Epilepsiae partialis continuae case

1901 ◽  
Vol IX (2) ◽  
pp. 82-86
Author(s):  
M. M. Maevskiy
Keyword(s):  
Muscle Atrophy ◽  
Epileptic Seizure ◽  
Complete Loss ◽  
The Body ◽  
Upper Extremities ◽  
Loss Of Consciousness ◽  
Medical Review ◽  
New Type ◽  
As If

In 1894 prof. Kozhevnikov published the 4th case of a new type of epilepsy, characterized by the fact that the period between seizures is not free, but filled with constant twitching in one half of the body, as if an ordinary epileptic seizure continues constantly, but without loss of consciousness. In two of his cases, before seizures appeared, long before them convulsive twitching was found in the limbs of one side, and these convulsions began from the upper extremities, in which contractures and muscle atrophy were found. These convulsive twitchings reached the degree of an epileptic seizure with complete loss of consciousness. The same cases were described by Dr. Orlovsky in 1895 and Herman in 1896 ("Medical Review").

Kropparnas poesi

2021 ◽  
Vol 51 (1-2) ◽  
pp. 5-14
Author(s):  
Anna-Klara Bojö
Keyword(s):  
Women Writers ◽  
Young Women ◽  
Literary History ◽  
The Body ◽  
Different Types ◽  
New Type

The Bodies’ Poetry: Eva Runefelt, Eva Ström and Swedish Poetry in the Late 1970’s In the mid 1970’s a new type of poetry, associated with the body, emerged in Sweden. Especially young women writers appeared to take Swedish poetry in new aesthetic directions, exploring questions regarding experience and language. This article focuses on two prominent writers, Eva Runefelt and Eva Ström, and discusses how their different types of poetry can be said to be a bodies’ poetry, and how it was discussed in contemporary literary critique. It also reflects on why this strand of poetry has been granted such a peripheral place in literary history.

The Shroud of Turin

1997 ◽  
Vol 9 (1) ◽  
pp. 121-140
Author(s):  
Thaddeus J. Trenn ◽  
Keyword(s):  
Body Image ◽  
Scientific Evidence ◽  
The Body ◽  
Religious Art ◽  
Satisfactory Explanation ◽  
Marshall Mcluhan ◽  
Modern Age ◽  
Shroud Of Turin ◽  
High Degree ◽  
As If

The Shroud of Turin, a linen cloth with but a faint image, continues to capture the interest of many people of diverse beliefs. Although the measured age of the cloth is relatively recent, other scientific findings indicate an earlier provenance. Any firm conclusions regarding the cloth's history remain premature. No satisfactory explanation has been found as yet for how the image on the cloth was produced structurally or stylistically. Iconographic evidence suggests that the image was the source of facial peculiarities found in early works of religious art. The body image bears a striking yet preternatural correlation with Scriptural accounts of wounds. Curiously, the image on the cloth functions as a photographic negative, exhibiting a high degree of resolution, as if the original were produced in pixels. Despite serious efforts to discover some artistic origin md medium, scientific evidence points in the direction that it was not produced by hands. If it is tme that the medium is the message, as Marshall McLuhan wrote, then the Turin Shroud may be a parable for the modern age.

XXIV. Observations on the Chariots of the antient Britains. By the Rev. Mr. Pegge. In a Letter to the Rev. Mr. Norris

Archaeologia ◽  
1785 ◽  
Vol 7 ◽  
pp. 211-213
Author(s):  
Pegge
Keyword(s):  
The Body ◽  
Common Mistake ◽  
Proper Name ◽  
The Common ◽  
As If

Besides the common mistake of the annalists and historians in regard to this passage in Juvenal,Regem aliquem capies, aut de temone BritannoExcidet Arviragus—Juvenal IV. 126.By taking Arviragus for the proper name of a person, and not of an officer; the words of the satyrist are memorable in another respect, as serving to inform us, by the word temone, of a singular mode of fighting amongst the Britons; as if by leaving his carriage, and running upon the pole, the combatant from thence, or from the yoke, engaged the enemy, as long as he thought prudent and convenient, and then retreated back into the body of the vehicle.

scholarly journals Magnetic behaviour of supraconducting tin spheres

1935 ◽  
Vol 151 (873) ◽  
pp. 316-333 ◽  
Author(s):  
K. Mendelssohn ◽  
J. D. Babbitt ◽  
Frederick Alexander Lindemann
Keyword(s):  
Magnetic Field ◽  
External Magnetic Field ◽  
Magnetic Force ◽  
Magnetic Behaviour ◽  
The Body ◽  
Whole Body ◽  
Measured Field ◽  
Lines Of Force ◽  
As If ◽  
Field Strengths

