The Nature of Spatial and Social Structures: Christopher Alexander and the Development of Modeling Frameworks for Urban Policy Contexts

2018 ◽  
Vol 4 (2) ◽  
Author(s):  
Milton J. Friesen
Keyword(s):  
Urban Policy ◽  
Social Structures ◽  
Christopher Alexander

«Roses» and «thorns» of the international division of labor: dialogue with history and modernity

2020 ◽  
Vol 19 (3) ◽  
pp. 209-221
Author(s):  
E. A. Ponuzhdaev ◽  
Tatiana A. Shpilkina
Keyword(s):  
Division Of Labor ◽  
Social Structures ◽  
The European Union ◽  
International Division ◽  
National Division ◽  
World Markets ◽  
European Union Countries ◽  
Key Indicators ◽  
Trade Wars ◽  
International Division Of Labor

The authors considered historical and topical issues of the international division of labor (MRT). The analysis and parallel of MRI data by ancient scientists, researchers, scientists and experts of the XVIII, XIX, and XXI centuries. On the example of the European Union countries Greece, Spain and Portugal, the analysis of GDP, wages and unemployment as key indicators that characterize the economy of countries is carried out. The historical «cycle» of social structures is given and the dynamics of the ratio of the upper (B), middle (C) and lower (H) classes is shown. It shows the current problems of world markets, taking into account sanctions, trade wars and the consequences of the pandemic. Prospects for the national division of labor (NDT) are defined.

On Haslanger’s Meta-Metaphysics: Social Structures and Metaphysical Deflationism

Disputatio ◽  
2018 ◽  
Vol 10 (50) ◽  
pp. 201-216
Author(s):  
E. Díaz-León
Keyword(s):  
Social Structures ◽  
Gender And Race ◽  
Area Of Concern ◽  
Analytic Metaphysics

Abstract The metaphysics of gender and race is a growing area of concern in contemporary analytic metaphysics, with many different views about the nature of gender and race being submitted and discussed. But what are these debates about? What questions are these accounts trying to answer? And is there real disagreement between advocates of differ- ent views about race or gender? If so, what are they really disagreeing about? In this paper I want to develop a view about what the debates in the metaphysics of gender and race are about, namely, a version of metaphysical deflationism, according to which these debates are about how we actually use or should use the terms ‘gender’ and ‘race’ (and other related terms), where moral and political considerations play a central role. I will also argue that my version of the view can overcome some recent and powerful objections to metaphysical deflationism of- fered by Elizabeth Barnes (2014, 2017).

A FULL HOUSE

2014 ◽  
Vol 8 (2) ◽  
pp. 99
Author(s):  
Jaap Pelgrim Dawson
Keyword(s):  
Christopher Alexander

A fictional child knows which buildings suit him.  He talks with an anthropologist, an historian, an architect, and a depth psychologist:  he wants to know why some buildings suit him while other buildings don’t.  The child’s own experience corresponds with the experience that led Christopher Alexander to undertake his research.  We can recognize this child in ourselves. 

Same Address, Different Doors: Post-Heritage Deconstruction of the Heritage Household in Upstairs Downstairs in the 1970s and 2010s

2020 ◽  
Author(s):  
William Abbiss
Keyword(s):  
Final Section ◽  
Social Structures ◽  
The Third ◽  
The Past ◽  
War Narrative ◽  
Critical History ◽  
The Social ◽  
Fourth Series ◽  
History Of ◽  
Multiple Episodes

This article offers a ‘post-heritage’ reading of both iterations of Upstairs Downstairs: the LondonWeekend Television (LWT) series (1971–5) and its shortlived BBC revival (2010–12). Identifying elements of subversion and subjectivity allows scholarship on the LWT series to be reassessed, recognising occasions where it challenges rather than supports the social structures of the depicted Edwardian past. The BBC series also incorporates the post-heritage element of self-consciousness, acknowledging the parallel between its narrative and the production’s attempts to recreate the success of its 1970s predecessor. The article’s first section assesses the critical history of the LWT series, identifying areas that are open to further study or revised readings. The second section analyses the serialised war narrative of the fourth series of LWT’s Upstairs, Downstairs (1974), revealing its exploration of female identity across multiple episodes and challenging the notion that the series became more male and upstairs dominated as it progressed. The third section considers the BBC series’ revised concept, identifying the shifts in its main characters’ positions in society that allow the series’ narrative to question the past it evokes. This will be briefly contrasted with the heritage stability of Downton Abbey (ITV, 2010–15). The final section considers the household of 165 Eaton Place’s function as a studio space, which the BBC series self-consciously adopts in order to evoke the aesthetics of prior period dramas. The article concludes by suggesting that the barriers to recreating the past established in the BBC series’ narrative also contributed to its failure to match the success of its earlier iteration.

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