scholarly journals How to stop the Turkish Expansion in Europe, or About the Book by Wołodymyr Pyłypenko, In the Face of the Enemy. The AntiTurkish Polish Literature from the Second Half of the 16th and to the First Half of the 17th Century, Published by Napoleon V, Oświęcim 2016, pp. 191

2018 ◽  
Vol 43 ◽  
pp. 379
Author(s):  
Dariusz Kupisz
1978 ◽  
Vol 10 (2) ◽  
pp. 118-129 ◽  
Author(s):  
Charles Carlton

Soon after her husband of thirty-three years died leaving her a wealthy widow of sixty-two with an estate worth some £6,000, Anne Elsdon met Tobias Audley, a widower of twenty-five and keeper of a tobacco shop, whom one witness later described as “a most lewd person, and of no worth.” On July 21, 1624, Audley took the Widow Elsdon and her friend, Martha Jackson, to the Greyhound Tavern in London, where they met Mary Spencer, Margery Terry, Frances Holiday, and Nicholas Cartmell. The first two were common prostitutes, the second two ministers, though, presumably, not of the burning puritan brand. For the next three days all of them plied the Widow Elsdon with some £25 worth of liquor, staggering from tavern to tavern and eventually ending up at the Nags Head in Cheapside. In that appropriately named hostelry Anne consented to marry Tobias Audley. A special license was hurriedly obtained, but not before Widow Elsdon had passed out. So, after trying to revive her with slaps around the face, Mary Spencer, the common whore, said the marriage vows for her. The Reverend Cartmell pronounced Tobias and Anne man and wife, and off the widow was carried to a Blackfriars tavern for her wedding night. After stripping her, Tobias Audley proceeded to strip her estate. He took plate from her house worth £140, and bonds and deeds valued at £3,000, and largely as a result of her traumatic experiences the widow died two years later.


Author(s):  
Dariusz Chemperek

Birds function in Polish literature of Renaissance and Baroque in three paradigms. Mostly they appear as creatures gifted with a symbolic (allegoric) meaning, seen through the prism of the tradition reaching to Aristotle’s Zoology, Physiologist, and later symbological compendia. The second category is describing birds as food or pests (especially in hunting and agricultural literature). Apart from this ‘practical’ paradigm, there is also a third one: birds as a source of an aesthetic thrill, fascination with them includes both lyricism and a ludic element. The first two categories fit into a more general utilitarian paradigm. Handbooks, treaties, sermons, fairy tales, paroemias and animal epigrams showcase birds almost exclusivelyas tools of moral, religious and conventional reflection, or as objects to be obtained and consumed. Interestingly, the symbological activity of the creators does not cease in the Renaissance and Baroque periods, the representatives of avifauna are burdened with new meanings, while the fantastic creatures slowly disappear from the creators’ fields of view. In the third group of works distinguished here, one can notice the phenomenon of the emancipation of birds as objects of interest just as they are, although their voice is heard mostly in the digressions scattered throughout the big epic works. The autonomy of birds in the literature of Renaissance and Baroque is not linear, the way of perceiving them is determined by the individual sensitivity of the authors, the most prominent of whom are Hieronim Morsztyn (early 17th century) and an anonymous translator of the Italian Adon (2nd half of the 17th century).


A. Rupert Hall, Henry More. Magic, Religion and Experiment . Oxford: Blackwell, 1990. Pp. 304, £30.00. ISBN 0631172955 On first acquaintance it may appear strange that the 17th-century Cambridge Platonist, Henry More, should earn a place in the hall of fame represented by the Blackwell Science Biographies. Among such giants as Galileo and Newton, Lavoisier and Darwin, where stands this stalwart defender of Christianity, this seemingly credulous champion of a hidden world of spirits, a conservative thinker who joined forces with Joseph Glanvill to publicize the reality of witchcraft, a member of the Royal Society to be sure, but one who, in Professor Hall’s own words, was a wholly inactive Fellow? Described by one contemporary as the ‘Holiest Person upon the Face of the Earth’, More has enjoyed a place in the history of religious thought as an opponent of sectarian enthusiasm and architect of a more ‘latitudinarian’ creed. But what are we to make of a man who valued the experiments conducted under the aegis of the Royal Society precisely because they were ‘serviceable ... to the clear knowledge and Demonstration of the Existence of immaterial Beings’?


