Damping Values Derived from Surface-Source, Downhole-Receiver Measurements at 22 Sites in the San Francisco Bay Area of Central California and the San Fernando Valley of Southern California

Author(s):  
David M. Boore ◽  
James F. Gibbs ◽  
William B. Joyner

Abstract A method discussed in Gibbs, Boore, et al. (1994) was applied to surface-source, downhole-receiver recordings at 22 boreholes, in the San Francisco Bay area in central California and the San Fernando Valley of southern California, to determine the average damping ratio of shear waves over depth intervals ranging from about 10 m to as much as 245 m (at one site), with most maximum depths being between 35 and 90 m. The average damping values range from somewhat less than 1% to almost 8%, with little dependence on grain size for sites in sediments. Surprisingly, the average damping values for sites with average velocities greater than about 450  m/s, including, but not limited to rock sites, are generally larger than for sites with lower average velocities. The combined effect of the higher damping and shorter travel times through the rock columns, however, leads to an effective attenuation that is generally comparable or smaller than for soil sites.

Author(s):  
Sheigla Murphy ◽  
Paloma Sales ◽  
Micheline Duterte ◽  
Camille Jacinto

2020 ◽  
Vol 14 (2) ◽  
pp. 44-66
Author(s):  
José Ramón Lizárraga ◽  
Arturo Cortez

Researchers and practitioners have much to learn from drag queens, specifically Latinx queens, as they leverage everyday queerness and brownness in ways that contribute to pedagogy locally and globally, individually and collectively. Drawing on previous work examining the digital queer gestures of drag queen educators (Lizárraga & Cortez, 2019), this essay explores how non-dominant people that exist and fluctuate in the in-between of boundaries of gender, race, sexuality, the physical, and the virtual provide pedagogical overtures for imagining and organizing for new possible futures that are equitable and just. Further animated by Donna Haraway’s (2006) influential feminist post-humanist work, we interrogate how Latinx drag queens as cyborgs use digital technologies to enhance their craft and engage in powerful pedagogical moves. This essay draws from robust analyses of the digital presence of and interviews with two Latinx drag queens in the San Francisco Bay Area, as well as the online presence of a Xicanx doggie drag queen named RuPawl. Our participants actively drew on their liminality to provoke and mobilize communities around socio-political issues. In this regard, we see them engaging in transformative public cyborg jotería pedagogies that are made visible and historicized in the digital and physical world.


2016 ◽  
Vol 6 (4) ◽  
pp. 6-9
Author(s):  
David L. Ulin

Traversing the kaleidoscope of memory of early adulthood in the San Francisco bay area, David Ulin describes the places as he remembers them with picturesque account: Andrew Molera State Park, Fort Mason, Marin Headlands, Old Waldorf, and Sutro Tower, with the particulars, and what happened to his experience of time in those places that summer of 1980. Experienced as a series of fleeting memories, joining together with others who lived there for a time. They left, and so did the author, experiencing the power of temporality or “abandon” both in and from this place.


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