Until a year ago it was generally accepted that if a body is made supraconducting while in a magnetic field the lines of magnetic force were "frozen in," i. e ., whatever lines of force passed through the body at the time when it became supraconducting remained there afterwards, unaffected by any change in the external field, so long as the body was supraconducting. Meissner and Ochsenfeld, however, showed that this supposition was not true. They measured field strengths in the immediate neighbourhood of cylinders which had been cooled to supraconductivity in an external magnetic field, and found that the field of force was then of the same nature as that to be expected in the neighbourhood of perfectly diamagnetic bodies. Thus it appeared that when a body becomes supraconducting in a magnetic field the lines of force are all pressed out of the body, and the induction inside the body falls to zero. At the same time, however, these authors report on another experiment, the result of which appears to us not entirely in accordance with the assumption that the induction in the whole body became zero. They measured the field strengths inside and outside a hollow cylinder, after it had become supraconducting in a field perpendicular to its axis, and found again that the field strength outside was as if the cylinder were almost perfectly diamagnetic, but the field inside was appreciably the same as if the cylinder were non-supraconducting. We therefore made a number of experiments, hoping to find out more exactly the nature of the phenomenon.

Enhanced surface hydrophilicity of polylactic acid sutures treated by lipase and chitosan

2018 ◽  
Vol 89 (16) ◽  
pp. 3291-3302 ◽  
Author(s):  
Shuqiang Liu ◽  
Mingfang Liu ◽  
Gaihong Wu ◽  
Xiaofang Zhang ◽  
Juanjuan Yu ◽  
...  
Keyword(s):  
Reaction Time ◽  
Friction Coefficient ◽  
Surface Area ◽  
Polylactic Acid ◽  
The Body ◽  
Optimal Conditions ◽  
Absorbable Sutures ◽  
Surgical Sutures ◽  
New Type ◽  
Enhanced Surface

Polylactic acid (PLA) surgical sutures are a new type of absorbable sutures that can be degraded and absorbed in the body. However, there is high hydrophobicity for the surface of PLA sutures, which leads to poor biocompatibility and cellular affinity. In order to increase the hydrophilicity, the PLA sutures were etched by lipase firstly, and then grafted with chitosan. The results indicate that the optimal conditions of treating PLA sutures by lipase were as follows: 45℃ reaction temperature, 4.5 g/L concentration of lipase and 8 h reaction time. The sutures were etched by lipase and then formed some grooves and a number of hydroxyl (-OH) bonds, which led to increased surface area and hydrophilicity, but a drop in mass and strength. The optimal conditions of grafting chitosan onto PLA sutures were as follows: 4 h reaction time and 3 g/L concentration of chitosan. The chitosan grafted and loaded on the surface of PLA sutures, and in some areas of the sutures the chitosan reunited, which led to a rough surface and large friction coefficient. Finally, the hydrophilicity of the PLA sutures, treated by lipase and then grafted with chitosan, was greatly improved.

scholarly journals Playing-Related Musculoskeletal Disorders, Risk Factors, and Treatment Efficacy in a Large Sample of Oboists

2022 ◽  
Vol 12 ◽  
Author(s):  
Heather M. Macdonald ◽  
Stéphanie K. Lavigne ◽  
Andrew E. Reineberg ◽  
Michael H. Thaut
Keyword(s):  
Risk Factors ◽  
Musculoskeletal Disorders ◽  
Risk Groups ◽  
The Body ◽  
Upper Extremities ◽  
Online Questionnaire ◽  
Severe Injuries ◽  
Instrument Choice ◽  
Linear Relationships ◽  
The Right

ObjectivesDuring their lifetimes, a majority of musicians experience playing-related musculoskeletal disorders (PRMD). PRMD prevalence is tied to instrument choice, yet most studies examine heterogeneous groups of musicians, leaving some high-risk groups such as oboists understudied. This paper aims to (1) ascertain the prevalence and nature of PRMDs in oboists, (2) determine relevant risk factors, and (3) evaluate the efficacy of treatment methods in preventing and remedying injuries in oboe players.MethodsA 10-question online questionnaire on PRMDs and their treatments was completed by 223 oboists. PRMDs were compared across gender, weekly playing hours, career level, age, and years of playing experience.ResultsOf all respondents, 74.9% (167/223) reported having had at least one PRMD in their lifetime. A majority of these injuries (61.9% of all respondents) were of moderate to extreme severity (5 or higher on a scale of 1 to 10). Females (mean = 5.88) reported significantly more severe injuries than males. No significant effects of career level (i.e., professional vs. student vs. amateur), age, or years of playing experience were observed. We found significant non-linear relationships between weekly playing hours and PRMD prevalence and severity. Injuries were most commonly on the right side of the body, with the right thumb, wrist, hand, and forearm being most affected in frequency and severity. Of those injuries for which recovery information was provided, only 26.1% of injuries were “completely recovered.” The perceived effectiveness of a few treatments (physical therapy, rest, stretching, occupational therapy, massage) tended to be ranked more highly than others.ConclusionThe oboists in this study experienced high rates of PRMD, particularly in the right upper extremities. Females and those playing 7-9 and 16-18 h per week reported a significantly higher severity of injuries than other groups.