Slavic Review ◽  
2007 ◽  
Vol 66 (3) ◽  
pp. 463-483
Author(s):  
Joanna Niżyńska

In this article, Joanna Niżyńska explores the modes used by poets of the bruLion generation (whose debuts coincided with the end of communism) to import Frank O'Hara's poetics into Polish literature and the significance of their doing so. By employing Harold Bloom's concepts of the “anxiety of influence,” “kenosis,” and “daemonization,” Niżyńska analyzes the intergenerational impulses manifested in O'Harism in relation to the Romantic paradigm in Poland's poetic tradition. Niżyńska claims that in turning to O'Hara, such poets as Marcin Świetlicki, Jacek Podsiadło, and Miłosz Biedrzycki engaged in dialectically related modes of revisionary reading of both domestic and foreign traditions. O'Harism is interpreted as a sign of a multifaceted cultural morphogenesis that was simultaneously an act of compensation for Romantic “Polish complexes,” a self-exploration of a new poetic generation in the face of a new political and cultural reality, and a misreading of a foreign source.


Author(s):  
Lech Suchomłynow

This article is a review of Svitlana Sukhareva’s monograph Polish and Ukrainian Polish-language prose of the 17th century (ukr. «Польська та українська польськомовна проза XVII століття»). The author of the review assesses the results of the research contained in the above-mentioned monograph as necessary for the development of Ukrainian-Polish studies, primarily for the study of Polish prose of the Baroque period, because the mentioned dissertation allows for a comprehensive reflection on the literary process of the Polish-Ukrainian borderland, which the author of the monograph understands as Polish-language Ukrainian literature of the 17th century. According to Sukhomlynov, the most important achievement is the isolation of the dominant concepts of historical and regional progress, namely rhetorical, genealogical, intertextual, mythological, historical and axiological. Besides, it is one of the first detailed analyzes of Polish literature of the Baroque era in Ukrainian philology. The monograph introduces the concept of micro- and mega-species in Baroque literature, which the author of the review considers as an innovative contribution to the described research. The author of the review does not see any drawbacks in the dissertation under examination. 


2021 ◽  
Author(s):  
О. В. Гусева ◽  

Women have been involved in the creation of Polish literature since the 17th century. A new page in the history of Polish literature, which came after 1989, is associated with the rapid development of feminism. An important phenomenon of poetry at the beginning of the XXI century was the abundance of female names: at this time, the authors of the older generation, such as V. Szymborska, E. Lipska, K. Miłobędzka, J. Hartwig, continue to create, but new names also appear: J. Mueller, M. Cyranowicz, J. Bargielska, M. Podgórnik, M. Lebda, J. Fiedorchuk, M. B. Kielar. Contemporary Polish women’s poetry is very soulful, sensual and deep, it is filled with empathy, and at the same time it is subjective. Corporeality and frankness become one of the characteristic features of women’s writing: women’s poetry tells more openly and directly about the most intimate experiences.


2018 ◽  
Vol 301 (3) ◽  
pp. 462-480
Author(s):  
Dariusz Makiłła

he conclusion of peace in Oliwa on May 3, 1660, ending the Northern War begun in 1655, implied an acceptance of the provisions of earlier treaties, including the bilateral Polish–Brandenburg Treaty of Velawy (1657), regulating mutual relations between Prussia and the Republic of Poland. It was particularly important to recognise the legal and political status of Ducal Prussia after 1657. However, due to the limited recognition of the full external independence of the Prussian principality in the Treaty of Velawy, this matter was the subject of Brandenburgian efforts, aimed at strengthening this position. The problem gained special significance in the context of the coronation of Elector Frederick III as king of Prussia, as Frederick I, which in the face of Poland’s weakness was confirmed by international recognition.


2015 ◽  
Vol 67 (3) ◽  
pp. 205-217
Author(s):  
Eckhard Rohrmann

Abstract This article deals with a critical analysis of the currently popular concept of “inclusion”. It wants to show that the idea of „inclusion“ is not as new as the term, thus trying to trace the roots of this idea to the 17th century. The article also shows that inclusion currently remains a social utopia whose implementation in the face of the prevailing conditions at schools and in society is still far away.


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