword(s):  
United States ◽  
New York ◽  
Twentieth Century ◽  
New Technologies ◽  
Film Industry ◽  
The United States ◽  
Silent Film ◽  
American Opera ◽  
Carl Van Vechten

Chapter 9 explains that Carmen proved an ideal vehicle for the new technologies of the twentieth century, embraced by the new recording artists whose prestige was borrowed from the operatic world. The young American opera star Geraldine Farrar, building on the legacies of Emma Calvé and Maria Gay, enjoyed an unprecedented and unmistakably modern celebrity as Carmen, born of her ability to exploit the confluence of operatic performance, recordings, and the silent film industry. In this context, the Metropolitan Opera’s attempt to stage a genuine Spanish opera in the guise of Enrique Granados’s Goyescas was undermined by comparison with the vibrant New York traditions of Carmen in the winter of 1915–16, when the fashion for all things Spanish was so intense that Carl Van Vechten dubbed it “the Spanish blaze.”

A Time of War, and A Time of Peace

2012 ◽  
pp. 266-283
Author(s):  
Joseph Krauskopf
Keyword(s):  
United States ◽  
New York ◽  
New York Times ◽  
The United States ◽  
Special Services ◽  
The World ◽  
Religious Associations ◽  
The Media

This chapter provides Joseph Krauskopf's discourse regarding war. It was delivered after the United States Congress's formal declaration of war against Spain. The theological underpinning of his sermon is a reassertion of a traditional providential view of God in control of history, patient with Spain despite its many sins (going back at least four centuries), yet certain to punish the unrepentant sinning nation to reassert justice in the world. Two powerful rhetorical passages build to the climax of the sermon. The first is based on a pronounced use of anaphora and parallelism. The second was apparently triggered by the media, as a New York Times article stated that women of the Spanish aristocracy were ‘organizing religious associations, under the auspices of the Bishops, for the purpose of holding, day and night, special services of prayer for the success of the Spanish arms’.

scholarly journals US alt-right media and the creation of the counter-collective memory

2019 ◽  
Vol 4 (1) ◽  
pp. 77-91 ◽  
Author(s):  
Krzysztof Wasilewski
Keyword(s):  
United States ◽  
New York ◽  
Collective Memory ◽  
Critical Analysis ◽  
New York Times ◽  
The United States ◽  
Far Right ◽  
The Media ◽  
The Creation ◽  
Tv Shows

The media play an important role in shaping the collective memory of their users. Popular movies, TV shows or commemorative newspaper texts influence the ways in which people remember and forget. Many scholars have attempted to describe this connection; however, little attention has so far been paid to alternative media. This article aims to analyse the features of the collective memory constructed by the media associated with the so-called alt-right (alternative right) movement in the United States. I argue that far-right media produce an ethnically exclusive collective memory, which consequently aims to counter the mainstream collective memory. The findings of this study come from the critical analysis of how the New York Times and Breitbart News engaged in a nationwide discussion on the Confederacys legacy that ensued in August 2017 after the decision to remove the Robert E. Lee monument in Charlottesville, VA and the mass protests that soon followed.

Media and Mayhem in Corrections: The Role of the Media in Prison Riots

1996 ◽  
Vol 76 (4) ◽  
pp. 420-441 ◽  
Author(s):  
SUE MAHAN ◽  
RICHARD LAWRENCE
Keyword(s):  
United States ◽  
New York ◽  
New Mexico ◽  
Significant Role ◽  
Media Coverage ◽  
The United States ◽  
Santa Fe ◽  
The Media ◽  
Prison Riots

Three of the most infamous prison riots in the United States took place in Attica, New York; Santa Fe, New Mexico; and Lucasville, Ohio in 1971, 1980, and 1993, respectively. Although an examination of the three riots reveals differences in the uprisings, there are important similarities in the underlying conditions behind them. Analysis of the three riots shows the significant role played by representatives of the media both in negotiating with inmates and taking back the three institutions. In this article, the authors discuss the influence and effect of media coverage on prison riots based on what was learned from the participation of the media in the Attica, Santa Fe, and Lucasville uprisings.

scholarly journals The Normative World of Memes: Political Communication Strategies in the United States and Ecuador

2022 ◽  
Vol 3 (1) ◽  
pp. 40-51
Author(s):  
Marco López-Paredes ◽  
Andrea Carrillo-Andrade
Keyword(s):  
United States ◽  
Social Media ◽  
Popular Culture ◽  
Political Communication ◽  
The United States ◽  
Public Values ◽  
Public Discussion ◽  
Multimodal Analysis ◽  
The Media ◽  
Convergence Model

The media convergence model presents an environment in which everyone produces information without intermediates or filters. A subsequent insight shows that users (prosumers) —gathered in networked communities—also shape messages’ flow. Social media play a substantial role. This information is loaded with public values and ideologies that shape a normative world: social media has become a fundamental platform where users interact and promote public values. Memetics facilitates this phenomenon. Memes have three main characteristics: (1) Diffuse at the micro-level but shape the macrostructure of society; (2) Are based on popular culture; (3) Travel through competition and selection. In this context, this paper examineshow citizens from Ecuador and the United States reappropriate memes during a public discussion? The investigation is based on multimodal analysis and compares the most popular memes among the United States and Ecuador produced during the candidate debate (Trump vs. Biden [2020] and Lasso vs. Arauz [2021]). The findings suggest that, during a public discussion, it is common to use humor based on popular culture to question authority. Furthermore, a message becomes a meme when it evidences the gap between reality and expectations (normativity). Normativity depends on the context: Americans complain about the expectations of a debate; Ecuadorians, about discourtesy and violence.

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