scholarly journals Falsification of content: decadence and simplification as the extreme forms of internal protest of the heroines of M. V. Krestovskaya’s novella “The Outcry”

Litera ◽  
2020 ◽  
pp. 56-74
Author(s):  
Anna Kharitonova
Keyword(s):  
Russian Literature ◽  
The Body ◽  
Literary Studies ◽  
Its Analysis ◽  
Literary Context ◽  
New Type

This article examines novella by Maria Krestovskaya “The Outcry” (1900) in the context of reception of the phenomenon of decadence in Russian literature of turn of the XIX – XX centuries. This novella by the mostly forgotten writer, who in her works refers mostly to the female topics (love, family, and profession), is currently of particular interest from the perspective of reflection of cultural trends of that time. A “typical female story” about the unhappy marriage, aimed against the power of money, insincerity and lack of freedom, puts decadence to the forefront of narration as a cultural emblem of the era, revealing the inner motifs and mechanism, which led one of the heroines to an ostentatiously decadent behavior. A contrasts form of protest against the bourgeois world in the novella is the ideology of simplification. The scientific novelty of the conducted research is defined by paucity of research on the works of M. V. Krestovskaya, and absence of special works within the modern literary studies dedicated to her writing heritage. The author’s contribution consists in introduction of novella “The Outcry” into the extensive Russian-European cultural and historical-literary context, as well as its analysis from the perspective of worldview trends and aesthetic influences of the late XIX – early XX centuries. The research proves that this text, which is not the only resort of M. V. Krestovskaya to a new type of here of the “end of century”, can be justifiably attributed to the body of work devoted to the heroes-decadents.

scholarly journals Intimacy and its violation: on the experience of illness in contemporary women's poetry

2021 ◽  
Author(s):  
Beata Morzyńska-Wrzosek
Keyword(s):  
Hospital Setting ◽  
The Body ◽  
Women's Poetry ◽  
Research Perspective ◽  
Artistic Representations ◽  
Body Boundary ◽  
New Type ◽  
The Subject ◽  
Experience Of Illness ◽  
Subjective Identity

This article discusses selected aspects of the problem of self-perception by a sick individual, specific to the poetry of Polish women of the last few decades. The aim of the analysis is to show that the body is central to the illness experience and that a new type of intimacy appears in connection with its ailment. This is a „clinical intimacy”, the specificity of which is defined by a confrontation with suffering, the proliferation of the feeling of isolation, the intensity of emotions related to making the body public, its discovery and exposure in a hospital setting. The issue of „gender expropriation” in a marginal situation is also important, as is the scar, wound, physical violation of the body boundary, read as the „punctum” of the patient's body. The interpretation emphasises the individualization of artistic representations of the aforementioned aspects of „clinical intimacy”. The anthropological research perspective adopted in the sketch allows for the diagnosis of the subject matter in the context of the process of shaping subjective identity.

Emotion Gesture Art

Leonardo ◽  
2010 ◽  
Vol 43 (3) ◽  
pp. 308-309
Author(s):  
Eunjung Han ◽  
Chee-Onn Wong ◽  
Keechul Jung ◽  
Kyung Ho Lee
Keyword(s):  
User Modeling ◽  
Affective Computing ◽  
The Body ◽  
Body Posture ◽  
Unique Combination ◽  
Art Installation ◽  
Emotional Feeling ◽  
New Type ◽  
System Prototype

Emotion gesture art is a new type of user modeling and representation in a form of aesthetic art. It consists of a unique combination of color, sound and animation (shape) that in itself creates the same emotional feeling for spectators. Emotion gesture art takes the body posture expression and remaps the communication of emotions into an aesthetic representation. This paper also presents an emotion gesture art installation (eG-art), a system prototype for affective computing. This installation will allow a smart blend of a system for affective computing with aesthetic art representation.

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