scholarly journals SOUND RECORDING TECHNOLOGIES INFLUENCE ON CREATION AND TRANSLATION OF MUSICAL PIECES

Author(s):  
A. M. Tormakhova

The article is devoted to the analysis of the influence of technology evolution on the process of producing and replicating works of art. There is a trans- formation of musical creativity, which occurs due to the opportunities that arise because of sound recording technologies development, processing and reproduction of musical sound. The process of performing a musical pieces and actually creating it are experiencing great improvisation. Live looping en- ables recording and playing looped audio samples in real time using special devices or software. The ability to create audio tracks and to use them in "real time" can concern both the concert activity of leading and well-known musicians, recordings in professional studios of performers of different genre and style directions, but the most expedient and influential are those who create compositions in "amateur" single. This expediency is based on the spectrum of practical application of one's own voice, which is impossible without devices equipped with such a technology. The development of artistic practice is not possible beyond the cultural context. Changes in one of the cultural spheres associated with emergence of ability to record audio, emergence of new tech- nologies, software – necessarily lead to essential or structural modifications in other areas. Using the principle of live looping allows you bypass most of the links associated with the show business infrastructure. However, the essence and stages of creative process remain largely unchanged. Improvisation, which is proclaimed as the main form of presentation of musical material while using live looping, becomes a pledge of creative maturity and skill of the performer, who acts as a composer, arranger and sometimes even a conductor. The development of the technological level helps create artistic projects, the appearance and implementation of which will depend on one person.

2012 ◽  
Vol 17 (3) ◽  
pp. 223-229 ◽  
Author(s):  
Budhaditya Chattopadhyay

This article investigates the essential association between location and sound, mediated and represented by the process of recording and the subsequent creation of an artwork. The basic argument this article would like to develop is that location-specific sound recording, as practised by artists and phonographers, is basically an exercise in disembodiment of sound from environment, whether it is observational or immersive in approach; if the purpose of this mediation by recording is artistically reconstructive, the location-specificity of the recorded sound is displaced by the further mediation of the creative process. By developing the argument from an experimental angle, in relation to an audio art projectLandscape in Metamorphoses, this article will try to examine how the discourse of acoustic ecology becomes reconfigured in the shift from environmental sound content recorded at location to production of soundscape composition as audio artwork. Today, the application of digital media to artistic practice has become integral – in the case of audio art via creation of auditory art works (for both spatial diffusion and live interaction); this can bring about a reconfiguration of environmental aesthetics. The article will find relevance in redesigning the ecological discourse in the digital realm of ‘soundscaping’ through the practice of mediation, as composing of the sound of location, or ‘place’.


Costume ◽  
2019 ◽  
Vol 53 (2) ◽  
pp. 161-185
Author(s):  
Ana Balda Arana

This article investigates how the traditional attire and religious iconography of Cristóbal Balenciaga's (1895–1972) country of origin inspired his designs. The arguments presented here build on what has already been established on the subject, provide new data regarding the cultural context that informed the couturier's creative process (with which the Anglo-Saxon world is less familiar) and conclude by investigating the reasons and timing of his exploration of these fields. They suggest why this Spanish influence is present in his innovations in the 1950s and 1960s and go beyond clichéd interpretations of the ruffles of flamenco dress and bullfighters’ jackets. The findings derive from research for the author's doctoral thesis and her curatorial contribution to the exhibition Coal and Velvet. Balenciaga and Ortiz Echagüe. Views on the Popular Costume (Balenciaga Museum, Getaria, Spain, 7 October 2016–7 May 2017).


2020 ◽  
Vol 50 (2) ◽  
pp. 319-336
Author(s):  
Zosia Kuczyńska

The Brian Friel Papers at the NLI reveal a long and relatively unexplored history of major and minor influences on Friel's plays. As the archive attests, these influences manifest themselves in ways that range from the superficial to the deeply structural. In this article, I draw on original archival research into the composition process of Friel's genre-defining play Faith Healer (1979) to bring to light a model of influence that operates at the level of artistic practice. Specifically, I examine the extent to which Friel's officially unacknowledged encounter with a book of interviews with painter Francis Bacon influenced the play in terms of character, language, and form. I suggest that Bacon's creative process – incorporating his ideas on the role of the artist, the workings of chance, and the extent to which art does violence to fact – may have had a major influence on both the play's development and on Friel's development as an artist.


