scholarly journals To casuistry of sexual perversions

2020 ◽  
Vol VIII (2) ◽  
pp. 164-168
Author(s):  
S. S. Sukhanov

As you know, sexual perversions can be expressed in a very diverse form. Consideration of various external manifestations of this anomaly is not included in our task. In the proposed work, we would like to give only a brief description of one case of sexual perversion, which occurs in the form described below, apparently not often.

Author(s):  
Shearer West

This chapter considers the origin and significance of three terms widely used to characterize a decadent periodization in Britain, the United States, and France: fin de siècle, Gilded Age, and Belle Époque. While these terms were used loosely, and in some cases retrospectively, to describe the last thirty years of the nineteenth century, they also highlight dominant social narratives of the period. These decades witnessed unprecedented economic growth, rapid technological progress, and relative peace following such crises as the Franco-Prussian War in Europe and the Civil War in the United States. However, the cultural products of decadence were more likely to emphasize millennial doom, nervous exhaustion, sexual perversion, and scientific failure, while the decadent style was seen as a novel way of expressing how it felt to live in an era in which the pace of modern life brought with it febrile cultural, social, and political change.


1900 ◽  
Vol 46 (192) ◽  
pp. 83-87
Author(s):  
Geoffrey Hungerford

The term hysteria among the ancient Greeks had reference to a disease primarily due to some abnormal state of the female generative organs. Even yet we assign a foremost place to the sexual elements in hysteria, but more as a symptom than as a cause of the disease. We find that the greater the number of cases we investigate the more we shall be impressed by the fact that a marked element of sexual perversion generally exists, at times so dominating the reasoning powers of the patient that he becomes firmly convinced that unless his sexual desire is indulged the community will suffer in some inexplicable manner. In a recent case I found this symptom strongly marked in connection with the habit of masturbation. As a rule the “delusional errors” of these patients are vague. They generally can be brought to admit that their ideas are erroneous; and their ability or otherwise to do this should, I think, bear much weight with regard to prognosis.


JURNAL BELO ◽  
2020 ◽  
Vol 5 (2) ◽  
pp. 57-73
Author(s):  
Denny Latumaerissa

Essentially violent crime can occur wherever, anytime, and can be done by anyone without any distinction sex. That is guilty can male or female. The reality that occurs suggests that female also often perpetrated a violent crimes. Such as happened in the city of Ambon, which according to the data from Polresta  P.Ambon and P. P lease, suggests that from 2017 until 2019, there are 14 ( fourteen ) violence made by women on jurisdiction. That has been a problem in writing this is what has been factor-factor cause violence carried out by women in the city ambon. Factors influencing the so that a woman committed violence in the city of Ambon is the family, the motivation, / sexual disorder of sexual perversion, and the role of the victim


FORUM ◽  
2011 ◽  
pp. 101-112
Author(s):  
Sabar Rustomjee

This article describes differences and similarities in conducting analytic individual and group psychotherapy in a 19-year-old single Indian Hindu woman who had recently immigrated to Melbourne. This case is complicated. Transference relationships between therapist and client arising from both eastern and western cultures had to be taken into consideration and required much self-questioning. Not only does the client present in a unique manner, but the entire case material presented is equally unusual. The acceptance of female sexuality in Indian culture expressed lovingly through dance and music by the client as dancer in her adoration of Hindu gods and goddesses is described. The therapist found herself in an unaccountable state of fear early in the therapy that she was later able to uncover and relate to an early encounter with a potentially unpredictable and violent tribe, the Hijras, who present with a rare form of sexual perversion. The case ends with healthy separation and individuation by the client.Este artículo describe diferencias y similitudes en la conducción de psicoterapia individual y grupal en una mujer hindú soltera de 19 ańos que había emigrado recientemente a Melbourne. Es un caso complicado. Hubo que tomar en consideración y auto-cuestionar mucho la relación transferencial entre terapeuta y cliente emergente de la cultura oriental y occidental. No solo se presenta la cliente de una forma única sino que todo el material del caso es igualmente inusual. Se describe la aceptación de la sexualidad femenina en la cultura india, amorosamente expresada a través de la danza y la música por la cliente en su baile de adoración a dioses y diosas hindúes. La terapeuta se encontró en un estado inexplicable de temor desde los comienzos de la terapia, que más tarde pudo descifrar y relacionar con un encuentro temprano con una tribu potencialmente impredectible y violenta, los Hijras, que presentan una extrańa forma de perversión sexual. El caso termina con una separación e individuación saludable por parte de la cliente.


Author(s):  
Meredith McNeill Hale

This chapter addresses two related subjects, the reception of De Hooghe’s satires and the role of the satirist. The focus of this discussion is the so-called Pamphlet War of 1690, the primary vehicle for much of the criticism of De Hooghe’s satires. In twelve scathing pamphlets published against Romeyn de Hooghe in the first several months of 1690, witnesses alleged his blasphemy, atheism, and sexual perversion, and embroiled him in a fevered exchange of pamphlets with representatives of Amsterdam. While such rhetoric employed against the printmaker in pamphlet literature vividly described his manifold immorality, Hollands hollende koe (Holland’s running cow), an anti-Williamite satire produced by the printmaker’s enemies in his distinctive etching style, provided material ‘evidence’ of his lack of integrity. With this print, De Hooghe was accused of working for both sides of the political divide—producing Orangist satires for William III and anti-Williamite satires for the Amsterdam regents. The potency of Hollands hollende koe depends fundamentally upon the assumption of integrity between satirist and satire, the notion that he or she believes in the positions and ideologies espoused in his or her satires. It will be argued that the conflation of satirist and satire and the attendant expectation of moral conviction on the part of the satirist are not only associated with the genre of political satire, they are engendered by it and feature prominently throughout its history.


Author(s):  
Rowdy Yates

Purpose As the clamour within the drug treatment field in the UK – and throughout much of Europe – increases, leading agencies are arguing for a review of the current legislation and a change in focus away from criminal justice and towards a more public health understanding of addiction. Therapeutic communities have found themselves united with many drug users-led campaigns to argue for a wholesale restructuring of the legislative, policy and funding arrangements which recognises the role of recovery-oriented interventions within the mix. Given these on-going debates, it is perhaps useful to understand how the current arrangements were established [1]. Design/methodology/approach In 1850s, the sale of opium – like alcohol – was largely unregulated. It was widely used, in a variety of preparations, by all classes for medical and non-medical purposes. A pennyworth of opium was as likely (perhaps more likely) as a pound of potatoes to find its way into the weekly shopping basket. Findings By the 1920s, the Fu Manchu novels of Sax Rohmer – with their tales of innocent English virgins being seduced into crime and sexual perversion by an evil Chinese genius who lurked within the opium dens of Edwardian Britain – had redefined opium as a drug of the outside, the deadly, an agent in the enslavement of innocence. Originality/value This dramatic change was largely brought about by the introduction of an array of new medications and a move away from traditional “herbal” remedies. This change was accelerated by the experiences of the First World War and underpinned by the print media and laid the foundations of the legislation and policy of the present day.


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