1991 ◽  
Vol 24 (6) ◽  
pp. 171-177 ◽  
Author(s):  
Zeng Fantang ◽  
Xu Zhencheng ◽  
Chen Xiancheng

A real-time mathematical model for three-dimensional tidal flow and water quality is presented in this paper. A control-volume-based difference method and a “power interpolation distribution” advocated by Patankar (1984) have been employed, and a concept of “separating the top-layer water” has been developed to solve the movable boundary problem. The model is unconditionally stable and convergent. Practical application of the model is illustrated by an example for the Pearl River Estuary.


Author(s):  
Qiang Yu ◽  
Feiqiang Liu ◽  
Long Xiao ◽  
Zitao Liu ◽  
Xiaomin Yang

Deep-learning (DL)-based methods are of growing importance in the field of single image super-resolution (SISR). The practical application of these DL-based models is a remaining problem due to the requirement of heavy computation and huge storage resources. The powerful feature maps of hidden layers in convolutional neural networks (CNN) help the model learn useful information. However, there exists redundancy among feature maps, which can be further exploited. To address these issues, this paper proposes a lightweight efficient feature generating network (EFGN) for SISR by constructing the efficient feature generating block (EFGB). Specifically, the EFGB can conduct plain operations on the original features to produce more feature maps with parameters slightly increasing. With the help of these extra feature maps, the network can extract more useful information from low resolution (LR) images to reconstruct the desired high resolution (HR) images. Experiments conducted on the benchmark datasets demonstrate that the proposed EFGN can outperform other deep-learning based methods in most cases and possess relatively lower model complexity. Additionally, the running time measurement indicates the feasibility of real-time monitoring.


2012 ◽  
Vol 463-464 ◽  
pp. 1277-1280 ◽  
Author(s):  
Constantin Bucşan ◽  
Mihai Avram

This paper presents a method for increasing the speed and the positioning accuracy of the positioning systems with mechanical position feedback. The method consists in using a position transducer for real time determination of the position of the load and correcting this position using an adequate algorithm. It is preferable not to modify the construction of the positioning unit, allowing the user to decide when to use this correction method according to the practical application. An interesting solution to this problem is to use an external space-position finding sensing system, as presented in the paper.


Due to rise in population, the waste disposed by human has become enormous. This paper deals with a real time practical application of designing and building a prototype for an automatic opening and closing of dustbin on the detection of the human intervention who wish to throw out their trash. In this system the level of garbage in the bin can be known by the use of sensors. Each dustbin has a unique ID. If the garbage in the bin reaches the threshold level, the garbage collectors are given information based on which they can collect the garbage. In case the dustbins reach threshold level, user will not be able to access the bin. In order to avoid the decaying smell around the bin the harmless chemical sprinklers are used. Further, the garbage is segregated into bio degradable and non-biodegradable wet and dry waste using a conveyor belt. Internally electric oven burns the dry waste and the ashes are used for certain applications such as in cleaning the pond and in preventing the growth of algae in the pond water. The wet wastes are made to decompose and it acts as a fertilizer to the fields. The plastic wastes collected are used in building plastic tar roads


2012 ◽  
Vol 224 ◽  
pp. 547-550 ◽  
Author(s):  
Wei Dong Geng ◽  
Yu Gong ◽  
Li Zhang ◽  
Jian An ◽  
Jian De Wu

Designing the three dimensional (3D) GIS software used in monitoring mineral pipeline transporting system. The software can truly show and restore the geography of project and the features of terrain .The operator can not only examine and grasp the true situation of the distribution of pipeline, but also keep watch on the secure running of the pipeline by real-time remote video in the remote control room. The practical application indicates that the pipeline can run safely, stably and efficiently with the monitoring system.


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